Carabas

A psychiatrist talking to another doctor about music and musicians, saying this is the type of personality that in these days uses hypnosis to tell themselves "this is my fanciful, flighty dream, that no one lets die." In other words: treating a wild dream as a practical career path, and being convinced to abandon a dream, are both viewed as mistakes.

There's a group of women in a small village, they all wear black and cover their hair, and a while ago they summoned up the Devil. Now he can't leave until a certain thing happens - he's trying to cause that thing to happen, the women are trying to prevent it. The women are talking about another, younger woman, who's either new in the village or has been away, and so isn't aware that this thing must be prevented.

The scene changes to show that Devil, who's been posing as a human man in that village, and at the moment is trying to get home without being caught by the sun and without being seen by his wife, who believes him to be human. He gets out of the building he'd been in by crawling down the side of the wall head first, and sneaks into his own home through the kitchen window, just before his wife enters the room. She finds him there casually drinking a glass of wine, and he mocks her for some supposed addiction problem of hers.

Someone's playing a waltz, I'm looking at LaCroix dancing with a blonde woman. I don't know him (I'm not playing Nick's role this time, though I'm not myself either), but something about seeing him gives me the sense that I'm seeing a path not taken. As I'm watching him and the woman he's dancing with, I become aware that this is Underhill, and a dream; and possibly those are synonyms. (This wasn't lucid at all - the character I was at the time was thinking of this scene as his own dream, not mine.)