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    1. Breadcrumbs / Sketchbook

      by , 07-30-2014 at 07:48 PM
      Ritual: Went to bed around 12:50am. Woke naturally at 3:32. Seemed a bit soon to WBTB but my motivation was good and I recalled traces of imagery so decided to go for it. Drank guayusa tea and read Brooks & Vogelsong. Before going to bed did hybrid of SSILD/counting/affirmation while sitting in chair. Technique: counted incrementally while breathing slowly and deeply, thinking the number on each in-breath, and on outbreath rotated between senses (thinking "look," "listen," or "feel") and then adding an affirmation, letting it fall randomly between "always lucid" or "always aware." Counted to fifty in this way, though I was impressed how easily it was to lose track of the number (this is good, it means the mind is losing its focus on waking life) even while sitting upright in a chair. Returned to bed at 4:52am and continued counting up to 70 while lying on my back, then ceased the practice and turned on my left side to sleep. I soon realized that I'd overdone the WBTB a bit and was excessively wakeful, but consoled myself that I should be able to return to sleep eventually given how few hours I had gotten so far, and my chances for WILDing should be improved by this touch of insomnia.

      I had made sure to fix a very clear task in mind: I had read about the "fairy tale" challenges on DV and they seemed potentially interesting, but I realized I should make a clear plan. If I did successfully WILD I would find myself in my house, so how would I go about pursuing the task? My idea was this: grab a loaf of bread from the kitchen, exit the front door, turn right and walk up the hill, where in a previous WILD I had passed through a tunnel and found myself in a deep, dark forest. I could leave a trail of bread crumbs and see what happened from there.


      WILD #1: It took a long time to go back to sleep. Eventually I felt sensations I interpreted as the onset of SP: tingling and distortion of the physical body, then a sense of weight on my chest so localized and specific that I wondered if the cat had actually jumped on me, but the weight quickly increased beyond that of any cat. I was encouraged because it seemed like this transition was happening very cleanly and consciously, and turned my attention to beginning to "move" the non-physical "body." I was careful not to wiggle my fingers or adjust my limbs lest I break SP, so I concentrated on unnatural movements like full-body rotation. I could begin to feel my body swinging in a horizontal rotation but didn't yet have enough traction to "get up" out of bed. Suddenly I felt a vertical "lift" as though my body had floated up several feet, and the next moment I was standing on my feet next to the bed. "And I'm up!" I thought to myself, pleased.

      I noticed right away how dark it was, and despite the clarity of the transition, I did not feel well-integrated into the dream body. I deduced that this was probably a consequence of weak REM-state, given how little sleep I had gotten before the WBTB. I thought I'd better do some stabilization, so I touched some surfaces around me and then rubbed my hands together. This felt lifelike enough, so I became too easily complacent and didn't do anything further to integrate... a mistake, as it turned out. But I was pre-occupied with performing my task and didn't want to get distracted to the point where I never left the antechamber, as so often happens, so I rushed to get started.

      I moved swiftly toward the kitchen and picked up the bag of bread from the counter as I passed through. It felt quite full, and I recalled that I had bought a new bag just the other day in waking life. Although the environment was still very muddy and vague, I could easily find my way through the house out of habit, so I headed straight for the front door. As I was crossing the threshold, I noticed that the bag of bread suddenly felt very light, as though there were only a few slices left. I hesitated for a moment, wondering if I should return to the kitchen, but didn't want to be distracted from my task, so I figured, "That's alright, I can always manifest more."

      I walked out into the night, the outdoor environment no more distinct than the indoors had been, but I knew where I was going. I turned right and began to walk uphill, reaching into the bag to start dropping breadcrumbs. To encourage the right environment to appear, I started muttering under my breath: "Entering the world of Hansel & Gretel. Entering the world of Hansel & Gretel." But I only got off two recitations before I abruptly awoke. I realized my error at once: the dreamspace outside the antechamber is always less stable, and in my impatience to get started on the task, I hadn't integrated properly before exiting.

      I lay for a long time in the position I woke in. Often I can seamlessly re-enter a WILD if I half-wake and don't move. But this was no half-waking: my mind was fully awoken and I soon realized that holding my position would be of no use, sleep had well and truly gone. I used the bathroom so it wouldn't pre-occupy me later and returned to bed, lying on my other side now to make a fresh start. By now the sun was rising so I got out my sleep mask from the drawer. I hate wearing it, but I could tell the light would be disruptive today. I considered checking the time but was trying not to stimulate wakefulness any further, so deliberately decided not to. It was evidently around sunrise, anyway, which occurred at 6:01am today according to Google. That was well over an hour after I had finished my WBTB and the dream can only have lasted a few minutes, so it must have taken me a very long time to fall asleep beforehand.

      WILD #2: I lay on my right side and tried to keep a positive attitude: of course I can do it again! I re-WILD all the time! Not usually from such drastic awakening, admittedly, but I didn't let myself focus on the negatives. I wondered if I should rise and write a report, but reflected that there was little to report apart from the exact wording of the phrases I had thought or spoken, and these I had already scrawled in my notepad. The rest, what little there was, would be easy to remember. So I let go of those worries and focused attention on my breathing, remembering not to "try" to fall asleep but just let it happen. Eventually, it did.

      Whereas the previous transition had been so vivid, this time I was surprised to find myself simply standing at the foot of the bed. I hadn't noticed the separation. But at least I remembered where I had gone wrong in the last attempt, and reminded myself: don't rush it. Get traction. Find something to do in the antechamber to better immerse yourself.

      I noticed that this time the bedroom was full of books, stacked in messy piles and filling bags all over the floor. I figured that these would provide a good opportunity to more fully engage my senses in the dreamspace. So I selected a few and carried them with me as I moved out of the room. The kitchen floor was also covered with books, so many piles and stacks that was actually hard to pick a path through them. I was picking up volumes more or less at random until I noticed what was clearly an artist's sketchbook, a spiral-bound 9"x12" Strathmore, on top of one pile. "Oh, I should look at that!" I thought, and grabbed it. Finally I made my way to the living room, where I found a small oriental rug on the floor (about 2'x3', black pattern on a white background) and sat down on it to begin to peruse my books.

      I chose the sketchbook first, because I was the most curious what I might find inside this one, and dream pictures tend to be easier to perceive and remember afterwards than dream text. The first picture I saw upon opening it was a portrait of what looked like a tribal chieftain, showing the upper half of his body and filling the whole page. He looked about middle-aged, with angular but weather-beaten features. The most distinctive element of the portrait, dominating most of the visual space, was the enormous headdress he was wearing. It wasn't made of feathers or any obvious RL material but seemed composed of abstract patterns with a Mayan styling to them. I took note of the colors. The headdress was all in shades of red, mostly an earthy brick shade. There were constrasting shades of muted green in the distinctive wide straps criss-crossing his body in various places. It didn't occur to me at the time, but the obvious deduction is that these straps were there to secure the enormous headdress.

      After looking carefully at the first drawing, I turned the page. The next image I saw was more cartoon-like. The page was divided into four rectangular panels, each one the width of the page, and stacked vertically. There was a caption, though I don't remember if it was above or below the panels: "Doyle Oss Toss." How clever, I thought... until I realized that it didn't rhyme as well as I had thought at first, because I was aware from the start that "Oss" meant "Owl" but soon realized that the RL word had been distorted unrecognizably to fit the rhyme. My dream texts often demonstrate this tendency to favor rhyme and alliteration over comprehensible meaning.

      The four panels showed the Doyle Owl being punted by a large shaggy grey wolf. The Owl was on the left, the wolf on the right, and the setting suggested the outdoors but was very plain, with little in the background to distract the eye. The sky behind them was dark. The first panel showed the Owl already in mid-air, with the wolf's head lowered, evidently having just head-butted it. The second panel showed the Owl about halfway down, in the act of falling, the wolf's head still lowered. The third panel showed the Owl having come to rest again on the ground, the wolf's position unchanged. The last panel showed the Owl lying on the ground where it had fallen, and now the wolf had lowered its haunches into a crouch and lifted its head toward the sky, howling in what I interpreted as triumph.

      I think I might have spied one more drawing but I don't remember it, because around this time I woke up. In a false awakening. Which I didn't recognize. Responsibly, I immediately began to record the dream on my notepad, first sketching out the four-panel cartoon I have just described. After completing that, I started blocking out the tribal chieftain, and made some notes about the colors. I think I wrote about the green straps first, and when I started trying to describe the particular shades of red in the headdress, the dream began to evolve, and I thought I remembered dreaming that I was a sultan who had a vizier who wore a turban constructed of red cloth in various textures and shades, including a dark red kerchief. It's possible that this image relates to a drawing from the original sketchbook that I've forgotten, because as I was jotting down notes about color of his headgear a new visual appeared, where I could see the vizier from above and behind, with a clear vantage on the dark red kerchief, and I was surprised because I knew that I had not previously seen him from that perspective.

      Before the FA could evolve any more, I woke up for real and recognized that I had just been writing my dream report in another dream, and I'd better get up and do it properly. In this case I didn't mind the delay because writing it down in the FA had helped cement the details in memory (this is not always the case). So I started jotting down my notes on the notepad next to my bed... only to realize soon after I'd started that even though I was more or less awake now, I still wasn't actually doing it, I was still just experiencing a kind of half-dreamed enactment of writing, and I should stop tricking myself and physically get out of bed so I could be sure I was doing it properly. So I got up and hastily sketched out the four-panel again—noticing with amusement how much crappier it looked in RL than in the more elegantly sketched version from my initial FA. I noted the time of rising as 6:56am, and recorded the rest of the dream on my laptop.

      Updated 08-02-2014 at 10:48 PM by 34973

      Categories
      lucid , false awakening , task of the year
    2. Butterfly Transformations

      by , 07-22-2014 at 09:30 PM
      Ritual: wtb 3:15am, last wbtb 9:15am, woke 10:38am, SSILD: WILD

      Last sleep, last chance. It was already 9:15am, but since I'd gone to bed so late, and all my previous attempts that night had been without real motivation and had resulted in falling asleep before completing a single cycle, figured I could try once more. SSILD: tempted to mix it with other techniques, but if I was going test this properly, ought to do it straight up. My timing was messy and uneven, but remembered that was okay. Did maybe three cycles on my back, uneven length, afraid of waking myself up too much, given that it was already mid-morning, so turned on my side and prepared to let myself sleep. A few times I ran through the cycles very lightly and quickly, just to get back in touch with my senses. At some point in this process the cat jumped on the bed. I was getting closer to sleep but figured I could work with this if he settled down and didn't just start yelling. Fortunately he decided to sleep on me, and I was able to work that sensation into my rotation. I wasn't cycling regularly, just randomly once in a while when I felt I might be losing touch.

      I must have been already dreaming without knowing it, because I thought I was only thinking, and it never occurred to me that the presence of sustained visuals suggested otherwise. I was replying to posts on some online forum made my a friend—nothing to do with DV, no one even connected with dreaming, just an old friend I haven't talked to in a while (AS). He was posting something about falling asleep a certain way and used an acronym like "TILD," and I wanted to reply snarkily with something like, "Does TILD stand for 'talking to yourself in bed'?" At the time, I was convinced this phrase perfectly fit the acronym, so I was apparently already touched by dream logic. So I was trying to type out my reply, and I simply could not type "TILD" properly. I tried over and over, and my fingers kept slipping and hitting everything else on the keyboard. Technical difficulties like this are one of my dream signs, but since I was convinced I was still awake, it didn't occur to me to RC. On the contrary, I thought I was having this trouble typing because I was getting too sleepy! This was precisely the opposite of a false awakening: instead of losing dream awareness by believing I had woken up, on the contrary, I failed to realize I was dreaming because I thought I hadn't fallen asleep yet! (If there's no acronym for this yet, I propose FFA for "false falling asleep," as it pairs well with the more familiar term FA.)

      Around then the music started. I could hear a Pixies song. At the time I was sure that it was a song I knew, and it was playing perfectly down to the last note, even though I hadn't heard it in years. (I can't remember now what song it was, if it was indeed a real one.) I knew the music wasn't coming from outside me, and figured it must just be hypnagogic activity. The whole time until now I had been aware of lying in my bed, which was part of the reason I thought that I hadn't quite fallen asleep yet. After the Pixies song played in its entirety and then concluded, a new song started. This one intrigued me even more, because I was sure it was a song I had never heard before. It was lively enough to make a good follow-up to the Pixies, but the singer had an accent that sounded African. It reminded me of the song "Rise" by Seun Kuti, one that I downloaded free from Amazon and put on my running mix—but I'm not familiar with his other work. This song, like one before it, was crystal clear... like so often before I regretted that I am not more musical in waking life, because I felt sure if I were musically literate I could wake up and recreate it. But I didn't feel like rousing myself and trying to hum the melody into my iPhone when I hadn't even gotten to sleep yet.

      WILD: At some point around here the transition finalized, and I realized, hang on, I think I am asleep now! I'm in my dream body! I could probably just 'get up' without disrupting anything... so I got out of bed, and even though everything felt extremely lifelike, there was a lightness to my body that I was sure meant I was dreaming. I was impressed how bright and clear everything was, and how mobile I felt, unlike a lot of WILDs where it's dark at first and I'm crawling over the carpet trying to get traction. But perhaps integration wasn't perfect yet, because hardly had I gotten out of bed when I was disturbed by a loud rhythmic noise that threatened to disrupt the dream state and wake me. At first I thought it must be the mailman knocking on the door, because I'm expecting a package. But as it continued without abating, I realized it must actually be construction on the house up the hill. How foolish it was, I chided myself, to do my dream practice so late in the morning! The world wakes up and starts making loud noises; at least during the night it is quieter. (RL: It turns out there's nothing at the door and no construction going on outside, so despite these very reasonable hypotheses about bleedthrough stimuli, the sound appears to have been largely or entirely internal.)

      The sound was extremely disruptive and I felt alarmingly close to being woken by it. But I had just gotten into a perfectly good dream and had no wish to lose it so soon (like that time recently when I was woken from an otherwise fantastic WILD by my own snoring—come to think of it, this is another possible culprit for the sound!) How can I deal with this and remain in the dream? The answer occurred instinctively: dance! So I started dancing to the noise. It was a bit like dancing to the sound of hammers, and my dance was correspondingly jerky and spasmodic, but it did the trick! After a while I felt that the dreamstate was no longer threatened, so I paused and looked at myself in the bedroom mirror. Once again, as in the last SSILD, I was impressed how much like my waking self I looked: the hair was different, shorter, but the same face, same eyes. I smiled at myself and could see the smile in the reflection. Interestingly, even though it was a full-length mirror, I have no conception of what I might have been wearing. I wasn't curious about it at the time I was looking, so I have no impression of it now. If I had to guess, I would suppose it was a loose white summer dress of the sort I've been wearing around the house lately (I don't wear these to bed though).

      Even though I had come to terms with the noise, it was still loud and annoying, so I decided to leave the bedroom and move deeper into the house, hopefully away from it. It might have diminished slightly by the time I got to the kitchen, but only a little, so I keep walking through to the living room. I notice my fluffiest down comforter is heaped up on the couch for some reason. I pull it off, and as the folds of cloth open I see the dark silhouette of a butterfly within them. I am momentarily confused: is butterfly a dream figment, or is it real? That is, just as I thought the sound might have a source in waking life, it didn't seem improbable at that moment that a butterfly might have accidentally made it into the house. Dream logic prevented me from realizing that, even were that so, how would I realize it when I was asleep in my bed? The butterfly flutters up and flies into the kitchen, so I follow it. Around this time I am too distracted to notice the noise anymore, being completely engrossed in the butterfly. When I enter the kitchen, I notice that in place of the little black one I followed, about the size of an ordinary monarch, there are now two very large butterflies, their wingspans about 16 to 18 inches across. One is slightly larger than the other, a very pale greenish yellow. The other one has the same base color, but its wings have black borders.

      I am reminded of the task I had been intending to work on next, "creo animál." However, it seems that the dream has jumped the gun and already created the animal for me, so I roll with it and decide to experiment with "rego animál" instead—apparently forgetting I've already done this one numerous times. I know I should try "intellego animál," as I've never tried anything with that technique, but I'm not sure how to go about it, so I decide to put it off until later. I hold out my hand and command "Rego animál," focusing on the larger, lighter-colored butterfly and intending for it to land on my hand. The butterflies flit around and ignore me. I try again. Doesn't work. What's the problem? They are "animals," aren't they? I mean, in the broad sense of the term, I'm pretty sure insects count. Do I need the "auram" sphere for this, as they are creatures of the air? But I've worked with wind before—I've found it quite straightforward to conjure all the elements directly—yet somehow this is harder. I'm forgetting all the times I have commanded animals very easily in other dreams, and am probably just making it harder for myself by all the Ars Magica rigamarole, but truth be told I like rigamarole... it's more stylish and satisfying than just making things happen in a perfunctory way. I conclude that the main problem is that I'm just not putting enough focus into my intent, and so the third time I sing the command. For some reason, I always get the best results in dreams when I sing to shape them, and sure enough, now the butterfly comes over and lands on my proffered hand.

      What next? I walk the few steps back into the living room, and command the butterfly to fly up again and go land on the small table by the window on the other side of the couch. Again, it takes me a couple tries, but the butterfly finally obeys. As it lands there, it turns into a young light-haired woman. I am distracted from this transformation by a young blonde man who is now at my side. He is not the second butterfly, the one with black-bordered wings: around this time she transforms into a dark-haired woman who is standing near the closet. With all this transformation going on, I am inspired to try "Muto animál," so I direct this command to the young man, intending for him to turn into a butterfly. He stands there looking a bit obstinate or confused, so I sing the command in what I intend to be a very persuasive manner, and he finally complies—sort of. He lies down on his right side in a fetal position. He is not lying on the floor, but on some platform a few feet high that doesn't exist in RL (there would just be a wall there). He produces a bundle of red yarn that he stretches along the length of his spine. I watch, waiting for the transformation, but nothing happens. I command him again, and he respond that he is doing his best, but that it will take a very long time—maybe up to a year!—because the timing isn't right.

      It's possible that the guy is just dicking me around, but he seems sincere, and he does offer that he could transform more easily into a goat. (OMG! I hadn't even realized until I wrote this that my first SSILD also involved a goat... odd coincidence, as I don't remember dreaming of goats under any other circumstances.) I say that this would be fine, so he gets back up, discards the red yarn, and transforms at once into a brown goat of ordinary size. He warns me that when he is a goat, he speaks in a strange high voice—which seems contradictory at first, because he has already turned into a goat and is still speaking in the same voice as before. However, after delivering the warning, his voice does change. From his description of a "high voice," I was expecting him to start speaking in falsetto, but instead he sounds more cartoonish, like his voice has been sped up. With his new voice he introduces himself to me, telling me his name is "Hemm." I find myself wondering how this is spelled. I imagine it with two 'mm's, but having only heard it spoken, I can't be sure. Should I ask? Well it can't hurt, and might help me remember the name better. "Is that spelled H-E-M or H-E-M-M?" I inquire. He replies that there's no way to know: he was just a blacksmith's son and never saw it written down.

      I realize that I should get the names of everyone in the room, because then I'll be able to write a more detailed report when I wake up. So I turn and ask the girl sitting on the small table, formerly the pale butterfly. She tells me her name is "Anna." She is now holding a painting, a vertical rectangle about 24x36 inches, and turns it around to show me the back. "And his name was 'Jakachibe', he was a Japanese thief." I gather that the guy she mentions is represented on the front of the painting, but I barely had time to glimpse the image before she turned it around, and now she is just showing me the back of the canvas, where something like 'Jakachibe' is written in large sloppy pencil letters on a wooden crossbar. I say "something like" because the transliteration of the name is even worse than what I've rendered here—there was another 'h' in it somewhere, maybe even a 'q', something more like "Jaqhachibe," but I can't remember precisely—and I have to bite my tongue to refrain from telling her that "Jaqhachibe" doesn't sound like a proper Japanese name and even if it were, it certainly wouldn't be spelled that way in English. I just smile and nod, then turn to the dark-haired woman who has continued to stand by quietly. She tells me her name is "Caroline." After I hear each name, I am repeating it aloud, to better impress it on my memory.

      After talking to each of the women in turn, I notice that the young man who had transformed into a goat has returned to his former human appearance. He is of average height, with wavy blonde hair, short but not too short, a bit tousled, and he has a pleasant, open face. He volunteers that his name—in this form—is "Viryec." Or at least, he says something that sounds like that phonetically, but is probably spelled very differently—"Virjece" occurs to me as the most likely possibility—so I start inquiring more about it. He tells me that his name means something like "sincere effort." This rings a bell—both in sound and meaning, it reminds me a lot of the Pali word viriya, which has been on my mind lately, so I ask him if that term has any relationship to his name. Although he and his name both strike me as coming from northern European stock, perhaps there is some ancient Indo-European etymological relationship with the Pali... but before he can reply, I wake up. I don't know why my dreams so often seem to end just before what promises to be some interesting revelation, but here we are again. Still, I'm not that disappointed because I have so much to write down!

      Updated 08-02-2014 at 10:49 PM by 34973

      Categories
      lucid , memorable
    3. Hypnagogic phrases

      by , 07-18-2014 at 10:24 PM
      Woke after five hours vaguely remembering a dream about being on a space ship. Some kids were catching a ride by hanging on to our landing gear as we went between stations, and I wondered how they didn't freeze and suffocate in the airless void.

      I wasn't planning on doing any real practice since I didn't sleep much last night after my excellent LD got me out of bed early and writing furiously, but since I'd woken up from REM I thought I'd run through some SSILD cycles just for fun... and this provoked a sleeplessness that eventually got me out of bed an hour and a half later without having fallen back asleep at all. So no dreams, but I did manage to record fragments of the hypnagogic phrases that manifested at certain points:

      "...the beautiful eye, and the faithful smiling hand..."

      "...the stress of a healthy city farm too..."

      "...semantic, and by the way kill the emperors..."

      Mostly these were just words running through my head without any corresponding imagery, but at one point I had a hypnogogic image like I was looking at a forum post (unsurprising given that I waded through almost the whole SSILD thread yesterday, a tedious enterprise at 36 pages). So this one I "read" visually rather than thought directly. My recall of first few words flickered out almost immediately, but the sentence concluded "...and the king's building in apotheosis."
    4. The Mysterious Goat

      by , 07-17-2014 at 06:09 PM
      Yesterday I came across the SSILD thread on the induction forum, and decided to try it out. Success!

      Ritual: Slept about three hours, woke up with awareness of having dreamed though no recall of specifics, but figured since I had been in REM I might as well give the SSILD technique a try. Doing the sense-cycling delayed sleep onset more than I expected, even more than with my usual WILD technique of incremental counting, even though I kept reminding myself that I wasn't attempting to WILD. Interestingly, when I was starting to get closer to sleep I was experiencing much more vivid flashes of hypnogogic imagery than usual, which I attribute to having primed my attentiveness to it with the technique.

      On the verge of falling asleep finally, when I sense that I'm in an empty room with plain white walls, and that it's substantial enough to enter as a dream space. "I can work with that," I say to myself, and close the door. The handle has a pleasing feeling of solidity and the door closes with lifelike sensations, so I know this is actually working.


      WILD: What to do now? Well, I need traction, so I decide to just use my body a bit until I feel more substantial. Last night my husband showed me a video of a guy doing amazing acrobatic tricks on a pole, and that must have subconsciously inspired me, because without really thinking about it I start emulating him. It's fun because I could never do anything like this in RL (who could? It's real gravity defying stuff) and even in a dream it takes a bit of concentration, so it is a useful way to integrate myself better into this space. As I do it I remember to occasionally rub my hands in front of my face for more traction, and for some reason it occurs to me that it would be a good idea to feel my head, which I've never tried before, but the lifelike sensation of the shape of my head and texture of my hair is very helpful, they make this dream body I'm in feel more like "me." The vividness and clarity at this point is quite high, and I'm wondering what I look like. I see a mirror on the wall (the walls were featureless initially so the mirror seems to have manifested in response to my intention, though not before my eyes... it was just there once I decided to look for it) so all I have to do is position myself properly in order to see my reflection. I'm pleased with how much like me it actually looks, although my hair is different: loose, shoulder-length and with a layered, almost spiky cut. But the face looks just like mine, especially the eyes. It was remarkably like looking into a real mirror, which is not my usual experience of reflections in LDs.

      Given how lifelike my body feels and my reflection looks, I decide to play with it a bit. A couple times in my LDs I've experimented with trying to create an extra set of arms, like you see on some representations of Hindu deities, and I want to try that again. I'm now standing on a sort of balance beam, looking at a second mirror that has manifested on the next wall (a little more conveniently positioned than the first) and I start waving my arms and trying to create a second pair. With a little concentration I have a partial success: I think I can see and feel a second pair, but they are moving in tandem with the first. To be more successful, they would have to move independently, all four arms moving simultaneously in separate directions. I try to get the second set to move independently from the first, but I can't figure out how to do it! I realize that I simply have no mental imprint of what this would be like. Perhaps with a little more creativity or effort I could get this going, but I sense that at this moment the strain might be close to disrupting the dream, so I give up the attempt, amused by how tricky this is, and re-stabilize.

      What next? I remember my current task: "Creo vim." (I've been working through spell combinations from Ars Magica.) I anticipated this would be a fun one because I had no idea how it would manifest, and deliberately tried to avoid anticipating anything in particular, hoping the dream would surprise me. So I hold out my left hand and concentrate on the spell. Nothing happens at first. How should I do this? I wonder if I should be using my right hand (my dominant hand in waking life), but figure that since I instinctively started with my left, I should stick with it. "Creo vim," I murmur, since I've found that saying the name of the spell aloud can be an effective focus. A tiny bubble manifests in the air above my open palm. It looks like a soap bubble, and as I have this thought, it bursts like one. But I'm emboldened by the fact that something is happening, so I keep concentrating, and another bubble appears. It grows larger and slowly sinks until it is a half sphere sitting on my palm. From there it keeps growing, getting larger and lumpier and turning grey in color, but still completely weightless and seemingly inflated with air. When this mass is about a foot and a half in diameter, it lifts from my hand and sinks gently to the floor, and transforms into a small white goat.

      The surroundings have changed around me while I was focused on the spell. I am no longer standing on a balance beam in a white room, now I am outdoors at night, standing on the ground, looking at this goat that has inexplicably appeared. My husband is lying next to me, asleep. Standing in front of me is a horse harnessed to a cart. I ponder the goat, wondering what it might signify. On the one hand, it is an extremely cute little goat, with long white fur and two straight horns that are only a few inches long. On the other hand, it subtly disturbs me for some reason I can't identify. I remembered a trial take of a commercial that I saw many years ago. The commercial was intended to advertise a financial services company, and was showing clips purporting to be the customers. The most memorable one was a dignified elderly gentleman who for some reason was accompanied by an equally dignified white goat. It was so random and surreal, elegantly and subtly satanic, that the image always stuck with me—though I learned later that the scene was cut from the final version out of concerns that people might be disturbed or distracted by the goat. So what to make of this little goat in front of me now? The goat itself was just standing quietly and not revealing anything, until before my eyes it abruptly transformed into a few pieces of ripe and runny brie cheese on a plain white plate. This was even more mystifying.

      I wanted to ask someone's opinion about the goat and its transformation, but I looked around and couldn't see anyone else in this landscape. There was just me and my husband, but he was fast asleep and I didn't want to disturb him. Finally it occurred to me to ask the horse, as the only other creature around. I figured the question of the goat's moral status could be answered by how the horse responded to the cheese, so I picked up a piece from the plate and offered it to the horse to sniff. "What do you think?" I asked. The horse readily accepted the cheese and ate it with apparent relish. This seemed to speak well for the goat! "Want more?" I asked, offering the horse a second piece, which it consumed as eagerly as the first. I decided to try a bit myself, and found the taste and texture very much as I would have expected from a runny brie.

      There was a cemetary nearby, surrounded by a low wall. I could see the tops of gravestones over the upper edge of the wall, and I instinctively knew that one of them was connected with the goat, so I should investigate it to find out more. The entrance to the cemetary was just across the lane on which the horse and cart were standing, so I walked around them and went inside. From my original glimpse across the wall I had made a mental note that the relevant gravestone was the fourth one in, so I counted the stones I passed until I reached the fourth. It was an old style of slab carved from reddish stone, only about two inches in width, about three feet tall, and with a simple curved top, unadorned except for the text that was carved on it. I knelt down and looked at the inscription. I was pleased to discover that I could read it easily, and one phrase that immediately caught my attention was "Ghast of Vail Light." I took this to be the title of the mysterious goat. It sounded a bit spooky after all, but I loved this phrase! I immediately determined to remember it. "Ghast of Vail Light," I repeated to myself several times, and even said aloud to myself, "Remember that." I wanted to get it just right. Was it spelled "Vail" and not "Vale"? I looked again at the inscription. The letters were remarkably stable, and the spelling was distinct: "Vail."

      I hadn't done any tactile stabilization in a while, so I decided to run my hands over the face of the gravestone. It had the cool touch of real stone, smooth overall but a bit gritty in texture, like sandstone, and I could feel the indentations where the letters were carved in. I was still muttering to myself "Ghast of Vail Light." I didn't know how much longer the dream would go on, and wanted to make sure I wouldn't forget. But I concentrated so hard on the idea of remembering this phrase when I woke up, that it woke me up! I wasn't disappointed, though, because I had plenty to write about already.

      Updated 08-02-2014 at 10:50 PM by 34973

      Categories
      lucid , memorable