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    A dead girl and a dog

    by , 03-04-2014 at 12:02 AM (483 Views)
    My IRL sisters are visiting me and we've been bickering as we walk to the door of my IRL house. There's a dead girl standing in the driveway, staring at the door, and - sarcastically, it's related to what we were bickering about - I say to her something along the lines of "Well? Are you coming in, too?" This is said more for my sisters' benefit than for the dead girl; she doesn't seem to react.

    Inside, I get online and read a news article. The powerful old guard of some country have been giving themselves promotions. One man is referred to by the titles Ulmo (name taken from Tolkien, but at the time I believed it was a reference to some eastern European mythology) and Eleusis, and a rank which translates to Old Knight. The Ulmo of myth is (in this dream) associated with beginnings and the dawn, and that was symbolic for this man's political duties, but as these people have given themselves promotions those myth-derived titles have become more literal - he can now literally control dawn, and other forms of time related to the beginnings of things.

    (Woke up. Back to sleep.)

    There's a caterpillar in my IRL house. I pick it up, and although it keeps wriggling away, I eventually manage to take it outside. When I put it down in the grass, it immediately tries to get back inside, and I realize there's a beetle out there it's trying to get away from. The beetle tells me that this is the spirit of a dead girl. It tells me a story about this girl and a hockey player who's also now dead, and about two guys who took a deal not to talk about something that happened between two hockey players and two girls. I see the hockey player and the dead girl on a train, and she's staring blankly into space with these wide, round eyes.

    (Woke up. Back to sleep.)

    I'm watching an extended version of Near Dark with various extras. The one I'm watching seems to be an interview, but with the characters themselves, not the cast/crew. The family's standing around a Cadillac convertible, and Caleb's talking to someone about how he first joined the family, a long time ago. He'd been driving with a woman, she'd been drunk, when the family found them she hadn't realized the danger they were in. He talks about Mae, and then he holds up her hand and says "and lucky me - no ring." He laughs. Jesse looks a little disgusted by the way Caleb talks about Mae, but he laughs too. Caleb's wearing a belt buckle shaped like the head of a snake with fangs bared.

    I decide to go back to the main menu. This isn't just for Near Dark, but for a wide variety of movies, and one displays a picture of John Constantine with a title that references immortality and love and/or betrayal. The menu images are constantly shifting, and he slips off the screen. There are at least two layers of the image, and I think of those layers as somehow acting as mirrors, both of the viewer and of each other. By changing the angle I'm standing at, I get Constantine back in view.

    (Woke up. Back to sleep.)

    Someone's telling a story. The listener asks, "Was it the wrath of heaven?" The storyteller shakes her head. "It was the wrath of the humans." Following someone's advice led to some captured human surviving and leaving the fortress where the storyteller lived, an isolated building in the center of a vast field stretching to the horizon, the only landmark I can see. He returned with many soldiers. As a disembodied observer standing on the top of that fortress, I can hear the soldiers shouting to each other. They're speaking Korean, I don't understand them.

    (Woke up. Back to sleep.)

    A setting based on a fantasy version of ancient China. An elegantly dressed woman is telling a terrified human man to "call me elder sister." He frantically agrees, although he nearly calls her something more along the lines of 'mistress' as he does so; he's thinking about her connection to his master. She releases him and walks off, through a fence, passing through the solid object like it's not there. Looking at this, the man says or thinks "What a way for owls to fly around at night."

    A similar fantasy China setting. There's a man leading a human woman around a palace, talking about truth and the inability to lie. "Like this," the woman says, holding up the candle she was given by the woman who rules this place. It has words carved into it, which she believes promises her safe passage in some fashion. He laughs, and says that's a careful bit of phrasing, which causes her to look concerned. He reads it out, and it says something along the lines of "The human will want/feel no hunger." He points out that this statement will be true even if she stays here forever - she won't want food, she won't feel hunger. But actually eating solid food that will sustain her life, or returning to her own world to do so - that's a different subject entirely, and it's not covered by the carefully-phrased promise on the candle.

    In a modern setting, I'm staying somewhere for the night with a small group of other people. Other groups are here as well, and there's concerns about space, so when I finally see the room we've been given I'm surprised by how big it is. There aren't many beds, but there's a lot of floor space, there should be no problem. We all sort out spaces for our bedrolls, and some of us go over the movies we have between us. I wonder if I can convince the others to put on Near Dark. The floor's becoming crowded, and I just manage to find a space for my backpack; on top of the backpack I place a stuffed animal shaped like a dog, which I'm aware contains a guardian dog spirit who protected me from the ghost of a dead girl earlier tonight.

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    Updated 03-04-2014 at 01:01 AM by 64691

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