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    1. Rosso is hunted as she searches for Shelke

      by , 12-06-2009 at 06:00 AM (Visions in the Dark)
      The main character of this dream is Rosso the Crimson in she is in a large compound that is part military complex and part resort. Many buildings surround a body of water that is a natural spa. One building is very tall and looks like the sort of like the Empire State building, but it is made of glass. The timeline is after DoC but the world isn't a FF setting. Rosso has been institutionalized but for some reason she is wandering freely around a single story building that looks like a factory on the inside. She is desperately trying to find Shelke and feels compelled to look everywhere. While wanding through the factory building, many people who are working there stop their activities to observe Rosso, but do nothing to stop her. Rosso knows that she has to find Shelke quickly before she is reinstitutionalized again.

      Rosso comes into one room that is tiled like a shower room but with many large pipes sticking out in the middle of the floor. She believes that one is an escape route, but when she lifts the lid of the pipe, there are wires and metal parts on the inside, making it impossible to crawl inside. The rest of the pipes are the same. Rosso exits the building through a doorless doorway in the large pipe room and comes into a cement court enclosed with a tall chainlink fence.

      Suddenly Rosso with with Vincent Valentine and they are entering the waters of the spa. Vincent swims across the small body of water and underneath a wooden deck. Rosso follows but is distracted but a group of people lounging beside the wooden deck. The people sit admidst brown octoganal stones that stick up out of the steaming water. A man and woman in the group try to talk to Rosso but she ignores tham and follows Vincent underneath the wooden deck, still fearful that people are chasing and trying to capture her.

      Underneath the wooden deck is a dilapitated wooden staircase that leads up into a secret room hidden between the buildings. Vincent easily climbs to a platform at the top of the stairs and says that this is where he likes to hang out. Rosso follows but has difficulting jumping a part of that staircase that has completely rotted away and almost doesn't make it to the top. On the platform at the top is a desk and chair in the old Victorian style and a sofa upon which a blanket and pillow are lain. Rosso says something to Vincent about the place being unsafe and a mess and that she wants to leave. On the way back down the dilapitated wooden staircase, Rosso again has trouble traversing the gap in the staircase and barely makes it a second time.

      The compound suddenly seems devoid of resort seekers and there are groups of military personal conducting aggressive searches of all the buildings. Rosso fears that she is now being outright hunted and she doesn't want to be captured because she still has no idea where Shelke is. Vincent leads Rosso to the tall glass building of the compound and takes her to an large abandoned apartment suite about midway up the building. Three black Apache helicopters are now circling the building and it has been evacuated of all other people. When one of the helicopters spots Rosso near a window it is passing by, it turns and starts firing, blowing out the windows and attracting the attention of the other helicopters. Both Rosso and Vincent have to crawl on the floor to avoid being seen and shot and they get seperated.

      Rosso hides in a bedroom, under the bed which is against the outer wall, making it impossible for the helicopters to see her. Vincent searches the apartment for Rosso and is fired upon when seen. He discovers Rosso's hiding place when he is forced to take refuge there himself. Vincent tells Rosso that he doesn't know why oders have been given to kill Rosso, because her institutionalization was for mental health reasons, not because she is considered dangerous. He mentions a man who works for Reeve who has been actively trying to undermine Rosso's recovery and fears that he is the one who has given the order to seek and destroy while Reeve (who owns and runs the compond) is away on business.

      While the helicopters searching the otherside of the building, Vincent gets up to leave, saying that he is going to get to the bottom of this. He tells Rosso to stay put and grabs a pillow and blanket on the bed and gives it to Rosso so she will be more comfortable. Rosso still desperately wants to find Shelke but is afraid to leave her hinding spot. Rosso is exausted and falls asleep. She has an out of body experience and her spirit floats up above the building and watches the helicopters circling around. She revels in the fact that they cannot see her and for a moment she forgets about her desperation and fear. Rosso notices an opening in the side of the building near the top and it has a platform where helicopters can dock on the side.

      Re-entering her body, Rosso wakes up and crawls out from underneath the bed and finds her way up to the top floor of the glass building. A large open room filled with dirt and small dump trucks is found behind the helicopter dock. A yellow helicopter approaches the dock to land and Rosso hides behind the peak of a pile of dirt to watch who gets out, but no one does. A vehicle nearby has a turret on top and Rosso discovers that she can fly like she did when having her OBE and goes over to the turret and smashes it to peices with her hands, fearing that if she is spotted that she will be fired upon. Even though the three Apache helicopters are still circling the building, and Rosso is out in the open, they do not notice her and continue to scan the building with their serach lights.

      Rosso hears some voices approaching and she glides over to a pillar near window that has a long curtain coming down from the roof. She hides behind the long curtain and even though it is solid, she can see through it. There are two grey coloured women soldiers (grey armour, not elderly) on a dirt pile nearby. They cannot see through the curtain and therefore cannot see Rosso. They are talking and laughing maniacally about something. Rosso can tell that they are genetically modified soldiers like she is and she fears for a moment that Deep Ground has returned.

      At some point the grey soldiers leave and Rosso makes her way down to the bottom floor of the glass building. She finds a large room that has many wires and pipes dangling from the high ceiling. Rosso flies around them for a while before noticing a muscular man dressed in blue on the floor (Azul the Cerulean?) and she goes over to talk to him. I cannot remember the conversation and the dream ends about there.
    2. A Specific Princess - the Hovering Ship

      by , 09-11-1979 at 03:11 PM
      Morning of September 11, 1979. Tuesday.



      There were other versions of this dream but this is the most detailed version (not necessarily the longest) from September 1979. I had not seen Ann L (who I do not see in my dream much) for a few years. Ann L was the only familiar character (other than my “dream girl” of whom turned out to be real years later) from real life in most of my dream. She was a classmate for only a couple grades in middle school and high school. I did not really know her very well or interact with her that much. She was a mousy bookish type. This in fact, is one of my only dreams where she appeared and long after I had last seen her in waking life.

      My dream’s plot vaguely resembles a Harvey comic book story of which I was familiar with (with Casper and Wendy as the main characters). It involves a ship that is similar to the Pacific Princess on “Love Boat” (which I have a false memory of having “seen” at a much earlier age which is likely associated with “Love American Style” from 1969 instead). However, there is also something about it that is also very military-like and the ship itself is greenish-gray, at least later on. Instead of moving normally across the ocean, it floats about three feet or so above the water’s surface (using some sort of advanced technology which America supposedly did not have in my dream), which seems slightly ominous (but still leaves a wake at times). The captain is Captain Badheart as in the comic story, which changes from Captain Goodheart.

      There is something about Ann having a baby (not by me; possibly Barry R or the captain) as well as being locked in the captain’s cabin, but I do not follow her status that closely. It is almost like a secondary movie within my dream that is happening on the sidelines. I know the ship was designed to change after people boarded and kidnap them to keep them out at sea and serve the interests of a (fictional) small country or dictatorship. There is an original reference that I noted in which there is some association with “air ship”. There is a slight awareness of the “mystery girl” even from the beginning, but not quite as much as a much earlier dream of the liner. I now see a connection between “Pacific Princess”, “Love Boat”, and the fact that Australia is near the South Pacific.

      The ship also has advanced weapons, some sort of multiple laser cannons in a series, something I might have associated with the original (1978-1979) Battlestar Galactica (especially as the ship seems to be called the Celestra at one point - the plot of that episode with that name is: “During a celebration honoring Commander Kronus, Starbuck recognizes an old flame of his, Aurora and breaks off a date with Cassiopeia to follow his lost love to the Celestra. On their arrival, Starbuck and Apollo find themselves in the midst of a mutiny” - IMDb), giving my dream a science-fiction-like atmosphere in the main scenes. There is a battle with the United States Air Force at one point. There is a precognitive layer (not quite as clear or multilayered as the liner dream of childhood) referencing my yet-to-experience journey to Australia and a loose connection to “The Man Without a Country”, which I saw in middle school. It has a similar mood.

      The “mystery girl” still remains mostly in the background. I look for her during the troubles on board and I am frustrated at not finding her. Perhaps she has magic that will protect her from the foreign soldiers, but I still want us to get off the ship and back to civilization. At one point the ship is on the water when another ship is in the area so that no attention will be brought on to this strange ship that otherwise eerily floats above the ocean’s surface.



      A singular ship in a dream is an autosymbolic extension of the physical body and linked to a specific level of unconsciousness. This is made clearer here by the additional vestibular system correlation - the fact the ship is floating. Additionally, this (the military association) augments RAS mediation in this case, making my dream into an interesting adventure, but ultimately unrelated to waking life other than the prescient thread relating to my “mystery girl” (Zsuzsanna).


      Tags: military, ocean, ship
      Categories
      non-lucid
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