I was working on a map for Heroes of Might and Magic III, placing objects on adventure map and then testing it out.
Some blurred nightmare moments caused by a creepy, strange noise I heard when I was in toilet, before going to my bed (certainly not a false awakening).
LD - shapeshifting + ToTM Advanced Task I
Cloudy morning in a city, it was raining. I was walking on a sidewalk with my younger sister, there was a construction site nearby. I stopped, turned round to her and said "It's a dream, you can unfurl your fins like a bird and fly away!" (common joke in my family is that my younger sister is a fish woman...) She flied up in the sky. I decided to fly into construction site, and then recalled ToTM Advanced task I - draining a colour out of an object. There was a fence with brown painted metal railings. I thought about draining the colour then touched it with my index finger, watching as the colour flows into it. From brown it turned into a pale railing. Looking at my finger I saw that it didn't changed it's colour. I wonder where it have gone, so I pointed at the ground far away from me and then to another point, and a brown line appeared, then vanished after a while.
After completing the ToTM task I recalled my current lucid goal - shapeshifting. I thought "I'll need a mirror." and one just popped up on top of a steel beam close to me. Using my shapeshifting technique (looking at the mirror, turning back thinking into what I'll change, looking back at the mirror) I managed to change only my clothes. Only once I changed into some kind of a soldier wearing a white robotic armor with a white helmet that had a black, rectangular visor. The visor was cut in the corners. I was holding an assault rifle in my hands. I made a nose plug RT, it was succesfull.
I realized that to have more control over changing I must have a mirror placed that I won't see it while turning back (I still could see that one with a corner of my eye). I thought "More mirrors." and two more popped up in different places - one on the bottom of a beam and another on it's side. I've chosen the one on the side and continued to change. First I turned into a policeman, then I decided to turn into a female (somehow it's a bit hard to stabilise dream when doing this, so I wanted to train it a bit). First I turned into an ugly police woman - I had somehow distorted face with elongated chin and small eyes. Then I changed into a better looking one. Turning back from the mirror, I was able to only make one step back from the mirror as everything turned black. I managed to hold on in the dream and appeared back on the sidewalk close to construction site.
Spoiler for Sex time:
I couldn't recally anything better to do, so I summoned a few lesbian DC's to check some capabilities of my new body. One of them had a strap-on toy. She started with anal, but dream was slowly fading away. My body changed back to normal and everything went black.
I woke up.
With a bunch of other random DC's I was closed in Auschwitz, a Nazi German death camp. We were in a bit more favorable situation, as we were designated for medical courses instead of death chambers or really hard work. We were thinking how we could escape from there, having a plan to destroy their energy lines and go out. A nazi general appeared and to tell us about rules here and then went away. Suddenly forces of Allies started to drop bombs on the camp. I decided to run for it and jumped out of the camp through a bombed fence. Soldiers shot to me, I got hit a few times but I was still going on, jumping down the trenches and escaping. I found a rifle, so I could shoot to soldiers and run away.
From all the fragments that I received during the night, I remember only one (probably an effect of tiredness).
I was in my house, going out of a room. I had female legs and I was wearing a pantyhose and a black skirt on my legs. I wanted to see myself in a mirror. Instead I went to my room and thought "Wait, it's a dream!" I thought what I should do, and went to toy a bit with a mirror. I shapeshifted. First I looked like my brothers pal, then I changed into a man with unusual forehead, tiny eyes set on sides and baldness in YHA middle of the head. Then I thought about turning into a woman. I used the mirror to change, from ugly or plain females into some beautiful ones. Lucid dream wasn't really stable, so everything went black after a while and I woke up.
From all the shape changes I gave most attention to that strange man and to a redhead female that I turned into.
I was in my backyard. Father took our cat out of garage and told me to drive somewhere with him. I was the driver.
MILD - shapeshifting, bonus TotM
I was in a forest with some DC's and my dog. It was dark and cold winter night. We were escaping from some kind of danger. We ran until we got closer to a mansion of some kind. It reminded me my neighbors house. We climbed up a huge rock just in time. A group of rotting undead attacked us. I knew that owner of the mansion set them free to kill us and take my dog. There was only one way of escape - electricity lines just above the rock. I slid down on the cable to courtyard, and ran the hell out of there. I realised that I'm in my home town, close to neighbors house. I looked back and saw my dog playing with wolves.
I decided to run away along the street. I thought that I should run quicker. I realised that it's a dream. Everything became more detailed and vivid. Time has changed, it was no longer a cold and dark winter night, but rather a bright and warm summer day. I ran into a huge farm complex that had enormous wheat fields, mechanics workshops, garages with tractors and combine harvesters and huge warehouses. There were many DCs walking around I though about a girl from my class, and she appeared nearby. I told her that it's a dream, and rushed inside one of the combines - a big, red combine harvester. She did the same. We drove around the complex smashing everything on our way, all while I was telling about possibilities that lucid dreams give. I drove into a dead end, where I couldn't drive back nor any further. I left the machine and ran back to garages and fields. I though about bike, and found one nearby. It had modifications that allowed using it at fields. I tried riding it, but I couldn't hold my balance. I left it and ran back to combine harvesters, but before I took another one, I recalled a bonus ToTM. I moved my left hand back, thinking about creating fire. Suddenly I felt a strong pain going quickly from fingers up my hand. Everything went black, I still felt the pain, but I could move my body. I moved back my right hand and though about creating ice. I felt really strong frostbite coming from fingers up my hand. I managed to stay lucid (spoiler).
Spoiler for Shapeshifting:
Blackness dispersed and I found myself in my kitchen. First thing that stood out was a silver platter lying on an oven. It was reflective like a mirror. I looked at my reflexion - it had brighter hair with different haircut, and was wearing a gray t-shirt with green color on the sides. Shapeshifting is my current lucid goal, so I though that I could use this mirror-like platter. I decided to change into a woman. I looked right, at the kitchen and thought about a girl from my class. Then I looked back at the mirror and saw her. My body changed accordingly. The most intensive were feelings of my breasts growing and genitals changing to female counterparts. This turned me on, and penis instead of changing into vagina started growing bigger and thicker. Dream started losing stability when it took a bit spiral shape, but I calmed myself and assumed my normal form. I noticed that I'm no longer in kitchen, but in the toilet, standing in front of mirror. I looked left at the wall, and then back into mirror. I was undecided in what woman I could change, so I decided that SubC can surprise me. Looking at my reflexion I saw an asian woman with face somehow similar to mine, but with black long hair. I managed to shapeshift fully this time. I fingered myself a bit. I felt my hand going inside my body, but I could only feel touch - nothing more. The dream started to slowly fade. I wondered how a DC would react when looking at me right now, and thought that one should enter the room. It was a naked, muscular dude. Without words, he went straight for an anal sex. It wasn't bad, but not pleasurable either. The dream faded away shortly after and I woke up.
I've tried the SSILD again the past night. I had a LD but what happened it was a very strange and new experience to me: during an usual dream I found myself in a bathroom of an old building, like a school or a hospital.
At some point while looking at the mirror (that was steamy) I became lucid (I don't remember if something in particular triggered it or if it just happened) but then I became aware of my body in the real world.
I'm not sure if I was aware of it for the whole time and the dream itself was some prolonged HH like the night before, or if I became aware of it just after gaining lucidity (it's hard to explain or even realise it), but at that point I was in my bed, with my eyelids still closed and the dream I was having it was similar to a projection on my closed eyelids. It also became an old black and white movie, similar the ones of the world wars.
This is something new to me, I was living only the visual experience of the dream in a very clear and detailed way, like watching a movie (but not with my mind's eye as when day dreaming), while becoming aware of my physical body. Also, the black and white thing is new, I've always dreamt in colours, I don't know if it was some way with which my mind tried to make sense of the fact that I was "watching a dream" with closed eyes.
Furthermore when I woke up in the middle of the night, after one of the dreams, I also had auditory hallucinations, like if someone was speaking to me (I've done a RC just to make sure that it wasn't just a FA), sadly I don't remember what the voices were saying.
During the rest of the night I had some other of dreams (not lucid), but in one in particular there was something new that I think I've never done in the past: I shape-shifted myself into a bird as a disguise and to fly away from someone that was following me with the intention to hurt me.
My brother is lying in fetal position on the ground, out in the woods, blood on his hands up to his elbows, just now returned to human form and very out of it. There's a girl with him. In the previous scene they'd been on a date in a restaurant, and she'd already known he wasn't human, and that he was violent - she'd gotten some kind of thrill out of it. But now that she's actually seeing the reality of it for herself, she's yelling at him, and being horrified by the blood on her own hands where she'd touched him. I'm watching from a distance, and I'd intended to give them privacy, but now that I've seen her reaction I'm disgusted by her - and disgusted by his behavior too, but that's not unusual. I allow her to see me and I go to get my brother on his feet.
Another time. I'm standing next to that same girl, making sure she doesn't do anything to interfere. We're watching a friend of hers go through a sort of rite of passage. She's standing in the woods, holding a sickle. Some variety of large wild cat walks out of the woods. The girl is supposed to kill that cat, but she doesn't move - she can't do it. The cat kills her instead. The cat then returns to her human form; her animal form was supposed to be passed down through her death.
Another time. A mistake's been made and we're going to need to allow one of our people to go to prison. An older man is offering to take the fall for her - he's been in prison before and he thinks it would be better this way. The youngest of us says there has to be some way to avoid this - none of us can leave this territory anyway, so a prison seems pointless to her.
There's a man, some kind of ruler, lying in his sickbed, potentially his deathbed. He's speaking to two servants to either side of his bed. Circumstances are forcing him to return to a place he'd once tried to conquer many years ago, but had been forced to turn away from at the last minute. His servants think returning now will be a disaster, given his health. But he's inspired. He says that when he first marched on that place, he'd felt he was approaching the height of his power. As though if he'd reached that place, he also would have reached his dream of creating something that would change the world. I want to use the word 'technology' here, but that gives the impression of some new gadget - what the ruler is after is something as revolutionary as the invention of writing. His statement makes one of the servants focus on the symbol the ruler is wearing around his neck. It's a gold star with 14 rays, arranged much like a jack, the toy, or like a three-dimensional version of a compass rose. I, disembodied, think of alchemy.
There's a white horse and rider walking through a hall of the palace. An extremely agitated servant is trying to get them to leave, but the horse and rider brush him off. They walk through a pair of wooden double doors, into a room where the ruler who'd been in his sickbed is now up and in military uniform, going over maps. The setting looks significantly more modern than I'd thought in the previous scene, maybe as late as the 1800s.
The ruler reacts about as you'd expect when a stranger on a horse walks into your room. The rider asks, "Don't you recognize me?" And his face changes - now he's identical to the ruler. "Though when we last spoke, it was more..." And his face changes again, growing younger. Very little changes, really - skin's a bit tighter about the jawline, mostly. The rider reaches up to feel that jawline, and compliments the ruler on how well he's aged. Perhaps that's the result of easy living. This is sarcasm - an accusation. The rider says "we" expected greatness from the ruler - but what has he done with their gift in all this time?
The rider says, "We convene in the morning. I expect you there." And he leaves.
Updated 12-05-2014 at 07:11 PM by 64691
A young woman's confronting this guy, a friend of hers, though she's annoyed at him at the moment. He's arranged things so as to create this sort of antichrist kid - it doesn't really have anything to do with her, but she's angry about it anyway, and is feeling tricked and betrayed by him in general. She asks him if he's Lucifer, expecting the answer to be yes.
"Nope. One of the major demons." He says it casually, he's smiling easily through this whole conversation. He's doing some kind of work in a manhole, and she's standing up on the surface with her arms crossed.
"What did you (word that means both infect and possess) my boyfriend with?"
"La'ulb. But it's clean, and I can take it off."
There's this young musician trying to get permission to leave a royal court - he wants to travel to a different country. He has to make a plea before the king, and he's deliberately trying to emulate the speech of an older man, a traveler passing through, who'd impressed him - as a disembodied observer, I'm amused, but I think it's a bad idea; it'll just make him sound artificial. He makes a comparison to a young bird having its wings clipped.
(Woke up. Back to sleep.)
After a short scene in which I'm reminded that cheating on a god out of boredom is not the best of ideas, followed by a shapeshifting fox turning up at my IRL door, I've wound up in a bit of trouble.
I'm now heading for the rear exit of a theatre, trying to avoid being seen by the group of women - not humans - who are coming up behind me; but through the glass door, I can see a pair of fox demons approaching - a pair of women all in white, dripping in silver jewelry. After hesitating, I decide I'd rather take my chances with the fox demons. There's a crowd of people, mostly girls who work here, coming in through that door, but I don't feel very optimistic about my chances of getting lost in the crowd - until one of the girls quickly slips off the blue robe she'd been wearing over her clothes and wraps it around me, and someone else puts an arm around my shoulders, pushing my head down so my face can't be easily seen.
He pulls me over to a side hallway and gives instructions to one of the showgirls to fetch the change of clothing he'd arranged for with her earlier. I know him - he's vaguely sinister but not in a way that I consider a threat to me personally, and I generally admire his skill at getting things done. It's a bit like having Hannibal Lecter on your side.
Updated 11-22-2014 at 08:31 PM by 64691
07.04.2014Quite the Wolf Problem (DILD)
NON-DREAM DREAM LUCID
I am taking a stroll down the road late at night. As I pass the cemetary, I encounter a girl around fourteen years old who warns me that she's out hunting werewolves with her grandfather. She is clutching a vicious looking shotgun in a manner that suggests she's well accustomed to using it. While I'm talking to her, we hear a ruckus nearby. A werewolf is attacking her grandfather!
Suddenly lucid, I remember that I, too, am a werewolf. Fortunately I happen to possess much greater self control than this brute, who is out of his wits with the change. I morph into my werewolf form and leap onto the other wolf, tearing at his throat with my teeth. I can see how it could be tempting to go on a murderous rampage while in wolf form--- letting out my inner beast feels amazing! Still, I hope that the girl realizes that I'm helping, that I'm protecting her from this other wolf. I'm not too keen on being shot.
Suddenly, I'm pulled from the dream into sleep paralysis as I feel someone shaking me awake. It seems to be my mother; I hear her voice telling me to wake up. I try to explain that I'm in sleep paralyis, but it just comes out as a mumble. I try to roll over, but cannot move. My mom continues to shake me, telling me to wake up.
By this point I'm a bit irritated. I manage to get control of my foot and shake it back and forth enough to jar me awake. (This has proved the ONLY way I can force myself out of SP. I don't know why I'm able to move my foot; it's literally the only real part of my body I'm ever able to move.) Once awake, I realize that my mom isn't even here. I'm house sitting for her while she's in Florida.
07.04.2014George and the Rabbit (Non-lucid)
NON-DREAM DREAM LUCID
I seem to be a well-known scholar, and I'm staying in George Takei's house for my current research, as he lives in a convenient location.
I step out the front door to begin my day. Beside the step is a white rabbit wearing glasses. Insteac of fur, the rabbit has wool like a sheep. It seems happy to let me pet it, closing its eyes in content.
George Takei is doing dishes behind me. I try to get his attention to show him the rabbit, but he does not want to be disturbed.
07.04.2014The Tornado Approaches (Non-lucid)
NON-DREAM DREAM LUCID
We are out in the open country by a little house. My grandmother, who suffers from alzheimer's, wishes to drive to the store. We are desperately trying to talk her out of it, but she will not listen.
As we're arguing, the sky goes dark. A storm is nearby. I can hear the sounds of a tornado quickly approaching from behind me. Not even looking back, I lead everyone to a manhole by the house that appears to lead to the sewer. Not a proper storm shelter, but it should serve the purpose all the same. We hurry down the ladder before the tornado can reach us.
Crossing some train tracks with my friend. He wants to wait for the bridge to come our way. A moving bridge slides along the length of the platform and spins in circles as it moves. I don't want to wait, so I climb down, cross the tracks, and climb back up the other side. He stopped in the middle of the tracks, and waves me to come back down there.
There's no trains, so I go back, and stand with a group of people in the middle, awaiting travel information. My teacher has already left for England, and a couple people are calling out names and travel information - dates and times, together with transfers. Uninterested, I walk over to my house. Ryan is inside, and very upset. He tells me he was followed in depth by people every time he used tobacco, that it made him easier to track. Nevertheless, he tells me he has managed to collect all the Lamrim teachings. They were almost lost to him. I have a complete collection of all three sets of teachings, hidden in socks for safe keeping, and offer these to him. He doesn't appreciate their value.
Both of us then turn into phenomena sources, and begin to slowly disappear into emptiness. He comments on how I didn't share my food earlier, but now I must give it all away anyways, and can't even eat the bags the food came in. I somehow eat the food surrounding my tetrahedron to reduce the clutter, but stop at the large pile of almonds. There are just too many to eat.
I begin to feel a little fear about slowly disappearing, and little details of my phenomena source vanish bit by bit. It seems like a good idea to just go for it, so I commit to seeing this dissolution through to its completion, irregardless of any fear.
I'm aware T. is going to rob my home and kill me tonight, as if I'd seen the future. I took some steps in preparation for that, but I believed that what is going to happen can't be averted. However, it turns out I'd misinterpreted something: while T. really was robbing the place, the killer turns out to be someone else, a stranger who broke in with a knife. T. and some other people who live here help fight him off. We get to the scene I knew was coming, when the knife's supposed to cut deeply into my shoulder and stop just above my heart, and I wonder if I'll be able to feel pain in a dream. I decide to have the scene go a different way instead, I close my eyes and imagine that T. and the others hold him back enough that the knife turns aside. When I open my eyes again, the stranger is on the floor, dead.
I decide to perform "Deedlit's healing spell." (It's been years since I watched Lodoss - did Deedlit even have a healing spell? - I think this was mostly some generic mental association between elves and healing.) I say something I no longer remember, a phrase in English something like a prayer, and there's a warm gold glowing light around my hands, which I hold over the dead man until he revives, though he remains quietly on the floor. I then repeat the spell with the others in the room, although they don't seem to have any wounds, and they're surprised but appreciate it. I leave the room and go to heal my IRL sister L., who in the dream lives next door, waking her up in the process. I then go down the hall to find T. again and heal him too.
Me and T. talk for a while, and as he talks his appearance changes. He walks into the kitchen briefly and when he comes back, he's become a different person entirely, and he's joined by another man. They both claim to know me and to have been looking for me for a long time, although they call me by two different names. The one who wasn't T. speaks with a heavy Scottish accent and calls me Jack. As I'm speaking to them, I remember that while I'm lucid, I had some things I wanted to get done, and I try to remember what those were. I decide it was the Task of the Month. (Apparently reading the TOTM thread last night was enough to overrule my personal lucid goals.) I remember that the Task was to ask a DC who your true love or soulmate is, so I ask these guys, who's my true love? They both go silent and look extremely uncomfortable, like that's a question I shouldn't ask. I tell them any answer is fine, it's just a task, and I try phrasing it with 'soulmate' instead, but that doesn't get a better response. I feel like their belief that they knew me a long time ago is affecting this, that it's part of what makes this a question they don't want to answer, so I decide to go outside and find someone else to ask.
Outside my IRL home, I'm appreciating how vivid it is. There's a chill in the air, a nicely realistic touch, and there's no snow on the ground, which is a great change. I walk off the driveway and onto the main road, and for some reason I feel like that's an important dividing line, particularly when lucid. My attention is caught by a squirrel across the road standing on its front legs, craning its neck to look up at the sky; and then by the body of a dead deer at the 3-way crossroads. I believe (incorrectly) that this dead deer is always here at the crossroads when I dream, and I think about going over to talk to it, but on second thought the idea makes me a little uncomfortable - I think it'll follow me home. Better not. There's a rock just beside my driveway with some words carved into it, and I start to go over to read it, but a car drives by. I stop it and walk over to the driver, ask her who my true love is. Again, she goes silent and gives me the impression that this is a question I shouldn't ask. I decide to go for a ride, and I climb into the car through the window.
Inside the car, the woman I spoke to isn't the driver at all, she's a passenger. There's six women in the car, all of them working in the fashion industry or as models, and with the exception of the woman I'd spoken to and the driver, the rest of them resent someone who's not part of the industry hitching a ride. No one except the driver knows where they're going - it's a surprise. The driver's name is Audrey, she's someone big in the fashion industry, wearing large dark sunglasses. I ask Audrey who my true love is, and as an answer, she produces a piece of lined paper with something written on it, crumples it up, and throws it out the window. She's not throwing it away - she means for me to reach out my window and catch it. I'm too slow, I just miss it. But I decide - no, I didn't miss it. I caught it. I announce out loud, "Got it!" I 'remember' the feel of catching it, and then I draw my hand back inside the car. No good, my hand's empty. The women in the car look at me oddly for claiming to have caught the paper when I hadn't. I try the hand-behind-the-back summoning trick, but still nothing.
Since I keep failing to get an answer to this question, I decide I'll switch to a different Task of the Month. For some reason I believe that the other basic task is to kiss a DC. I stop to think about that for a minute, since I'm sure that can't be right, that's too basic, but then I decide it's meant as something simple to stick with a Valentine's Day theme. (Was I mixing it up with the kiss-a-zombie one? I had just raised someone from the dead, shame I didn't follow up on that. ) Although I'm not sure how I got here, I'm now following Audrey into an elevator with one of the other women from the car. I ask Audrey if I can kiss her, and she says sure. I can't remember what happened after that, but next thing I remember we're leaving the elevator and I'm thinking that didn't work. We're now standing in a large room with a mirror and a couch, and I ask the other woman, a slightly chubby, very beautiful blonde, if I can kiss her. She says okay. We're standing in front of the mirror, and I'm surprised to see the mirror's actually reflecting her and the room we're in (though not me, as usual), and her reflection looks exactly like her, although it's watching us instead of mirroring her actions. I lean in to kiss her and close my eyes, but perhaps because I was distracted by the mirror, I find I've wound up kissing her reflection instead, through the glass. I move us away from the mirror, focus on the feeling of her shoulder under my hand, and try again. I'm too focused on comparing this to real life and trying to improve the realism to enjoy it much - the feeling of her lips themselves is accurate, but that's about it. I'm thinking that this sort of thing really doesn't translate to dreams well, and I should focus on doing things that aren't possible IRL. So I remember the 'other' (actual) task of the month: I step back and ask her if she knows who my true love is. Again, she seems uncomfortable with the question and doesn't answer. Then I think that asking someone you've just kissed to tell you about your true love may be a little tactless.
There's a cat by the mirror now, yowling. Two people who work here rush over to it to try to get it to be quiet. On the other side of the room, there's a whole row of mirrors and a hairdresser standing in front of them, talking about originality or lack thereof in fashion shows. I lose lucidity and follow him, listening to him for a few moments before I wake up.
An old man and a young man have just gone through a portal to another world, chasing someone who's stolen something. The old man asks around after him, but the description he gives, which would have been very unique in the world they're coming from, is almost useless in this one: they're looking for a man about 6 feet tall, dressed "like a warrior." The majority of the men they're talking to here are wearing armor, so that's not very helpful. Bit of a memory gap then, something involving a woman they know and the young man getting into trouble.
The young man's in jail, where another man from another world - not the one they were looking for - is being kept separate, a big blond Viking-looking guy in a large cell full of straw, who seems a little lost and confused. He's being questioned by the jailer, who's talking about that woman who came up earlier; she has a very long series of names, ending with Williams. She's married to someone very respectable, and she's denied that she knows the man in the cell. The jailer is telling him this to try to get him to admit that his story about knowing her was a lie and confess what's really going on, but the man in the cell is completely bewildered. The young man, on the other hand, is aware that there are three versions of Williams, the one that belongs to this world, the one from his, and the one that loves this man in the cell.
Williams arrives in the jail then - the young man believes she's the version from his world. She refers to the young man as Zachary, and she's carrying a fox - when I look at the fox, I'm aware that Zachary is a shapeshifter, and there's some connection to this particular fox. Williams goes to the man in the cell and she calls him "Tin Man," which is a sort of code name, and she's using it to reassure him of who she is and that she really knows him. Zachary believes that the Williams from his world has been posing as the version from this other guy's world in order to get some information out of him. She has him let out of the cell, and when he goes to her, their eyes - the fox's as well - start glowing green, and I have the feeling this means they're about to move between worlds. She looks to Zachary and says something apologetic, and he suddenly realizes that this is both his Williams and the one this guy loves, and that the fox is him - he's looking at their future.
(Woke up. Back to sleep.)
Just fragments for the rest of the day:
An intelligent species of birds that are dying out after losing all their females to some disaster, giving some other species advice in the hopes of avoiding that same disaster.
Walking down a street, four dancers appear in front of us, concealing an assassin among them.
Something to do with prison and hooded figures "finding their own way."
Describing the story of the King in Yellow to someone.
Updated 01-30-2014 at 10:50 PM by 64691
I'm trying to catch a bus, but the station I've found turns out to be the wrong place - it's a place for repairs only. I sit around the station anyway. There's a guy who I initially thought worked there, turns out to be just another person waiting like me, who tells a story about a dead body that was left unburied. There's a girl listening to the story who slips and falls, hurts herself, and I pick her up and carry her somewhere. She works for my family, who owns most of this town, and she's worried that slipping like that might get her fired - her job involves athletic skill. She's not wrong.
(Woke up. Back to sleep.)
After an IRL-based scene and a memory gap, I'm lying in a bed, watching a dream image form; I have an impression of gold and light and a woman's face, but it's blurred and I'm thinking that I can influence it too easily, I decide I'm not asleep enough for this, it's more imagination than dream. I decide to just let myself wake up instead, and let the image disappear, so there's no visuals. I open my eyes. I'm in a dorm, I'm a high school kid at either a boarding school or a very fancy camp or something, rooming with two other guys, and we go out to the lake and have some competition that winds up accidentally involving other people and getting us in trouble. I fall on top of the rotting body of a snake in the water, and a bit of it gets stuck under one of my fingernails. The teacher or counselor or whoever it is that tells us off for causing trouble mostly just seems amused by us; he refers to us as Vision house, and says it's all valuable experience.
(Woke up. Back to sleep.)
I'm traveling with two other people, looking for something or someone, and right now I'm making a deal with an old woman I associate with trolls, to allow us to pass. She's sitting on a rock in some canyon, dry earth without any plants, and there's a cloud of dust over some footprints that appear and disappear as if there were invisible people moving around just in front of her. I associate those footprints with whoever/whatever we're looking for, it's why I'm talking to the troll-woman. She agrees to a deal: three for three. She'll allow the three of us to pass if we can win three fights against her people.
The scene changes: we're at an indoor pool, facing the first of her people. Although the two guys I was traveling with are still here, they're standing aside; I have the impression they'll stop the guy we have to beat if he moves towards them, but otherwise, I'm the one handling this. I'm in the water, and I become aware that I have a long fin on my back like a lancetfish, that there's something off, fish-like, about my hands and skin and eyes as well. The guy and I both follow the same pattern of engaging only to immediately back off, until eventually I get him into the water and hold him under. Once this is done, I look at him and think that he looked malnourished. I recognize him as someone who'd been on death row 'before we all came here.'
Updated 01-29-2014 at 11:15 PM by 64691
I'm standing in front of a row of elevators with reflective gold-colored doors, and in a sort of voiceover I'm hearing what sounds like an article about a scientific study of reflections. There's a lot of information that sounded reasonable at the time but didn't actually translate to waking life - for example, your eyes perceive this angle of motion and expect an impact that never comes, causing tension, and resulting in your attention focusing on this or that minor detail. As I get into the elevator, the article is saying something about there being two different ways to think of reflections which both carry different benefits, and it goes on to explain the two ways. I find this interesting and decide to experiment with switching to the other way of thinking, which is viewing your reflection as a separate person, even expecting it to talk. Acting on the article's advice, I address my reflection on the mirrored elevator wall. My reflection's a great deal taller than me, and completely covered by a hooded cloak. I find I like him - or it - a great deal.
(Woke up. Back to sleep.)
Some vague fragment involving briefly passing through an exhibit to do with planets, and something about Artemis.
There's a woman who's determined to hold onto the hand of some monstrously deformed figure who keeps trying to shy away. She's thinking about how she's been through some kinds of transformations in the past herself, so it takes more than some monstrous appearance to frighten her off. The monstrous one's thinking something about Cain, and something about two angels, one in favor of allowing the other's creations - humans - to develop variations of themselves (which is to say, to have children); the one who created them was opposed; and now he's found his downfall in a relationship with a human, which wouldn't have happened if it hadn't been for that decision, allowing the humans to develop into new variations.
(Woke up. Back to sleep.)
There's a man who's been running through the halls of a house and now reaches a dead end, a study with a portrait, which I briefly thought was a mirror. A man who's been following him at a walking pace comes into the room and starts talking about the portrait, and about the history of the man in the painting, who was - is? - a vampire. He says, "They forgive him the very thing he (something)," and then something about "fell." Meanwhile the man who'd been running is stumbling around the room with his hand over his stomach like he's been injured, saying "Please!" There's a resemblance between him and the portrait.
Updated 01-14-2014 at 12:51 AM by 64691
Friday: A mountain "full of fog, 'wolves' and 'sheep'", where a woman who'll wind up becoming a historical figure is setting out to show the other side that some of their 'wolves' have deserted and are now helping her guard the 'sheep.'
Today: A guy in space, traveling toward Earth along with many, many other ships in some kind of race, the ship he's in seems made up of many different old parts, pieces are falling off along the way but he seems to have expected that. He's full of rage. There was something to do with lots being drawn, and his younger sister had been one of the winners, which would have meant she was safe and wouldn't have to take her chances in the race with the rest of them, but her parents (from whom he's estranged) had convinced her to give up her slot, that she must live or die and "become ashes" with them, so that they wouldn't be separated in the next life and lose her forever. She told him about this as he was looking over her ship for her, and he found something wrong with it, something that had been sabotaged, that would prevent him from communicating with her after the journey even if they both survived. He fixes it, and is furious.
Still the same storyline - there's a woman somewhere "left behind", the place all the people in the race and the lottery were abandoning. She wakes up with a gun next to her - not hers - and sees someone who says something to her. She, outraged by what he said, says "I don't look like a nice person to you?", and shoots him. Her logic being that if he couldn't recognize a good person when he saw one, he must be a bad person. As she shoots him, her face changes in some subtle way, something to do with her teeth, and I'm aware that in this place, now, people physically change to reflect their actions, and this is part of what the others were escaping from.
A conversation between a man and a woman in a bedroom as she's tying sheets together into a ladder, preparing to escape:
He: "I thought you might have missed it."
She: "Missed what?"
He: "The window."
She: "I can't miss the window. You're my destiny - war."
After an incident with a robot - it appeared human and was programmed to act as a caregiver to a group of four kids, something had gone wrong with it and put the kids in danger. Now someone's complaining to someone else about it - one's in law enforcement, the other's in politics, not sure which one is which. The one listening to the complaint responds, "I believe I oversaw the (something). And (something) to call in some backup." But when she says 'backup', she's not talking about something official. I see an image of two guys, not in any kind of uniform, one's scrawny and one's a little overweight, they have some connection to photography, possibly the press - they're the 'backup' she was referring to.
I'm reading a book. In it, the main character is looking at a river and thinking "The mare of time." The river surface usually looks calm, but it's been disturbed due to the ongoing combat. There's a thought that it's only humanocentrism that makes him see the 'calm' river as better/more natural than the 'disturbed' river. There's a reference to a distant place he's been searching for, or came from, or that otherwise has been referenced frequently in the story before now; from this point in the story onward, that place will no longer be a major part of the story. There will be a few minor finds, items from that place, fruits, henna - accompanied by the line "It was a good henna, but not enough to sit in front of the Skillet-mirror" - but the place itself will never appear in the story again, which gives the story as a whole a sort of surreal feeling, with storylines that go nowhere and scenes that don't quite match up, aside from always containing the same main character; a focus on imagery rather than plot. It reminds me of a less surreal Maldoror, or a more surreal Gormenghast, and I start thinking about the surreal in my own writing.
There's a Lost Boys tv show, currently showing the Boys versus some vampire skinheads.
A doctor who is giving up his practice and moving to an isolated island, moving in with the couple he loves. He's talking to his mother (a relatively young woman who insists he refers to her as his sister in public) about his intent to stop practicing medicine. They're standing on a small wooden hanging bridge high over a river, surrounded by tropical plants with broad leaves and looking out over the sea; it's very beautiful.
I'm in a marketplace filled with angry people. They don't like being guarded by off-worlders like us, and we're trying to arrange things so we can get at least half the guard duty covered by their own people. One of our guys in uniform is saying something about how surveys indicate the majority of locals don't mind having some off-worlder presence, and we're trying to find the best solution for everyone here, and more research is going to have to be done. I'm not joining in the discussion, I'm sitting in the dirt at the edge of the marketplace, out of uniform, just listening and watching. There'd been a chance of a riot here, but the danger seems to have passed. Now that things seem to have calmed down, the kid who alerted me to the situation and led me here reaches out and picks up the chips - money - that I left beside me on the ground. I put it there for him, but he seemed unsure if it was really okay for him to take it. When he sees me looking at him, he looks scared and smiles at me; I nod, and he grabs the money and runs off.
Someone with a different face than usual is explaining to a horrified listener that he's learned to shapeshift. The listener asks who he can shapeshift into; the answer is something along the lines of "oh, people I've eaten, people I've physically bonded with, anyone really." The listener wonders, but doesn't ask out loud, what physically bonded means exactly; he's wondering if just seeing someone is enough. "Objects, even." The listener, horrified by all this, asks, "What happens to your personhood?" The shapeshifter says he's removed a piece of himself and keeps it separate in this box, which he's now asking the listener to deliver to his aunt for him for safekeeping. It looks ordinary, and the listener asks if this shouldn't be labeled in some way. The shifter mocks the idea. It's not necessary to know something's significance to keep it safe; often it's the opposite, it's simpler and safer if they don't know.
A pair of time-travelers who've recently reunited are stopping by a football game they've been to before. They kept meaning to get around to changing this one little moment in time, and now they've got the chance. There's a guy who's been meaning to propose to his girlfriend, and they're about to be featured on the big screen; the first time around, neither of them had noticed they were on camera, and something unfortunate happened afterward. This time around, the time-travelers are sitting just behind the couple, and they poke them and draw their attention to the camera. The guy takes the moment to propose, the girl accepts - but they both seem rather awkward and uncomfortable with all the attention.
I've been living in a foreign country, working as a live-in tutor, but this is the end of my last day and I'm about to leave. I'm packing up the last of my things and then head downstairs. Downstairs appears to be the house I grew up in, but I'm thinking to myself that this stuff isn't really here, I'm dreaming, and this is only being used as a convenient background, so there's no need to pack it all. Despite this thought, I don't become very lucid; I just focus on sorting out which things only seem to be here because it's a dream, and which things I actually need to pack.
Julie's patting a big, shaggy old dog, in a room with four guys behind her, talking to her, though I can't make out what's being said. I'm using magic to check in on her from a distance and I don't have a very good connection in this room. She gets up and goes into the corridor, where I can't see her at all, but I recognize the sound of her sister's voice. I realize they're heading outside, which is convenient, there's tons of running water out there I can use. I switch the spell to a bit of water running down the side of the wall, and see that they've gone out into the courtyard and are sitting down on the benches around the fountain - even better. As I move the spell, I remember seeing a post here on DV with a title about learning to control the elements in dreams, which I hadn't read, since thinking of the elements as something you have to learn to use sounded counterproductive. I'm thinking about how helpful water spirits have always been. Again, I don't go lucid; the spell's POV has been moved, and I go back to focusing on the view. They're in the courtyard of a building made of large sand-colored stones, surrounded by potted and hanging plants, and from the fountain I'm looking up at Julie's sister, a woman with long black hair, wearing a black dress. She's saying something about "outlanders."
I'm with a group of people crossing a desert, when a girl - Julia - arrives in our camp on foot. She'd been following us after we left town, refusing to take her with us. She's an English woman, dressed in Victorian clothing; she looks as if she must be very hot in those clothes, but she's kept struggling along. Then a scene change, just a quick image: Julia walking in the desert on foot, while I and a woman sitting behind me are riding a horse, far ahead of her.
A fragment: an image of cities and towers in domes surrounded by wilderness, one of which has been heavily decayed, but which appears to rebuild itself as I'm watching; it's related to the breaking of a Sleeping Beauty-style curse.
Updated 01-04-2014 at 12:25 AM by 64691