The Lab Notebook

Non-lucid, 'Video-game-controller mode' [see side notes], Lucid, [Commentary made while awake]

My dad and I are on a bicycle ride together. I've just checked out a thick paperback book from the library, and it's in the rack on the back of my bicycle.

I'm outside a movie theater in Florida, with my mom. Directly across from the entrance to the theater is a small kiosk where you can get drinks in plastic cups. She and I get some drinks from it for the whole family.

False awakening in my current real room. I hear the sounds of people shouting something about a surfer dude, and decide to follow the shouting out to the creek, but decide not to wake my parents. As I'm walking out of the house, I see that there's a bunch of writing in thick, black letters on the back wall of the dining room, as well as several papers with more writing on them taped to that wall.

I'm entering an upstairs apartment. My uncle is there.

I'm walking past a junior high school. I see a large group of kids in PE uniforms setting off on a run around the perimeter of the school.

I continue walking, and my route takes me along the street in my old neighborhood that goes around the edge of the park. I'm going in the direction of House #2. I turn around and see a tiny, cartoon kid with a BB gun standing behind me on the sidewalk. I'm a little worried that he's going to shoot me with the BB gun, but in the end, I ignore him and continue walking.

I reach House #2. In the garage, floating vertically in midair, is a menu of choices, like on a DVD. They say something like 'imaginary ideal' and 'reality' [I think; I don't really remember.] I select the former first, and find myself standing in my bedroom at House #2. The room is arranged the way it was in reality, but everything in it is completely white. [I really wouldn't call that design choice 'ideal.' However, when I lived there in reality, almost everything in that room really was white, and I was pretty happy living there.] I return to the menu, and this time, I select 'reality.' After making this selection, I find myself back in the same bedroom. It's still arranged the way it was in reality, only now the bed has a green bedspread with flowers, kind of like the one I have right now in reality [which I bought when we moved to House #3], except that the pattern is bigger and bolder.

I look out the window of my room and see a wide view of rolling grassland, with a lot of people walking around all over the place. There's only sunlight shining on one small, roughly circular section of the scene, though; the rest is in shadow. I speak aloud to the scene, saying something to the effect of, “It should be sunny all over the whole scene!” The sunlight spreads to cover the whole scene.

The scene shifts without my noticing it. The window of my room is now a doorway that opens onto a scene of an arctic landscape, with a wide, shallow pool of water in it. [An aside: After all those times I complained last month about the lack of snow in my dreamworld, I finally had a dream with snow in it, and not only did I completely fail to remember that I was supposed to make a snowball and hit somebody with it, but that Task of the Month is over now, anyway! Argh.] I walk out into the scene. From the far side of the pool, I step into the water, trying to walk on it, but I quickly give up the attempt because I get scared away by an orca and a walrus approaching me through the water. I walk back out. I then get the impression that they weren't really threatening me, after all. I go back toward the house. My mom is standing outside the doorway, and I tell her she can watch me do this if she wants to. I start walking back toward the pool of water again, concentrating on continuing to walk forward, straight into the pool, while believing that the surface of it will be just as solid to me as the ground is. It doesn't work; I end up standing ankle-deep in the shallow water again. [That's all I remember.]

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Side notes:
I'm really not sure for how much of the above sequence of events I was actually asleep and dreaming, and for how much of it I was awake and actively using my regular old imagination. I felt like I was doing the latter for at least part of it, hence the green text, which I always use to indicate a sort of half-awake, half-dream state where I know that I'm using my imagination like a video-game controller to control what happens. The division between green and purple text (indicating a lucid dream) is mostly an arbitrary guess. Then again, I was definitely aware that I was dreaming by the end, so it's entirely possible that I really was dreaming the entire time, and that's what dream control feels like. If so, that's really cool! I really advanced a lot in the area of dream control last night. I will have to experiment with this further.

I'm mildly annoyed, but not at all surprised, to discover that verbal commands work really well to control my dreams. As much as I love Inception and would love to be able to alter the dreamscape just by thinking about what I want to happen, that idea is relatively new to me. I've been a Star Trek fan for years, so it's not surprising that the older and better-entrenched idea that one can change one's surrounding environment by giving verbal commands, like they do when using the holodeck on Star Trek: TNG and later series, would take precedence over the newer idea that one can change one's surrounding environment just by thinking about it. Now that I know what works for me, though, I guess I'll go along with it.