• Lucid Dreaming - Dream Views




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    Blue_Opossum

    1. The Roar

      by , 09-21-2018 at 12:06 PM
      Early evening of September 21, 2018. Friday.

      Reading time: 1 min 56 sec. Readability score: 64.



      During an evening nap, I slip into typical VSC in which I had borrowed a truck from someone unknown. I drive along in an unfamiliar neighborhood but with no focus on its unfamiliarity. The sense of movement, which begins my dream, is vivid throughout.

      I stop near an unknown residence where two unfamiliar women are present. For no reason in particular, I ask the oldest one if she would like to return the truck to its owner. She seems slightly puzzled. I tell her how he only lives about a block away. We talk in a friendly manner for a short time, but I decide to return it myself.

      I start to roll forward down a slope (a common VSC factor in dreams since early childhood) without driving, but I maintain control of direction with the steering wheel (and non-lucid dream control of VSC). I feel good. The street illogically becomes part of a big warehouse.

      As the vehicle rolls into the big warehouse and turns to the left, I see that the street turns off ahead to the right at about ninety degrees, but an internal warehouse wall blocks the view of it.

      I hear a loud roar, reminiscent of that of the MGM lion. A strange vehicle approaches from the opposite direction. It resembles a steam shovel without the cab and with the boom mostly vertical. It seems to be on a rolling platform. I get the impression of rails guiding its direction. The small bucket may serve as its “head.” Its “face” is blank and dark, reminding me of the essence of a television that is not on.

      As it continues to move towards me, I realize the truck I am in no longer has a roof. It now seems like a military jeep. I have no fear at all (even though I am only liminally becoming lucid) and look forward to jumping up, grabbing, and crushing this “creature,” (as soon as it lowers closer to me) which may be a robotic maintenance vehicle for the warehouse, but instead, I spontaneously wake before it arcs down.



      VSC personification as the unknown older woman but then choosing to initiate the transition myself was almost like ad-libbing. It even felt as if I was randomly doing such as part of a self-directed stage play. Perceiving the emerging consciousness factor (though still dominated by RAS) as an “empty” television (as in my “Kingdom” novella of 1990) may stem from recently watching more television than I have in years, though still not as much as many other people. I have not perceived television as a “monster” since before I met Zsuzsanna, though even so, I held no fear here, only the desire to crunch the machine, with a sense of certain (automatic) victory.

      A warehouse serves as a representation of leaving the liminal space of the dream state, typically the last setting of a dream.