task of the year

Ritual: The new Twin Peaks started last night, so I watched the usual Sunday shows in their second round and didn't get to bed until after 2am. I woke around 7 or 8 and looked at my iPad a bit, enough to wake up my mind, with the usual vague intention to make this into a WBTB, but the only other mental preparation I did was to remind myself that dreaming involves proprioreception, so I should pay attention to my whole body as I fell back asleep. It was 9am when I woke after the dream, which I felt had lasted only a few minutes.

FA-WILD: During my WBTB, my husband mentioned that he was going to the grocery store this morning, so when I was half-woken by the sound of the garage door, I knew he must have left. This much was evidently a real perception, but right after that, still believing I was half awake, I heard voices. I knew my brother was in his room on the other side of the house, but I couldn't account for the other voices. [DL: My brother lives on the other side of the country, and the room I thought he was in does not exist.] Was he on the phone? But there were several voices, and the sounds of people moving around. Had he invited friends over? Then I recognized one of the voices as that of my maternal grandmother. [DL: She died over twenty years ago.]

Despite the dreamlogic, these observations did actually make me wonder if I was dreaming the voices, not because of the incongruities that would have been obvious to a waking mind, but only because of my conviction that if my husband just left for the store, then no one else (besides my brother) should be in the house so early in the morning. I tested to see if I was getting any dream imagery, and sure enough, when I partially closed my eyes, the four flaps of a manually closed cardboard box appeared superimposed over the rumpled covers of the bed that I had thought I was seeing with my waking eyes. [DL: In retrospect, is it apparent that everything I observed after hearing the garage door was already in dream, so I was mistaken in believing that I had woken up. My mind was half awake, despite the dream logic, which is what led to the confusion about which perceptions were dreamed and which were real.]

I realized that if I was already seeing dream imagery, then if I was careful I could probably "get up" out of bed and into the dream just like I do in WILDs. This was easily done. I crossed the room, an accurate likeness of my bedroom, and opened the window to look outside toward what I understood to be my brother's room, on the second floor above the attached shed. [DL: The shed has no second storey.] The ground was covered with snow, and I did recognize that this was incongruous with the current season. It gave me the idea to do the TOTY that I had attempted a couple times earlier, the sled ride.

The last shot of the final show I watched last night was a woman diving backwards over the edge of a boat to go scuba diving. It made an impression on me because I had only ever dived into water face first, and at the time I had tried to imagine what it would feel like to enter the water that way. Now, as I was about to jump out the window, I decided to do it backwards like a scuba diver. For a moment I felt like I was falling and wondered if I would actually hit the ground, but then the nongravity of dream caught me pleasantly in an inverted arc, and I settled gently to my feet.

I remembered the last few times I had attempted the sled task, and how I had overcomplicated it to the point where I kept waking up before I could finish. This time I decided I'd better just get it done, even if my solutions weren't elegant. So instead of going to the trouble of finding or manifesting the necessary sled and mountaintop, I just asserted these conditions into existence. I'm on a sled, riding down a mountain. As is typical when I "brute force" things in dream, initially it felt like a fiction, but soon I began to feel plausible sensations of sitting on a sled and sliding down the snowy slope. It was far from my best work, but it sufficed.

I was sufficiently familiar with the task that before I had even intended it, my sled slipped through an irregular opening like the mouth of a cave, into a wide dark space. But then I wondered if this was good enough—I hadn't read the terms of the task in ages. Would a cave suffice, or did it have to be a proper hole through the surface of the earth? I couldn't remember, so I decided to play it safe and conjured a perfectly round hole, like the sort of thing you might see in a cartoon, just in front of me on the lower floor of the cave. My sled and I slipped right through, and at this point my interest perked up, because I didn't know what to expect, and had not planned or intended anything past this point.

It was dark down here, and I had no sense of the borders of the space, yet I could see the details nearest me perfectly well in the nonlight of dream. The place felt public and even familiar—familiar as a type rather than a specific location—but I can't think of how to relate it to anything in WL. A "town square" might be the closest analogue, but of course in WL town squares don't tend to be in enormous caverns underground.

I felt my mind shift over into observation mode and began to take deliberate note of the things I saw, but at the same time I felt really hungry and couldn't resist impulsively tasting everything. [WL: I hadn't eaten much for dinner and had even felt hungry again by the time I went to bed, so this was a genuine bleedthrough sensation.]

My sled had disappeared in the transition through the hole, so now I was on foot. The first object that I passed, on my left, was a piece of fabric that had been fashioned into the form of an elephant, about about eighteen inches wide. It was attached to the top of a pole stuck in the ground, elevating it to just above waist height. I pulled the fabric elephant off the pole to give it a closer look as I continued to walk. White was the dominant color, but the details were stitched in brightly-hued threads, red and blue and green. The base fabric had a thick pile, almost fur-like, akin to what you might see on a stuffed animal, but the object overall was flat, lightly padded like a thin quilt. My hunger impelled me to take a big bite, and in my mouth it had the taste and texture of a sort of bland taffy. (Tastes are rarely very distinctive in my dreams.) I dropped it and moved on.

The next object I encountered was also on a waist-high pole, and about the same size as the elephant. This one was made of paper and a bit more three-dimensional—it resembled a large origami fish folded from patterned paper. The taste and texture were even less remarkable, but I was so hungry it felt good to be chewing something.

As I observed with mild amusement the way my hunger was driving me to try to eat things that didn't even resemble food, the rational part of my mind responded that this being a dream, there was no reason I shouldn't try to eat literally anything I could see. I put this to the test, breaking off random bits of any surface I came across and nibbling on them. One thing I remember distinctly was a table. It was a round table covered by a long, dark-hued tablecloth. I think there was a vase of flowers in the center but otherwise it was bare, so I grabbed a hank of the tablecloth and started noshing on that. I was cramming far more in my mouth than I ever would in WL, but I didn't worry since I knew that this stuff had no real substance.

I was still in snacking mode when I came across a white-bearded gentleman in a navy blue blazer. The bronze buttons caught my eye, and without so much as saying hello, much less asking permission, I reached out and twisted off the top button, bringing it to my eyes for a closer look. Tiny convex letters around the top spelled out "Bartholomew," and a small human figure occupied the center of the button. "Saint Bartholomew?" I asked the gentleman from whom I had taken the button, while trying to remember if there was really such a saint or if I was just free associating. [WL: I still wasn't sure so I googled it. Apparently Saint Bartholomew was an apostle, and although I was not consciously aware of that, I suspect the influence of day residue, because in The Leftovers last night several disciples were mentioned, and I've never been able to keep disciples and apostles straight.] The man shook his head, and when I looked again at the button I saw the letters rearrange themselves into the name "Balthus," which seemed to make a bit more sense... in a way that I can't entirely explain. Still hungry, I licked the button. I thought it tasted a bit sour and metallic, a bit like licking a D battery but without the tingle. The bronze button had been darkly tarnished but now gleamed where I had licked it, so I licked it a few more times to polish the highlights. I looked at the letters again and now they read "Ubewiz," a name meant nothing to me, though I thought it sounded vaguely Polish. [DL: I just noticed the symmetry between the verb "polish" and the adjective "Polish," so I suspect dreamlogic lay behind this observation.]

FA: I woke up (so I thought) and immediately fished my dream journal out of the bottom drawer of my bedside table. [WL: This was a realistic detail, because although usually I keep it right on the table next to the bed, for the past few days it has been in the drawer.] I flipped through it and couldn't find a single blank page, but I didn't want to waste any time so I started writing my notes in the margins. I was jotting down keywords: "Bartholomew, Balthus, Ubewiz," read the first line. Then I included brief notes about the fabric elephant and origami fish. I hadn't gotten very far when I woke up again and realized that I had been taking my initial notes in a false awakening and would have to start over, so once again I pulled my journal out of the drawer and wrote—grateful for the blank page this time—"Bartholomew, Balthus, Ubewiz."

As I was falling asleep last night, at one point I became aware that I was just below the waking threshold and was able to take some control over the hypnagogic imagery. I wanted to try a TOTY and decided to attempt sledding again. I figured my problem last time was that I had gotten fixated on looking for a mountain to sled down... wouldn't it be more sensible to establish that I was on the mountain to start with? Then all I would have to do is go downhill. And find snow, of course.

I successfully turned the hypnagogic imagery into a scene of sliding down a mountain slope. Initially it felt more like imagining than dreaming, in part because I was not yet fully embodied in the scene, only seeing it in my mind's eye. But already it was manifesting some of the ornery characteristics of dream and resisting my attempts to imagine snow, so I was sliding over bare earth. I let the scene play along and pretty soon I started to feel physical sensations: the bumps along the ground (I thought wistfully how snow would smooth out the ride!) and the surprisingly realistic smack of low hanging leaves against my face as I passed under trees. I was on a round metal saucer sled, barely big enough to seat me, but by concentrating I could prevent it from spinning out of control (unlike the similar sled I have in WL!)

Before long it started to feel like a real dream with physical embodiment, but I was still lucid enough that I was not concerned when my sled went over a steep embankment and into freefall: I just applied some mental "brakes" and came down gently, landing in the yard of someone's farm. The farmer was there, so I realized this would be a perfect opportunity to coax some snow into existence.

"Can you believe the weather we're having?" I asked the farmer. "Such thick snow! Hey, where is the snow the deepest?" I tried to make my tone convincing, despite the fact that there was still no snow in sight. Apparently this worked, because the farmer pointed into the distance, and when I sledded off in that direction, soon I was surrounded by snow everywhere!

I was back in the mountain forest, but there was a slight problem. I looked around and saw no way down but steep rocky cliffs, rather than slopes that looked suitable for sledding. I figured I should just pick a cliff and sled off it anyway, since freefalling posed no real danger. But at that moment, for no good reason, I felt a subtle pang of anxiety about completing the task, and this woke me up.

Dreams are a wonderful laboratory for discovering all the ways that our own minds can get in the way of our intentions!

Ritual: WTB around 2am. Drank a lot of wine last night, so woke up many times to rehydrate. Just before dawn I felt the slightly anxious insomnia that often helps me get lucid, so I decided to confirm my intention with a little piracetam. For years I've been trying to come up with a good dream mantra/affirmation but never found one that stuck. Since I got lucid in a recent dream from seing the word "awaken" I decided to start with that. I wanted it to be longer and have good rhythm, so I tried "Awaken into (seeing) dream," where the word in parenthesis could be varied with any other two-syllable verb with the emphasis on the first syllable: seeing, hearing, feeling, being, dreaming, etc. I liked the versatility and hoped the variations would help keep my mind active. It seems this mantra was actually successful because it was still going through my mind well after the dream had started, although, curiously, the words had changed (see below).

WILD, "No Snow for Sledding": The transition was very smooth, and I think the mantra actually served as a good anchor this time. At one point I was inspired to see if I could move my dream limbs, and felt that familiar ambiguity about whether it was dream movement or real movement. I was 65% sure it was dream, so I kept at it until I gently 'flumpfed' in a loose heap right off the bottom of the bed, and then I knew for certain. This dream version of my bedroom was remarkably accurate to WL.

I was crawling at first, and from that low perspective had a good view of my two cats. They looked a little different—shorter hair I think—but I could still tell them apart. Dream logic made me wonder if I could somehow better communicate with my anxious cat in a dream. I crawled over to her and put my hands on her head, reaching toward her with gentle thoughts and telling her that she didn't need to be so anxious. It didn't work: she bit my hand! After that she went into the hallway where I was surprised to see our older cat chase her, an inversion of their usual relationship. I moved toward them and noticed a third animal, a remarkably lifelike grey squirrel—even more vividly rendered than the two cats. [Source: I had recently remarked to my husband how odd it was that I had never seen any squirrels near our house here, but he said that he had. Then just two days ago I glimpsed a grey squirrel outside.]

I thought I had better remove the squirrel from the house, so I picked it up by the scruff of the neck—it was so realistic I thought I had better handle it carefully lest I get bitten again. I peered down to it, wondering if it might have anything to say (this being a dream and all), but no, it just twitched its nose like a regular squirrel. So I opened the window on my side of the bed, the place where in WL I toss out the miscellaneous bugs that stray into the house, and tossed it out.

Around this point I noticed that my mantra was still going through my head, though slightly changed from what it had been as I fell asleep. It had taken the form: "Awaken, dreamer, I am dream." It occurred to me that once I was already lucid, the word "awaken" was no longer useful, and in fact might be detrimental. I thought about how the meaning of the word depended on its context: from non-lucid sleep one can "awaken" into lucidity, but from a state of lucidity, to "awaken" is to wake up. With the precarious thought of waking I felt the dream begin to destabilized, and hastily altered the mantra to: "Dream on, dreamer, I am dream." I managed to restabilize, and with the natural musicality of dream found myself adding a bit of melody to the words.

After this my thoughts turned to more practical ends. Wasn't there a task I wanted to do? Right, the sled ride. I thought over the details. I would need to sled down from the top of a snowy mountain and then through a crack in the earth into... who knows? Finding out would be the fun part. It was snowy outside, like it is in WL, so I thought that would make a good start. I just needed to go outside and find a sled and a mountain.

I opened the window again to fly out, but now there was a pane of what felt like transparent plastic covering the opening. I was annoyed because even in WL this is one of the few windows in the house that has no screen, so there should not be anything barring my passing. I decided to shatter the barrier with my mind, concentrated, and... nothing happened. Disappointed that I could not resolve this more stylishly, I manually peeled aside the flexible plastic panel and slipped out onto the lower roof. (This part was not quite accurate to WL: although there is a sloping side of another roof to the left, there is no level area just below the window where one could stand.)

I willed myself to fly, but nothing happened initially. I kept focusing until I began to float up and across the yard. There were a lot of random pavilions scattered below, and I reminded myself to be observant so I would remember the details later. I flew over to the roof of a small outbuilding—the environment no longer bore any resemblance to WL—where I found two sleds. One was child-sized, the other larger, and I noticed approvingly that they were the old fashioned kind on runners, much easier to control than round saucer sleds.

I picked up the larger sled and looked it over. The details were wonderfully vivid: it had a painted metal superstructure consisting of thin round bars painted white, and flat wide bars painted green. These encircled a small rectangular seat of heavily aged and distressed wood. I noticed an odd detail in the very center of the sled, a transparent glass sphere about four inches in diameter, half full of water. I peered closer, wondering if it was some sort of gyroscope, and saw words printed on the sphere: "FAST WATER." I decided that this was a device for boosting speed, and that I would name my new sled "Fastwater." I felt very pleased with it.

Sled in hand, next I needed a mountain. I resumed floating through the air and scanning for suitable topography. I soon found myself approaching a steep hillock, but since it was at most a couple dozen feet high, I didn't think it qualified as a "mountain." After that was a second, taller hillock, but I rejected that one too on the same grounds. Then in the distance I saw a much taller hill with a massive castle on top of it. I had the impression that it was a German castle called "Schwanzstein," though even in the dream I recalled the meaning of schwanz (which, in common with many Americans, I learned long ago from the Mel Brooks film Space Balls). That seemed like a peculiar yet somehow familiar name for a castle, and I wondered why it came to mind. [Source: German castles have come up in conversation twice in the last few days, both the one at Wernigerode and another whose name I couldn't remember. I just asked my husband and he reminded me it was "Neuschwanstein." So there you have it. Sorry Freudians, you can go back home now.]

I figured that the type of hill on which one was likely to find a German castle could qualify as a small mountain, and decided that this would be a good spot to sled down from. I floated closer, noting a number of stiff and oddly sepia-hued guards standing around the courtyards, as though peopling an old postcard. I noticed a perfect straight chute for sledding that ran down from the top of the mountain, so that's where I landed. Everything was in place... except... there was no snow anymore. Could I just sled down anyway, I wondered? No, I distinctly recalled that the task specified a snowy mountain. I peered around, hoping I could at least spot a few patches of snow and call it even. But the grass was as brown as the guards—there was a hint of sepia about the whole place, like a movie scene shot through a filter—and no snow was visible anywhere.

I sat down with my sled, willing it to snow. I concentrated my expectations, imagining how the first tiny flakes would move erratically through the air. Once again the distinction between imagination and experience—which seems so improbable in the dream state—was reconfirmed, because even though I could clearly see the type of snow I envisioned in my mind's eye, the dream air remained stubbornly free of flakes. This TOTM has a lot of moving parts, I thought. It's as hard as a TOTY! A moment later I woke up and was amused to recognize my error; in waking life I would not have misremembered the category of the task, since the TOTYs are linked by a common theme.

Ritual: After a year or so of initial successes with galantamine, back in 2010–11, it had stopped working very well for me to the point where I hardly ever use it anymore. But last night after going to bed late (around 3am) and waking up just before dawn, I still felt heavy enough with sleep that I thought I might give it a shot. (Galantamine is a stimulant, so the main risk is not being able to get back to sleep.) I took one of the red pills from a bottle of "Dream Leaf," which I had nearly given up on since it had never worked for me before, possibly because I only tried it long after I had gotten "over" galantamine. I know the red pills contain galantamine from the distinctive effects, but I must say that it greatly bothers me that this supplement neglects to identify the presence of galantamine on the label, or even on their website, much less clarify the actual dosage. In fact, I would go so far as to call this obfuscation shamefully irresponsible and borderline criminal. Galantamine is a powerful substance that should never be given to people without their knowledge. So for ethical reasons I dislike this particular supplement and definitely would not recommend it, but galantamine is galantamine, and on this occasion it actually worked. Woke and wrote at 9, so I'm a bit underslept with a slight galantamine hangover, but it's been so long since I've had this sensation that I'm almost enjoying it.

I've always found galantamine dreams a bit superficial, but that's not always a bad thing. My recent attempts to force dream events to unfold in a detailed and realistic way, in the name of quality, often prove counter-productive. Sometimes a little "cowboying" is necessary to get the job done, especially in the inherent instability of the dream environment. So tonight's dreams were ultimately successful, but not exactly Masterpiece Theatre.

WILD, "Fading Gift": I was lying on my back in bed, and recognized I was in dream even as I started making elaborate sweeping gestures with my hands, but continued gesturing for a while to increase my sense of motor control. At one point I closed my eyes and scratched my scalp, and I was amazed that the sensations felt exactly like like waking life. "I am the dreamer," I murmured a few times, as if to fix the idea in mind.

I recalled how often I make unnecessary difficulties for myself at this transitional stage and told myself that if I was already dreaming, I didn't need a ton of preamble before getting out of bed—I should just get up. So I did, and it was fine. I've really been wanting to do the "finding a leftover present" TOTM, so I started looking around the room. (As has become typical lately, the room did not resemble my bedroom in WL.) I looked under the dresser, on the table... nothing so far. I felt a slight contradiction in my mental outlook: on the one hand, the best way to find the present would be to expect or even to will it to be there, but on the other hand, since it was a present I wanted to be surprised rather than force the issue. So I allowed myself only a vague expectation and kept looking. I found a wooden cabinet much like the one in my office and when I opened the door there were a few presents on the middle shelf. The first two I noticed, very small objects, I rejected as not quite right. Although they were loosely covered in wrapping, it wasn't taped down, so it looked like they had already been opened and then put back.

I kept looking and on the left side of the shelf was the perfect gift: a wide cylinder about six inches high wrapped in red and white paper with a red ribbon rising vertically on four sides to form a neat bow at the top. The paper looked familiar at first so I studied it for a moment, but it was not any pattern I've seen before. It consisted of thin white lines on a red background, but they were awkwardly curving and abstract, like an elaborate doodle.

Just as I started to open the present, I felt the dream begin to fade. I moved quickly, trying to open the box in the little time I had left. When the top came off, I plunged in my hand and felt... tissue paper. I was almost awake now, and as I reached past the tissue paper I felt like I crossed that indiscernable border between dreaming and waking consciousness. Or maybe it is not so indiscernible: what had just disappeared was my sense of touch, without which the dream had lost its tangibility. Vision lingered a little longer, and I saw my hand pull out a thick gold chain the length of a necklace, sparsely ornamented with tiny flowers that were each composed of four thin petals of white enamel. I was dissatisfied, however, not only with the gift itself (I don't care much for jewelry and this was definitely not my style), but with the fact that the dream was fading so fast that I couldn't determine to what extent dream imagination or waking imagination (not that I clearly understand the difference!) had determined the nature of the gift.

I went back to sleep, resolving to try to get lucid again and complete the task in a more satisfactory way.

DILD, "Elephant Ride": I was lying in bed but felt uncomfortable, realized I was still wearing day clothes, including a bra. Ugh, had I passed out last night? As I removed it, I noticed it was a lacy underwire thing that didn't even look familiar. I wanted to get back to sleep but the television was on loudly, so I tried to find the remote to turn it off. There were four or five remotes on top of the dresser, and I pressed the power button on all of them but nothing worked. On a couple, the image would cut out as though it were turning off but then come right back, and other remotes had no effect at all. Fine, I'll pull the damn plug, I thought grumpily, but the TV was mounted on the wall and on closer inspection it seems the wiring was concealed behind the wall. I settled for muting the volume (at least that worked) and turning the screen to the side, which accomplished little but expressed my annoyance with the device. [Possible source: I just got back from visiting my mom, where the TV was on loudly in the mornings, making it hard to read or work.]

I headed back toward the bed, but suddenly realized I must be dreaming. That would explain the difficulty I just had with the televisions, at least! And with the realization came the memory of my earlier lucid episode and my dissatisfaction with the TOTM I had attempted. I was pleased with the chance to try again.

Looking around, I soon spotted a wrapped gift on the bedside table. It was a small square box, around two inches wide and one inch high, made of that shiny gold cardboard that is common in gift boxes, and wrapped with a red ribbon. I started to untie the ribbon and realized that I was wearing gloves. At first I thought it an oddity, but quickly understood that it was just the dream's way of representing the slight awkwardness I felt in my fingers as I tried to complete this fine motor activity. I considered pulling off the gloves but recognized that it would just be a pointless waste of time, and decided instead to ignore them. At least they were thin gloves, and didn't impede me that much in my attempt to open the box. By the time it was open, they were gone.

This time I was very pleased with what I found in the box. It looked like a single confection of some sort. "Perfect, I love food!" I thought to myself happily. I pulled it out and looked it over. It was not very distinguished in shape, light brown in color and vaguely round, but a bit lumpy. There was a darker spot in the center like a piece of chocolate. [Possible source: I've been eating my mother's Christmas cookies, which have a spot of apricot jam covered with chocolate in the center. They have a much firmer texture overall than this one did, though.] The surface was dry but felt a bit pliant between my fingers, a sort of rubbery texture.

I bit into the confection and found the mouthfeel similar to what the outer texture had led me to anticipate. There was just the hint of a thin crust, and then the inside was soft but chewy. It reminded me of mochi but was firmer and easier to chew. At this point I was analyzing it with the idea of possibly attempting to recreate it in waking life. I knew that it would have to be based on glutinous rice flour. However, the overall taste was lightly chocolatey and fruity. I looked where I had bitten and distinctly saw raisins, both black and gold. There were also pieces of another fruit that was harder to identify. It had faint striations that reminded me of the fresh jackfruit I had eaten last night in WL (so that was probably the source), but this had the texture of a dried fruit. Can jackfruit be dried and baked into cookies? I couldn't say. If not, I thought that dried apricot might work just as well. The taste could have been either; it was hard to tell with all the other flavors going on. I finished the confection and found it very satisfying. If I ever do manage to recreate something like this, I'll have to post the recipe here!

I felt that I had now completed the TOTM satisfactorily, so what next? I looked around the room, and wondered if I should just leave through the door and go exploring. But somehow that is never very satisfying; I usually get better results when I am pursuing a specific idea of some sort, even when the results are not what I expected. The dream felt reasonably stable, so I wondered if I might attempt one of the TOTYs. I recalled the "riding" theme, but unfortunately, I hadn't looked at the list lately and couldn't remember the specifics very well. There was a window here... maybe I could summon a bird and ride it through the night sky? That sounded fun, but I didn't think it was on the list. The only one I could clearly remember was the elephant ride, because my studies have given me such a distinct impression of how elephants were used in battle in pre-modern Siam. I had always planned to try that one, but how do I get from my dream bedroom to pre-modern Siam?

I tried to remember the transportation spell from Harry Potter, but the command wasn't coming to me. All I could recall was "flue" something, and anyway there were no fireplaces in this bedroom (unlike my WL bedroom, which does have one!) I decided my best bet was probably the window. I knew you needed to mount an elephant from someplace high, so if I could summon one over, I could probably just descend from the window directly to its back. Then once I was on the elephant, it would be easier to get to Siam. On the way to the window, I felt impelled to opened the middle drawer of the dresser as I walked past. It was nearly empty, with just a few stray pieces of clothing... but in the far right corner was the gleam of gold. It was a pile of chocolate coins! You know the ones, disks of chocolate wrapped in gold foil stamped like currency. These were a few different sizes. I realized these might come in handy if I ended up having to buy the elephant, so I grabbed a handful and put them in my pocket.

I opened the window and felt the cool night air. The window was on the second storey, as I had anticipated, but looking out, I actually recognized that this looked nothing like my house. To the left, I could see a garage door extending perpendicularly to the wall my window was in. The house appeared to be painted beige. Across the driveway, which ran next to this wall to meet the garage, there was a wide grassy yard bordered by trees. I looked up at the night sky above the trees to see if there were any familiar constellations, and immediate recognized Orion. Of course... it seems anywhere I go, I see Orion, even in a dream. He was at an angle, almost on his side, just over the treetops... but not exactly the same in WL. At first I counted four stars in his belt, instead of the usual three. The more I looked at it, the more stars accumulated, but only in certain areas, so pretty soon Orion appeared to be wearing not only a belt, but also a brassiere, which amused me, and a crown. The crown had spikes pointing upward, like the common representation of crowns in modern iconography, but matching spikes adorned the brassiere and belt. At this point the whole shape of the constellation was getting a bit thin and stretched, and while I'm sure these transformations could go on indefinitely, right now I needed an elephant.

I knew my husband was in the next room, probably working, and even though I suspected this was dream logic, I hesitated to shout lest I annoy him. (Though I suppose it is still reasonable not to want to annoy the dream husband.) So I tried to summon the elephant quietly. Nothing happened. After trying for a bit without results, I decided to take a more dramatic approach. I stepped through the window and jumped, setting my intention for there to be an elephant down there, so I could land on its back.

There wasn't. But the results were promising nonetheless... from unconstructed dream space, I managed to conjure something plausibly like the interior of a palace in Siam. It was a bit of a hack job, without much detail, and I confess the throne was far too low (must not have been the formal audience hall), but it was sufficient for my purposes. There were various ministers standing around (another embarrassingly inaccurate detail; no courtiers would stand in the presence of the king in early nineteenth-century Siam! Good gracious!) and the king was on the throne, but a bit vague. My initial impression was that he resembled the recently deceased Rama IX, but that troubled me because I was going for an earlier era. I tried to make him look more like Rama III, but it wasn't working very well, so in the end I just didn't look too closely. At any rate, the king was vague enough that he didn't quibble when I handed over my handful of chocolate coins and requested an elephant. I didn't feel like getting into complex negotiations; I just allowed myself assume the success of the transaction and walked away.

As I exited the interior of the palace and momentarily noticed the bright sunlight reflecting off the whitewashed arch of the doorway, I felt a flash of familiarity. Of course, I thought to myself, This must be the Grand Palace, I've been here a few times. I let my memory conjure something akin to the elephant-mounting station I remembered observing there, and walked over to it. There was no elephant there presently, so I waited for someone to bring it around... and started getting impatient. No one seemed to be doing much, or paying attention to my repeated request. They must not understand English, I considered. I'll have to try it in Thai.

"Chang!" I shouted, the Thai word for elephant. "Ma nee!" I realized how rude I must sound: while "ma nee" would probably be correctly understood as "come here," or, given the contextual clues, "bring it here" as I had intended, it was a terribly rough and simple way of speaking. It was the sort of thing you might say to call a dog. I hadn't even appended a perfunctory "kha" at the end. But then I started wondering what level of politeness would be proper in this situation. I was in the palace, which made things more difficult, because royal Thai is another ballgame altogether. But what was my own social standing here? In speaking roughly I was assuming a great deal of authority... maybe that was not so bad in this situation. Fortunately, I saw my elephant being brought around before I was able to go too deep down the rabbit hole of Thai honorifics.

It was a disappointing elephant, by any standards... not only small but kind of flabby and soft, a cartoonish cross between a real baby elephant and Dumbo. Moreover it was completely unadorned, with no harness or howdah. I momentarily wondered if the lack was due to an inadequate mental impression of what a howdah should look like? But no, I could picture it clearly enough in my imagination... it just wasn't on the elephant. I guess that's what I get for being rude to the staff. To add insult to injury, they didn't even properly lead the elephant to the mounting station—though it was probably too small to get on from there anyway—they just dumped it on the stairs, where it crumpled over weakly. On the bright side, this made it easy to clamber up on its neck, so I did so and prepared to forge on.

I knew I had to enter a battle, so we promptly exited the city. I had thought to do this properly on a magnificent war elephant with a howdah and a driver and four soldiers to guard the legs—I've seen plenty of paintings and movies of proper war elephants in action—but instead I was alone, bareback with no weapon, on the most pathetic elephant I've ever seen. But at least in dream there was no risk of actually falling in battle, so I figured I could make do.

We had barely gone past the city walls when I saw the invaders approaching from the jungle. That wasn't much of a stretch; it seemed like Ayutthaya was always under attack. (I had originally envisioned myself in Bangkok, but had already slipped back to an earlier era more appropriate for elephant combat). The invaders were on horseback, I noticed, and I was relieved to see that they were only coming in ones and twos, given that I was going to have to take them on alone. They had long black hair and Asian features, and naturally I assumed that they were Burmese... until I got close enough to swing at one and saw the pointed ears. Elves?! Last night I was playing Witcher II and Pillars of Eternity, and the portrait of Aloth in the latter game closely resembled these invaders, but I wasn't sure why they were showing up here. Also, I'm fond of elves and felt loathe to fight them. Fortunately, our combat was more play-acting than anything. I had a good mental image of the kind of long-handled glaive I should be wielding, but though I swung it toward the elves and they gamely mimed being struck, the weapon did not visibly appear in my hands—and I was thankful that it drew no blood.

So I marched forward on my pathetic elephant, going through the motions of bashing the elves (elves?!) with my invisible glaive, while they went through the motions of being knocked aside, until the jungle started to coalesce into a new kind of space, a kind of wide passage under an increasingly low ceiling. The texture of the ceiling interested me, and from my position atop the elephant I could reach up and just touch it. It was covered with a kind of thick cloth, like a yellowish patterned felt, and I reached into the seams between two pieces and felt something hard and smooth. I pulled it out and found an object streaked with yellow and brown that resembled a wild bird's egg, but it was too hard and irregular, so I thought it must be a stone. I slipped it into my pocket. The felt overhead was gaping at the seams so I grabbed it and tore it off, revealing a kind of wide hatch with a knob for a handle. I wondered what it might be concealing so I pulled it open... and found the dream space deconstructing, muffling me in a soft blankety texture. Instinctively I tried to protect myself by putting the stone I had just found in my mouth, but I was still being enveloped in the stuff. I tried to pull at it with my hands, and as my fingers sank into it I was struck by the familiarity of the texture, like coarse sheep's wool—not the clean feel of a fleece, but the dirty, oily texture it has when it is still on the sheep. That was the last thing I felt before waking.

Ritual: WTB 2am, woke up after a couple hours and strapped on the Motivaider, timed for 30m intervals. I woke up again after what I thought must be at least an hour and hadn't felt any vibrations. I decided that my awareness was not sufficient tonight to continue, removed the device, and went back to sleep. But apparently this process created an anchor for the idea of lucidity, because in my next sleep interval I became aware of lying in that intermediate state between sleeping and waking and went through the motions of getting up into a WILD. However, in retrospect it is clear that I was already dreaming at the start of this experience, so it was not a genuine WILD but a dreamed WILD (hence DWILD). It was 5:45am when I woke from the dream.

DWILD, "Another rainbow": I am lying on the flat surface of a wooden table as though it were a bed in a large, strange room with a distant, domed ceiling. I feel groggily half-asleep, but notice the distinctive sensations in my body that make me wonder if I'm close to the dream state. I start playing with it as I would when inducing a WILD, attempting to roll and rotate my body while avoiding real physical movement. When I find myself face down and succeed in getting up on my hands and knees, I'm sure that I'm sufficiently integrated with my dream body to get off the table and explore the dream—and given that in retrospect I know was dreaming all along, it is apparent that the sense of difficulty that I experience as I carefully maneuver myself into a standing position, similar to what I experience in real WILDs, must be wholly a mental fabrication.

My awareness is still low and initially lacking in agency, so I go along with the dream narrative for a while. The space in which I find myself is strange and hard to describe. There's a kind of reflective dome above me that rotates and shifts to reflect different parts of an upper floor or balcony. The dome moves until it is showing a distorted reflection of what looks like an early twentieth-century radio, one of the elegant ones in a large wooden cabinet. I am aware that seated up by the radio there is an older man who owns this place, and I am his guest. After this is a scene in which someone tells my brother that if he wants to get along with this man then he should take up shortwave radio as a hobby.

Then a bunch of us are seated at a long table for a dinner party. [Source: Order of the Phoenix was on TV last night, and it has a number of scenes with people seated at long tables.] Plates are served and they all contain huge sandwiches. The older man that I saw in the balcony earlier is picking disinterestedly at his sandwich and asks where the other food is, the stuff that had been simmering in the crockpot. My brother, who had put together the food, says that it will be coming up as the next course. I'm seated directly across from the older man, who I think of as our "host," and can tell from his expression he doesn't want to eat the sandwich. I decide to be helpful and comment loudly: "That's a huge sandwich! I couldn't eat all that even for one meal." Although this is true, my intention in speaking was to save face for the other man by legitimizing the option of leaving the sandwich uneaten while waiting for the next course.

After the sandwich course, we take a break from the meal and everyone who was at the table, about a dozen people in all, are standing in another room. The host is there, and a bunch of vague random people I don't recognize, as well as DC versions of my brother, mom, and dad. For some reason, maybe because of the lull in the narrative, I finally remember my intended task, the leprechaun TOTY, as well as how I had planned to accomplish it. My chief difficulty in previous attempts had been that once I managed to create the necessary rainbow, I got thwarted in my attempts to seek the end of it. As I had earlier been pondering this difficulty, a straightforward solution, perfectly obvious in retrospect, finally occurred to me: why not create the rainbow such that it ends right in front of where I'm standing?

"Okay everyone, we're going to play a game, kind of like a party game." I smile at the host and add, "It'll give you time to digest before the next course." I reach out and pat his belly, an oddly familiar gesture given that the DC did not scan as anyone I know in WL. [Possible source: yesterday I was doing research related to Budai, the so-called "Laughing Buddha," and rubbing his belly is a recognized ritual gesture. But the DC did not in any other respect remind me of Budai.] I complete my announcement by telling the group: "We're going to make a rainbow!"

The room we are in is walled entirely with glass on two sides, like a skyscraper, and I recognize that this clear view of the sky will be helpful for the task. I'm slightly more concerned about the fact that we're three or four storeys up, which means that if the rainbow ends here and I start digging through the floor, I won't actually be digging in solid ground. I remind myself that it is silly to maintain these kind waking life assumptions in the dream state. It can be solid ground if it wants to be, or maybe I can find the leprechaun in the room below us. Dream is nothing but malleable, so I really don't need to be this finicky.

I continue with my instructions to the group: "What we need to do is hold hands and create the end of the rainbow right here." I gesture to indicate the patch of floor in middle of our circle of people. "Then we'll go through, fight the leprechaun, and take his gold." I look around to gauge the response and decide the DCs need a little more incentive. "We can split the money," I add, and am pleased to see that this perks up their interest.

We join hands around a large circle. I feel that my shirt cuffs are too long and and getting in the way, so I have to break off and fold them up in order to get proper skin contact with the people around me. Once again I wonder if I'm being too finicky. Probably. Even the hand-holding seems like overkill, but I thought it might help us join our focus on the same goal.

My assumption had been that the assistance of the DCs would help my own confidence and focus on the task. This idea was probably based on my last rainbow-making dream, when I really did feel like I benefited from the help volunteered by the little girl. But this group of DCs is not helping at all. Like typical adults in a social setting, they are only marginally interested in my unusual party game. While I'm trying to concentrate on making a rainbow, the others are getting distracted and starting to chit-chat among themselves. This is distracting me in turn.

"Quiet!" I rebuke them sharply. "No talking, please. I need you to concentrate. Focus your intention." I figure they could use a reminder of the goal of our task: "We're going to create a rainbow"

Periodically I've been glancing out the windows to see if a rainbow is visible in the sky yet. This time I notice that the weather has changed. The sky is grey and a steady rain is now pouring down. Rain, well, that's halfway to a rainbow, isn't it? I let myself be encouraged that the environment is showing some response.

I continue attempting to focus, and the DCs continue to stand around without helping much. They're quieter after my reprimand but still distracted, and I have the impression that they don't seem to know how to focus their intentions properly. This is exasperating. What good are dream characters who don't even know how to interact with a dream? My mom starts speaking and I almost raise my hand to swat at her, irritated by yet another interruption, until I realize that what she's saying might actually be helpful. She is commenting on the light, how it needs to filter through the water particles a certain way to create a rainbow.

I had never intended to create a rainbow with meteorological accuracy, but hey, since it's already raining outside, we might as well give it a shot. If we can just get the right sort of light, it might encourage our expectations in a way that will make this easier. You know how when it rains and then you see the light break through the clouds, and you wonder if you will see a rainbow? That's the expeirence I was now trying to recreate. I look out the window and sure enough, in one direction bright sunlight is now alternating with the dark clouds. Very well, the rainbow can come from that direction.

Once again I concentrate, reminding myself that rainbows consist of light broken into the spectrum of colors. I think I almost see them in front of me, faint and translucent, but I can't tell if I'm only imagining them until the DCs all break out into "oohs" and "ahs," and saying things like "amazing!" I smile triumphantly, amused that everyone is acting so impressed after their earlier disengagement.

(While it seems odd to make the above distinction between something that "happens" in a dream and something I'm "only imagining," given the many times I have attempted to complete some task by imagining the outcome and it has not tangibly manifested in the dream, some such distinction seems warranted, if much less clear and stark than the difference between imagining and experiencing in waking life.)

It is a bit odd to try to look at a rainbow head on, from immediate proximity, but I do see a faint shimmering band extending from the lit quarter of the clouds to the floor right in front of my feet. I remind everyone that creating the rainbow was only the first step. "Now we have to dig through the floor." I start scrabbling at the smooth wooden boards, trying to imagine that the floor is soft and that my hands can scoop it up like clay. I feel everyone watching (no one else is trying to help) and their expressions are dubious. If merely creating a rainbow surprised them, imagine the skepticism they must feel watching me try to break through solid floor with my hands! I wonder if I can better align the expectations of the onlookers if I use some sort of tool to dig with, but I can't think of what might be handy.

This time it is my dad who speaks up with some advice: "The location of the floor isn't localized on the floor." I don't understand what he's trying to tell me, and I don't have long to think about it because I feel myself waking. I lose the dream and lay still for a few minutes, feeling to see if I can DEILD, but no, my body is fully awake now.

Ritual: I often wake up briefly during the night, but at one point last night I noticed that my husband was awake too, so we ended up having a conversation, probably around 3 or 4am. After that it was hard to get back to sleep, and I tossed and turned for a while. Eventually I realized that I was tossing and turning with the distinctive sensations that suggested I might already be asleep. I played with it a bit, rolling until I was sure that I was not moving in a physical way, and when I felt certain that I was in the dream state, I "got up."

WILD, "Julbock": I realized that it was my first WILD since moving to my new house, but as is typical, I failed to recognize the ways that the dream environment was different from WL. In fact, it bore very little resemblance to the place I currently live.

I remembered my intention to work on the last two TOTYs I haven't completed, but after my difficulties making rainbows the other day, the idea felt stressful. Maybe I could just relax and explore the dream world? But I knew that abandoning my intentions was a recipe for losing lucidity fast. I decided on a sort of compromise: I would work on the Basilisk—why do I keep thinking of it as Basilisk? This is a mistake I keep making in waking life, not in dream—I would work on the Chimera task, but rather than go through the motions and try to force things to happen, I would let my subconscious take care of it.

I was actually surprised how well this worked. Normally, if I needed a goat (as the task specifies) I would deliberately try to summon one, but this time I just held the idea casually in the back of my mind as I walked through the my darkened apartment. Moments later, what should catch my eye, but a stuffed toy goat! It actually resembled an object that I possess in waking life, a little Beanie Baby goat that I have for many years brought out around Christmas time and designated the "Julbock." I have not yet brought it out this year, but it crossed my mind to do so a few times recently.



"Would a stuffed goat work?" I wondered as I picked up the small toy. I tried to remember the wording of the task. Surely it just specified "goat," not "live goat" or "real goat," as if those terms could even be meaningful in dream, so I figured that this goat would be adequate for my purposes, and carried it with me.

Since the task required the chimera to act violently against DCs, I didn't want to create it in my own apartment, what with the dream version of my husband asleep in the other room, so I left and went out into the hall. (It is worth specifying at this point that I don't live in an apartment, and have not for many years, nor have I ever lived in any apartment that resembled the one in this dream, which is what I mean when I say that this dream environment was very different from WL.)

Across the hallway was an open door leading into another bedroom, apparently empty. Should I summon the chimera there? But I didn't know whose bedroom it was, so I decided to keep moving. To my right was a solid wall, the end of the hallway, so I turned left and walked down the corridor. The hallway was narrow to start with, and the walking space was further restricted by the many chests of drawers that were pushed up against the wall on the left hand side.

I sidled along with barely room enough to pass through the corridor for about twenty feet, until I emerged into a slightly wider but still relatively cramped lobby area. To my left, a chest-high counter bordered a desk and work area where two women were seated, clearly employees of this apartment complex. Attached to the wall behind them was a row of large gingerbread men, a festive decoration for the holiday season—but also just what I had been looking for. I was impressed how well my subconscious was pulling through for me. You see, in my earlier WL attempts to plan how how I might complete the chimera task without harming any human-like DCs, the inspiration occurred to me: have it fight gingerbread men! I wouldn't feel the least bit bad about crushing some animated DC cookies, since I happily bite the heads off gingerbread men in WL. And now, even without any elaborate summoning rituals or focused intent, my subconscious had handily provided me with everything I needed to complete the task: I had my goat, and I had some gingerbread men that could serve as victims. All I needed now was to transform the goat into a proper chimera and cause some cookie mayhem.

"Could I borrow those gingerbread men?" I asked the women politely.

"Sure," one of them replied nonchalantly.

"Okay," I said, preparing myself for the complicated part. "I'm going to try to keep this under control. Hopefully no one will get hurt."

Though I intended my words as a subtle warning, it was apparently so vague that the women took no notice whatsoever. One of them asked the other, "Could you get me a Coke?"

"Sure," the other replied.

"Half," added the woman who had made the request. This puzzled me. I had assumed that the request was for a can of Coke from a vending machine. How would one bring back half? But I didn't put too much thought into it, because I was preparing to transform the stuffed goat into a chimera... everthing was in place...

...And I woke up, once again, just before I could get to the heart of the task. When I was at my best, early this year before my long recent dry spell, I could often keep from fully waking and DEILD-chain my lucids in order to finish complex tasks like this, but now I seem to be out of practice.

Ritual: I'm coming out of my longest dry spell yet, but it was clearly a problem of motivation. Even when I had the superficial motivation to LD (I always do), the deeper motivation that makes it actually work was thwarted. In time I came to recognize the reason for this. At the end of last semester I started talking to a colleague that I knew was very interested in dreams. Even though their interest had been shaped by Freudian principles, I ventured to reveal my interest in (and practice of) lucid dreaming in the hope that we might have an interesting dialogue across perspectives. Well, the colleague promptly stopped talking to me, and I was so annoyed and embarrassed that it took a terrible toll on my dreaming. Not just lucidity—even the quality of my NLDs and my ability to remember them faded drastically. And even after I finally diagnosed what was causing the problem, I couldn't seem to dismantle the emotional block. I would just get irritated whenever I thought about it. I think this combined with the natural cyclic tendencies of my dream practice—I have too many interests and hobbies so all of them seem to wax and wane at various points to make room for one another—but hopefully my dreaming is now on the verge of a comeback. I can't think of a better New Year's resolution.

I went to bed early last night (11pm) hoping that would help to get lucid, and for good measure spent some time browsing DV. I woke up a few times during the night and it seemed like it was going to be a bust, since I barely had any dream impressions. But the last dream I had before waking (at around 7:45am) was lucid and controlled and clear, if not ultimately successful in completing my intended task.

DILD, "Making Rainbows": I was in a warehouse-like space with tall shelves crammed with every imaginable object, though everything looked old and used. I was having a conversation with someone about the place, though I don't feel like there was anyone walking with me; I think I was speaking aloud, but the other person was answering in my mind. I was observing that many of my own dreams (the comparison suggests that I did not yet recognize this as my own dream) included environments just like this, crammed full of objects, often taking the form of stores, libraries, archives. I proposed the hypothesis that these kind of object-archives were a metaphor for the mind, for the way it stores impressions or information. I wondered if I could put that idea to the test. (This idea suggests that I did recognize that I was in a mentally-constructed environment. What did I think it was, if not my own dream? Maybe the dream of the person I was talking to.)

This next section is ambiguous in that I can't be sure if I had the name and was looking for the object or holding the object and was looking for its name or shelf location, but it was definitely a matching exercise between object and name. The object was a tool of some kind, flat strips of somewhat oxidized metal bent into a particular configuration with a short chain attaching some sort of polygonal fastener. It vaguely resembled one of those old metal spring traps, but not exactly, and its function was unclear. I had never seen or heard of such a thing, but I learned that it was called a "streng." I either got the name at the outset from the voice I was talking to and then found the object, or (and I think this is more likely since I have memories of holding the object as I walked), picked up a random object and then had to find out its name by looking for its shelf. But this is a false dichotomy... dreams don't always divide so neatly between what, in waking light, seem like the logical possibilities.

At any rate, I was putting the idea of this warehouse as a kind of memory archive to the test by trying to match an object with its name. The mental effort took, I reasoned, as long as it actually took me in the dream to find the shelf. Given that it sometimes takes me a day or more to recover some sought-after piece of information from memory, this doesn't seem too far-fetched. I'm sure my archives are, like my physicial spaces tend to become, terribly cluttered with extraneous matter, making it hard to find anything. I actually commented at one point, looking at all the crap on the shelves, "I can't stand to throw anything away." But the details that make this whole exercise less plausible as a valid hypothesis of mental functioning was the object itself: neither the name "streng" nor the metal object it described corresponded with anything in waking life. The whole process seems at best to have been metaphorical.

After this improvised task was complete, I wondered what to do next and remembered, sinced I'd just browsed DV before bed, that I still had a couple unfinished TOTY. At this point it occurred to me that if I'm now taking conscious control of my intentions and the dream environment, I must be lucid, but it didn't feel like there had been any qualitative change in my mental state. Rather, the difference between being non-lucid and lucid seemed in this case to come down primarily to whether I was acting spontaneously within the structure of the dream (as in my former task) or whether I was accessing memories and intentions that I had earlier established with waking consciousness.

I wondered if I should try basilisk or leprechaun, and decided on the latter. Its no wonder that I'm stuck on these last two. I think I have a mental block against leprechauns because my mental imagery is composed primarily of cheesy cereal commercials; maybe that's why I have yet to actually meet one. Meanwhile I keep avoiding basilisk because it explicitly instructs killing DCs, which I am reluctant to do. I have no problem killing NPCs in RPGs and computer games, or experimenting with different ethical alignments in those environments, but dream feels different, like the stakes are higher. I'm not sure why. At any rate, given the options, I went with leprechaun again.

Would it be possible to create a rainbow indoors? I thought it over and figured that in dream, that should be entirely reasonable. And even though the shelves in this warehouse were only a bit over head-high, the ceiling itself was vastly higher overhead: the space was huge. So I started trying to conjure a rainbow. At first nothing happened. I put my hands together in front of me, touching at the sides with the palms up, and tried to use this as a focus to create a rainbow directly from my hands, arcing upward. I managed a weak one a few times, but they quickly fizzled out.

A young girl, maybe eight years old with blonde hair, noticed what I was doing and approached with an offer to help. "Sure," I said. I don't remember exactly what form her help took, she might have just added her concentration to my own, but with it my rainbows were getting better. I managed to make one finally that had bright colors, though there were only four of them and they were oddly separated into tube-like strips resembling neon lights, and shining with the same fluorescent intensity. Good enough for the task? I gazed at it critically, annoyed that there were only four colors. In response, the second tube from the left split down the middle and became two different colors. Good enough, I figured, and started looking for the end of the rainbow. But then that one flickered out, too.

Every time a rainbow failed, I regrouped and tried to improve my concentration. The four-color failure made me realize I needed to focus on what the colors of a rainbow actually were, so I started chanting them as I concentrated: "Red orange yellow blue indigo and violet...." I had a hard time keeping them in the right order, and after I woke up I realized that I had completely left out "green," an interesting difficulty given that while awake, I can easily and accurately recite the colors of the rainbow without a second thought.

The little girl continued in her role as my assistant, and now that I was working on the getting the colors straight we managed to produce a bright, very proper-looking rainbow. Best of all, it touched the floor right in front of us, so all we had to do was dig, presumably, to find the leprechaun and his gold. But no sooner had we rushed up to the spot than the rainbow disappeared again. This was getting annoying.

Just then I became aware of a commotion in the building. We were now standing outside one wide entrance to the warehouse, which opened onto what looked like an atrium of a shopping mall, still an enclosed space but walled with plate glass windows. People were rushing over to the windows in excitement, and through the windows I could see the people outside down below (we were around four storeys up) moving in the same direction.

The view through the glass looked out over an urban street and the row of buildings on the far side, beyond which the city ended at steep brown hills of nearly barren rock and earth. Everyone inside with us was pointing and staring at the hills, or hurrying outside to get closer to them, and the moment I looked out the window I could see why. An extraordinary rainbow had spontaneously appeared outside, and its end was clearly visible where it touched the side of one of the hills. The rainbow actually resembled the four-colour neon one that we had created earlier, but this one was exceedingly large and bright.

The hills were probably at least a mile away and too steep to climb by foot, so I knew I would have to fly. I started pushing out the large square glass panes in the wall above me, wondering if this was the most efficient way to leave the building, or if I should just walk the thirty yards or so to the exit everyone else was taking. (The exit occupied the space to our right that had formerly led into the warehouse, which was no longer visible.) The exit led onto a sort of sky bridge that crossed the road, so it would also be a fine place to take off from. I chastised myself for wasting mental energy deciding between trivialities and decided to just continue with the window.

After pushing out four panes to make a larger square, I grabbed the girl's hand and asked, "Have you ever flown before?" She shook her head. "Well, hold on tight." I levitated both of us up and through the space I had made. I did not feel physically obstructed by the metal frame that criss-crossed between the four panes of glass I had removed, though I felt a bit annoyed by the way I had so blithely floated through it. It felt careless. I mean, why bother taking out the glass at all if I was just going to pass ghost-like through the frame? I realized that again, I was letting myself getting bogged down with unnecessary and unhelpful mental baggage, but I've never felt comfortable "cheating," even in dream.

We flew high over the street and buildings bordering the city, and I realized how startling the experience of flight must be to someone who was unaccustomed to it. Indeed, the girl felt very tense at my side, and murmured plaintively, "I want to sit down." I felt it would be cruel to ignore her terror, so as soon as we cleared the city, I aimed for a flat outcropping of rock at the base of the hills. We came down fast and landed hard, much harder than I had ever landed when flying on my own, so I attributed it to her fear weakening my own buoyancy. As soon as we landed, I asked her, "Are you alright continuing?" She shook her head and I prepared to take off on my own, but even as my feet left the ground I felt myself waking up and was unable to forestall it.

Ritual: Was working *really* inefficiently yesterday—took me almost eight hours to finish a 22 page article (one with lots of pictures, even!) because I kept looking things up and building my powerpoint at the same time. It was already after midnight before I started reading the 50+ page article (with almost no images) that I was also supposed to finish before bed, so I crapped out at 2:30am without getting it done. I woke at 8am and continued reading in bed, then napped again at 9am—so it became an inadvertant WBTB. Woke at 10:15 after this amazing dream, so I guess all the stress and angst paid off (though it is now 11:15am after writing up my account, and I am no closer to finishing that article! Yikes!)

Earlier NLD: Some interesting features actually. I'm in what I take to be the sheriff's office of a small lakeside town. The building is rustic and wooden. I am one of the cops, a man like the others. They're all macho, gruff, with mustaches. I notice a small boat in the lake just off shore. Although it looks like an innocent fishing expeditiion, I have a definite premonition of what is coming next. I know that someone is lying prone in that boat with a gun pointed toward us, and there are other shooters positioned strategically nearby, and any minute now they're going to fire. I know my colleagues brought this on themselves so I leave them to their fate, diving into a side room and locking the door. There's a random guy in here so I tell him to get down, we're going to be under fire. Meanwhile I make use of whatever time I have left to arrange the furniture to better blockade us, turning the tables and chairs over so that we can crouch behind them like shields. All of this feels like it has happened before—not in the vague sense of deja vu, but a very concrete and specific way like when you replay an encounter in a video game. For this reason I know that if we just position ourselves correctly and keep our heads low enough, we'll make it through this. The bullets start flying. I feel one zing very close to the left side my body, provoking a strange vibration. Did it hit me? Not quite. My sense of repetition is so strong that after the bullets stop, I predict even before lifting my head that I will see a bullet hole in the lower right hand corner of the window behind me. I turn around and there it is, just as I had predicted (not so astonishing in a dream, after all, but I hadn't realized I was dreaming yet). I pull out my phone and snap a picture of it to document this remarkable event before going back outside. I decide the only sensible thing to do is slip out of town immediately, so I take a side path through someone's backyard.

DEILD: Around this time the dream destabilizes enough that I become lucid. I wonder if I can restabilize and continue. I remember the principle I've devised for this: don't worry about visuals, focus on physical movement. Tactile integration is what is needed, then the visuals will re-establish themselves naturally. I dance my way back into full dream state. Now what? I remember my goal to continue with the TOTYs, and decide to try the Unicorn task.

I set my will to summoning a unicorn and soon see a suitable animal galloping toward me down a lane that bisects the fields. This is no ethereal being, but a sturdily built strawberry roan that just happens to have a horn on its head. I found a picture online that gives a good sense of the coat color, only in mine the red hues were more pronounced across the top of its rump.



After it reaches me, I realize I don't actually know how to climb on a tall horse bareback, so I command it to kneel so that I can get astride. Now we need to find a portal and travel to another land, but I had a plan for this: I've been wanting to visit the Wood Between the World.

I canter the roan unicorn back down the path it came from, priming my expectations to see a pool of water as we round the corner. We get halfway around and I still don't see water, but I keep my anticipation high. There it is, after all! I didn't see it at first because it is a very small pond, not much more than ten feet across, but sufficient for my task. "The Wood Between the World," I murmur, imagining what it will look like as I canter up to the pool and have the unicorn jump in. Although I've done my best to maintain conviction, we splash into the pool and... now the unicorn is standing in water up to its knees. We haven't gone anywhere.

This portal was a bust, so decide to look for another, passing a group of teenagers as I leave. I travel down the road until I find myself in what looks to be a luggage store room, like the kind you might find in a train station. The oddest thing is how familiar it looks: I have the distinct impression that I remember this place from an earlier dream this very night, but I can't tell if it is false memory or true. Nothing useful here, but as I leave I spot the group of teenagers again, and ride up to them. I ask if they know of any portals nearby. They mention the pool.

"I already tried that one, but it didn't work." The kids confirmed that, yeah, they don't work anymore, the magic is too weak. But the magic may not be gone entirely—one kid points out that if you stand near the pool and the background music fades, you can still hear something. This brings my attention to the music. I hadn't been paying attention to it, but a song has been playing in the background all along since I became lucid, like a soundtrack. It is a woman singing in a foreign language—it reminds me of the second half of the song "Bjarkan" from Wardruna's album Gap Var Ginnunga, which would make sense, because that's the main thing I've been listening to lately.

The kids can't think of any way to strengthen the portal magic, so I ask if they know of any other portals nearby. They point back across the field and tell me to look for a small shack. I ride over and find the door slightly ajar, so I go in. The door swings shut and clicks behind me—it seems to have automatically locked. Nevermind, I was planning to use this as a portal anyway. How do I pass through? Maybe I should stand here astride the unicorn and let the environment around us shift phase. I begin to try to reimagine my surroundings... but I am interrupted by a cry of alarm.

It comes from a young couple, a boy and girl, who had apparently been making out in a sort of nook or loft halfway up the side wall of this shack. They are startled by my presence and furious when they discover that I have accidentally locked the door. "We'll die in here!" wails the girl. I look around. This shack wasn't built of terribly sturdy materials, I'm sure we can find a way out, even if we have to dismantle it. Distracted by the unexpected crisis, I forget about portalling and even forget that a locked door should be no barrier to me as a dreamer.

"This wasn't designed as a prison, we'll find something." I reassure them. I look around carefully and notice an opening halfway up the side wall in one corner. It's six or seven feet up: all we have to do is climb to it, then jump over a gap of a few feet to the low flat roof of an adjacent shed. I dismount and give the girl, Sarah, a boost to help her climb up. Next I go to help the boy, Tom. His head is now attached to a long pole, like a broomstick, instead of a body, so this is easy: I pick up the pole and pass it through the opening to Sarah. Now my cat is here for some reason and also needs rescuing, but there is a paper grocery bag handy, so I put the cat in the bag and try to hand that across to Sarah. Suddenly uncooperative, Sarah threatens to dump my cat out of the bag. I am flabbergasted. Why would she suddenly turn against me?

"But I showed you the way out and helped you!" I protest. Sarah and Tom are unsympathetic; it is clear that they feel no obligation to return the favor. My annoyance reminds me what I am capable of. After all, there was another way this task could go—that wasn't how I planned to do it, but now that I've been provoked, maybe that's how this will play out. I look back at the door, remembering the classic "Knock" spell from D&D. "Unlock," I command, pointing at the door, and the latch obediently clicks open. I get back on the unicorn and walk calmly out. Tom and Sarah, who have just climbed down from the shed, are astounded to see this. They are even more shocked when the unicorn gores Sarah through the chest with its horn, tossing her body aside like a limp rag. Tom watches in horror, and then his turn comes. Despite my scruples about killing, once I felt that these DCs had justified it by their treachery, I dispatch them without hesitation or remorse. Instead, I find myself wondering if my unicorn will be transformed by this dreadful act—I was envisioning something like the "bog unicorn" in Dragon Age: Inquisition—but it remains a roan horse with a spiral horn protruding from its head.

Okay, apparently now I'm committed to the murder version of the task, so I need a third victim. [Note: I was mistaken about this; the task only required two.] I remember that earlier in the NLD I had encountered some unpleasant people in town, so I ride back in that direction. On the way, I see a number of people working outdoors. I reflect how easy it would be to pick one at random... but that would be wrong. I can't just run up to a random DC and spear them, unprovoked. I do try to maintain *some* ethical standards.

The people working outside resemble medieval peasants. Actually the whole scene has become more medieval in appearance. Just past the peasants I see the remnants of an old ruined stone structure, reduced to its foundations and a few half-standing walls. Congregating around it are men that I take to be warriors. They have brown or red hair, some balding, and many flaunt long beards decorated with bands and beading. I ride up without attracting any attention. What if I just pick the most evil one? "Show me a rapist," I instruct the dream. Surely among a band of what appear to be tribal warriors from some feudal period there must be no shortage of those, given that it was a standard aspect of warfare in many early societies. So I'd better be more specific: "Show me the worst one." The results are inconclusive: I look over the men again and there is no clear candidate.

I recall D&D includes a spell that can be used to check alignment. Maybe I can frame it this way? I instruct the dream to reveal the most evil person by making them glow. Now I see one: the glow surrounds a burly guy with his back to me, looking out over the water. He has short brown hair shaved into a distinctive flat line where it meets his neck, and his head is bare on top, either bald or shaved. As I approach, he moves away and I lose sight of him, the glow fading. I study the crowd but since I only saw the guy from behind at a distance, it is hard to be sure which one he is. I don't want to pick the wrong guy. I attempt to cast the spell again, but now the glow seems to be targeting someone else. While trying to sort out this confusion, I spy something across the field, even better—no, perfect!

It is a jousting tournament!

The jousting is already under way, but I ride up and boldly demand to enter the lists. The organizers comply without too much fuss. But I also have demands to make about my opponent: "I wish to find the most immoral among the contenders."

Meanwhile, the more honorable among the knights point out that without a saddle I will surely be unhorsed. Worse, without the protection of armor or a shield, the lance will surely pierce and kill me. I shrug off their objections, thinking that without saddle or armor maybe I can do some stunt riding and duck down to the side, avoiding the lance entirely. After all, my intention is not to strike my opponent with a lance—my unicorn's horn must fulfill that function to complete the task.

I continue to insist that I be matched against the most immoral of the prospective opponents. There is some debate about who that should be. A man wearing ecclesiastical robes and a cross seems to be the top choice, which makes sense given everything I've heard about the medieval church. I realize that this is all taking a very long time and add to my demands:

"Also, I demand to go next!"

The organizers comply with this too. My bout is set up. But I'm not entirely happy with what I see. Facing me at the other end of the lists is a tall black woman on foot, wielding a club in each hand. This isn't what I had in mind: she is not even a jouster! And I sense that she is clearly not the right match: did they assume she was immoral from a medieval sense of racism or xenophobia? Or is she immoral in the fun kind of way, a free-spirited woman who lives large? Either or both seemed likely. This wasn't what I was looking for. If I have to dispatch someone, I prefer that they be genuinely evil.

"No, this is not the right opponent!" I protest. "I mean, who is the most immoral to the people?" There is no response at first. I have the impression that people are intimidated from replying aloud, so I ride up close to the audience in the stands and ask again. Listening closely, I hear a whispered name: "Lüsswig." I ride along the stands and the whispers of "Lüsswig... Lüsswig..." are unmistakable, repeated everywhere by people trying to speak anonymously under their breath.

I return to the center of the lists and announce: "I shall fight Lüsswig!"

Lüsswig turns out to be a guy wearing a long grey cloak with a hood that is closed in the front, completely covering his face. He removes the hood, revealing himself to be a man with short dark brown hair and full cheeks covered with several days worth of stubble. A smug, sinister smile spreads across his face at the prospect of the coming match. [Note: I've spent a long time trying to figure out who Lüsswig resembled, and the best I can come up with is a badly shaven Jonathan Frakes.]

"Yes, this is a better choice," I declare. His glee is slightly unnerving—he clearly thinks he will best me. I mentally prepare myself by deciding that it must be his destiny to die by unicorn.

We take our places at opposite ends of the tilt and... I can feel the dream fading... oh fuck fuck I was so close... hold it together, surely I can... no, I'm in my body, in my bed, it's gone. Lüsswig you bastard... I guess you win after all.

I can only assume this will augment Lüsswig's dastardly reputation. Stories will spread of the mysterious unicorn rider who disrupted the jousting tournament, arrogantly demanding to fight the most evil of men, but then fled the moment she realized was it was Lüsswig!

Notes: So close! So very very close to completing the unicorn task! I could have finished easily had I taken the practical (but vicious) route and chosen a third victim at random. But no, I had to be honorable and look for someone who *deserved* it...

Oh! Oh! I just looked up the terms of the task. For once I misremembered the details to my benefit—I thought I needed to murder three DCs, but now I see it was only two. So I did it after all! And then my mistaken conviction that I needed a third actually led to some pretty cool extra scenes.

Ritual: WTB 1am, woke 8:30am after spontaneous DILD.

In the course of an NLD, I was changing clothes in my bedroom when I spontaneously realized I was dreaming. I decided I shouldn't waste any more time fussing with clothes and instead get to work on the next task I had prioritized: the Fairy Circle TOTY. Glancing at myself in the mirror, still partially undressed, I headed outside.

I wondered if the dream would let me pass through the sliding door to the patio without obstruction, but instead I found myself exerting what almost felt like a realistic level of force to open it. Once outside, I didn't want to get bogged down looking for a fairy circle, so I primed my expectations. The fairy circle, it was right over here... I've seen it before. I headed right and found a nice patch of soil like a garden plot. Just as I had "expected," I saw tiny plants like seedlings growing in a distinct circular ring about five feet in diameter. At first I didn't see any mushrooms, so I reminded myself: And there were mushrooms. Looking closer, I now observed a few small mushrooms interspersed among the plants. I also saw a few smooth, bulbous growths that reminded me of the "stone plants" that had fascinated me when I was a kid. I had forgotten those even existed!

Now that the circle was adequately established, I needed to summon fairies. I knelt down and focused on the center of the ring, where the soil was bare. I noticed faint movement in a spot slightly off-center, and then the loose earth began to fall inward, as though a hole were forming beneath it. I continued to concentrate on the summoning, and then an odd formation slowly rose out of the earth until it stood about two feet high. It resembled a candelabra with at least two tiers of arms in all four directions, except instead of candles, it held small figures that I presumed were the fairies. I reached out and grabbed the one from the very top of the arrangement. It was about eight inches tall and stiff like a statuette.

I looked closely at the small figure in my hand. She was dark-skinned with shoulder-length black hair, wearing a crimson dress with a dark green cape on her back. Her hat was the same crimson as her dress, but in form it resembled a Santa hat, with a white fuzzy brim and a white pompom at the end of the conical tip that draped behind her. Attached to the toes of her green shoes were round bells, both silver and green. I thought the overall impression was really cheesy, not at all how I would have preferred to imagine a fairy! There was one more incongruous detail: her face was contorted with an expression of unmistakable anger.

I was tempted to ask her name, but remembered how pointless and distracting this line of questioning can become, so I should get straight to my real question: "What is your secret?"

Her response was both unexpected and chilling: "It is evil." She sounded as furious as she looked.

"What is?" I asked, utterly perplexed.

I can't recall her initial response, but it did not resolve my confusion. I decided to be more specific: "When you said, 'It is evil,' what did you mean by 'it'?"

She said a few more things that I don't recall, and then a line that struck me clearly: "The evil of a controlled substance is the substance."

This was even more confusing. I hardly ever use controlled substances, at least not illegal ones, so I didn't understand how this could be relevant. Moreover, I disagreed with her stated position: in my view, the main evil of a controlled substance is the social strictures that punish people for possessing or using it.

"Why did you bury amphetamines?" the fairy pressed.

What happened next was the clearest case of false memory that I've experienced to date. With what felt like a flash of insight, I suddenly realized the probable reason she was so angry. I "remembered" something about my fairy circle—something that I'm pretty sure had not come up in the dream until the point at which I now "remembered" it, but now seemed to explain everything. I recalled that at one point I had buried a bunch of drugs inside the fairy circle, mostly amphetamines, as part of my preparations for the ritual to lure or summon the fairies. It now occurred to me that this might have caused problems within fairy society, and I felt a twinge of guilt.

I didn't think I would get any more useful information from this fairy, so I put her aside and grabbed another, this time from the side of the candelabra-like arrangement.

This fairy didn't look human at all. It looked like... a turnip? Was that the right vegetable? The white round bulb with a blush of purplish-red at the top? Yes, a turnip. I was reminded of a photograph of a white radish by Edward Weston (1886–1958) that I had seen the day before in WL. This was clearly a turnip, not a radish, but it gave me a similarly vulgar impression. If this was a fairy, it was clearly not from the upper echelon of fairy society. Or could its abject appearance be the result of too many amphetamines?

Well, here goes.

"I have a question." I said, wondering if the turnip-fairy could understand me. "The question I've come to ask is: What is your secret?"

I was still rotating the turnip in my hands as I spoke to it, uncertain which side was the appropriate one to address. How do you talk to something with no face?

I heard a male voice, faint, with the accents of a yokel, like Cletus on The Simpsons. It responded to the question in my mind, not the one I had voiced: "There is a side that says: 'Look at me'."

I realized the turnip must be trying to help me orient it properly, so I turned it until I found a round black label with white block lettering that, sure enough, said "LOOK AT ME." It was hard to make out—I missed it at first—because the label was embedded in a scene featuring the stylized profile of a man in a black cloak.

"It would be a lot easier to see if there was some white space around it," I commented about the label.

The turnip-fairy took my suggestion and the surrounding scene promptly faded, leaving the round black label with its white letters clearly discernible. I reminded the turnip that I had come to ask its secret.

I don't recall its initial answer, but I do remember my skepticism. Whatever he had said had sounded as unconvincing as the response I had gotten from the first fairy, and I assumed that he, too, might be pursuring an agenda that involved concealing the truth.

"I don't think that's your secret." I said doubtfully. "Tell me your real secret."

The tone of his response implied that I was wilfully ignoring the obvious: "Oh come on, we can't tell you that."

Even before his sentence had concluded, I was ejected from the scene and found myself standing in my bathroom. I felt like I had woken up, but wasn't sure. I briefly considered going back outside and attempting to continue the scenario, but realized I should promptly write down what had already happened. I grabbed my notepad from the bedside table, and after a bit of trouble with the pen—which I recognized as another dream sign—I started writing down what had happened. Although I realized I was probably not yet awake, I figured that even while still dreaming it could be useful to write down some initial recollections while they were fresh, and it might help me remember them better when I did wake up.

However, I hadn't gotten more than a few sentences into it when dream-writing began to feel tedious, and I was afraid I would get distracted, fall into an NLD, and lose the memories entirely, so I forced myself awake. But as soon as I grabbed my actual notepad to begin writing in WL, I realized my mistake: merely transitioning to wakefulness had dulled the memories of the dream that had been so crystal clear just before I had woken up. I wrote down everything I could still recall, but unfortunately some details of the conversations were lost.

Ritual: Set vibrating alarm for 40m at 6:20am. I don't remember it going off, but I began dreaming that I was trying to fall asleep, until it gradually dawned on me that I was already dreaming. It was 7:19 when I awoke, so given that the dream must have manifested at some point after the signal went off at 7am (since it was not interrupted by it), it could have lasted up to 19m. I'm classifying this as DILD and not EILD since lucidity was not initiated by recognition of the device signal.

DILD: Initially I am on a beach, lying on a sort of cot, trying to fall asleep. There are other people all around me, and their activity and noise is keeping me awake. I mention aloud to someone nearby that I seem to be entering REM state even while awake, as I notice crisp and colorful visuals superimposing themselves over my visual field. Even though the new scene is layered over the old one, it is distinct enough that I can make out details: I am at the edge of a river running through a futuristic city. Some sort of V-shaped flying craft is flying in tripartite geometrical formations up above, the crafts each giving off light colored red, white, or blue, each grouped into a separate section. Is this meant to be a patriotic display?

I do not change position, but the cot I'm lying on becomes a sort of couch as the environment around me resolves into a room full of kids. Someone plays a video on a TV monitor, which annoys me because I am trying to fall asleep and the music is distracting. But then they mention that the video features Jonathan Tweet, and the name sounds familiar. When I remember it is one of my favorite game developers, I take more interest in the video and sit up.

Something makes me think this is a kind of school where the kids are learning lucid dream abilities. One boy, bald, sits to the left of me on my couch and he's trying to test his powers against me. He takes my hand in his, which begins to glow blue, and I realize that he's trying to "crystal" me, that is, harm me with the pale blue light he is creating. I counter it easily, however. This frustrates him and he begins trying to bite me. He opens a disturbingly wide mouth and tries to chomp down on my hand, but I counter him by softening both his flesh and his resolve, so that mouth sags toothlessly and he never completes the bite. We go through this cycle three or four times before I tire of the game and get up.

By now I'm aware that I am already dreaming, and I walk into the next room, recalling my personal goals. [I accomplish a personal task, finding a certain fictional character, then suggest that we become dragons to fulfill one of the TOTYs.]

I lead the way to a window and lift it open. We're about four storeys up, but I jump out without hesitation and spread my arms, letting the air catch me. As I fly off to the left, I focus on trying to develop the "feel" of a dragon body: four legs, wings, tail, scaly skin. I haven't tried this before and the results are so-so, a fluctuating hybrid between the new bodymap and my usual one. I am flying over what strikes me as a mid-twentieth-century city. There are no skyscrapers, just a mixture of low commercial and residential buildings that cover a wide expanse. I recall that the task requires me to destroy a village, but the city below seems too urban to qualify. Would a neighborhood count as a "village"? But my moral qualms kick in, and I hesitate to bring wrath upon an innocent residential neighborhood.

I fly further on, toward the edge of the city, looking for a more remote target, preferably one with few occupants. After exploring the land for a while, I find a spot that, while a stretch to call it a "village," at least satisfies my ethical preoccupations: it is a cluster of buildings around a large industrial apparatus, evidently a manufacturing concern of some kind. I don't notice any people wandering around, so hopefully there are not many on site to be harmed. I can't imagine I'll find a better target (at least in relation to my own concerns, rather than the specifications of the task), so I begin circling over the site, breaking the buildings and bashing them down. Meanwhile I focus on maintaining my dragon form; this takes constant vigilence because it is so unfamiliar, and too easily slips into sensations more congruent with human limbs.

What color dragon am I? I recall that D&D dragons can take many different colors, with corresponding breath weapons. On the ruins of the factory, I test acid and frost breath in turn, trying to decide which feels more natural. I like the effects of frost—after freezing metal walls solid they shatter in a satisfying way—but then I remember that the task specifies leaving flaming ruins in my wake, so I switch to fire. There isn't much in the way of visuals; rather than great gouts of flame, my fire breath is more of an intense heat that makes metal glow red. But I dutifully knock down and burn the factory into rubble.

Afterwards, I hover anxiously over the destroyed site to see if anyone was harmed by my stunt. (I know, I know, I make a terrible dragon.) I do spot someone—something?—running around frantically, but as I peer closer, it does not look human at all. Curiously, it appears to be a small white gem that I take to be a cubic zirconia, attached to a tiny wire loop that looks like it must have once been the pendant of an earring. The sense of scale has been skewing dramatically as I have been peering closer, and now I feel back to my normal human size and form, kneeling over ruined buildings the size of an architectural model. I look carefully and spot two more little gems running around. Unless there are more I don't see, three victims isn't too bad, and at least they're still alive, even if they're looking understandably anxious. (How do gems even look anxious? It was something in the way they moved.)

[I've been concentrating on my task and realize I have lost track of my friend. I look for him and we are briefly re-united before I wake up.]

Ritual: Went to bed around 2am. Woke at 5:45 and fed the cat. Returned to bed and set vibrating alarm, attached to wrist. Interval was 30 minutes, set at 5:55am. Last time I used this device I completely slept through several vibration cycles (it was at the lowest setting), so I turned the intensity up slightly. The first time it went off I remembered to lay still, but could feel that I had already lost dreamstate. The second time it went off, my mind felt fully awake but I felt like I might still be integrated with my dream body. I tested movement cautiously and sure enough, I could swing my arms freely, unconstrained by the covers that I knew lay over them in WL. There were still a few moments when I couldn't quite be sure if I was engaging dream muscles or real ones, so in order to avoid sending the wrong signals, I started spinning and sliding my whole body until I felt like I was lying the wrong way in the bed. I didn't feel like I could safely engage my legs yet, so remaining on my back (though in WL I was sleeping on my left side), I slid across the bed and off the other side until I dropped gently to the floor. The cat was lying on me in WL (confirmed when I woke up afterward) and the sensation of warmth and weight bled through into the dreamstate, so it felt very odd and amusing to have this remain constant even while my self-perception of where I was in relation to the room and the bed was changing. I took care to note this WL sensation cautiously and with a certain mental distance, lest it startle me awake. The sensation faded naturally as I now "stood up" and walked through the house.

EILD: I walk straight into the living room, which was dark, and stop to figure out what I should do. Although I have been trying to remember a few personal tasks, somehow it is easier to recall the TOTYs, so I figure I'll attempt another of those to start with. Most of them seem better suited to the outdoors, so I exit the kitchen patio door.

My initial thought is to look for a circle of fairy mushrooms. My cement back patio is unusually life-like this time, so I cross it until I reach the fence that borders the property. In WL this is a low wall of beige-painted cinderblocks; in the dream it is a chain-link fence several feet taller than I am. With the lightness and agility of my dream body, I easily climb over it and drop down. In WL the ground slopes steeply downward here; for some reason in dreams, it is typically a steep hill going up.

I start looking for fairy mushrooms among the trees, but notice a large area where the soil looks loose and disturbed, as if recently planted with the flowers that cover the expanse at regular intervals. The blossoms are very simple in structure, a small disk encircled by six delicate purple petals. I realize that I am unlikely to find a fairy circle in ground so recently landscaped, so I decide to pursue the gnome task instead. There are trees all around, but most look young, their trunks only a few inches in diameter. I look around for the biggest tree I can find, and approach one that is over two feet in diameter, conjoined with two similarly-sized trunks to make a row of three. I can't tell if they are three trunks from the same tree, or multiple trees that grew up in close proximity.

The earth is still bare and loose here, recently tilled, so it is easy to dig my arms in and start casting it aside. I alternately cast the soil I'm displacing to the left and right and back between my legs. It is much easier to dig than it would be in WL, but it is still too slow and tedious to form a hole of the depth and dimensions I need, so I decide that I need a new strategy. If there are tunnels down there, there shouldn't be any need to displace the soil outside the hole—I should be able to drill straight through. I leave my hands in the earth and focus on pushing the soil inward. As a hole begins to form, I step in and will it to widen, so that I won't feel claustrophobic. When it is a few inches wider than my shoulders on either side, I take the plunge, willing the earth beneath my feet to drop into the tunnels and carry me along with it.

I find myself in a network of spacious square hallways, about seven feet tall and wide. They are dimly lit by what seems to be electric light, though I don't investigate the source. There is nothing natural or even rustic about these tunnels—they might easily be the basement corridors of some ordinary building. I look around for evidence that they are the gnome tunnels that I am seeking, and find that the most distinctive thing about the space is the graffiti scrawled here and there on the walls. It is not high-end arty spray-painted graffiti, just ordinary lettering written in what looks like thick black marker. I step closer to one example and find it at once legible and unexpectedly funny: "Hobbits are HUGE!" It does sound like the sort of thing a gnome might write, so it gives me confidence that I've landed in the right place after all.

I continue down the corridor, looking for more memorable examples of graffiti. The next piece that catches my attention says "SpiritLA." Something about the way it is written makes me think that this is a Los Angeles-based sports team that the gnomes apparently favor. A few steps further on, and I finally encounter the gnomes themselves, about six of them congregating in a junction where several corridors meet. There is also a sort of wire gate that appears to lead into a larger open space, though it is too dark to discern any details. Despite what the graffiti said about hobbits, these figures are pretty huge themselves, coming up almost to my shoulder, so I peer closely at their faces for evidence that they are in fact the gnomes that I seek. I am reassured by their features, which have distinctively rounded, gnomish features.

"Hello," I say, curious how they will respond to my intrusion. "Hello!" they reply cheerfully, completely at ease. I have been voicing my observations (like the examples of graffiti) aloud in order to assist my recall later, so as I take note of the appearance of the gnomes nearest me, I make a vocal shorthand description of their characteristics.

"Blonde, bangs, white dojo," I comment about the first gnome to approach me. She is a female wearing a gi (the garment used in karate practice), and though I know perfectly well what a gi is called in waking life, dream logic substitutes "dojo" instead. Her hair is long and straight, of a golden blonde color. Her gi is bound with a plain white belt. She smiles amiably.

Another female gnome is standing to my right, so I note her appearance in turn, remembering that the task specifies interacting with two of them. "Pink padded blouse and white skirt, knee-length" I say, but even at the time I realize "padded" might not be the right word. "Quilted" would probably be more accurate, since it looks like there is only a very thin layer of batting under the decorative overstitching, done with curving and intersecting lines spaced about half an inch apart. I note that the skirt has the same kind of decorative stitching over thicker cloth, with no apparent batting inside, as the stitches lay flat. "Light hair, long—no, shoulder-length," I continue, noting that her hair is exceptionally pale, almost white, and delicately textured. The way it falls reminds me of how hair was "feathered" in late '70s/early '80s hairstyles. The faces of both females look ageless, neither young nor old. Neither seems disconcerted by my weird mutterings, they both just look at me with calm curiosity.

Although I was able to make very detailed observations on the appearance of both, at this point I felt myself begin waking up and could not reverse the process. The EILD allowed me to time the dream precisely: it went off at 6:55 and I awoke at 7:04, so it only lasted nine minutes in all. Subjectively, it also felt very brief.

Ritual: Yesterday was full of work and stress, conditions that I have previously correlated to vivid dreaming. I worked until going to bed at 2am. Woke at 5am to feed the cat, then again at 6am after a dream that culminated in an experience of intense frustration, vivid enough that I spent around 45 minutes writing it down—an unintended but useful WBTB. Since today will also be very busy I did not do any other lucid practices, however, I had primed myself a little by reading the list of TOTYs last night. Apart from those conditions, the following dream was spontaneous, and I woke from it at around 8:45am.

DILD: I am at my mother's house, but it is unlike any WL house. I am in a long room with high ceilings, very spacious and sparsely furnished, with no modern accoutrements. Maybe it is the medieval look of the interior that reminds me of the TOTYs, and I become lucid. Which would be a good one to do? Fairy would be easier to do outdoors. I could turn into a dragon but then I'd have to destroy everything and I don't want to wreck my mother's house. Phoenix? That would be a good one. I try to remember the details. I can't just summon it directly, I have to burn something, right? I look around the room for something suitable.

On the far end of the room is a table under a shuttered window. The table is covered with a white cloth, and spread across it is an assortment of jewels and precious stones. These look ideal. I select a faceted gem and place it in my left palm. It is small, only about six millimeters across, transparent with cobalt blue striations, like a combination of diamond and sapphire. It is faceted into what I think of as a classic gem shape. [According to online sources, this is simply called a "round" cut.] I walk slowly across the room back toward the couch where my mom is sitting, concentrating on the stone and willing it to catch fire. The stone feels inert in my hand, and I feel that I have chosen the wrong one. From the coloring, this stone is clearly attuned with ice, not fire. I should go back and pick a different one.

I return to the table and find a small stone of matte earthy red color. This is more a mineral than a gem, and it is shaped like a narrow lozenge, almost a centimeter long, pointed at the ends, and only a few millimeters wide in the middle. I begin to will it into flame, but immediately have second thoughts. The stone is so skinny and small, it would probably make a scrawny phoenix. I go back to the table to look for a better one.

I decide to find a gem that could pass for a phoenix egg, examine the options more carefully, and finally come across a good-sized stone around three centimeters across. It is also matte and reddish, but a generous oval in shape, and the top is composed of randomly assorted rounded protrusions, like bubbles. The bottom has been leveled off and already set into a metal frame. I decide that this one is ideal, put it in my left palm, and begin to invoke fire in earnest. Around this time my mom tries to talk to me about doing some household chore but I hush her: "Not now, I'm busy."

The stone resists at first, but I do not let myself doubt my ability to do this. I've summoned fire in my palm before. This time I'm just transmuting it from a substrate. I will a flame to emerge from the stone and soon it does—but I notice that in the process, the stone has transformed into a candle. The candle is larger than the stone, filling my hand. It is a 6cm tall cylinder and is conveniently fitted in a round container. Between the candle and the sides of the container is what looks like a filling of crumpled dry grass.

The flame is burning on the wick in the ordinary way, and I will it to expand and consume the whole candle, turning it into the phoenix I am trying to create. For a moment it burns quietly, but then the whole object transforms again. Briefly I seem to be holding a bundle of smoldering dried grass, around a foot in diameter, until the whole thing explodes and violently flies apart, patches landing in various places around the room. Failure? I'd better check the remains.

I wander around to a couple of the smoking remnants, but see nothing notable. I remember that I need to keep my expectations high, so as I walk toward a third, larger patch, I anticipate finding a baby phoenix. Sure enough, when I prod at the charred dried grass, underneath I discover a tiny, long-necked, bird-like creature! The phoenix has hatched! But it is it skinny and completely limp. What can I do to help? As a creature of fire, I reason, it must need heat. It is probably freezing to death.

I gently pick up the baby bird, which drapes across my hands with no sign of life, and take it to the fireplace. Luckily there is already a good fire burning. There is a kind of metal chain screen separating the fire from a metal grate on the hearth. Sprawled on the grate, soaking up the heat, is a long iguana-like lizard that I had previously noticed on the table when I was selecting jewels. I figure it must be a salamander, with the same need for warmth as my new phoenix. Should I place the phoenix in the fire directly, or on the grate? Since my hypothesis about the wisdom of putting the phoenix in the fire is as yet untested, I decide to lay it on the grate in case I need to remove it quickly.

The experiment goes well. As soon as I lay the baby phoenix next to the fire, its body begins to perk up and fill out. It grows until it resembles a toucan in shape and size, though red in color and with a sleeker bill. Success! But was there more to the task? I can't remember if we were also supposed to fight something, and figure I'd better do that as well as long as I can maintain dreamstate. "Let's go fight something!" I say to the newborn phoenix, and it hops up on my shoulder.

I head past the table with the jewels and open the window in the end wall. The window is a square aperture about three feet on a side, fastened with a single wooden shutter. The shutter is hinged on one side, flush with the wall when closed, and opens inward to the left. This truly resembles a medieval house in that there is no glass in the window, so it is easy to climb up and out. I pause on the sill and bid the phoenix to fly on ahead. Meanwhile, I hang up the long metal hook that I used to open the shutter so that I can grab it when I come in later, then use another device that resembles a hook attached to a wire loop to suspend myself from the sill and ease the drop to the ground, which is far enough below that it requires some precaution. I have the feeling that I have done this many times before.

Once on the ground, I look around for someone or something to fight. I am on a grassy lawn that extends between a number of different buildings. The buildings themselves don't leave a distinct architectural impression—I wish I had taken a closer look. Instead I was scanning the ground between them, but all I see are ordinary people walking about, none of whom seem like suitable opponents. I don't want to be an unprovoked aggressor.

The dream begins to fade. I worry that the abrupt transition to a different space might have unbalanced it, and I immediately take steps to stabilize, falling on my knees and examining the details of the grass while running my hands over it for texture. For a moment the grass turns grey and although I see all the usual plants among it, like clover, everything looks unusually small. But then a voice hails me from above and the dreamstate resumes its integrity: "Do you want to fight?" I promptly agree.

I am facing a man who is accompanied by a creature resembling a muscular, short-haired white dog. The man has a sword, and immediately begins to strike at me. Although I am unarmed, I find that I am able to parry his blows with my hands without too much discomfort. I suspect that I could turn the fight to my advantage if I want, but the whole point of this exercise was to fight in tandem with the phoenix. Where is that bird? "Phoenix? Phoenix!" I call anxiously.

The blade keeps falling, and I keep catching it and pushing it aside, but luckily the dog is hanging back for now. Suddenly to my relief the phoenix swoops in, aiming a stream of fire at the dog. More gouts of flame follow, consuming the man and dog, but they do not go down easily. I watch the phoenix, who has now taken human form, take a blade right through his stomach, angling up toward his chest. It is an unmistakably lethal blow, and I run over to him as he falls. I feel guilty for having put him in this predicament—but recall that for a phoenix, there should be a way to fix this.

Looking around frantically, I am pleased to discover a fireplace in my immediate vicinity. Nevermind the unlikelihood of finding a fireplace outdoors; it is just what I need so I don't question it. I drag the phoenix, currently in the form of a slim Asian boy, over to the hearth and dump him directly onto the flames. I expect the fire to heal him; instead he begins screaming as his skin burns and chars. It is horrifying, but I hold him down as he struggles—he was dying already, this is the only thing that might help. Maybe this is how it is supposed to work. A phoenix has to die to be reborn, right? The human body blackens and burns away. Sure enough, in its place I find a little baby bird, looking much like it did initially but yellow instead of red this time. I wonder if its pale color means it needs to eat. The bird pecks at some morsel of food near the fire and I try to tempt it with something better. "Here, eat a hot one." I pluck an olive-sized piece from a row of snacks baking in the fireplace (I don't feel the heat, just as I didn't feel pain from the sword earlier) and offer it directly. The little bird compliantly swallows the morsel, growing in size and turning red again.

I feel that I have completed the task to satisfaction, so even before I wake up I begin reviewing the details, making sure I commit them to memory. There is a moment when I am back in the same house as the beginning of the dream and ask someone to remind me the name of the guy I fought. "Ziggy Starduster and the Hoarfrost," comes the reply. I note that they definitely said "Starduster," not "Stardust." Since I only hear rather than see the names, I briefly wonder if the dog's name is spelled "Whorefrost" or "Hoarfrost," but decide that the latter is more appropriate on a number of levels.

Ritual: WTB 1am, WBTB 4–6am. Plenty of hypnagogic imagery but hard to fall fully asleep, last noted time at 6:45am. Woke at 7:30 with dream as follows.

Alchemy: First experiment with phenylpiracetam, 100mg. Stacked with 300mg Alpha-GPC (50%), and 200mg L-Theanine. Took in first hour of WBTB (in retrospect, I think this was too early and interfered with sleep). In second hour of WBTB, drank yerba mate tea (this was also probably overkill, as it turned out).

NLD: I was in a big auditorium. No memory of what was going on there, but I was trying to climb a big pole in the center (maybe I was already prospectively thinking of Jack and the Beanstalk?) However, I felt weak and uncoordinated, and couldn't make it up very far.

Later, I ended up in conflict with a guy. He was lean and wiry, small-framed, with a short trimmed greying beard. He and my husband had been in tiny vehicles on an indoor track and this guy, for no apparent reason, started aggressively crowding my husband into the side of the track. I was so angry I chased him. He got off his vehicle and disappeared into the crowd. I kept watching his movements and followed up until I was finally able to catch up. At the last minute I wondered if I was really going to go through with my intention to beat him up when I caught him... and decided yes, he needed to learn a lesson. So when I got close enough I immediately threw a punch, dodged his return blows, and finally knocked him down to the floor.

He had a dream device on him—I took it to be his journal, but it resembled a long strip of chromed metal, several inches wide by about sixteen inches long, with some holes running along the center area. I took it away from him as a punishment. I wanted to hide it somewhere it would be hard to find, so I took it into the women's bathroom, where he presumably wouldn't think to look. There was an incinerator in there as well as a garbage can, but I decided that I couldn't destroy his journal, no matter how much I disliked him, because dreams are too important, even his. I just wanted to inconvenience him for a while, so I put the device in an inconspicuous shelf where I figured someone would come across it eventually. There were a lot of dream herbs and supplements on the shelf, apparently free for the taking, but I reminded myself that this was a public place and anyone could have tampered with them, so I'd better leave them alone, and stick to my own at home which I know are clean.

DILD: It was around this point that I remembered to RC and realized I was dreaming. My goal was to work on the fairy tale TOTYs. I had actually come across a sandwich bag containing a handful of Giant White Beans in my RL kitchen the other day, and thought that these would be ideal to plant outside to grow the beanstalks. So after getting lucid, I headed straight for the kitchen and grabbed the bag, then went outside to plant them in the little plots of soil that abut the wall of the house. I felt like I was rushing, but the dreamstate felt shallow and unstable so I was motivated to act quickly.

In the dream it was drizzling lightly, so the soil was soft and easy to work. I planted the beans by hand, three in the first plot, and then went to the next plot to plant three more. But by the fourth bean I realized that they might take a long time to germinate if I didn't hurry things along. Fortunately I had a plan for this. I had been meaning to work with the Ars Magica Form "Herbam" for a while anyway, and this seemed like the perfect opportunity. Would "Creo" or "Rego" be the proper technique for this case? I decided to go with "Creo" since I was growing the beanstalks from seed.

I held my hand over the soil where I had just planted the fourth bean and intoned, "Creo herbam." After a little concentration it readily responded, a thick sprout emerging from the earth. It didn't look so much like a beanstalk as a huge stalk of asparagus, at least six inches in diameter. I figured that would be okay, as it would turn out sturdier this way... and I like asparagus. I quickly planted the other two beans in the second plot, but the stalk was growing rapidly and was already a few feet tall. There were still two more beans in the bag but I decided to save them... what if I needed to plant another stalk to get back down? Jack probably saved a few beans if he was smart.

Remembering how much trouble I had experienced attempting to climb in the previous NLD, I came up with a better idea. While the stalk was growing past chest height, I grabbed onto it and let it lift me as it grew. I wondered if this would still count for the TOTY, but figured probably, in terms of altitude I was certainly climbing, even if the stalk was doing all the work!

We went up and up. I was waiting to reach some kind of surface or platform that I could step off onto. How did this go in the story? I don't think I've ever actually read the original, and started to regret that I hadn't done a bit more research, because it was hard to imagine what kind of solid ground Jack could have encountered at the top of the stalk. Did he step onto the upper surface of the clouds? Or was there some kind of floating island? I may have been overrationalizing, but it annoyed me that I couldn't remember how this was supposed to work.

The dream seems to have responded to my confusion, because the space around me became ambiguous. I had started outdoors but now felt like I was indoors again, still on the beanstalk, which was still growing. However, it was now "growing" through what was effectively a visual loop: I noticed the same attic space passing by again and again in front of my eyes, like a skip in a record. I attempted to wait it out but it just kept repeating, so finally I figured, okay, I'll take the hint, I'll get off here.

Around this point the dreamstate was feeling very thin and shallow, and my senses felt poorly integrated. I had to focus my attention for a moment on just on staying engaged in the dream. When this awkward passage resolved, I was back in a room that somewhat resembled my RL bedroom, only now the beanstalk seemed to be growing from the middle of the bed and burst right through the ceiling. I didn't have the impression that any giant was in the vicinity. Maybe I needed to climb it again? But the hole in the ceiling was only big enough to accommodate the beanstalk. I would have to widen it if I wanted to crawl through.

This reminded me of my separate and fallback intention to work on Hansel and Gretel if the beanstalk idea went awry. My new strategy involved breaking off pieces of a house and eating it, to encourage it to turn into the gingerbread cottage of the story. I reached up with my hand to tear a piece from the edge of the hole in the ceiling. It broke off easily in my hand like rotten wood. I took a bite: it has the texture of a dry crumbly cookie but not much flavor. I tried to conjure the taste of gingerbread but I don't notice much change. I went wandering through the house looking for a witch but there's no one else home.

There's a vague section here. I can't remember if I actually ended up climbing the first stalk to end up outside on the roof, or if I just walked outside to check on the other beanstalks, but at some point I am outdoors again, and I observe that the other beanstalks I planted also grew at some point but are now brown and withered. I can't remember what became of the first one, but evidently it couldn't get me any farther than the roof. Still no giants, but I see what looks like a higher platform on top of a neighboring building. I break off a length of one of the dead stalks and try to use it to pole vault myself up onto the platform. It gets me almost to the top but not quite.

Occupying the center of the wall leading up to this platform is a very tall bookshelf, only about three or four feet in width but running all the way up to the top of the thirty or forty foot wall. After my second or third attempt to pole vault up, I realize that I can't make it all the way to the top using this method, so I get off on one of the uppermost shelves. I don't think I can finish the climb directly from here, but I have another idea. My weight is already destabilizing the bookshelf, pulling it down and me along with it, so I realize that I might be able to use the rebound effect to launch myself onto the platform. As the top of the bookshelf sinks all the way down to ground level, I climb over the top and position myself on the back of the shelf (which is level with the ground and facing up after the bookshelf has fallen all the way down). I anticipate that the whole shelf is going to rebound back into its original place, and sure enough it does. Using the force of its rebound, I jump off when I'm near the top and finally make it up onto the platform... when the dream ended.

Note: Although I managed to get a fair amount done despite adverse conditions, the dreamstate was low quality throughout. I stayed up during the WBTB about twice as long as I had originally intended, which meant I took the supplements way too early so that they were actively inhibiting sleep by the time I returned to bed, and drinking the caffeinated yerba mate on top of that was evidently a mistake. But it is hard to argue counterfactuals because sometimes if I don't overdo it, I don't get lucid at all, so it's always a tricky balancing act.

After several promising WILD attempts failed for no good reason over the last couple weeks, I was afraid I was headed into another dry spell. Then last night, when I wasn't planning to lucid dream at all—having only seven hours to sleep before getting up early for a busy day—I had spontaneous lucids all night during the few short periods I managed to sleep at all, and had to sacrifice even more sleep writing up my notes promptly (as a matter of principle). I should have known better to drink that big mug of coffee before bed on a night when I was likely to be prone to anxiety anyway, but now I can report that caffeine + anxiety make a great lucid trigger!

I went to bed at 12:30am. Knew I needed to wake at 7:30 and intended to go to bed earlier, but I never find it easy to go to bed before midnight unless I'm sick or already exhausted. Woke at 2:30am and realized that the coffee was a mistake: I was now wide awake. To counter the insomnia I started doing counting and deep breathing, basically just like my WILD practice but without the intention to LD. I counted to fifty, one number for each full breath cycle, then left off counting and did the breathing only. I'm not sure how much I actually slept—it felt like I spent a long time in a transitional state—but it was 3:45am when I woke up fully again, this time after slipping spontaneously into the very briefest of WILDs.

Brief WILD: The transition was really interesting, because there must have been a point when I was already asleep, but I still thought I was awake. I know I was confused about this because I was under the impression that while lying in bed I was selecting and leafing through fantasy-game themed magazines from a low shelf that was just to my right, apparently in the bed with me. Of course in waking life there is no such shelf set up in my bed nor any magazines of this kind within arm's reach, distinct evidence that I had dreamed the whole thing. But as I was flipping through through the magazines, I was also well aware that I was in the process of trying to fall asleep, and I even noticed a curious phenomenon: when I closed my eyes, I could still make out blurry forms and colored shapes corresponding to the content printed on the pages I was reading. This made me think that reading through closed eyelids might be a great technique for encouraging REM onset, because it was stimulating pictures to form in my mind. A great technique indeed if you can do it while you're already dreaming! But I didn't realize that at the time.

Eventually I felt the onset of that bodily dislocation that suggested I was close to a WILD transition, and encouraged it. Sometimes I levitate, sometimes I rock or rotate, but this time sinking felt more natural, so I let the sinking sensation grow while thinking, "Down, down," until I felt that the transition was complete. Then I easily "got up" out of bed. However, I still didn't have much control of the dream body, so I discovered that I couldn't stand or walk yet. Instead I collapsed face down on the floor and had to crawl. This didn't alarm me, because I often lack full motor coordination right after the transition. The environment was recognizable as my bedroom but still very murky. My mind felt incredibly active and clear, by contrast—probably because I was barely asleep.

I remember thinking distinctly, "Oh good, I haven't lost it"—meaning the ability to WILD, given that my last few attempts have gone nowhere. I crawled toward the bedroom door and remembered my task, "Fairy tales." Then I paused, realizing that I would need to improve my integration before trying to leave the room, as my WILDs tend to destabilize if I try to rush things. I thought, "Time for some clean-up"—but alas, there was no time, as I woke promptly at this.

Such a disruption was not unusual, as my early WILDs are normally strung together by multiple DEILD chains (for some reason this seems to be almost the only time I can successfully and instinctively DEILD, so I've never even counted those DEILDS as distinct dreams; instead they end up seeming more like segments of the same chained WILD). Unfortunately, I could tell at once that this time I had woken up too fully to DEILD, and even though I held very still and sought a way back into the dream, I could feel that I had surfaced past the point of re-entry, so I got up to write this. A bit disappointing, but not overly so as I have to get up insanely early tomorrow for a full day of activity, so no time to write more without cutting into sleep.

5:50am: up and writing again after two more DILDs. Both times I thought at first that I was awake in the house, but instinctively realized that I was dreaming.

DILD#1: As soon as I realized I was dreaming, I remembered my task, still determined to carry out my "Hansel and Gretel" experiment. I was already deep enough in dream to feel well-coordinated, so after getting lucid I went immediately to the kitchen and grabbed some bread from the counter. It was the end of a baguette. Last time I tried this the dream destabilized shortly after I left the house and started dropping crumbs, so this time I decided to begin more cautiously by starting the trail of bread crumbs while I was still inside the house. I walked from the kitchen to the living room, tearing off pieces of bread and dropping them on the floor. Meanwhile I was thinking to myself with amusement, "Oh man, I'd better really be dreaming. If we wake up tomorrow and it turns out I've left bread all over the floor, my husband is going to say this lucid dreaming thing has to stop!"

But I was sure I was dreaming, despite the stability and lifelikeness of the environment, so I asked myself how I could tell. I thought it would be a good moment to test the differences in self-perception between dream and the waking state. No sooner did I turn my attention to my body than I felt it—yes—that subtle tingling in the limbs that I have always associated with dream. The sensation used to be extremely prominent, especially earlier in life when lucid dreams occurred only rarely and spontaneously, but now I hardly ever notice it unless I pay deliberate attention. Unfortunately, this re-orientation of focus on my physical senses meant that I began to notice something I was hearing as well: the sound of my husband's breathing in the bed next to me. This reminded me of my body asleep in the bed, which promptly woke me up.

Upon waking, I could still hear the breathing just as I had in the dream, but with one peculiar difference: in the dream, the sound was distinctly coming from my right, but when I woke up I remembered, of course, he is sleeping to my left. Perhaps the discrepancy can be explained if I was sleeping on my left side with my left ear against the pillow so only my right ear could hear clearly? I forgot to take note of my position when I awoke.

DILD#2: After going back to sleep, once again I was doing stuff around the house under the impression that I was awake when I noticed once again: am I dreaming? Yep, pretty sure I am. Okay, well, back to work then. I remembered that I had taken the bread from the counter in the last dream, briefly worried that I might not find any more, but casually "expected" to find another loaf and sure enough it was there. I started dropping crumbs while I was still inside the house again, then went out the door to the back patio. I was still anxious about destabilization (I have tried this task several times before and haven't gotten very far, and tonight's previous episodes demonstrated that waking up abruptly was indeed a hazard) I so thought, okay, I'll just walk around the pool in circles and continue dropping crumbs until the dream shows some receptivity.

So I began circling the pool counterclockwise, dropping crumbs as I walked. When I reached the area just behind the pool I noticed the place where I had encountered "Boneface" in a previous dream and wondered if anyone would be waiting there, but no DCs were visible. However, the dream was starting to respond: already I was no longer circling the pool but on a path, walking through an environment that no longer resembled any place I know in waking life. The path led me through a dense suburban neighborhood, but I saw trees in the distance and figured a forest must be out there somewhere. I needed to reach the forest to proceed with the "Hansel and Gretel" plot.

I continued dropping breadcrumbs as I walked along the path, but then I remembered—hang on, if I'm doing "Hansel and Gretel," then obviously I can be Gretel, but I'll need a Hansel! I tried to summon him, calling out "Hans! Hans!" and "Little brother!" The dream responded promptly but unexpectedly: a little dog showed up, with long wavy fur in brown and white patches, and started trotting along with me. It looked just like a toy spaniel, but smaller, about the size of a chihuahua. I shrugged and figured, "Okay, good enough." Maybe he would turn into a boy later on, or if not, whatever. (I've always been able to summon animals easily, but have less success with human DCs, so the results weren't that surprising.)

To get more into the spirit of things, as we continued to walk along the path I started singing a song about our journey—how we had left our parents' house because there wasn't enough food, and hoped to find some in the forest. (I just realized a discrepancy in the story: if food is so scarce that they have to leave home lest the family starve, why are they wasting bread by dropping it on the ground? Or is that why mom wants to kick them out, the flagrant bread wasters!)

The dream felt very stable but I knew I couldn't be in very deep because I was having trouble with the song: rhymes weren't coming easily, like they do in deeper dream, and my melody was very simple (The Hobbit was on TV last night, and my song ended up with a similar tune and rhythm to the "goblin town" song from the movie, though naturally with very different words). When I got to the end of a line and couldn't find a rhyme, or even a suitable word, I just sort of hummed over the blank spot and kept going. Improvise! So I sang a number of stanzas in this haphazard way, dropping the bread in smaller and smaller crumbs since I was getting near the end of the loaf, while little Hans the dog trotted beside me on his tiny legs.

Finally we made it to the edge of town, and there it was ahead of us! The forest! Would we go in and find a gingerbread house, a threatening witch? I was looking forward to what we might discover. But I felt sorry for Hans and wondered if he might prefer to be carried. I picked him up and put him on my right shoulder (he was so small). No sooner had I perched him there then at once I clearly and distinctly heard a voice saying my name in my right ear—it was my RL name, and it woke me up. This happened immediately after I put the dog on my shoulder so I had the impression that he had been the one speaking, but the voice was clearly a woman's and, as far as I could make out, it sounded like my own voice.

Anyway, that woke me up past DEILD recovery so I got up and wrote again. It's now after 6am. Nothing like a short night before a busy day in which I have absolutely no time to spare for dreaming to really bring on the LDs, eh?

Ritual: Went to bed at 2am, much later than I had intended. Wanted to wake up between 4-4:30 if possible so I could make a sandwich for my husband to take on his flight. Didn't set alarm, only intention; if it didn't work, that was fine. Woke up promptly at four so got up and went to the kitchen. Then I realized if I didn't stay up to give him the sandwich he would never know it existed, so in the end I didn't go back to bed until after he left at 5. I repeated my tasks aloud a few times to make them easier to remember, using simple keywords: "eyeball, calcifer, fairy tale." Wanted to give SSILD another fair shake after recent lack of success—been falling asleep too easily. After this hour-long WBTB I arranged a ramp of pillows to elevate my upper body and settled back to do SSILD, supposing that the half-reclining would help inhibit sleep. It did—and I realized I had been semi-dozing rather than really sleeping when I got up again at 5:40 and decided to dismantle the pillow-ramp to get some proper sleep. I didn't notice REM during any of these sleep and half-sleep periods so I wasn't optimistic, but I did a couple SSILD cycles on my side before drifting off to sleep fairly quickly. It was 6:30am when I woke up for real (after FA) and began this account.

FA: "....it ignored me, and I felt silly talking to a fire."

Okay, guess now I have to start over. Wrote half of the account up in FA. Which is funny, because when I woke up I did sense that I could probably re-enter the dream state but decided not to because I wanted to write a solid report on what I'd done so far. And here I had felt so responsible and industrious! I wrote down quite a bit but only remember the last line word for word, so I reproduced it above. It's interesting that it is worded in the past tense. My dream reports often swap randomly between past and present tense but the present tense predominates.

DILD: I was in my bedroom in the half-light of early morning, and I heard voices outside the room. This confused me, because no one else should be home right now. One of them sounded like my brother, but he shouldn't be here. And I could hear another voice, a man's voice I didn't recognize. I grabbed my phone from the nightstand, thinking I'd dial in "9-1-1" and have the call ready to go if needed before I investigated further, in case it was burglars or something.

The phone wasn't working. It seems to be stuck on the calendar app, and even this is in some weird and confusing format. I keep pressing the main button to try to get back to the home screen so I can reach the page to dial from, but nothing helps. I still hear the voices and worry that the intruders might come into the room before I can get the phone working and then I'll have no recourse. Should I go outside to the back patio, so it will be easier to run away if necessary? At some point the absurdity of the whole scenario finally strikes me and I wonder if I'm dreaming. Since no one is around to see, I do a quick nose pinch. I can breathe easily. So I am dreaming! Oh good, there were tasks I needed to get done! I realize that since this was a DILD, I'm probably already fairly well-integrated into the dream state and check my impressions. A bit of roughness as I begin to move but not too bad, and the dream feels stable. I don't feel the need for further stabilization as long as I can avoid letting the paranoia of waking wake me up, so I put it out of mind and walk rapidly to the kitchen.

I've brought my phone and figure it might come in handy at some point later on, so I try to slide it into the pocket of my skirt. Trouble is, I'm not wearing a skirt. I make the "sliding into pocket" gesture a few times, intending a long skirt with pockets to manifest, but it doesn't and the phone falls to the floor. Whatever. At least the pattern is in place, so I feel confident that I can get it out of my pocket later if I need it.

I grab the bread from the kitchen counter, noting that it is a packet of round pita bread rather than the sandwich loaf that is there in waking life, and head out to the patio. Which task first? I love the idea of Howl's Moving Castle so I decide to start with that one. First I try to summon the castle directly, not through any special method, just willing it to approach on its own legs. It doesn't appear promptly, so I start with plan B: conjure a fire, call it "Calcifer," and feed it until it becomes strong enough to build the castle from the ground up. The first part should be easy; I've practiced conjuring fire before in this very spot. So I hold out my right hand and concentrate on creating a flame in my open palm. There's just one problem. It is raining, quite heavily actually. Typical dream perversity! I'm trying to fill my palm with fire, but meanwhile it is filling up with water. I ignore the dream's little joke, and keep concentrating on the fire.

Sure enough, I shortly begin to feel the heat and see the brightness of the flame. I set it on the ground and start feeding it chunks of pita bread, calling it "Calcifer" and trying to coax it to respond. It grows larger at first, but doesn't show any sentience, and now the rain is causing it to dwindle despite my attempts to feed it. I decide to continue this experiment indoors, out of the rain. I pick up the fire, just carrying it in my hands, go inside and set it down again on a flat stone ledge, about two and half feet in width and height (the interior of the house no longer corresponds in any way to RL). I feed the fire and continue calling it "Calcifer" to try to get a response, but it ignores me, and I feel silly talking to a fire. I go outside, careful to take the fire out again with me so as not to leave it untended in the house, and fly up in the air before releasing it. I instruct it to go seek out Howl's Castle, hoping that it might reappear at some point later point in the dream.

I return to the ground, once again in a place recognizably like my back patio, though it is no longer raining. What next? I realize the eyeball task should be quick and easy, if I can stomach it, so I ought to knock that one out of the way. I consider going inside the house to use a real mirror, but I don't want to waste time so I stand outside the sliding glass door to the kitchen and rely on the faint reflection of myself I can see there. There is nothing unusual about my reflection—much less so than usual, actually. When thinking about this task in waking life I had decided (for the sake of safety and squeamishness) to try to remove the eyeball in a more hands-off way, simply raising my palm and trying to pop it out through will alone, but now that I'm ready to go I don't even remember that idea. Instead I lift my right hand to my right eye and just start digging in there. I feel a momentary discomfort, enough to make me think, "I'd better be damn sure I'm dreaming!" before I feel the fingers slide smoothly into the socket with little pain, and this reassures me.

The eye pops out easily, but it is attached to a surprisingly thick, gross, fleshy stalk. Even at the time I realize that my experience has probably been colored by other accounts of this task I've already read on the DV thread, some of which mention similar stalks. The stalk is inconvenient and ugly so I keep pulling until the eyeball breaks free, then turn it around to inspect it. It looks remarkably like an eyeball. I had been hoping that it would transform into something cool, like an orb of glass or even a jewel. But nope. It is a disturbingly life-like eyeball, with a distinct iris and pupil and even a bit of red tattered membrane where the stalk had been attached. When I aim the iris and pupil toward me, they already look dead and unseeing, so it doesn't occur to me to try to use this eyeball to see with. Also, although I don't take note of this at the time, in retrospect I can report that there was no subjective change in my experience of vision; I was still "seeing" as though with two intact eyes.

I had meant to look at my reflection again after pulling the eye out, but I forget to do so. Instead I'm absorbed in inspecting this very ordinary-looking eyeball and trying to find any notable details to report. I do observe that the iris seems to have changed color: from the initial blue it has faded to a drab brown. It is still kind of creepy to be holding my eyeball, so without experimenting further I pop it back in. Luckily no difficulties there, and only then do I remember to check my reflection. I look normal and still don't notice any changes to my vision. I feel a momentary regret that I didn't remember to try to transform the eyeball into something else before putting it back in, but I feel reasonably satisfied with the task so I'm ready to move on.

Now I'm down to the last of the three tasks I'd planned, and I feel a bit apprehensive. In one way or another, this damned Hansel and Gretel idea has been eluding me. But I still have my bag of pita bread, so I get started: my plan is to start dropping breadcrumbs as I walk, hopefully find myself in a forest, and see what happens from there. I re-read the story a few weeks ago in my copy of Brothers Grimm, but I haven't tried to flesh out the intended scenario because I want to give the dream leeway to respond creatively to my breadcrumb trail. So I start walking across the patio and dropping crumbs, and now I just have to figure out which way to go. My original plan had been to start on the street in front of the house, which had once transformed into an ideal forest in a previous unrelated dream, but now I'm behind the house and want to get started right away rather than have my plans potentially disrupted by a detour. It's okay, I'd planned for this too. I figured the hill behind the house might be wild enough that I could start climbing it and work it into a suitable forest. However, now when I look in that direction, I see a paved concrete footpath that leads between suburban houses with neatly trimmed lawns. Dream is being perverse again. In the opposite direction is a second path, smaller, with a similar suburban aspect. Which one will lead me sooner to a forest? Both look completely domesticated. I figure I'll just start with the first one and try thinking "forest" as I go. I start off, dropping my bread crumbs, but with no warning I wake up—or out of the dream, at least. As mentioned above, I sensed that I could re-enter the dream state but decided to write my report instead, was under the impression that I had gotten up, and wrote for quite a while before waking up for real.