Recent DJ Posts

An old man and a young man have just gone through a portal to another world, chasing someone who's stolen something. The old man asks around after him, but the description he gives, which would have been very unique in the world they're coming from, is almost useless in this one: they're looking for a man about 6 feet tall, dressed "like a warrior." The majority of the men they're talking to here are wearing armor, so that's not very helpful. Bit of a memory gap then, something involving a woman they know and the young man getting into trouble.

The young man's in jail, where another man from another world - not the one they were looking for - is being kept separate, a big blond Viking-looking guy in a large cell full of straw, who seems a little lost and confused. He's being questioned by the jailer, who's talking about that woman who came up earlier; she has a very long series of names, ending with Williams. She's married to someone very respectable, and she's denied that she knows the man in the cell. The jailer is telling him this to try to get him to admit that his story about knowing her was a lie and confess what's really going on, but the man in the cell is completely bewildered. The young man, on the other hand, is aware that there are three versions of Williams, the one that belongs to this world, the one from his, and the one that loves this man in the cell.

Williams arrives in the jail then - the young man believes she's the version from his world. She refers to the young man as Zachary, and she's carrying a fox - when I look at the fox, I'm aware that Zachary is a shapeshifter, and there's some connection to this particular fox. Williams goes to the man in the cell and she calls him "Tin Man," which is a sort of code name, and she's using it to reassure him of who she is and that she really knows him. Zachary believes that the Williams from his world has been posing as the version from this other guy's world in order to get some information out of him. She has him let out of the cell, and when he goes to her, their eyes - the fox's as well - start glowing green, and I have the feeling this means they're about to move between worlds. She looks to Zachary and says something apologetic, and he suddenly realizes that this is both his Williams and the one this guy loves, and that the fox is him - he's looking at their future.

(Woke up. Back to sleep.)

Just fragments for the rest of the day:

An intelligent species of birds that are dying out after losing all their females to some disaster, giving some other species advice in the hopes of avoiding that same disaster.

Walking down a street, four dancers appear in front of us, concealing an assassin among them.

Something to do with prison and hooded figures "finding their own way."

Describing the story of the King in Yellow to someone.

I'm reading a scientific news article. There's a video of a man with a fox, and the fox is crying - as in, shedding tears. Through the use of some frequency, the man is able to induce "conscience." Reading this, it's causing me to rethink the nature of violence in the wild and morality.

Two extremely elegant women I'd been sitting with at a restaurant have gotten up to tango. I remain at our table, enjoying the view. They were the only two dancing at first, but a few other couples join in as the song goes on. The couple from the table just to my right gets up and goes to the dance floor, and they choose to place themselves directly between myself and the women I came with, blocking my view of my companions. I consider this rude.