• Lucid Dreaming - Dream Views




    View RSS Feed

    Carabas

    1. Cards, aliens, and cannibals

      by , 02-11-2014 at 01:15 AM
      I'm reading cards for an off-duty cop or detective - it's about his case, and it's not official. The Hermit - that's the criminal. The Emperor - that's him. And then a minor card that indicates cooperation between the two of them, and things going smoothly.

      (Woke up. Back to sleep.)

      I'm talking to this alien I'm traveling with and my first instinct is to call her Red - she's red from head to toe - but I stop and think about how nicknames work in alien cultures. Best case scenario, everyone's going to wind up calling me Pink, not sure I'm up for that. Me and another alien head outside on some errand, crossing this huge field, and as we're walking I ask him about nicknames. He says, "You don't want to say my name?", and I don't know how to interpret his tone - maybe bewildered, maybe hurt, maybe I've just accidentally proposed marriage, I don't know. We're still crossing the field, but we've wound up walking on top of/sliding down a pile of giant, motionless serpents.

      (Woke up. Back to sleep.)

      There are these people trapped in a cabin on a mountain by a group of killers, and they're wondering if their two friends who left earlier made it off the mountain okay. The scene changes to a group of people standing around a car parked near the base of the mountain, across a field of tall grass - the killers, a 'family.'

      I switch to the POV of the father figure of the group, and I'm looking at the two young boys with us who are new to the family, keeping an eye on them. Not too worried though. Someone spots a figure moving out of the forest and into the field - the figure shouts to us when she sees us, waves her arms to get our attention. I'm thinking, huh, we missed one. We'd found a guy in the forest earlier, I hadn't realized there was still another one out there. That was sloppy.

      Me and those two boys go to meet her, and she starts talking about how she needs a lift. Walking her back towards the car, we get to the part of the field near the road where the tall grass is all flattened down from what we'd done earlier, and there are a few things, plastic bags and such, scattered around on the ground. She's looking at the things on the ground and looking a little uncomfortable, she asks what we were doing out here. Having a picnic, one of the boys says. The rest of us laugh. It's technically true.
    2. ASOIAF and OUAT

      by , 12-30-2013 at 11:19 PM
      ASOIAF-based. Jaime's face is covered in burn scars on one side, recently healed; Cersei's pale and has something wrong with her skin, grey spiderweb patterns in small patches on the sides of her face, wearing widow's black with a high collar. Jaime's sitting down next to his uncle - whose face is also scarred, on the opposite side from Jaime, from a cut from a weapon that left a permanent hole through his cheek - and he's saying "Look at us. Three grotesques." He's not including his uncle in that; he means the three siblings, specifically in their role as Tywin's heirs.

      He folds his hands on his chest, and something strikes me as odd about this; I focus on his fingers and feel like there's too many of them. (For reasons that were obvious once I woke up.) He says, "We remember (name of some famous military tactician)" - and then says some quote relevant to their current situation; as a disembodied observer, I'm less interested in the quote and more interested in why Jaime's saying it. I'm thinking that this time period, immediately after all three Lannister siblings had become disfigured, ended up being when they really started to come into their own; that Jaime specifically became serious about various responsibilities that he'd had little interest in up until now, became more philosophical, and wound up distinguishing himself as a tactician.

      Jaime's still talking - he's just mentioned a prophecy which includes a mention of monogamy, and he sneers at the reference, and says something along the lines of 'if only I could get me a good prybar' - he's stuck in an engagement he desperately wishes he could get out of, but which he's resigned to.

      I'm leaning against a wooden fence, wearing a heavy fur coat and digging a bullet out of my side with my fingers, blood all over my hands. It can't kill me, but it's unpleasant. I'm saying to someone, "Wish you hadn't come." Didn't want them to see this.

      (Woke up. Back to sleep.)

      Fragments: A photo of a small island containing 6 towers arranged in a hexagon, with a wall around them so that they can't be seen from the water; the photo's accompanied by a note mentioning Florida and Puerto Rico. A girl with a shapeshifter for a brother. The word supranatural. Song lyrics: "Feed on the sickness." Dialogue: "You're familiar. I'm just glad to see familiar-"

      Five teenagers heading to an abandoned playground; three of them are aliens in human form, and they need to go somewhere isolated to temporarily drop the disguise. The other two are humans, their girlfriends, in on the secret. One of them has seen this before, but for the other, Laurie, this is new; although she knew her guy was alien, actually seeing it is a shock. She sits down on a bench attached to a picnic table, and she's thinking about when she slept with him. The other girl, the one who's seen this before, is watching her and feeling sympathetic. The boyfriend comes back over to her and asks what's the matter, except English isn't really compatible with his mouth in this form - he's something vaguely like a very large spider - so "What's the matter, Laurie?" sounds more like "Wassama'ar? Lau-rie?" The other girl comes over and puts her hands on Laurie's shoulders.

      Rumpelstiltskin/Gold has a daughter. She's building a snowman in a park with her mother, along with a large group of other parents and children doing the same thing; Gold's not there, but he's using magic to talk with her from a distance, now and then. She's named her snowman Lefty. It has 3 left arms, one of them with a hook. But while she's not paying attention, one of the other mothers breaks Lefty and uses it as materials for her own kid's snowman. This doesn't come as a surprise. Gold's daughter isn't treated well in this town, she's always ostracized. Gold, hearing about this, starts to encourage her to (do something I no longer remember.)

      While he's encouraging her, Rumpelstiltskin has a flashback: in his castle, with Regina in full Evil Queen mode. He's ranting about some Council which he blames for manipulating him into becoming the 'evil creature' he is today, and which he's now turning against. The rant has a reap-what-you-sow kind of theme. Regina had been on that Council up until very recently and is encouraging him in this; she's the one who informed him how he's been played.

      Updated 12-30-2013 at 11:33 PM by 64691

      Categories
      non-lucid