Visions in the Dark

The main character of this dream is Rosso the Crimson in she is in a large compound that is part military complex and part resort. Many buildings surround a body of water that is a natural spa. One building is very tall and looks like the sort of like the Empire State building, but it is made of glass. The timeline is after DoC but the world isn't a FF setting. Rosso has been institutionalized but for some reason she is wandering freely around a single story building that looks like a factory on the inside. She is desperately trying to find Shelke and feels compelled to look everywhere. While wanding through the factory building, many people who are working there stop their activities to observe Rosso, but do nothing to stop her. Rosso knows that she has to find Shelke quickly before she is reinstitutionalized again.

Rosso comes into one room that is tiled like a shower room but with many large pipes sticking out in the middle of the floor. She believes that one is an escape route, but when she lifts the lid of the pipe, there are wires and metal parts on the inside, making it impossible to crawl inside. The rest of the pipes are the same. Rosso exits the building through a doorless doorway in the large pipe room and comes into a cement court enclosed with a tall chainlink fence.

Suddenly Rosso with with Vincent Valentine and they are entering the waters of the spa. Vincent swims across the small body of water and underneath a wooden deck. Rosso follows but is distracted but a group of people lounging beside the wooden deck. The people sit admidst brown octoganal stones that stick up out of the steaming water. A man and woman in the group try to talk to Rosso but she ignores tham and follows Vincent underneath the wooden deck, still fearful that people are chasing and trying to capture her.

Underneath the wooden deck is a dilapitated wooden staircase that leads up into a secret room hidden between the buildings. Vincent easily climbs to a platform at the top of the stairs and says that this is where he likes to hang out. Rosso follows but has difficulting jumping a part of that staircase that has completely rotted away and almost doesn't make it to the top. On the platform at the top is a desk and chair in the old Victorian style and a sofa upon which a blanket and pillow are lain. Rosso says something to Vincent about the place being unsafe and a mess and that she wants to leave. On the way back down the dilapitated wooden staircase, Rosso again has trouble traversing the gap in the staircase and barely makes it a second time.

The compound suddenly seems devoid of resort seekers and there are groups of military personal conducting aggressive searches of all the buildings. Rosso fears that she is now being outright hunted and she doesn't want to be captured because she still has no idea where Shelke is. Vincent leads Rosso to the tall glass building of the compound and takes her to an large abandoned apartment suite about midway up the building. Three black Apache helicopters are now circling the building and it has been evacuated of all other people. When one of the helicopters spots Rosso near a window it is passing by, it turns and starts firing, blowing out the windows and attracting the attention of the other helicopters. Both Rosso and Vincent have to crawl on the floor to avoid being seen and shot and they get seperated.

Rosso hides in a bedroom, under the bed which is against the outer wall, making it impossible for the helicopters to see her. Vincent searches the apartment for Rosso and is fired upon when seen. He discovers Rosso's hiding place when he is forced to take refuge there himself. Vincent tells Rosso that he doesn't know why oders have been given to kill Rosso, because her institutionalization was for mental health reasons, not because she is considered dangerous. He mentions a man who works for Reeve who has been actively trying to undermine Rosso's recovery and fears that he is the one who has given the order to seek and destroy while Reeve (who owns and runs the compond) is away on business.

While the helicopters searching the otherside of the building, Vincent gets up to leave, saying that he is going to get to the bottom of this. He tells Rosso to stay put and grabs a pillow and blanket on the bed and gives it to Rosso so she will be more comfortable. Rosso still desperately wants to find Shelke but is afraid to leave her hinding spot. Rosso is exausted and falls asleep. She has an out of body experience and her spirit floats up above the building and watches the helicopters circling around. She revels in the fact that they cannot see her and for a moment she forgets about her desperation and fear. Rosso notices an opening in the side of the building near the top and it has a platform where helicopters can dock on the side.

Re-entering her body, Rosso wakes up and crawls out from underneath the bed and finds her way up to the top floor of the glass building. A large open room filled with dirt and small dump trucks is found behind the helicopter dock. A yellow helicopter approaches the dock to land and Rosso hides behind the peak of a pile of dirt to watch who gets out, but no one does. A vehicle nearby has a turret on top and Rosso discovers that she can fly like she did when having her OBE and goes over to the turret and smashes it to peices with her hands, fearing that if she is spotted that she will be fired upon. Even though the three Apache helicopters are still circling the building, and Rosso is out in the open, they do not notice her and continue to scan the building with their serach lights.

Rosso hears some voices approaching and she glides over to a pillar near window that has a long curtain coming down from the roof. She hides behind the long curtain and even though it is solid, she can see through it. There are two grey coloured women soldiers (grey armour, not elderly) on a dirt pile nearby. They cannot see through the curtain and therefore cannot see Rosso. They are talking and laughing maniacally about something. Rosso can tell that they are genetically modified soldiers like she is and she fears for a moment that Deep Ground has returned.

At some point the grey soldiers leave and Rosso makes her way down to the bottom floor of the glass building. She finds a large room that has many wires and pipes dangling from the high ceiling. Rosso flies around them for a while before noticing a muscular man dressed in blue on the floor (Azul the Cerulean?) and she goes over to talk to him. I cannot remember the conversation and the dream ends about there.

I am Rosso the Crimson and I am in some sort of army. For some reason a small group of soldiers including Shelke Rui, Vincent Valentine and I, defect and flee from the main army, which is situated in a sparse and barren, temperate forest. The rest of the soldiers in our group seem to be young adults and children.

Vincent and I have the responsibility to lead the children away from that place but our ideas and ways of doing things are often at odds and we fall into verbal conflict, though most of the time I conceed to Vincent's way of doing things. I am kind of annoyed at first, but ultimately trust that he will not lead us astray. As we leave the main camp, and out of the forest, it begins to snow and our first night is tryng to find shelter where we can sleep. There are several large gaps underneath logs or holes in the ground large enough for humans to crawl into, but Vincent says to stay away from them because dangerous wild animals, like bears and foxes, might live there.

We crest a hill and come across a children's playground where someone has thrown a blue tarp over some of the equipment, and while we could all easily fit under it, Vincent insists that we are not far enough away from the main army yet and we must continue. At this point in the dream, Vincent suddenly disappears and in his place is my brother Ryan.

We do not have to walk far to discover that we are on an island or something and must turn back. We return to the playground and I lay down on the ground to sleep, with Shelke beside me, and hope the man who I still expect to be Vincent to lay down on my other side. Instead the man lays down on the other side of Shelke and I am shocked and angry to see that it is Ryan not Vincent.

Despite being very tired I refuse to sleep and insist that Shelke switches spots with me because I am afraid that Ryan is going to sexually molest her. One of the other children soldiers cannot sleep and wanders around and finds a radio which he immediately turns on very loudly. I want the young boy to turn the radio off because I think it will give our position away but Ryan says it is fine and mocks my obvious apprehension. I convince the boy to turn the music down and everyone goes to sleep eventually, except for me.

Suddenly I sit up because I have an overwhelming urge to find Vincent, without whom I do not feel secure. I walk around the playground area and see that while it is still cold, most of the snow has disappeared. I turn off the radio as I pass it by. All of the defected soldiers except for Shelke and Ryan follow me.

One little girl freaks out because there is a tiny brown snake in the sand. I pick it up and throw it as far away as I can but quickly find another, and another and then many more. There is a reddish brown snake with a yellow rattle on its tail near the playground and the children flee because I positively identify it as a rattlesnake. Suddenly all of the snakes I can see are of the poisionous variety and as I walk back to my sleeping bag I am bitten several times, though I do not seem immediately affected by the poison, which feels hot and firely, almost electrical, coursing through my veins.

I cannot wake Shelke and since I refused to leave her there I lay back down on my roll to sleep. More and more snakes appear, each is bigger than the last and they are increasingly a variety of bright colours. Soon there are so many of them that I cannot move without touching several of them and they turn and bite me, again with that fiery, electrical feeling shooting through my body. I feel myself becoming increasingly weak and disoriented, but I do not know if it is because I am exhausted or because of the poison.

I sit up and notice that Shelke and Ryan are gone. Still hoping for Vincent to return I cry out to him to save me. When Ryan appears instead I am very upset, still wanting/expecting Vincent, and fall silent in anger and frustration. I sit crosslegged and completely still and the hundreds of snakes surround me and almost bury me in their mass and I find that I would rather be crushed or poisioned to death (though at this point I notice they have stopped biting me) by the snakes than to have Ryan come near me or save me, the very thought of which makes me feel sick.

The last image of the dream is looking at the mass of snakes in my lap and taking note of a rather large, bright red one with intricate oriental inspired patterns down its back that are coloured a bright yellow or gold.