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    Blue_Opossum

    “Lost Girl” (and the animated forehead tattoo)

    by , 06-03-2017 at 08:49 AM (424 Views)
    Morning of June 2, 2017. Friday.



    I am on the porch of the Barolin Street house (where my wife Zsuzsanna and I and our children have not lived in real life for years) in Bundaberg. However, in my dream, it is implied to be in Cubitis (where I have not lived since 1978).

    Even though my dream self is probably implied to be around forty-six years old (I am presently fifty-six), there is also an ambiguous hybrid facet of my fifteen-year-old self. There is a small bookcase on the south side of the porch facing south (though north in the Cubitis orientation), where no bookcase ever was in reality. It is within the open area rather than the back of the bookcase being against a wall. I am vaguely focused on a dream journal as well as a textbook and a couple other books, including a volume from a set of encyclopedias. (These books were in the lower shelf.)

    Now and then, I shift into my teenage focus. I look out through the porch windows toward where the neighbors have just driven back to their house. They are walking around near their car, which is parked just outside of their small open carport and facing their carport. Thus, as is typical of this recurring dream scenario, I first see only Lisa’s parents and wonder what is going on.

    After a time, I am more within my older perspective and looking at the books again. Still, Lisa appears, having phased through the side of the porch. I acknowledge her presence as she stands facing me, though she remains behind the back of the bookcase. When I look up at her, she seems to be about twelve years old.

    Curiously, I notice that she has an animated tattoo on her forehead which has two frames (at the rate of about one per two seconds). The tattoo is somewhat pale and transparent with an embossed essence rather than having much contrast or color, though I can still read the larger of the two frames. It reads as “LOST GIRL” (in uppercase). I do not consider this to be strange at all though I also do not consider any meaning of any kind. The second frame, when it appears in the animation sequence, is not written large enough to read from where I am seated. It appears seemingly as an address (possibly of a dance studio) as on an envelope. To the lower left of the “envelope address” is what looks like a small icon of Earth with a pair of wings. It seems we are both in the process of moving. She stands attentively but we do not speak much.

    The preconscious in this dream is of a very atypical essence. It almost seems to be awaiting instructions rather than initiating the waking mechanism, though me facing the bookshelf implies my thinking abilities emerging, thus the preconscious may have already “done its job” by remaining behind the bookcase as I face it.



    There are several meanings (layered meanings in addition to the native real-time meaning), none of which are significant to my present conscious self status. Firstly, it could be a residual thread of how I view people who believe in vicarious “dream interpretation” as “lost” (as I am near a bookcase and with a dream journal), though who am I to judge people who, for whatever reason, believe that things like chiromancy, tasseography, or reading ‘possum bones in a circle cast in the dirt somehow “works” for them. On a personal level, it may simply mean no longer being my teenage self in Florida and the residual effect of traumatic transitions that will always remain a part of my life experience regardless of how happy and loved I have been most of my life, especially over the last twenty-five years.



    • Contrived convenience: Contrived convenience is a common type of erroneous dream rendering where the presumed errors in memory are based on the real-time linear convenience of the particular dream. If not for contrived convenience, many settings, features, and events in dreams could not be perceived by the dream self at all. For example, in this case, seeing the activities of my Cubitis neighbors near their small carport would not have been possible if my dream had correctly rendered the liminal space factor as my Cubitis home’s carport rather than the Barolin Street house’s porch (as the real-life limited view from the Cubitis carport was only to the north, and only partly west and east). Also erroneous is how Lisa somehow came onto the porch through the porch’s side. That is, she somehow phased through the porch wall (and windows), which is where my dream self’s attention was focused, rather than entering normally through the porch door which would have been somewhere off to my right (where I never directly looked). (This term is also used to describe “reality” or linear time as experienced by an individual but I will not get into that here.)
    • Dream sign (dream journal): A dream sign (my systemic definition only) is a carryover of the conscious self’s current status of being unconscious and within the dream state. The most obvious type is being in bed. Others include not wearing shoes or socks, being undressed in public, a bed in an incorrect location, and even thoughts of one’s dream journal. Dream signs, like so many other features and events in dreams, have nothing to do with erroneous beliefs in “interpretation” (in the common misuse as a synonym for meaning) that is still so popular with the public.
    • Flight symbol: Flight symbols occur as waking symbolism in over one in five of my non-lucid dreams (closer to one in four, or at least over twenty percent) in the tens of thousands of my non-lucid dreams that I have documented and closely studied and decoded. This is obviously because of the subliminal yet anticipatory nature of the purely biological hypnopompic jerk or sleep start, that is, the perception of falling as a natural shift in consciousness from sleeping to waking that often occurs even in infants. It is hard for me to accept that there are people who believe that biological dream dynamics have some sort of “interpretation”.
    • Personified Preconscious: The personified preconscious is typically a dominant dream character of a very specific recognizable essence of whom, while usually a different character (either male or female), initiates either the unification, disruption, or cessation (depending on the unique dream self incarnation) of the dream self’s transmutation into whole consciousness within the waking transition. The waking mechanism might be based on anything from activating more threads of the current conscious self identity with augmented emotions (for example, the dream self getting aggravated by feeling imposed upon by a trait unrelated to current conscious self identity) to blissful coalescence (for example, hugging the personified preconscious and feeling bliss or love in coalescence). The preconscious is transpersonal, sometimes the opposite of the conscious self identity, and is often completely unrelated to the current conscious self’s persona or identity (contrary to the ridiculous belief that every dream character comes from current conscious self identity or status, which could not be more wrong).
    • Porch as liminal space: A porch as a dream setting is usually a real time metaphor of my dream self’s transition into wakeful consciousness. It represents the state between being in a house (temporary limited dream self’s perspective) and the outside world (conscious self identity’s perspective). It is a factor of my most common waking symbolism, which I have fully validated thousands of times since early childhood.



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