• Lucid Dreaming - Dream Views




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    Blue_Opossum

    1. Transformations

      by , 06-07-2015 at 12:10 PM
      Morning of June 7, 2015. Sunday.



      In the first part of my dream, I am disembodied and watching a large group of tribal people on an island (possibly Polynesian) dragging an overturned very large (prehistoric) living trilobite onto the beach. Apparently they are somehow getting a lot of edible meat from it. There is a bit of ambiguity as if there is something related to archaeology in the back of my mind. It does not seem to matter that trilobites were probably never this large and are also extinct, as the scene is extraordinarily vivid and “realistic” otherwise.

      Later, there is a shift and more people (perhaps the same group) are capturing large turtles and somehow using the carapace as some sort of small boat that seems to be able to hold about three or four people. It seems fairly “realistic” but I doubt it would be feasible.

      I am with some unknown and unfamiliar females, not tribal and not directly associated with the other groups to my knowledge. We are in a boat which is somewhat canoe-like (not a kayak) though the others are sculling in an area near shore - which may be in the ocean or a very large lake, though I do not sense it is competitive rowing (or regarding a need to hurry), at least not clearly. There is an abandoned windmill on shore which seems important. Somehow, four oars are jury-rigged as new blades for this windmill, which seems to happen almost instantly even though I sense or see little movement. This is perhaps some sort of composite joining. Windmills represent the dreaming process itself or level of lucidity (as does successfully traveling in a small boat over a large body of water) or extent of the connection to semi-consciousness. In the past, one dream where windmills were stopped or unmoving (and another from years ago regarding entering a painting of a windmill, though I had a recent one where someone else was ready to enter a painting with a windmill) represented being fully in my dream, as the windmill turning would imply conscious awareness and a windmill beginning to move might be related to the liminal level of waking consciousness, but this is probably not always the case.

      I do not get out of the boat as there is something else I have to do before waking - to help with my physical existence and “uniformity” in my role of “pretending” to be human and to exist in the real world as such.

      I eventually shift to where I am aware that I am in bed with my wife, though she is asleep and I am in a state of artificial “wakefulness”, though not full sleep paralysis - only very light sleep paralysis, as there is not the typical blissful awareness or wonderful waves of energy and oscillation that move from head to toe and back in such states. I am aware that, due to recent back pain, I have to go through several stages and need to maintain each stage for a certain number of minutes prior to waking.

      First of all, I am a trilobite lying on my back in our bed, but I need to transform over time into other representations of whatever partially abstract line of thought or existence I am in. I do not move (or attempt to move) at any point. Still, I am well aware that I am becoming a lobster. Becoming a lobster is important and not uncomfortable, so I am a lobster for several minutes. I almost sense a level of transparency and a sort of “flatness”, yet still three-dimensional vertically (which is somewhat ambiguous in form). Of course, from here, the next “logical” step is to be in my scorpion form for awhile. Finally, my line of in-dream thought begins to become a bit too abstract and wavers slightly. Still, I know my next stage is to become a tarantula, though from that point, I am puzzled over how to “correctly” adapt physically and wake “correctly”. This is vaguely similar to where I transform into symbols (such as runes) or letters of the alphabet (though sometimes just random polygonal shapes) in the “correct” way while in the “correct” position.