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    1. Muppets Sing of Amos and Andy (DILD)

      by , 08-23-2015 at 07:07 AM
      Ritual: I went to bed around midnight, but the knowledge that I had to wake up earlier than usual this morning, at 7am, created a subtle anxiety that woke me up at 4:30am and made it hard to sleep afterwards. The natural insomnia created good conditions for lucidity, and I woke up at 6:30am after this dream.

      DILD: Since I was lying in bed mostly awake for a couple hours, I had already gotten up several times to use the bathroom. This seemed like another one of those times, but an odd detail caught my eye. There was a steel mesh frame surrounding the toilet paper roll and someone had left a lot of used cotton balls in it. They were stained on one side with a color like Betadine. I assumed my husband must have left them there, and wondered what he had been using them for.

      On some level I suspected that there was something wrong with this scenario and decided to RC. I braced one hand on the bathroom counter and the other on the towel rack, and tried to lift myself. My body lifted effortlessly off the ground with no real muscular exertion, which made me suspect I must be dreaming. (The fact that the bathroom did not correspond to its WL layout was something I failed to notice, as usual.) I checked again, with the same results, and then to be sure, I tried the same stunt without using my arms at all—that is, levitating. Upon levitating successfully, I was confident that this was the dream state.

      It's so gratifying to get unintentional LDs! But one isn't always prepared with a task. I felt an impulse to go outside, so I went back out to the bedroom and quickly exited through the screen door. Immediately I noticed a destabilization of my vision. Experience reminded me not to fret, just relax and let images suggest themselves, the problem should straighten itself out. Sure enough, a moment later I started to notice colors, then the colors organized themselves into geometry, and before long they had resolved into a new scene: I was looking at a large stack of different colored shipping containers.

      I realized that the deck I was standing on overlooked a great harbor. There was water on all sides, and my house was apparently on some tall island in the middle. I was surprised by the number of ships that I could see moving to and fro. They came in all sizes, everything from large cargo ships to little tugboats, all looking very industrious. There were so many ships that I wondered if the place I was in lacked air transport entirely: I didn't see any planes flying at first, but a moment later, perhaps summoned by my thoughts, a helicopter veered very close overhead.

      I decided that I should do something useful as long as I was in the dream state, and tried to remember this month's tasks. Eating a moon rock leaped to mind. Okay, how should I do that? I didn't feel like shifting scenes just yet, actually traveling to outer space. I thought, well, maybe a rocket could land nearby and an astronaut could get out and present me with the moon rock. It sounded like a good strategy but I was not strongly motivated to try it, so I tabled the idea.

      As I was contemplating the possibilities, I heard music from nearby, and noticed a miniature stage on one edge of the deck. This reminded me of one of the other TOTMs, attending a concert. Well, here are some creatures playing music in public, that might count. I call them "creatures" because the music was being played by what looked like muppets, only a foot or two in height. The initial music sounded like a piano, and a female muppet was playing it, but her fingers were moving over a clear plastic stand, with no visible keys. I thought she resembled what I can only describe as the "hippie girl muppet," but googling that now, it seems to be a good search term and reveals that the name of the muppet in question (in WL, anyway) was "Janice."

      After her piano solo ended, a male muppet to her right began playing guitar. This muppet resembled Fozzie Bear, and and was singing as he played. I listened closely to the lyrics and did my best to remember them. As usual in deep dream, I was impressed how easily the rhymes came—though of course on waking, it was hard to remember the lyrics clearly.

      The first rhyme involved the phrase "...how we live," which later rhymed with "...give." There was another stanza that I couldn't remember at all by the time I was writing my report. I have a slightly clearer memory of the third stanza, apart from the absent first line:

      ...
      ...and I'll let you do the rest,
      Because you know Amos and Andy
      And can put them to the test."


      After that, the muppet went into a refrain of:

      Can you help me?
      Stranger, can you help me?


      The lines may sound plaintive in plain text, but they were a little more jazzy the way they were sung. I was listening to the song and smiling down fondly at the muppet. I felt that "Amos and Andy" was a phrase I had heard before... was it related to cookies? Or an old TV show? I was certainly willing to offer help, if it was needed, but a moment later I woke up.

      Note: Googling now, I see that "Amos and Andy" was originally a radio show in the 1920s, later moved to television, and lasted until the 1950s. I have no idea why my subconcious dredged this up! I must have thought of cookies because of the similarity to the brand name "Famous Amos."
    2. Notes on dream awareness

      by , 07-30-2015 at 05:58 PM
      Now that my extensive travels (Paris, Rome, Montreal, Montana) of this month have ended, and I'm back home and gradually returning to my normal sleep patterns, I find that dream awareness is stirring again, though so far it falls short of full lucidity. I had no trace of it while on my journeys, and I didn't even have any dreams I judged worth writing down. This was not overly disappointing because I was not actively engaged in any kind of dream practice and too busy to spend an hour updating my dream journal every day, so it felt okay to take a break.

      A couple days ago I had a dream that was atmospheric but not very interesting plotwise, so I didn't write it down at the time. However, one detail is notable: there was a giant white USB cord on the ground, at least twenty feet long, and arbitrarily I found myself wondering if I could bring it to life. I focused my attention on it and sure enough, it raised its "head" (the USB plug) and began to slither and writhe like a snake. This gave me an eerie sensation, because I found myself thinking, "This better not be happening in real life!" I decided I'd better check to see if I was dreaming. I levitated and was relieved to conclude that yes, indeed I was. However, true lucidity did not emerge because even though I now knew that I was dreaming, I did not stop and think what I could do with the dream state but unreflectively continued to go along with the dream events, which largely involved trying to take a good photograph of a distant landscape. It was a classic case of awareness without agency.

      Last night's dreaming included one of my classic dream signs, a public restroom of questionable functionality. Although I did not recognize the dream sign, I did find myself wondering if the facilities would be clean enough to use. Then I remembered, "I can keep them clean and functional by maintaining the right mental attitude." Though I fell short of actual dream awareness, I still recognized the causal link between my will and the surrounding environment.

      I find it interesting that, though I have still not done any sort of LD practice since early in the month when I left on my travels, simply returning home and restoring my ordinary sleep schedule has been enough to reawaken the potential for dream awareness that felt very distant while I was on the road.
    3. False Impressions (brief DILD + FA)

      by , 04-18-2015 at 07:54 PM
      Ritual: I don't know if it was the jackfruit seeds or a bad scallop, but something I ate last night was brutal to my stomach. It got so unpleasant I that for a few hours I couldn't do anything but pace in discomfort, hoping something would come out in any direction. Finally I threw up, which usually leaves me feeling 100% better, but this was only a minor improvement. I managed to read for a bit, drinking herbal tea and self-medicating with tinctures of myrrh and wormwood. Around midnight I threw up again and finally felt stable enough to sleep. Although my stomach still hurt for a few hours and I couldn't drink much water at first, by the time I woke up at 8am, I was feeling basically fine again. My dream recall was terrible, though: I knew I had dreamed but couldn't pin down a single detail. At 9am I decided to go back to bed for a bit, performed half-assed WILD technique but started dreaming non-lucidly. On waking up my recall was 1/10 at first, but once I managed to recover the location of the dream I was able to follow the thread and reconstruct much of the narrative, resulting in 4/10 recall overall.

      I was in my grandmother's house, a common setting for many of my dreams. The events going on were all very mundane... too dull to go into much detail. Briefly, I was looking for some powder that you could mix with milk to make a shake, similar to the Carnation Instant Breakfast packets my grandmother always used to have on hand, but couldn't find any.

      I went into the bathroom and finally realized that my location was a dream sign, so I started to look around and wonder if this was a dream. Everything seemed so concrete and convincing that I had my doubts, but then something bizarre happened: I suddenly felt like I was being grabbed from behind by someone putting their arm around my right shoulder, but there was no one in the room with me! I whirled around to make sure and was staring at empty air. A moment later I felt it again even more strongly: the pressure of the arm squeezing my shoulder and chest, and the pressure of a warm body very close behind me.

      Ohhh, I thought. I think I know what's going on. I really am dreaming, and my husband has come back to bed and put his arms around me. Upon that realization, I felt the dream fading, and sure enough, woke up in bed next to my husband.

      "Are you going to get up? It's 1:50 in the afternoon," he said. I pointed out that I had returned to bed to for extra rest because I hadn't been feeling well last night. I was telling him about the strange thing that had just happened, how I had felt his presence while I was dreaming. I went on to explain how I should have recognized that it was a dream earlier, because my cousins were all much younger than they should be, and my grandmother's house was in the possession of an aunt (long-since divorced) rather than the uncle who currently lives there. My husband apologized for disrupting my dream, but I said it was okay, it hadn't been that interesting.

      As we talked, I was looking out the screen door onto our patio. Where I should have seen the pool and cement deck, instead I was mildly surprised to observe a grassy hillside. I attributed this to some lingering after-effects of the dream state, instead of correctly realizing that I had never stopped dreaming all along. In retrospect this is more obvious, because the way I felt my husband put his arm around my right shoulder was impossible given that I sleep on the right side of the bed, so if I'm on my left side there is no room for someone to lay down behind me. I was also relieved when I woke up for real and discovered that it was only a little after 10:30am!
    4. Time Stop + Sphere (DILD + DILD)

      by , 03-05-2015 at 10:23 PM
      Ritual: WTB 11:30pm, WBTB 5–5:45am. Took supplements (l-theanine, alpha-gpc, piracetam, bacopa), did about half an hour of relaxation/breathing/counting on my back. Toward the end had brief series of vivid hypnagogic images (close up of eagle's head, view of a forest) then snapped back to full wakefulness. Not worried, this always happens. Turned on my left side to fall asleep. Woke with dream at 6:30am, so I had probably been asleep for about fifteen minutes.

      DILD, "Time Stop": I've just finished a multi-course meal at a nice restaurant and I'm standing a the bar afterward, where the proprietor is offering me a special drink. While she prepares it, I notice that I can barely stand, my legs are crumpling under me, and I stagger as I try to regain my balance, hoping no one will notice. I kneel at the bar, which is low enough to accommodate this, to disguise my inability to stand. This is so embarrassing... am I drunk? I think back and don't understand how that could be, since I've only had ordinary wine pairings with my meal. Then I realize the truth: ohhhh... that incredible heaviness in my legs, that's just because I'm falling asleep!

      I'm relieved to understand what is going on, and also impressed that I can think so clearly about the fact that my real body is falling asleep in bed without disrupting the dream. I decide to go on with the narrative that is playing out because I really want to try this drink. The bartender sets an unusual glass in front of me. It is shaped like a particular wooden table made by Isamu Noguchi circa 1941, but with a semi-circular indentation on top for the drink. It is made of hollow light blue glass and the interior is full of crushed ice, to keep the drink cool. The whole thing is very small, like a sake cup, and the indentation looks like it holds less than an ounce of liquid.

      The How Many Grapes Can You Fit In Your Mouth Game!-isamu_wooden-table_c1941_sm.jpg

      I try the drink, which is a clear liquid, pleasantly bright and floral in taste, in flavor a bit like St. Germain but lighter-bodied and not so cloyingly sweet. I complement the bartender and ask what it is made of. "Catfish liqueur," she replies. I'm impressed! I wouldn't have guessed, as the taste was not the least bit fishy. Another girl asks how the drink is made, and narrates as the bartender shows her: "So you mix it with that blue stuff, then top with..." I look at the bottle she's indicating. It is a gallon-sized jug made of translucent plastic containing a clear liquid. It reminds me of those extra-large bottles of Heinz white vinegar, but the shape of the bottle is more like that typically used for laundry detergent. There is a graphic of naturalistic forest trees on the front of the bottle which makes it resemble the cover of a nature magazine. The brand name clearly reads: "Gesuckt." From the name I assume it is a foreign import, probably German, and wonder if I can buy it at any of my usual grocery stores.

      My earlier thought about "fishiness" has now taken the form of a chunk of sardine or mackerel that I discover lodged between my gum and upper lip. I reason that it must have come from a dish I ate during the meal earlier. I prod it out with my tongue and finish chewing it. Meanwhile I'm walking away from the bar toward the restaurant area. There are a lot of people in the room, which reminds me—hey! I could try the TOTM again, see if I can do it properly this time.

      "Freeze!" I say loudly, but people keep going about their business. I remember the difficulty I had with this last time, and it also reminds me that I'm supposed to be stopping time, so I switch wording. "Time stop!" I command. I say it a few times, still not getting much result, so I decide an explanation is needed, addressing the room in a loud voice so that everyone can hear. "I said 'time stop!' That means everybody stops moving. Time stop! Time stop, everybody!"

      I look around and find that everyone has frozen in place. Okay, this is better, I seem to have gotten the point across. Now I'm supposed to put someone in an embarassing position. I didn't plan ahead for this, so I'm going to have to come up with an idea on the fly. My gaze falls on a stout old lady in the middle of the room. I walk over and unbutton her light blue jacket and white blouse. Inside, she's wearing a pink bra, and I'm relieved to see that it has a front closure, so I unhook it and reveal her breasts. I hope I'm not being too mean, but remind myself that it's just a dream so there will be no lasting harm.

      Now I have to get everyone moving again. What's the opposite of "time stop"? I try some variants: "Uhhh... go. Start. Start moving." This works, but meanwhile I had taken my eyes off the old lady to check whether everyone else was back in motion, and when I look at her again, her clothes are already back in order and no one is reacting as if they had seen anything unusual. I chide myself for not paying closer attention. I'd better try again.

      "Time stop! Time stop!" This time the DCs react much more promptly, like they're getting the hang of it. Okay, what should I do this time? I look around for ideas. Among a group of people in one corner are two meathead-looking guys. I go over and start posing them really close together, much closer than a couple of straight men would normally be comfortable with. As I move and angle their bodies, I notice that it doesn't feel so much like time has stopped as that they are just playing along while I reposition them, and there's some difficulty, maybe even slight resistance, as I lean their faces together as though they were about to kiss. Finally I get it just how I want, so that their lips are almost touching. Then I step back a few paces so that when I restart time, I'll have a clear view of both their reactions and the people around them.

      This time I restart the scene with more confidence, like I'm getting the hang of this too. "Okay, renew!" I command, punctuating the signal by clapping the first two fingers of my right hand into the palm of my left. It feels like being a movie director.

      I watch closely as people start moving again. I was hoping the two guys would either react with comic embarrassment or, even better, be overcome by a latent attraction and really start kissing. Instead, they simply draw away from one another without any expression or commentary, and no one around them takes any visible notice. I'm disappointed with the blasé behavior of all these DCs, but I have to admit it makes sense: they're projections of my own mind, after all, and I'm fairly blasé myself most of the time.

      Observing a dog walking through the room, I momentarily wonder if I should try again, but the lackluster reactions of the DCs has sapped my motivation, and I feel that I have adequately performed the TOTM. I wonder if I should wake up and write... but the dream seems stable, and I'm reluctant to end it earlier than I have to. However, I'm aware how easy it is to start forgetting the details if I don't record them promptly, so I do the next best thing and start verbally recounting my memories of the scene, to help fix them in mind for later. As I'm doing this I end up waking anyway.

      Interlude: From 6:30 to 7:15am I record my notes and then return to bed, going to sleep with no further techniques. I wake up at 8:30am from another DILD.

      DILD, "Sphere": The plot has been going on for a while but I don't remember much detail from before I become lucid. I'm sitting on the toilet in the bathroom of a house that belongs to a male friend I've been hanging out with for most of the dream [!WL]. I feel guilty when I notice that I've almost used up all his toilet paper. I tell myself that I should really stop giving into the urge to use the bathroom when I'm dreaming. This isn't waking life, where it actually makes sense to go if you feel like you have to. In a dream it's completely pointless, a waste of time, and kind of gross. If I'm doing this, it's because I'm too caught up in the idea of a physical body. I'm reminded of something Sageous wrote in the forum, how he doesn't really have a body in dreams anymore. I should work on getting less attached to mine.

      The How Many Grapes Can You Fit In Your Mouth Game!-michio-ito_fox-mask_1915_sm.jpg

      I get up and go over to the bathroom sink, studying my reflection in the mirror. It's actually a close resemblance, as far as I can tell through the mask that covers most of my features. The mask is reminiscent of the one worn by Michio Ito in his 1915 "Fox Dance," though mine lacks the long snout and doesn't cover my mouth. Also my eyes are clearly visible through the sockets. The fact that I am wearing a mask does not strike me as odd, and instead I ponder what to do about my body. I don't think I can eliminate the idea of it all at once, so it might be best to proceed in stages. What's the most radical distortion I can think of? I know! I'll become a sphere.

      I keep watching my reflection as my face starts swelling and widening. It looks disturbing at first, like obesity or an illness, and I have to focus on making my whole body expand, not just my face. Not only can I witness this happening in the mirror, I can actually feel it. As I become rounder and rounder, I remind myself that there is no reason a sphere should only see out of two frontally positioned eyes. I should try to expand my concept of vision to include the area behind me. This only partly works: I'm now getting visual feed from what seems like the opposite side of my sphere, and can perceive the rim of the tub and a bit of the floor and shower curtain, all very close up. However in the process I lose my frontal vision, and as I try to experience both visual fields at once I become disoriented and start rotating in place, which makes sense given that I'm a sphere with nothing to stand on anymore. The disorientation gets so bad that I'm afraid it might disrupt the dream, so I let my body snap back to its familiar structure, satisfied that I had a reasonable success for my first try.

      I look back in the mirror to check my appearance again. My reflection looks like it did before, and I'm still convinced that it is just like waking life—although in retrospect I realize that my dream-self had a brunette bob rather than the shoulder-length brown hair of WL. I'm still wearing the mask and want to look at the face underneath, so I take it off. There are more layers of mask under the first, and I peel them off one by one, until I'm finally just wearing glasses, and take those off too. Finally my face is uncovered, and I am satisfied that it is a good likeness. I notice an unusual vividness to my eyes, which are sparkling and happy, and I am pleased with my appearance.

      Stepping outside, I realize that I'm still carrying my glasses. Should I just throw them away? I feel a natural reluctance, but remind myself that it's a dream, it doesn't matter. Then I reason that I might want to use them later: this could be a good trick to improve focus if the dream gets hazy. Sure, I could always manifest a fresh pair, but that will be easier if I condition my expectations by saving these now. So I slip the glasses into my jacket pocket.

      What should I do now? I'm in a great mood and have no particular task in mind, so I decide to explore the dream world. Perched alone on a grassy hillside I see a strange building, very gaudy, with red roofs under a gold dome: it looks like a cross between an old McDonald's and a sultan's palace. I realize it is a restaurant of some kind and head over there.

      I'm still feeling unusually happy and excited as I walk in, so I pump my fist and go "Woo!" My enthusiasm has been making the people around me more friendly, I notice, and remind myself that I should try to be more like this in WL. The restaurant is small inside, like a cafe, with a several tables and a counter where I go up to order. Despite the counter it is not a fast food restaurant: the menu consists of about six innovative dishes printed on a small square of white paper.

      "What's the tastiest thing on the menu?" I ask, then realize I have a craving for spicy food and ask, "I mean the tastiest spicy dish."

      "The D-4," replies the server. I check the menu and the description lists this as a big steak dish, which sounds too heavy and will take forever to prepare, so I look at the appetizers instead. There are only three listed, but two of them sound like they consist of just three pieces of fish, served nigiri sushi style. The fish that interests me looks like langoustine, but with the soft, ribbed texture of monkfish. The server tries to warn me that it's a very small dish, but I say, "I know. It looks like someone has already left one here," pointing to the piece sitting on the menu.

      I put in my order and take a place at a small table, then get up to think this over. Can I really commit valuable dream time to sitting down for a whole meal, even a small one? Shouldn't I be doing something more productive? Maybe I should just leave. But I consider that the experience might be interesting, and I can even try to combine it with a task—the circumstances are ideal to work on summoning, something I've always struggled with.

      I walk back over and tell the server, "Actually, I'm here to meet somebody." I pull out my phone, wondering who to call among the characters I've tried (unsuccessfully) to summon over the years. But then I notice that someone is already sitting at my table, so I go over to see who it is. I've never seen this guy before: he looks like he's in his twenties, with straight, mousy-brown hair and thin, very pointed features.

      "Hi, are you here to meet me?" He nods.

      Okay, I think, rolling with the circumstances, this could work. I'll meet someone new, like a blind date. "What's your name?" I inquire.

      "I'm Denny, a crass ass." He looks bashfully down at the table.

      This odd term rings a bell. Didn't I, much earlier in the dream, long before I got lucid, meet a guy named Paul who used the exact same term for himself? What an oddity; I don't think I've ever heard that term in life. What could it mean?

      "Did you say, 'a crass ass'?" I ask, enunciating clearly. The young man nods.

      "Why would you call yourself that?" I am genuinely mystified.

      "It's what my friends call me."

      Unfortunately I woke up before I could find out anything more!

      Updated 03-12-2015 at 08:00 AM by 34973

      Categories
      lucid , memorable , task of the month
    5. Meonarra (DILD)

      by , 12-21-2014 at 03:39 AM
      Tonight I'm in a hotel and had gone to bed at 12:30am, early for me, after a big meal with lots of wine. I slept for a few hours and it was probably around 3–4am (an estimation, I didn't check) that I started water-cycling. I've found it the best way to avoid a hangover: I wake up at intervals to drink as much water as I can comfortably consume, which inevitably means also having to use the bathroom frequently once the rehydration sets in.

      I had already woken a few times in the night and this waking seemed no different at first, because dream logic prevented me from realizing how odd it was that I was walking down a long hall to use the bathroom rather than just using the one in the room. Yet from the start, something made me wonder if I was dreaming. I tried jumping and levitating but it was inconclusive. It didn't occur to me to try other checks. I went in the bathroom and noticed it looked just like one I had just been dreaming about before I woke up, which also seemed suspicious, but I still felt very embodied and awake. I even noticed how clean and inviting this bathroom felt, in contrast to the unpleasant aspect they often present in dreams. I felt awake enough and had to pee urgently enough that I was tempted to just go ahead and use the facilities, reasoning that if I was actually dreaming then with careful intention I should be able limit this activity to the dream state and not accidentally release my bladder in waking life. But uncertainty made me hesitate—I couldn't afford to be wrong about this! Something still made me sense that I was dreaming, even if I couldn't seem to prove it.

      I noticed a woman sitting nearby, which did not strike me as odd, but opportune. I approached her and asked, "Am I dreaming?"

      "Yes." I was struck by the simple decisiveness of her answer. It was also uncharacteristically straightforward, given the usual evasiveness of my DCs.

      "Thanks for being honest. Usually when I ask people in dreams—" (I used this phrase instead of "DC" because I was afraid she might it insulting to be reduced to an acronym) "—they say 'no'. Why do they do that?"

      She shrugged slightly. "They're probably just nervous."

      I wondered what they might have to be nervous about, but wanted to understand what made her different. "Then why were you so honest?"

      "I represent your higher functions." I'm pretty sure this is what she said, or very nearly. It struck me as an oddly technical response.

      This DC really intrigued me. She seemed so smart and self-aware, in contrast to the typical dullness and blandness of those I try to interact with. I looked at her closely. She was a slim young woman who appeared to be in her twenties, pretty, with glossy shoulder-length black hair and an Asian cast to her features. Her demeanor was calm, precise, and assured. I wanted a name to remember her by, so I asked: "What's your name?"

      She promptly uttered a string of numbers, something like "2166309."

      Perplexed by this response, I pressed, "I mean in letters." If she couldn't answer, I decided that I would name her "Murasaki." I had just been reading about the names of Japanese colors so the word was fresh on my mind; I knew it meant purple, and the woman was wearing a bright purple shirt and looked like she might be Japanese. I also recalled that "Murasaki" was a name of ancient pedigree, being the heroine of The Tale of Genji as well as the pseudonym of its courtly author. But my deliberations were unnecessary, it turned out.

      "Meonarra," she said. At least that's what it sounded like.

      I pressed for clarification: "Can you spell that?"

      She might have started with an "M," but what followed was not a series of normal alphabetical letters. She specified particular accent marks and chemical symbols that I wasn't even familiar with. Her explanation of the spelling sounded far longer than the actual name, and at least half of it seemed to be special characters. Even listening closely, I couldn't follow it at all. I wished I had a way to record it other than my own weak memory. I reflected how people in many pre-modern cultures had developed their memories to an extraordinary degree, but we, who can almost always rely on other means of recording information, have very little ability in that regard. I wished I had a notepad to write down what she was saying, but there would be no point: I couldn't keep it with me when I woke up. So instead I just asked her to repeat herself: "Can you say that again?"

      She obliged, but it sounded completely different this time, and I could swear the new spelling ended with a "D." That wasn't anything like the name I thought I'd heard. I figured if I couldn't spell it, I should at least make sure I had the pronunciation right. "Meonarra?" I asked, pronouncing the first syllables as "mee-oh." She corrected me; the first vowel was more like the "a" in "after," so it sounded like "mae-oh."

      I realized that I was falling into a rut by obsessing over the name, and the dream was not going to last much longer. "Can I see you again?" I asked Meonarra. "I'd like to have a conversation sometime."

      She shrank back with a stricken look, as if I'd suggested something completely inappropriate. "No! That's _____'s territory." I didn't quite catch the name, but I think it was two syllables, might have started with an "I," and sounded male. Similar to "Isaac"? But it wasn't exactly that; I don't think it was a waking-world name.

      I wasn't sure what was wrong with my request, but I tried to reassure her. "I just mean to chat, like we're doing now. I'd like to see you." I realized that I was drawn to her. I couldn't tell if it was the stirrings of a romantic attraction or if it was just that I found her so interesting. But the thought awakened a sensuous impulse and I put my arms around her. I recognized that it was the dream state itself that made it so easy to slip toward this sensation, and I asked her why dreams had this quality. I can't remember how I worded the question, and can't remember her reply, if she had time to make one before I woke up.

      Writing this up it perhaps sounds more bland than it felt at the time. It was one of those dreams that felt really significant, even if nothing much happened. I regret that I got so pre-occupied with her name. Although my waking mind really likes to have names for things, a tendency that bleeds over pedantically into lucidity, I'm not sure if naming things is especially useful or meaningful within dream itself. It is becoming clear, at least, that the kinds of names things have in dream are not always as clear and straightforward as our ordinary linguistic appellations of waking life. Instead they appear to operate much like written text in dreams, characterized by the shifting instability of dream logic. So it might have been better if I could have thought of more substantial questions to ask her, instead of wasting the whole dream just trying to pin down her name. I do like having something to remember her by, but what else might she have told me if I had been able to come up with a more introspective line of questioning?

      It is now 6:43am (it was a few minutes before 5:12 when I started so I've spent over 90 minutes writing!) and the sky outside has blossomed into an unbelievably beautiful pink sunrise. I'm going back to bed.

      Updated 12-21-2014 at 03:48 AM by 34973

      Categories
      side notes , lucid , memorable