Blue_Opossum

Morning of December 21, 1969. Sunday.



I am in the high school auditorium (which was used for entertainment for students grades one to five, the elementary school being the next block over from the high school) and there is a large marionette stage of the kind where a square window opens at the front, near the top, to reveal a clown face during intermissions (while the stage was changed for the next act of the story), who talked about the events of the story. (These were excellent and detailed productions, my favorite being “Pinocchio”.)

Although other schoolmates are present, I end up focused on Tina, who puts her hands over her eyes and says, “I’m dreaming”. My dream self not fully considering what she had said, I still end up floating in the air and slowly flying toward the stage. I notice the head at the top is more like a Greek bust. Instead of a marionette stage, I then seem to be in a television studio, with some distorted (incorrect) scenes from “The Jackie Gleason Show” of the previous night. I am somewhat wary as I do not want to draw attention or interrupt the filming of the show even though I am semi-lucid.

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I eventually learned that a stage was autosymbolism for being in the dream state, typically in semi-lucidity or apex lucidity. Flying (as well as falling or other movement) is a biological result of vestibular system ambiguity in unconsciousness. Over one in five of my dreams involve flying or flight symbols. (On a side note, the belief that falling dreams evolved out of primates naturally developing this as an alert factor based on falling out of trees, thus being possible prey, is actually pointless, since the vestibular system would naturally trigger this anyway by already extant biological design, inherent ambiguity of the same factor as flying dreams.)

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Resupplemented on Thursday, 8 February 2018.

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