Recent DJ Posts

I’m in my car with Melissa, driving us somewhere. I think I need gas, so she tells me where to go. She tells me to go left through this roundabout and then to take a right, and I do so. I notice a car coming to the roundabout and think it’s not going to yield to me because everyone assumes no one will take the second exit. Indeed it doesn’t, speeding in front of me. I’m driving down a hill now. The area is very green, with many leafy trees and a large grass area. There’s a large pond in the grassy area. We are now swimming in it, and the surrounding area doesn’t seem as green anymore. A few people in kayaks pass us, too closely I think, and say not to fish/swim in here, humorously. I jokingly say we won’t. I think he meant not to submerge ourselves, which, looking at the murky water, I’m not going to do anyway. We’re out now and on the sandy shore. I’m laying face down on either a towel or my shirt so I can dry off.




I’m on my bed with Melissa and I think we’re each doing something separately. On my record player I am listening to a Brokedown Palace from 1972. Bobby is telling the crowd to shut up and says “oh, I don’t wanna sing” to the melody of the song. I chuckle at the historical interest of it, and Melissa makes a comment too. Now I go out to see if the air is on. I think it’s been running all night, same as the water. We also watch an animated movie with a twist ending or something that suggests a sequel.
*Last night I meant to turn the water off but kept forgetting.

I am in Germany with Mom and Makayla. The first place we go to is a small, unassuming office building. Inside, it looks more like a home that has been converted to an office space. It is a perfect blend of the two. For a short period of time, Makayla and I can’t find Mom. At one point, I see her with a glass of non-alcoholic beer with a few sips missing. Part of me thinks ‘Already?’ There are two German ladies here. They are short and squat, older and very friendly. They speak English with a faint German accent. They work here but do not come off as an ‘employee’, eradicating any ‘us vs. them’ and promoting a genuine sense of helpfulness. The music that is playing here is odd and definitely nothing I’ve ever heard in any office building. It’s fairly loud, a slow and melancholy beat with droning female vocals. Through a window, I see that it is overcast out. One of the ladies says they should do something when it lightens up, gesturing as if she’s parting clouds. Now, I am outside with a different lady. We are sitting on a rocky shore against what must be the ocean. As I sit and observe the scenery and feel the perfect temperature, I am overcome with both grief and something close to euphoria, knowing that this is where I belong and that I’ll have to leave. I think I almost start tearing up. The scenery is rocky, but of soft soil and greenery where it is not. The ocean is calm and dampens the temperature to what I would call perfect. I talk to this lady as a small, wooden pallet drifts this way. There are a few seagulls on it that seem to be steering it. It becomes overcast. I think part of me is aware that Germany is not an island. The lady is showing me a map, pointing us out (a clear island), and showing how close we are to the very southern end of the ‘Hawaiian archipelago.’ There is a succession of maybe ten or so tiny islands to the North until I see the familiar cluster of Hawaiian islands. The rest of the map looks like a bunch of green islands close together on the deep blue of the ocean. She is now showing me where I’ll be staying. The house is two stories, wooden, and facing the ocean. It looks like the entire second story has a deck; we’re walking on it now. We see into one of the rooms, and she is nonchalant, but I’m not sure I like what I see. Looking down into the plain room, I see what looks like a dog bed. On it is a dog collar and some rod-like object. The unsettling part is that I think this is for a human )a captive?). Along the wall to the left there is an open cabinet. Attached to its door are about three black sheathes with different knives. I am disturbed because I thought Germany would be completely pleasant and not at all like this.




I’m outside somewhere that looks similar to Midtown, but I think more residential. From a third person perspective I am watching Donald Trump and his advisor jogging. It seems his ‘advisor’ is trying to keep up with him. Now, I am jogging with them. His pace is fast, and I think of his old age. We turn a corner and head down a straight away. For some reason I imagine someone attempting assassination and how it’d be easy right here; I don’t think he currently has any protection. Now, I am home (the house seems unfamiliar) and I hear some activity in the doorway. There’s a member of the press just inside the door, interacting with someone just out of sight outside the door. He steps into view - it’s Donald Trump. I think I’m naked and/or don’t want him to see me yet, so I hop into the ‘shower’, which is actually the refrigerator. I shut the door and just barely fit in here - I think door’s actually still open just a bit. Pressed up against the sides of this ‘fridge’ with nothing but me in it, I don’t recall my ‘shower’ being this small. I turn the water on and it comes out cold.




I must be performing auto fellatio. I am alone in an almost pitch black
space, feeling the sensations of both giving and receiving oral. It is slow and passionate.




I’m in a store with Mom. she points out a case of beer - it’s all of the World Beer Cup gold winners. The white case is probably almost as long as me and I think $15. Though I know it would be a good choice, I just don’t really want to get it.

I am inside somewhere. I am in some area that is either a hallway or a long bathroom. There is a stall with quite a large gap between the floor and the wall. My coworker and I are taking the toilet out and installing one that has some hidden mirror. This coworker (unfamiliar) sits on it while I stand outside of the stall to see how it looks. The toilet just seems like it’s highly reflective stainless steel. I can clearly see his pale thighs but not much else. I go in and reposition it to where I think it’ll offer a better view. I think our office must be right outside this stall. Now someone, he almost seems like a school’s principal, has caught us. We are made to put it all back (we moved a few other things), and all I can feel is shame. I then begin to think that he didn’t actually know our motive but just thought that we were messing around, which offers me a bit of relief. Now I’m in some room, by some filing cabinets?, with this coworker, noticing his short, red hair. He is friendly and talkative and starts talking about Scott. I contribute to the conversation and add that Scott was a great boss. Now I’m working and/or browsing in a plain white, dim room. There are some black milk crates of music on various media. I find a copy of the Tool album Salival on a VHS that is still in the shrink wrap. I then find that the bottom is open but that you can slide it back in if you’re careful. I think that this is rare and that I have to get it since it’s only a few dollars. I think I don’t have anywhere to play it but that it’s probably a collectible or a good return on investment if I were to sell it. I find a few cassettes? and then walk up to the counter to check out with Julia. The counter seems to stand alone outside in this pretty barren landscape. She looks at the items and says I can just take them because she overcharged me last time. Excited at this, I say thanks and walk off. I get the sense that I’ll be walking home.

I’m on a walk. I get to the edge of a driveway, where a Black man has met and is talking to a white, male police officer. I get the impression he has come down here so the officer won’t go on his property. Now, another Black man comes out and does the same thing. The officer leaves amicably and then the first man turns to me and starts handing me some cash, a few crisp bills. He has short hair and seems very genuine. I think it’s a few 20s and I don’t even know what it’s for, so I say no, I can’t take it. The second man, with shoulder length dreads and baggier clothes, tries doing the same, and I think I give in. I think at the beginning of this, I put on headphones to listen to a Tedeschi Trucks Band show (the song was ‘Laugh About It’ into a drum segment). The weather was cooler - I had pants and a long sleeve. I was walking on the right side of the roads [sic] as two girls were coming towards me. I noticed a car coming from behind them and from behind me as I had to go around them to the left, thinking it would leave very little room for the cars.




I’m walking into a store with Sage. I think it’s a reptile or animal store. On the left, I notice three tanks on stands that’ve been covered with a black film or cover. Two older ladies working here say hi and then I think profile or customer service me. This irritates me as we walk into a larger back room, Sage way ahead of me.




I’m on a walk and have ended up on what looks like a sandy hillside that overlooks a beach and the ocean? It is sunset and the thick and vivid layers of deep reds and oranges are absolutely beautiful. There is some kind of electronic trance music playing and it makes for a very ethereal moment. I’m now down on the beach and there are a bunch of people dancing to the music. The sunset is the background, but there are also strobe lights. I think I start dancing.





Granny has died, but I feel comforted knowing that she had the opportunity to say bye to everyone and also that she came to me in a dream (*this seemed very real, and I was recalling pretty much exactly our visit with her yesterday).

Melissa and I are going to a Tool concert. I think we’ve done some acid, and when we approach the stadium (or it may be the giant stage) I get a strong visual. What looks like a wall of psychedelic flames spreads to each side from a geometrical center of different blues. It is impressive and awe inspiring. We are now finding our seats. They are both on an upper level, but they are not together. I say it shouldn’t be hard finding someone willing to switch. We are sitting together now. I think her mom or Sage’s mom is here. My seat is a corner where the row turns and is more like half of a seat. The first set is over now, and I haven’t felt any further effects from the LSD. Melissa apparently hasn’t either, so we both take more. The ‘acid’ seems to be a small tray of some baked food. We eat the grease at the bottom, and it proves more powerful. Shortly thereafter I am hit with a sudden change in my perception. We look at each other at the same time, eyes wide. After the show, we’re in a convenience store. Melissa shows me three lighters she’s buying. I guess the lighter fluid is the acid or is a component. She seems excited, but I can’t believe she’s getting three, thinking about how much that will make.

Morning of June 13, 2020. Saturday.

Dream #: 19,535-07. Reading time (optimized): 2 min.



My dream self maintains the instinctual awareness I am dreaming (after dropping back from post-liminal mode to pre-liminal) by becoming more aware while sitting in a bed near the ocean (potential reinduction). There is the typical indoor-outdoor ambiguity, with my bed in this instance being near a harbor in Antissa, Lesbos, though the setting does not have a more discernible definition.

My waking-life identity is absent. I am listening to an operatic aria (fictitious, I assume) sung by Luciano Pavarotti about Antissa. (I do not listen to opera in waking life.) I am unsure of the source of the music, but it is probably from a cassette (as my dream self has no recall of what a CD is).

The sleep-wake manager eventually appears as an unknown male, but he is in passive mode (non-RAS; non-cerebral.) I sit down and watch him create a painting. It features a black oval as a scene of outer space. (This feature represents a higher level of sleep atonia, which may be why somatosensory kicks in as the trigger in the last scene rather than a vestibular event.) There are sparse red and blue ovular arcs around the “egg.” I absentmindedly add a blue ovular arc to the image’s right side with a felt-tip pen. Almost immediately, I feel as if I may have been intrusive in doing this. I start praising his art, focusing the most on the outer space rendering within the oval. He does not seem angry or annoyed.

A reporter approaches and wants to interview the unknown artist. There is still indoor-outdoor ambiguity, though the setting has more outside dynamics at this point. The two men stand and face each other, about ten feet away from me. The reporter says he is interviewing “the aggressor.” I am puzzled by this and state that he is not an “aggressor,” though I do not know his history. I hope I did not embarrass him by saying this.

Soon, a sun spider (camel spider), as long as the reporter’s head, crawls around from behind his head and covers his right ear. I am amused, as neither man seems to know it is there. Another sun spider of about the same size as the first crawls from behind the reporter’s head but goes around to the other man’s right ear. The man ignores it despite being aware of it. There is no sense of a threat, as my dream self considers them harmless. I wake at this point with a sense of great amusement.

---

A vestibular-cerebral handshake did not occur as the waking process in this instance (as the result of greater sleep atonia but with a directive toward hand myoclonus), so it was somatosensory in this case. In other words, I sleep on my left side, with my right ear more exposed to my waking-life environment. The somatosensory focus was liminally drawn to that factor, especially as a spider often represents the human hand and its somatosensory arousal (though a sun spider is not a true spider).

---

I am outside and walking through a neighborhood with a few others. It seems like we’re doing something for a school assignment. We’re looking for a certain house and come up on one that I think is right because it looks familiar. The house is white with a light blue trim. It’s slightly downhill from the street and is placed horizontally on the lot. The garage is open, revealing all of the stuff inside that looks familiar. The number is something like 150105. I look on the map on my phone, and it shows us about halfway down this street. Looking to the left, I see that the street starts to incline somewhat significantly, telling them I don’t remember going uphill. I tell them I can also search Canvas to see if it’s the right one. I do so and don’t think I find anything. We end up deciding that it’s the right house. We go inside, and it’s kind of empty and dim. The others take an open riser staircase to the second floor. I stay back and then walk back to the front door. The owner has arrived - it’s David from Discology and his son. They’re walking up and I meet them at the glass sliding door. I don’t think much is said, and I guess he doesn’t find it weird that I’m in his house. I say something about the others, and I think he goes to look for them, using a flashlight. I think it is somewhat intense.




I’m at work and going on a break. I need to use the bathroom, and we have to use Sani Huts. they are scattered all around this parking lot, and I head for a line of them up against a fence. There is a handicapped one, which I take because it is larger, because it is not busy out here, and because there are more in case someone needs it. I am relieved when I step in and find it clean and without much of a scent. I use some toilet paper to put the seat down. I think I am just sitting on top of the seat now, and I notice a window in here. Through it, I see a bed, upon which sit several people. I notice two girls, a couple, what look very similar if not almost the same. They are reclined, tan, and naked from the waist up. Currently, each has her arms above her head, which gently lifts her breasts and perky nipples. They begin taking off each other’s underwear and kissing, so I take out my phone and start taking a video on Snapchat. I can’t believe I can see this from here and no one can see in. I briefly contemplate its potential. I end up in another Sani Hut now, and it has the same kind of window. This one seems to be at the end of a dirt road or parking lot. To the left is an old station wagon with an open back. There are one or two women and some kids (maybe on a sports team?) approaching it - it must be theirs. One of the women, Asian?, is wearing a Grateful Dead shirt I’ve never seen before. It’s black and is tasteful; it also looks like it could be homemade. I think it’s cool that she’s into them, I think because it’s a change from the typical white male. They all start getting into the back of the car, which has blankets and I think string lights. They start playing music and smoking weed out of a lightbulb. One guy, Asian, takes a quick but large hit. I know that I don’t smoke, but they seem to be having a great time, which is fine by me. Now, I’m walking out to the Sani Huts again. It is raining fairly hard, which I barely feel. I’m walking over the rocks in a median and notice it pooling up here as well as along the sides of the road.

I am hanging out with co-workers and getting to know somebody who’s apparently just been hired. Her name is Marie, and she’s from Canada. In addition to working here, she’s a grad student working on a music degree, which she's now almost done with. She's currently working on the composition that will be her thesis. She shows it to me – via some sort of electronic device, I think.

The music is notated on manuscript paper, but instead of the usual note shapes, there are little horizontal rectangles that stretch out for as long as the note is held, rather like a midi display. The inside of each rectangle is patterned in ways that indicate something about the music. I hear it in my head as I read, with the patterns calling up images and connotations in relation to it.

The first bar begins with two long Gs an octave apart played by instruments in the violin family – I don’t identify them explicitly in the dream, but given that it’s written in the bass clef, almost certainly cellos. The rectangles contain the patterns signifying darkness and light. The impression this makes is hard to describe. Poignant, maybe – a suggestion of a cavernous space vast enough to hold them both at once. It continues, but I can’t remember the part after that so well.

16.5.20

I am driving with Sage to see Tool in Arizona. I know I am going with her, but it looks like I’m in the car alone right now. The scenery is nothing immediately familiar to me, but it is the typical arid landscape I would expect. This two lane desert highway meanders through some scrub and brown hills. It is dim, but at one point dark. I drive past a silent scene of carnage. Strewn across the road is a creature (maybe a human?) that has suffered an attack on its head. There is a chunk missing and a trail of blood and remnants. Since there is a hill right nearby, I assume that whatever did this must be up there. It is light again, and I am looking at some dark rock outcroppings atop a hill. There are small farmhouses at the base of the hill and openings in the rock pile that look clearly inhabited by something. The openings are almost as large as the structures, and it freaks me out slightly that they exist so close together. I then realize that they are actually barns or sheds, but still don’t like the thought. Only a little ways to the left, surrounded by some trees, is a house, still too close I think. I think we left at 4 pm, which I’m thinking will give us plenty of time (I’m thinking it takes 2-2 ½ hours to get there). We have arrived, a typical large indoor arena, and I think our seats are apart. I conclude that it shouldn’t be too hard to find someone willing to switch. The place seems pretty full and all of the lights are still on. I’m telling Sage I’m sure they’ll open with ‘Aenima’ (thinking of the Fear Inoculum tour) but it’d be cool if they surprised us with something like ‘Flood’ (I think we were listening to that in the car - I remember seeing the dash display with the track time and hearing the intro).




I’m in some house with some others, one of which is Krissy from work. There is also a child on the brown couch that might be mine.




I’m looking at the full moon and watch as it looks like something is shot through it. The ‘something’ is small compared to the moon, but it leaves a trail of particles. I tell someone and think they don’t believe me until it is publicly announced that the moon has been shot.

I am at Melissa’s house (though this house looks nothing like it). I’m in a larger, open living room that I think is mostly barren except for a short, wooden shelf with a larger TV on it. I think it’s off right now. The place seems somewhat dirty and doesn’t have the feeling of a home. In here is her mom, someone unfamiliar, and a guy that looks like Ryan. He has those same drug-addled features, and I instantly dislike him. I think the other is the same, and, sadly, there is something a little off about her mom too. They all seem to be arguing about something dumb, and I sense that it’s going to lead to a fight. Her mom starts talking to me for a while, but I’m eventually able to sneak away. I end up in a small kitchen with two counters, one at a diagonal to the other. Each has a sink, and I recognize the one facing the TV as the one her mom likes to use. I’m washing my hands in the other, notice I’ve left a small pool on the tan tile, and leave it there. I figure I can go this way to sneak off to Melissa’s room, and head that way. Suddenly, an old lady in a thin, pink bathrobe bursts out of a bathroom and rushes past me without a word. It startles me. Now I’ve made it to Melissa’s room (different) and notice that it’s kind of messy. She’s sitting at a desk in the corner, wearing what is either pajamas or lingerie, a matching blue set. They look like satin and lace. We start talking and I think I’m sitting or something, as she comes over, puts a leg up and pulls the bottom to the side, and I start licking her. I’ve barely started when a noise just outside the door causes her to jump back and straighten herself up at the desk again. I sit up normally, but am laughing as Brooke comes in. I don’t worry about it, as I could’ve been laughing at a joke for all she knows. There is a mirror across from me, and looking in it I move a portion of my hair along the part.




Michelle is driving me and Melissa somewhere, and she is driving terribly. She starts driving the wrong way and only us telling her causes her to realize it. The cars that were coming slow and stop for her as she reverses. Having not reversed far enough, she hits the landscaped divider and then decides to drive right over it. She makes it to the other side, but we are still going the wrong way. We eventually end up going the right way, as I notice an old fashioned sheriff car turn right in front of us. I think ‘oh god’ or something similar and hope for the best.




I am sitting in my car that is backed into the driveway. I know it is 6 am; it is light out but the sun is not up yet. The mountains glow yellow, pink, and blue. I had woken up, started listening to an early Pink Floyd show, and then came out here. I notice a larger family on the street in front of me. There are about three or four kids of different ages. All are wearing shorts and tee shirts and look happy and ready to go. They also look like they’re deciding which way to go, pointing and looking back and forth. The next thing I know, they’re walking up the lawn towards our house. I am on edge for a second, but then think they’re probably just going into the communal area. I’m now back inside and see my things on the bed where I left them. I think it’s my laptop and a dream journal. This room seems square and somewhat empty. I think about finishing the show, but Melissa is awake. Surprised, I ask if she feels awake, and she enthusiastically says yes.




I’m in a parking lot with some others. It seems dim to dark out. We are secretly going to put a sticker or two on Felicia’s car (a white car or truck?). The sticker is three words, I think, including ‘fuck’ or ‘fucking’.

I am on a walk with Melissa, currently in a neighborhood. It seems nicer and the houses are not that close together, possibly because we’re on the outskirts of it. Now the houses are all but gone and it looks like we’re coming up on the Hunter Creek trail. We walk for a little bit up the slight grade and end up on a large driveway of faded, rusty orange stone. A few paces ahead of us there are about three or four kids also heading uphill. I think they are all girls. The oldest looks to be maybe eight and the youngest three or so. We nonchalantly keep walking with them and end up inside this large house on the hill. Melissa and I are in a smaller and tidy bedroom, maybe a guest room, and can hear the kids messing around behind the closed door of another room. Melissa now stands up and pulls her pants down; she is going to change. Before she can do anything else, there is some movement in the hallway and then a man and a teenage boy who is probably his son appear in the doorway. There is something off about both of their facial features. The whole scene is awkward. Melissa is wearing a shirt long enough to cover herself, but she does not pull her pants up. I assume the man is the homeowner and I am bracing for what comes next as he has just found two strangers in his house, but he just stands there and never says a word. For some reason, the waistband of my shorts (my blue athletic ones) is very low and I’m trying to discreetly pull them up. I know the scene looks bad too, with her pants down - from his perspective it probably looks like she was quickly trying to put them back on. I guess the man is just used to people showing up in his house, and now he is gone. I am now in a large, open living room. Another man with a small dog shows up. It’s just the two of us in here, so he starts talking to me, telling me the dog is Zoe. I tell him I have a Zoe too, a black lab. We make small talk as I throw a toy for this small dog. I think about introducing myself but never do, and he doesn’t either. He has glasses, is somewhat dopey looking, and talks rather slow. This room has a window almost the size of the whole wall. Looking through it, I can see that it’s close to sunset. There are hazy clouds with a tint of orange and closer to Mt. Rose there is a group of clouds with the sun behind them. There is a very large patio area with some people on it watching the sunset. I notice a couple, the guy behind the girl with his arms around her. The man in here makes a comment about some girls out there. I say something about my girlfriend being in the other room and then walk outside. I get to the end of the patio - it ends at a fairly steep rocky incline that has flat areas that you can still get to. There are a few people hanging out in these areas. I notice two girls laying on their backs, wearing shorts and tight grey tank tops. It is growing darker out and the sunset is getting good. There is a laptop out here playing a Dead and Company live stream, though the current song is nothing I recognize. (I think I somehow see the set list and the first few songs are nothing I recognize and nothing they’ve really played). Someone behind me is watching and right before they walk away they make a comment about them looking like ‘science geeks’? I think it’s because John is wearing glasses. I am looking at the sky again now and at one cloud in particular. This cloud, silhouetted by the sun, looks remarkably like an angel. There are wings, arms bent as if in prayer, and even a clear halo. I quickly take my phone out to take a picture to send to Mom. I take a picture and a video just in case the clouds shift. When I look back at the video, I see the part of the cloud that looks like the arm very quickly move to its face and back down, as if wiping a tear. I think this whole thing is miraculous.

I am right outside of a house that kind of reminds me of the old house. With me are John Mayer, Phil Lesh, and Mickey Hart. We all (except maybe Mickey?) have instruments and I think comprise a band called ‘the Dead’. I have a guitar that is a caramel brown and seems really smooth. We’re playing the song Cassidy and are in the jam section. I say ‘go deep’ and we all get pretty out there. I hold down all of the strings and tap them in different places to make weird sounds. I think we eventually bring it back to the main theme. Also right inside the house there are a few shower stalls.




I am somewhere outside, I think at Frenchman's, with Timmy and Michelle Wagner. We are sitting by the tailgate of someone’s truck. Timmy is trying to see a movie with me, so I’m trying to find a time that works between me going to class and work. Michelle pulls up a TMCC website on a laptop and enters my classes into a schedule. I realize I could’ve just logged in and shown them that, but think it’s better to just not say anything at this point.

I am at work and talking to Bobby. I think whatever he says is dumb and irritates me. We are in front of people, and I think the tension in our conversation is evident. Now, I’m back in the camera room and working on whatever dumb thing he wants me to work on.




I am outside somewhere with Melissa. We are in or by some body of water. There is a small cliff face of soil? (maybe 10-30 feet) rising at various heights from the water. I think there are also some branches that you can swing from. I do so, landing by Melissa in the water. I think there is music playing too (Coldplay?), and there is a strong sense of bliss.

I have arrived in a green area shaded by trees. It seems that I’m traveling somewhere, and this is a stop along the way. The dream doesn’t make it explicit, but this seems to be the Czech countryside in the early 20th century – more or less.

Gradually, other people arrive. I converse with a woman there as we wait. A couple large dogs arrive as well and are running around getting in people’s way. I order them to sit, figuring that they’ve just run here ahead of their masters, who won’t be far behind. They obey. One of them lies down, then rolls over on its back, obviously looking to get pet.

The car arrives – a distinctly old-fashioned one. (Although there is some uncertainty there, as if the dream can’t quite decide on what sort of vehicle it should be. They all tend to be more or less interchangeable in my dreams.) There isn’t enough room in the car for everybody, but since I was there first, I get to be on its first trip. The woman I was talking to has to wait for its next one.

I look around as we ride. The man next to me in the backseat is choosing the music that plays in the car via something rather like a touch-screen tablet framed in brown leather – much more aesthetic than the modern ones, I think to myself. Out the window, I see a turquoise river pouring over an oddly shaped stone formation into a lake – a place I’ve seen pictures of before but never visited. I turn around to continue to look through the back window as we drive by.

I’m aware, as I look around, that in the not-so-distant future this area will be devastated by war. It adds a poignancy to being here in this beautiful place.

The train – sure enough, it’s decided it would rather be a train now – approaches a platform, stopping under a curved wooden roof from which flowering vines hang down. An invasive species, I note. Parasitic to boot. But quite pretty, and so you can understand why people let it grow like this. In the future, there will be more of a push against it – but not so much here as in other places. A brief image comes to me of the future, of its yellow flowers filled with ash.

It now seems as if the woman from before is on the train too, and along with another passenger, we continue our conversation.

When I woke up, I remembered the following melody:




I don’t think it was actually playing during any part of the dream – my impression is that it was connected to it somehow but happening on a different level of awareness. I find it rather odd that it’s in C# major since that’s not a key I ordinarily have much to do with. Maybe I waited too long before transcribing it and my pitch memory was off? Or maybe it was just in C# major.

-31/1/20

I am on a computer, looking through files. I’m trying to find papers from an earlier part of the dream where I’d stayed after a math class drawing, and the teacher had brought over a stack of graded assignments he’d apparently been working on while I sat there. I’d just glanced at them and seen that’d I’d done really well on them before taking off, but now I want a closer look, and this was apparently where they were.

I scroll through small pictures, some of which began to move. One has expanded to fill the whole screen. It shows a house on fire, people running out. It scrolls past a small stage on which two double basses stand, one the traditional sort, another more metallic – electric by the look of it, but still a roughly double bass size and shape. It sits in a sort of flower-shaped metal pad. It catches my attention, and I’m struck by the level of detail.

I am now – not sure in what order – both present in the dream and lucid. I’m in a park-like area, a clearing with groves of trees and some woods not far off. Another stage is nearby, this one a roofed circular platform on which sits another of those big electric basses. I consider giving it a try – that could be fun. But it occurs to me that I’ve never produced frightening scenarios in lucid dreams before, and I should try it at least once.

Surrounded by demons is the first thing that occurs to me for some reason. That’ll do. I will them into being. As I focus on the intention, everything around me grows dark, swirling and immaterial. I’m floating, moving vaguely backwards. But nothing else seems to be happening. Oh, well. Maybe I’ll give that bass a try after all.

I let go of the intention. The original scene immediately returns, and I walk back towards the area I started out in. But not far from it, by a ridge in front of a forested area, I spot a strange figure. Its head looks like a skull, bovine in shape, with horns that curl around to the front and knot around each other, and it’s wearing a black and white herringbone tweed blazer with a thin purple scarf and a long grey-black skirt. It looks like I managed something, at least, although I can’t say it’s especially scary.

As I approach, it waves its hand, causing a small sphere of darkness to shoot towards me. This startles me a bit, but it doesn’t seem to have any effect. I keep walking towards it, ignoring its attacks. As I pass the pavilion, I notice the instrument sitting there looks different now. There are also now a number of cats up under the roof, lying in big cat piles that seem to extend upward into tunnels. They seem to just be waking up. The grey and orange tabbies stay where they are, but a few black cats stretch and jump down onto the stage.

As I turn back towards the figure, I see that it is now a cat as well – a small black one. I pick it up. It doesn’t look happy with being held, but it makes no attempt to escape.

At that point, I wake up.

9.1.20