• Lucid Dreaming - Dream Views




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    maboroshi

    1. friend doesn't want to see me; soldier symphony

      by , 09-30-2011 at 12:05 PM
      Good morning, everybody.

      Dream #1

      I was walking out on a sidewalk, near the top of a hill. It was daytime, and the sun was bright. I was walking past the stone gates of some kind of professional center. The gates had an arched entranceway.

      One of my old friends, PD, walked out from the gates. PD was apparently dressed as a business professional. But she looked kind of horrible. She wore a grey skirt and a green blazer, with a white blouse that had some kind of old-style bow-tie on the front of it. Everything looked like it was from the 1970s.

      PD's hair was also weird. It didn't look quite real. It was curly or crimpy. It looked wet, like after a shower, when a person's hair looks damp and a bit disarranged. But it also looked dry and dead, like the stringy hair of an animal that had been laying on the road for a while.

      PD's face looked about the same, except that she may have had a tan, and that her face may have been a bit worn with age.

      I called out to PD, kind of gently, since we were so close, and I was so awe-stricken at seeing her. PD said, "What makes you think you can just come up and talk to me after all this time? I don't want to see you anymore."

      PD either got onto a bus or got into a white SUV, driven by some rich guy who had been waiting for her. I respected PD's desire not to speak to me.

      I walked down the hill and found myself under a bridge, like a bridge for a highway overpass. The sunlight curved down under the shade of the bridge, making a warm little quarter-circle of light in a small space.

      Some kids may have been skateboarding in that space of light. One of the kids may have had a red and white skateboard, with a design almost like the Coca-Cola logo.

      Dream #2

      I was watching an old film. The main thing about this film was actually the music. Some great composer from the early twentieth century had made this music. The film may have been a documented performance to accompany the music.

      But what the film was was living footage of an actual event. The footage was from one of the World Wars, possibly WWII. The scene was some torn out space of land. The upper right area looked like a trench or a foxhole. But the whole area before the foxhole was a blasted out cavity in the ground.

      Two or three men sat slumped on the ledge of the trench and the blown out space. Behind the men was a bright light. Some thick cloud of gas spewed out from behind the men and into the blown out space.

      The way the men were slumped against the trench and each other, it was obvious they were dead. I assumed that the gas clouds I was seeing were poison gas, and that the men had been killed by it. I assumed their deaths had been very painful.

      At some point the music built up to an ominous crescendo. I was trying to figure out why the composer of this music wanted us to watch the actual deaths of soldiers on the battlefield while we listened to his music.