Morning of April 29, 2018. Sunday. There are puzzling (impersonal) scenes of an unfamiliar golf course, which is a very rare dream setting for me. There is an unusual dragon, more like a traditional sea serpent in some ways, but quite unrealistic and never a threatening presence - almost cartoonish or of bad CGI. Corporeally, I find myself in an area where grapes are growing from vines within tree branches. I eventually find a pocket watch hanging by a chain from a low branch. An unfamiliar red-haired female of about thirty manifests as this dream’s preconscious, looking at me, possibly wondering what I am doing. I think I might take the watch as I think it might be mine, but I decide to leave it. I had no idea we would be watching a movie this evening featuring an unrealistic sea serpent and a scene where two men were digging in a golf course. This was “Nessie & Me” (2017) that our youngest daughter really wanted to watch tonight (and it was from the library; I did not even know about it). Seeing scenes from movies in dreams before actually seeing them seems a rather trivial and pointless mechanism (in contrast to me marrying my literal dream girl), but this has occurred all my life. It happens so often, I usually just roll my eyes at this stage of my life. It is probably more about the transpersonal interconsciousness rendering some dream content (rather than true prescience), as the movie technically often already exists (though not in every case like this) which I usually see on the same day after my dream. Zsuzsanna had not seen the movie, so the golf course scene did not come from her as far as I know.
Morning of April 29, 2018. Sunday. I am in a large featureless distortion of the Loomis Street house’s porch (about twice as big as it is in reality). My brother-in-law Bob is present. Curiously, I am also vaguely aware of my youngest son. (This is a typical distortion of random threads, as my son being present is the only thread relevant to my current conscious self identity.) Eventually, I see (and subliminally will by way of RAS modulation anticipation) a snake crawling on the wall (in the manner of if it was actually the floor). I cannot be sure if it is venomous but Bob comes in to distract it. However, three green snakes end up being present, one that Bob is battling near the center of the porch, one near Oliver (though not perceived as a threat) to the right, and one near me. I seem to be standing on the right arm of the armchair yet also standing on the floor. It is an unusual sense of bilocation. I move my legs around in order to deter the snake, still wondering if it might be venomous, but there is no dominating sense of threat or any actual fear (probably because I know it is the RAS modulation factor as the waking alert). This dream type is a form of vestibular system correlation, which occurs in countless unique forms but basically always means the same thing, that I am trying to discern the nature of my real physical body in growing closer to conscious self awareness. This is not the first time that snakes have occurred in correlation with this process, which is why they are on the wall rather than the floor at first. I have not seen Bob since 1994 and have no idea of his present status. My son’s appearance in this case relates to a concern about his health, though it is not a major issue. Snakes sometimes relate to autosymbolism regarding the human intestine, especially in indigestion. Autosymbolism is often based on visual associations (such as a snake being associated with the human intestine), not words (as language skills are not even present in most levels of REM sleep). As always, a porch is my most common liminal space autosymbolism since childhood, which indicates a specific level of unconsciousness between sleeping and waking and is unrelated to waking life (other than a porch representing liminal space in waking life as well, and you will find much dream autosymbolism is not very difficult to understand when eliminating the “interpretation” fallacy).
Morning of April 29, 2018. Sunday. In my surreal dream sequence, there is eventually a focus on the “Peanuts” comic strip. It is supposedly an anniversary of when the first strip was published. (This is incorrect, as in reality, October 2, 1950 is when the dailies started and it was January 6, 1952 for the Sunday strip.) The detail eventually stabilizes on a stage that seems to be for a television show being broadcast live. The announcer says “Charlie Brown” vividly and clearly and extends his hand to the right, upturned for introduction. The “real” Charlie Brown walks out on stage and the audience looks on. It is a real man, but he is very old and has oversized ears, which are probably fake. He actually has the essence of a very old Charlie Brown in appearance (which is unusual as the comic strip character has hardly any facial detail, yet my dream includes a very precise essence somehow), but I consider it is mostly makeup to play the role. There is a shift and the same scene repeats. After this, a similar scene occurs, though this time it is a very old and “real” Sally Brown sitting in a chair. The audience looks at her as she is interviewed. In the last scene, which is supposedly part of a movie that is showing a new “Peanuts” event, two anthropomorphic rats are standing near the back door of a building. Apparently, they are being married, though I see no other characters present at this time. The rat is named Roquefort, though in reality has nothing to do with Charlie Brown’s world (as far as I know). Roquefort eventually says how he is “impotent”. The female rat (I do not recall any name) says, “We’re British. We do not use that word.” From here, there are detailed closeups of one of each rat’s ears (the right for the male and the left for the female). I see that while the male’s lobe is connected to his head, the female rat’s lobe is slightly raised, with a J-shaped groove. This seems to mean that Roquefort might change his mind about the wedding, but it is the girl rat that turns and walks off. In hypnopompic disclosure (the preconscious and emergent consciousness correlation where the clear meaning of my dream surfaces), I realize the whole dream was triggered by the vestibular system correlation of the waking process, the stage being autosymbolism for “watching” the dream state (as well as a play on the “stage” of sleep). The rest was surreal nonsense of which I cannot even correlate with a media influence. Many of my dreams have autosymbolism for vestibular system correlation as the waking factor (in fact, an average of more than one dream per sleep cycle for over fifty years includes this biological process), though typically related to flight. (Vestibular system correlation is a common dream factor as the dream self cannot viably perceive the conscious self’s physical form in REM sleep.) It has astounded me since childhood that the same processes repeatedly being rendered are completely ignored in favor of “interpretation” simply because of their uniqueness each time. Perhaps in a thousand years, more people will begin to see what dreams actually are. Still, from the evidence I see in society, including most people that pretend to understand or “interpret” dreams, I very much doubt it. Dreams, especially the preconscious transition, are not actually supposed to relate to waking life as they are meant to be a release of the conscious self identity (unless literally prescient or when overwhelming stress is literally borrowed by RAS modulation, the former being quite common for me, the latter very rare, and neither of those two factors requiring “interpretation" due to being literal), for the reason of contrast in the emergent consciousness activation, and they do not come from the unconscious or subconscious either. For example, the male talking rat using "impotent” (after a satisfying lovemaking session prior to sleep) and the female rat replying with “We’re British”. This is the opposite of anything in my waking life. (I do not even know anyone who is British or English in waking life, that is, where I actually live.)
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