Blue_Opossum

Morning of November 6, 2017. Monday.



In my dream, I am seemingly implied to be in our present home, though it is very different. For a time, our youngest son is watching television and our youngest daughter is also present. (In my dream, our television seems to be in the center of a much larger version of our kitchen and facing north. In actuality, it is in our lounge room and faces south.)

At one point, there are distortions in the television screen. There is too much red dominating the overall image. I read the instruction manual and there is information about adjusting colors. It specifically mentions that the small elongated knob for adjusting red is to the right of the knob for adjustment of the extent of black and that the knob for red must be turned to the left to decrease the color and prevent it from being too bright or bleeding into other images. There are a number of small plastic knobs on the back of the television.

After a time, I notice that it appears to have worked. The picture looks a bit more balanced. However, I eventually notice that features that are supposed to be red (including some sort of oval timer superimposed at the top left of the screen) are now a pale purple and I consider adjusting it again.

Our youngest son watches a show about video games and their characters. I notice that the television is on its side so that now the image is vertically rectangular, yet fits the scenes that show people standing, as their feet are correctly downward. This seems strange to me. Eventually however, the television is back in its previous position where it is viewed as normal widescreen. Still, I had placed it on the floor yet consider it is not really watchable while in that position. During this time, I had not adjusted other knobs.

I adjust the knob for red again, slowly turning it a short distance back to the right, as well as turning a few knobs for other colors. Soon, something happens and the picture becomes smaller and there are now only random horizontal white lines on the screen. This occurs after a sort of popping noise. Our youngest daughter puts her feet against the screen. I consider that I must have destroyed the television by changing the colors too much. I know that it will be very expensive to replace.

I go to tell Zsuzsanna about the ruined television. She is sitting back on our bed. At first, I think she had injured her forehead somehow. I eventually see that she has a black sleeping eye mask partly on though the eye patches are doubled up on her forehead, above the area between her eyes. My dream eventually fades from this point.

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There are a few subliminal dream state indicators here. One is how the television is on its side at one point as relating to how the physical body is different in sleep in lying down - as well as the eyes seeing the environment as “turned sideways” when lying on one’s side. The main indicator is my subliminal knowledge of red being an end marker for the dream state. Red typically only dominates a dream when I am closer to waking after sleeping a bit too long and as such, is analogous to a “red alert” (a more dominating RAS factor). Although I am not lucid, I still maintain this realization subliminally, and deliberately lower the red value in the television’s image. I do this by turning the knob to the left with the knob for black on the left side of that one, black symbolizing being unconscious, so a part of my unconsciousness is aware of this, that is, deliberately trying to go back into unconsciousness to sustain my dream, even though I am not otherwise viably lucid.

This aspect of black as symbolizing unconsciousness is carried over as a dream state indicator in seeing Zsuzsanna in bed though awake, yet having a black sleeping eye mask doubled up over her “third eye”. (The third eye refers to the gate that leads to inner realms, yet I still do not realize I am dreaming at this point. There have been thousands of dreams with very precise dream state indicators as in this dream, where I still did not become viably lucid, though many others where I have.)

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Morning of May 17, 2017. Wednesday.



I was experimenting with a different type of induction last night. Needless to say, it had a very odd influence. Only the last scene is partly based on a conscious script.

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In the first scene, I am in bed in our present home but not lucid. I am aware that we have a 3D printer in the lounge room. Zsuzsanna tells me about making something with it and I assume she means something like a figurine, perhaps a cat or teddy bear knickknack.

Instead, she brings over what she made and it turns out to be a section of teal-colored embossed cardboard of about A3 size. It is somewhat shiny and the design is made up of equidistant curled leaves with S-shaped lines connecting them.

The personified preconscious appears, but curiously does not dominate the scene or initiate any familiar waking symbolism. He seems to be wearing some sort of large orthodontic headgear, like a metal frame slightly higher than his head and sitting on his shoulders. We sit facing each other. I see “him” as some sort of unusual “partner” who may actually be female. I vaguely think of my mother (though my father as well for a short time), especially as the setting seems to be a version of the northeast corner of the Cubitis living room - but I seem to think we are the same age even though “he” seems to be around eighty years old. I try to project deep love into his (her?) eyes. We might even have been married for fifty years or so. The eyes knowingly gaze back at me and I sense both weariness and incredible persistence despite the state of their health. I try to be sincere in my love, regardless of how bizarre this entity appears. I want to make sure that this entity is aware of my love for them. I keep staring at “him” and slowly, it seems that she is going to go shopping.

I stand up and look down at her as she is still sitting and facing me. The inside of her head is mostly hollow, somewhat like a container. It seems very strange to me that there is no discernible brain. In fact, the back of her head is mostly missing. When she looks up at me, a lot of white and red fluid flows from the back of her head (over the lower edge of the open space) onto the floor. I am puzzled as to whether this could be problematic and whether it relates to some sort of left-over brain energy. I tell her of this but she seems slightly annoyed over my concern for her and gets up to go shopping. At this point, the area seems to be somewhat like the second floor of the King Street boarding house, the second room back from the front (north) of the mansion. However, it turns back into the Cubitis living room in the next scene.

I am in the semidarkness now but a doorway is discernible from where some light is coming through. It is a bit east of where the hidden door was in reality to the room my father built (which blended in perfectly with the knotty pine wall as it was the same piece from the wall).

I go over to it and look out and see that it seems to be late morning. There is a slight lucidity, which begins to grow. I absentmindedly create several random dream characters that walk about in the yard between the orange grove and the carport. Despite doing this, I am not fully lucid (and still consider whether I am dreaming or not). I feel slightly annoyed that the doorway does not seem wide enough to suit me (even though it is). I use my right hand and arm to actually move the entire right door frame so that it slides back like a sliding door (even though it is not a sliding door). (Despite my age, I do not presently recall doing this specific act before in a dream, as potential re-induction is usually only based on opening a door, not causing the doorway and wall to change).

I walk over and sit on the ground and have a younger version of Zsuzsanna stand over me and we soon indulge in lovemaking. An unknown young Asian male, in some sort of Darth Vader costume (though without the mask) stands too close to us for a time. I push him away, though not making him fall over. There is a soft awakening, but quite different than the blissful one of one of my dreams from yesterday.

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This is apparently the first time that re-induction was subliminally initiated by the “brains” of the preconscious persona spilling out of the back of “his” head onto the floor. Whatever next. (This level of subliminal control over the transpersonal is amazing, I think.) At least it delayed my waking transition for about ten minutes.

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Morning of May 13, 2015. Wednesday.



My wife and I are looking through a large window. The setting is seemingly my old bedroom in Cubitis though the window (not as it was in real life) is seemingly just an open area to look through a wall to the south (without any window features to block or distort any of the sky scene). I study the nighttime sky and notice a series of red and blue stars in no particular pattern. Some of them do imply a vertical line, though not straight. They also seem to be planets at some points and all the round shapes are all the same size. I have a slight concern as to whether or not this is a possible threat (and concern about how close these supposed stars or planets are to Earth), but it is not that clear an emotion. There are about a dozen in all, not that close together, though somewhat constellation-like.

The imagery is not quite right, though. I sometimes get the impression at times that some of the cloud cover is behind a few of the stars which is of course impossible. Also, I seem to be aware that the stars are casting shadows against the backdrop of space, which is also ridiculous. Still, the imagery is beautiful. It reminds me of my prenatal memories and what seemed to be prenatal dreams, the main one featuring red and blue stars - or mostly the change of such, and their coming into existence or fading depending on my level of attention and focusing upon them or their potential to exist, almost as if they represented how conscious I was in the womb (relative to their brightness).

Morning of June 28, 2014. Saturday.



My wife Zsuzsanna’s younger brother George is visiting us at our present address and I am telling him of my unusual dream about a red sailboat. This event actually happens in a longer-lasting false awakening. Zsuzsanna and I are together on our bed and he is also on our bed a bit farther over, with his cellphone. I believe there is an image on his cellphone that has something to do with my other dream, or at least something about sailboats or the ocean.

In real life however, I would not consider talking with him about dreams, as he has no interest in anything related to either dreams or spirituality (though that is moot I suppose, as most people have zero understanding of dreams and the nature of the dream state, though Zsuzsanna and I have an advanced understanding - validated of course by the fact she is my literal dream girl, and we share our dreams); so as such, even though this is a false awakening, it is one that represents a highly unlikely scenario, unlike those where you dream you have awakened and are recording your dream in a journal or notepad or are relating it to someone you might be inclined to in reality.

The linked primary dream prior to this false awakening involves me floating over the scene where I am looking down at the ocean towards sunrise or sunset. A sailboat passes within my line of vision (seemingly moving “upwards” in my perspective and orientation). Everything in the environment is of a normal natural color except for (eventually) everything related to the sailboat, which appears to be covered in some sort of odd, fluid “paint” which I actually see cover everything relating to the sailboat fairly quickly. The sailboat and everything on it is soon red, including the sails and all the man’s body (skin and hair) and clothes. Everything is completely red all around, somehow more “solid” than just a lighting effect.

Later, the sailboat seems to crash onto a beach (and it then seems a few hours earlier than just before rather than logically later - unless it is implied to be the next morning) with no one hurt. There are several people on the beach. The man soon gets out of the sailboat and the colors seem to go back to normal.

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Typically, red only dominates a dream when my breathing is accelerated (validated by witnesses during my virtually countless experiments with dreams in the 1980s) or when I have slept a little too long, which makes sense here, as a sailboat is both an autosymbolic extension of the physical body (subliminally perceived) and the sails are a breathing analogy as revealed in instances of hypnopompic disclosure (when the meaning of a dream’s autosymbolism surfaces upon waking).

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Morning of April 7, 1974. Sunday.



I am somehow in the distant past in my “orb” form, though not sure if the implied journey was by time machine, by mental will, or due to some sort of cosmic event (as there is no recalled backstory).

Everything has a sort of strange red glow, not all the same shade, but close. There are reddish dinosaurs such as brontosaurus (apatosaurus) and “cavemen” with red hair living during the same time period. Some of these cavemen, however, are more like stereotypical movie vikings and wearing horned helmets and carrying spears with reddish arrowheads. I have a strange impression that this shade of red is “extinct” and had only existed during these more “primitive” times. The red lava seems to pose a possible threat to this world but I am not bothered.

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Red dominating a dream’s rendering sometimes relates to having slept a bit too long and such seems to be the case here.

Morning of January 11, 1970. Sunday.



This was another favorite dream for a time, also at nine, and it had a few visually precognitive elements relative to Carol Burnett and Lucille Ball’s careers several years later. In my dream, I was in some sort of movie they were making called “The Story of Red”, which also had songs and poetry. (Oddly, I did not originally document the play on the fact that they were both redheads. In fact, this part “escaped” me completely at that age, for some reason.) There were some very moving scenes. I was given a special pair of red glasses that only allowed me to see in red (or rather - allowed me to only see things that were red - everything else was just a black background otherwise). I listen to the music, poetry, and the special narration. I look into blackness (seemingly from the doorway of an unknown kitchen - which seemed to be precognitive relative to a later location I had not been in prior) and see the beauty of a fire truck (and hear its seemingly melancholy siren - which seems to manifest a strange “false nostalgia” in my dream) going to put out a fire. I feel very aware. The fire truck seems to be moving towards me, but not directly, as it is oriented more to the right.

Later on, there is more poetry, often starting out with something like “red…the color of an apple…” - and talking about the beauty of the seasons (such as regarding autumn leaves) and such.

Near the end of my dream, I am seemingly living in a basement in a (fictional?) house where both Carol Burnett and Lucille Ball live (as if they are somehow both my mothers, perhaps). (This seems related to an episode of “The Lucy Show” that I saw on the night of October 31, 1966. In fact, it seems there was a “prototype” of this dream on that date.) Features of the room also resemble the apartment on Rose Street, where I had not lived in about four years.

I am eventually in a folding bed (rollaway cot) near an old winter stove (almost as if I am preparing to wake up by going to sleep within the dream). All of a sudden, hundreds of pieces of coal (or charcoal briquettes) emerge from the stove (far more than it could actually realistically hold) into the room, like some sort of “flood” and I “float” on top near the end of my dream, getting higher and higher for a short time. It seems a bit odd and rhythmic and almost like a body function. It is somewhat like a hypnopompic experience though I am still fully in-dream.

It is also likely that there is a play on the expression about “rose-colored glasses” relative to my dream, which is mentioned in my original documentation. There is also a scene where I look in a mirror and see only the glasses floating in the air.

This dream is type ECA. Fire is often present as emergent consciousness, but in this curious and unusual segment at the end of this very long dream, I am lifted from my small rollaway bed as my emergent consciousness is depicted as countless charcoal briquettes (or coal) that pour out of a small stove into my room. The amount of coal is much greater than the stove could have contained. I wake at exactly this point (though the coal does not burn and it is not implied to be hot or threatening - in fact, I find this transition amusing, and there is an odd “visual stuttering effect” as I rise higher as if my emergent consciousness can not quite “ignite” at first).