Blue_Opossum

Morning of December 20, 2016. Tuesday.



Zsuzsanna and I are “sleeping” in a tent (in the same orientation as in reality; her on my left) in what is apparently an unfamiliar urban park (though with a vague association with the field that used to be across the street from our present home) early in the morning around sunrise. I become wary of the gaps at the bottoms of the sides of the tent (mostly to my right, near my head) in their offering of less privacy. It is also windy at times. In the final scene, the tent is actually hovering above the ground and directly above us, the bottoms of the sides probably about four feet above the ground. I think a few ropes are still holding it in place. My clueless non-lucid dream self is not standing at any point.

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This is typical RAS (reticular activating system) intrusive waking symbolism, though sustained and with no hypnopompic physical event.

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Key concepts: Zsuzsanna and I sleeping in correct orientation as first level dream state indicator, dream state indicator of indirect association with floating or flying as dictated by natural inner ear dynamics, outdoor area previously a field and now a parking lot in real life as liminal space transition, sustained RAS factor, no personified preconscious, no direct preconscious factor, non-lucid and sustained non-cooperative emergent consciousness, interpretable as waking symbolism only.

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Morning of September 22, 2016. Thursday.



I am in Africa on a long expedition. My wife Zsuzsanna and our children and some unknown people are on the journey. Curiously, the “vehicle” we are using to travel in is only a tent that is somehow moving over the savanna without any apparent explanation (as it does not seem to have wheels; it somehow slides slowly over the ground). I have seven pet lions, at least three being male. They walk along with us on our journey without incident.

A male lion is inside the tent at one point but is not a threat. I am also in the tent for a time to “sleep” and also to look at a treasure map. As we travel over the savanna, I watch the scene from above for a time but I am eventually back in my physical form. We are seeking some sort of magical or at least special material, a roll or piece of cloth with special properties, the location of which is apparently indicated on the map.

We reach an isolated outdoor market where there are several African cashiers, at least three of them females around forty years of age. They seem to be selling the special cloth we had been seeking. There are two counters set up on each side of an outside area I enter. I examine a cloth which I first feel may be what we are seeking. A cashier tells me that it is a thousand dollars for a yard of it. I am not so sure this situation will work out. I go to the opposite counter to look around a bit.

One male lion walks around near the counters, being as tame as a dog, and I pat its head. Other people do not seem to be at all concerned about my lions.

Eventually, I notice a piece of cloth that I expect is the one we need. It is uneven though and is not quite a yard. The cashier tells me this one is also a thousand dollars if I want it. I almost express my annoyance to her but I do not. I take out my wallet and pull out one fifty-dollar bill after another, materializing the money out of thin air just at the point my hand is in the wallet, deliberately doing this and realizing this, but without dream state lucidity. I assertively hand her the money which I just mentally willed out of my wallet, twenty fifty-dollar notes, which I know is exactly a thousand dollars. She happily gives me the material.

The cloth’s design shows a repeating pattern (in mostly bright orange, yellow, and sepia saturated hues) of a scene of two lions (male and female) lying in the savanna in front of a boulder and a tree and the sun on the horizon in the background at their left. I pick up the supposed special cloth from the counter and we are on our way. Of course, this represents Zsuzsanna and I sleeping together during the sunrise, the cloth being a literal association with bed sheets and pillow cases.

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Lion autosymbolism has already been explained in many of my past entries, but here is a brief rundown: Factor one is coalescence (potentially being “swallowed” back into whole consciousness) and factor two is the augmented domestic cat association as being a “witness” to the dream state and the nature of liminal space (that is, the autosymbolic waking process). This dream is based on a partial association with “The Sleeping Gypsy”, an 1897 oil painting by French Naïve artist Henri Rousseau. The association transforms into the ending autosymbolism of this dream of which also represents art and the nature of sleeping and dreaming, as dreams are autosymbolic of the nature of the dream state and waking process itself. The cashiers and the checkout scenario are autosymbolic of the dream state’s implied exit point.

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