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    Blue_Opossum

    A Snake with Arms in Non-Reality (crucial review)

    by , 03-25-2016 at 09:25 AM (467 Views)
    Morning of March 25, 2016. Friday.

    Dream #: 17,994-03. 2 min 48 sec read.





    I am with Zsuzsanna and our family as we appear now, but we live in an unfamiliar (to my conscious self) house. It has a minimal essence of the Barolin Street house but without its appearance.

    I look at our backyard. There are two sets of railroad tracks parallel to our house, the first not more than ten feet away. My dream’s imaginary backstory implies there was a flood. The ground had been gray and gravelly. After the flood, there is rich topsoil of a bright brown. I remark on this beneficial outcome.

    Later, I look through a large window into our backyard and see a snake slowly crawling away. It resembles a copperhead. I tell Zsuzsanna, and she says it may be venomous.

    I look again, and it is unrealistically large in the middle of its body (as if it has a potbelly).

    It returns to our backyard but is now upright like a cobra. It has two humanlike muscular arms and moves over a set of railroad tracks as if “strutting” yet without legs. I wonder if it is a legless lizard.

    I speak to Zsuzsanna in our kitchen. The back door, mostly glass held by a narrow metal frame, had fallen inward though I am unsure why. I do not want the snake getting in, so I prop up the door against its frame.

    I hear an unfamiliar male voice and am briefly puzzled. I realize there is a bathroom on the other side of the wall. I think it is part of an infrequently used park ranger station connected to (the other side of) our house.

    I see a gap under the baseboard, and the voice becomes more audible. I realize an unknown man is talking to me in a sarcastic tone. I pretend I am unsure where the voice is coming from while I speak to Zsusanna about it. “Did you hear that?” I ask her. “It seems to be coming from the other side of the wall. Perhaps it is a recording,” I say, mocking the unseen man.

    At least five park rangers in tan uniforms (this dream’s typical protoconsciousness manifestation) walk into our kitchen. I briefly relay details to them about the unusual snake. I threaten to call the police (but I do not) after the men start to move objects on the highest three shelves of the cupboard. They are dusty, with a layer of black ash (an association with the cane fires here in real life when ash fills parts of a house’s roof and even falls through loose crown moldings). The man that had spoken earlier reminds me vaguely of Burl Ives.

    They rearrange various objects, including empty salt and pepper shakers, knickknacks, and an antique white ceramic teapot. They do not retrieve anything and can barely reach the shelves. They shuffle objects about, and I hear their soft glass and metal impacts.

    I find myself holding a belt (somatosensory phasing response to REM atonia). I am ready to swing it upwards to strike a hand with the buckle if one of the men reaches toward the shelves again. However, they now only stand around, looking up at the shelves as if slightly puzzled as my dream fades.



    In my first “crucial review,” I explained the factor of tripartite mentation, which dissolves the mistaken belief of “dream interpretation” when there is metacognitive causality. In this dream, the railroad tracks (as in my first report using “crucial review” in the title) epitomize the latent potential mobility of Zsuzsanna and me as we sleep, the specific association being with the human spine. The correlating associations here involve a snake (in this case) doubling as a “human spine” traversing one set of railroad tracks. On one level, it is “me,” being chubby, but I also have muscular arms.

    It is not the first time snake and belt associations have correlated. “Striking” the hand of the protoconsciousness personification (with the “fang” or prong of the buckle) would have produced myoclonic dynamics had the phasing responses resulting from the waking transition continued. Note the “potbelly” association with the teapot (“I’m a little teapot”). The tie to ceramics and REM atonia (statues are predominant) has occurred all my life.






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    Updated 01-06-2022 at 04:44 PM by 1390

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