• Lucid Dreaming - Dream Views




    View RSS Feed

    Recent DJ Posts

    1. Rosso and the Rollerblading Goddess

      by , 05-05-2010 at 06:31 AM (Visions in the Dark)
      I can't remember much of the beginning of the dream but it included a mixture of characters from Final Fantasy 7 and people I used to know in grade and high school, as well as many random dream characters. The setting takes place on a beach by an ocean and there is a huge temple by the waterfront. The building is open concept because it consists of gigantic stone pillars holding up a triangular roof and most of the floor is just made up of the sand from the beach. At one end of the temple there is a raised circular section which sits in front of a large altar upon which a scupted stone statue of a Goddess stands. The Goddess is attired in a toga and there are rollerblades on her feat. Her arms are outstreached and pours water from her hands onto the circular platform below when she wants to bless someone.

      The main dream character is Rosso the Crimson and she comes to the beach with the other FF7 characters. People are rollerblading in the circular altar below the Goddess statue and Rosso really wants to join in but she doesn't have any rollerblades of her own on top of not knowing how to skate. She talks to a few people and finds someone willing to lend her some blades (the person Rosso borrows from looks like my dream character Kalima) and tries to skate at the circular altar. Because she doesn't know how Rosso stumbles about and falls many times and the other people rollerblading get angry and throw her out of the circle, saying that the Goddess will bless only those who know how to skate and to try an enter the circular altar not knowing how is blasphemy.

      Rosso is saddened but determined to learn and she goes off to a parking lot outside of the beach to practice. Night falls and the beach and temple empty, but Rosso stays up all night learning how to keep her balance and eventually how to spin on her toes. When the morning comes and the beach and temple again fill with people, Rosso returns to the circular altar and shows off what she has learned. Most people ignore her until Rosso starts spinning around and around on her toe wheel and the Goddess statue starts pouring water from her outstretched hands onto Rosso below.
    2. Rosso is hunted as she searches for Shelke

      by , 12-06-2009 at 06:00 AM (Visions in the Dark)
      The main character of this dream is Rosso the Crimson in she is in a large compound that is part military complex and part resort. Many buildings surround a body of water that is a natural spa. One building is very tall and looks like the sort of like the Empire State building, but it is made of glass. The timeline is after DoC but the world isn't a FF setting. Rosso has been institutionalized but for some reason she is wandering freely around a single story building that looks like a factory on the inside. She is desperately trying to find Shelke and feels compelled to look everywhere. While wanding through the factory building, many people who are working there stop their activities to observe Rosso, but do nothing to stop her. Rosso knows that she has to find Shelke quickly before she is reinstitutionalized again.

      Rosso comes into one room that is tiled like a shower room but with many large pipes sticking out in the middle of the floor. She believes that one is an escape route, but when she lifts the lid of the pipe, there are wires and metal parts on the inside, making it impossible to crawl inside. The rest of the pipes are the same. Rosso exits the building through a doorless doorway in the large pipe room and comes into a cement court enclosed with a tall chainlink fence.

      Suddenly Rosso with with Vincent Valentine and they are entering the waters of the spa. Vincent swims across the small body of water and underneath a wooden deck. Rosso follows but is distracted but a group of people lounging beside the wooden deck. The people sit admidst brown octoganal stones that stick up out of the steaming water. A man and woman in the group try to talk to Rosso but she ignores tham and follows Vincent underneath the wooden deck, still fearful that people are chasing and trying to capture her.

      Underneath the wooden deck is a dilapitated wooden staircase that leads up into a secret room hidden between the buildings. Vincent easily climbs to a platform at the top of the stairs and says that this is where he likes to hang out. Rosso follows but has difficulting jumping a part of that staircase that has completely rotted away and almost doesn't make it to the top. On the platform at the top is a desk and chair in the old Victorian style and a sofa upon which a blanket and pillow are lain. Rosso says something to Vincent about the place being unsafe and a mess and that she wants to leave. On the way back down the dilapitated wooden staircase, Rosso again has trouble traversing the gap in the staircase and barely makes it a second time.

      The compound suddenly seems devoid of resort seekers and there are groups of military personal conducting aggressive searches of all the buildings. Rosso fears that she is now being outright hunted and she doesn't want to be captured because she still has no idea where Shelke is. Vincent leads Rosso to the tall glass building of the compound and takes her to an large abandoned apartment suite about midway up the building. Three black Apache helicopters are now circling the building and it has been evacuated of all other people. When one of the helicopters spots Rosso near a window it is passing by, it turns and starts firing, blowing out the windows and attracting the attention of the other helicopters. Both Rosso and Vincent have to crawl on the floor to avoid being seen and shot and they get seperated.

      Rosso hides in a bedroom, under the bed which is against the outer wall, making it impossible for the helicopters to see her. Vincent searches the apartment for Rosso and is fired upon when seen. He discovers Rosso's hiding place when he is forced to take refuge there himself. Vincent tells Rosso that he doesn't know why oders have been given to kill Rosso, because her institutionalization was for mental health reasons, not because she is considered dangerous. He mentions a man who works for Reeve who has been actively trying to undermine Rosso's recovery and fears that he is the one who has given the order to seek and destroy while Reeve (who owns and runs the compond) is away on business.

      While the helicopters searching the otherside of the building, Vincent gets up to leave, saying that he is going to get to the bottom of this. He tells Rosso to stay put and grabs a pillow and blanket on the bed and gives it to Rosso so she will be more comfortable. Rosso still desperately wants to find Shelke but is afraid to leave her hinding spot. Rosso is exausted and falls asleep. She has an out of body experience and her spirit floats up above the building and watches the helicopters circling around. She revels in the fact that they cannot see her and for a moment she forgets about her desperation and fear. Rosso notices an opening in the side of the building near the top and it has a platform where helicopters can dock on the side.

      Re-entering her body, Rosso wakes up and crawls out from underneath the bed and finds her way up to the top floor of the glass building. A large open room filled with dirt and small dump trucks is found behind the helicopter dock. A yellow helicopter approaches the dock to land and Rosso hides behind the peak of a pile of dirt to watch who gets out, but no one does. A vehicle nearby has a turret on top and Rosso discovers that she can fly like she did when having her OBE and goes over to the turret and smashes it to peices with her hands, fearing that if she is spotted that she will be fired upon. Even though the three Apache helicopters are still circling the building, and Rosso is out in the open, they do not notice her and continue to scan the building with their serach lights.

      Rosso hears some voices approaching and she glides over to a pillar near window that has a long curtain coming down from the roof. She hides behind the long curtain and even though it is solid, she can see through it. There are two grey coloured women soldiers (grey armour, not elderly) on a dirt pile nearby. They cannot see through the curtain and therefore cannot see Rosso. They are talking and laughing maniacally about something. Rosso can tell that they are genetically modified soldiers like she is and she fears for a moment that Deep Ground has returned.

      At some point the grey soldiers leave and Rosso makes her way down to the bottom floor of the glass building. She finds a large room that has many wires and pipes dangling from the high ceiling. Rosso flies around them for a while before noticing a muscular man dressed in blue on the floor (Azul the Cerulean?) and she goes over to talk to him. I cannot remember the conversation and the dream ends about there.
    3. Rosso and the Desert Temple

      by , 01-08-2009 at 06:00 AM (Visions in the Dark)
      The main character of this dream is Rosso the Crimson and she is in an newly built temple somewhere in a desert. She is still a Tsviet from Deepground and they are fighting alien looking creatures reminiscent of the Predator.

      The dream jumps ahead and it is now many years later. The temple is now ruined and looks as if it has been abandoned for hundreds of years. There are groups of people doing excavations in the area. Rosso is with Vincent Valentine telling him about the fighting that the she and the Tsviets engaged in there before, though she is recounting it as if it were a dream. As she is speaking what she is describing appears as a flashback with her words as a voiceover.

      Rosso tells Vincent that she was commanded by Weiss to kill anyone she came across, alien or not, and to show absolutely no mercy. She gleefully fulfilled her orders, revelling in the bloodshed, until she came across two naked little girls in a courtyard in the center of the temple. They cower and cry in terror and she found that she could not bring herself to kill them.

      Back in the present Rosso tell Vincent that she does not remember what happened the the children, but being a homocidal Tsviet, she probably killed them. Vincent says that he doesn't think that is true, because the excavators have not found remains of any children, though they have dug up many alien skeletons, confirming most of Rosso's kill count. Many of the bodies are found buried in front of lion headed statues of the ancient Egyptian goddess of war and transformation, Sekhmet.

      The dream flashback again, and Rosso is leading the little girls out of the temple. Three enemy aliens approach and move as if to attack. Before they can Rosso asks if there is a safe place to take the children, but aliens tell her not to bother because the little girls are dying anyway. The creatures tells Rosso that she should creamate their bodies and bury their remains in the desert. Rosso praises the three aliens for their wisdom before slaughtering them.

      Back in the future Rosso again tells Vincent that she does not know the fate of the little girls, but Vincent again says that he does not think she killed them, citing again that lack of children's remains. Rosso fears that she did end up following the alien's advice and killed the girls somewhere out in the desert in which case their bodies would never be found. Vincent tells Rosso to stop believing in her fears.


      Dream ends there.
    4. Rosso and the snakes.

      by , 10-14-2008 at 05:00 AM (Visions in the Dark)
      I am Rosso the Crimson and I am in some sort of army. For some reason a small group of soldiers including Shelke Rui, Vincent Valentine and I, defect and flee from the main army, which is situated in a sparse and barren, temperate forest. The rest of the soldiers in our group seem to be young adults and children.

      Vincent and I have the responsibility to lead the children away from that place but our ideas and ways of doing things are often at odds and we fall into verbal conflict, though most of the time I conceed to Vincent's way of doing things. I am kind of annoyed at first, but ultimately trust that he will not lead us astray. As we leave the main camp, and out of the forest, it begins to snow and our first night is tryng to find shelter where we can sleep. There are several large gaps underneath logs or holes in the ground large enough for humans to crawl into, but Vincent says to stay away from them because dangerous wild animals, like bears and foxes, might live there.

      We crest a hill and come across a children's playground where someone has thrown a blue tarp over some of the equipment, and while we could all easily fit under it, Vincent insists that we are not far enough away from the main army yet and we must continue. At this point in the dream, Vincent suddenly disappears and in his place is my brother Ryan.

      We do not have to walk far to discover that we are on an island or something and must turn back. We return to the playground and I lay down on the ground to sleep, with Shelke beside me, and hope the man who I still expect to be Vincent to lay down on my other side. Instead the man lays down on the other side of Shelke and I am shocked and angry to see that it is Ryan not Vincent.

      Despite being very tired I refuse to sleep and insist that Shelke switches spots with me because I am afraid that Ryan is going to sexually molest her. One of the other children soldiers cannot sleep and wanders around and finds a radio which he immediately turns on very loudly. I want the young boy to turn the radio off because I think it will give our position away but Ryan says it is fine and mocks my obvious apprehension. I convince the boy to turn the music down and everyone goes to sleep eventually, except for me.

      Suddenly I sit up because I have an overwhelming urge to find Vincent, without whom I do not feel secure. I walk around the playground area and see that while it is still cold, most of the snow has disappeared. I turn off the radio as I pass it by. All of the defected soldiers except for Shelke and Ryan follow me.

      One little girl freaks out because there is a tiny brown snake in the sand. I pick it up and throw it as far away as I can but quickly find another, and another and then many more. There is a reddish brown snake with a yellow rattle on its tail near the playground and the children flee because I positively identify it as a rattlesnake. Suddenly all of the snakes I can see are of the poisionous variety and as I walk back to my sleeping bag I am bitten several times, though I do not seem immediately affected by the poison, which feels hot and firely, almost electrical, coursing through my veins.

      I cannot wake Shelke and since I refused to leave her there I lay back down on my roll to sleep. More and more snakes appear, each is bigger than the last and they are increasingly a variety of bright colours. Soon there are so many of them that I cannot move without touching several of them and they turn and bite me, again with that fiery, electrical feeling shooting through my body. I feel myself becoming increasingly weak and disoriented, but I do not know if it is because I am exhausted or because of the poison.

      I sit up and notice that Shelke and Ryan are gone. Still hoping for Vincent to return I cry out to him to save me. When Ryan appears instead I am very upset, still wanting/expecting Vincent, and fall silent in anger and frustration. I sit crosslegged and completely still and the hundreds of snakes surround me and almost bury me in their mass and I find that I would rather be crushed or poisioned to death (though at this point I notice they have stopped biting me) by the snakes than to have Ryan come near me or save me, the very thought of which makes me feel sick.

      The last image of the dream is looking at the mass of snakes in my lap and taking note of a rather large, bright red one with intricate oriental inspired patterns down its back that are coloured a bright yellow or gold.
    5. Vincent Valentine and the Robodemons

      by , 10-08-2008 at 10:45 AM (Visions in the Dark)
      This is the second dream I had on October 7th, 2008.


      It is sometime in future. Starts off with young students excavating remains of ancient school and many small bones of children are found. The remains of only one adult is found and not only is the body completely intact, but it is Vincent Valentine. He wakes up with little prodding and flies outside where he tries to jump straight up a very tall brick wall (or side of building) to escape the curiousty of the children, (and his own confusion at where he is).

      He is able to jump dozens of feet in the air but despite several attempts he falls just short of reaching the top. Exausted he collapses in a pool of blood which has formed below him. He wakes up in a vat of thick milky/clear liquid in a futuristic looking room. The group of children who initially discovered him surround the vat and stare intently. Vincent is uncomfortable because he is still confused about what is going on and also completely naked and his golden claw is gone.

      He tries to escape using speed and agility, and finds that he can partially air- and water- bend, which is useful when demons show up and try to capture him. He also discovers that he can temporarily make himself invisible as well as strong enough to smash through concrete and tear through metal. Somewhere along the way he acquires a pair of black pants which he aquires from a particularily difficult red and black horned demon after he defeats it.

      Vincent escapes but ends up in a room filled with creatures that are half demonic and half machine. He cannot hide through invisibility from them but they also do not attack. It is like a giant business office but disorganized and hellish, and covering everything are tiny multicoloured entities called nanoites that are the workhorse of this operation. They outnumber the robodemons but are enslaved to them and at first seem non-sentient and complacent.

      A few robodemons are just chillin' and ask say Vincent his name, and ask that he be inspected/processed by some nanos. He doesn't tell them his real name and instead tells them that his name is "Chaos," which impresses the robodemons. Millions of tiny nanos inspect his body and report that he is an advanced machine. Vincent is confused, but says nothing. At this point Vincent notices that on the wrist of his left arm is a tattoo with multipul triangles and/or a diamond shape. As the nanos run over his body his mind briefly connects with their collective consciousness and for the first time he realizes that they are a sentient entity entirely on their own.

      Being briefly connected with the nanos Vincent sees the fabric of existence that makes up this future and sees a gargantuan machine creature that asserts and protects the robodemon's domination of the world by devouring anything the robodemons comand it to. Its body capacity is unaffected by normal physics and it can go between physical reality (consciousness) and digital reality (unconsciousness) at will. While the nanos exist within most things in this world, they cannot overcome such a formitable foe and are thus forced into servitude by those that command the digital beast.

      In the same futuristic demonic office Vincent meets some fellow organic humans (slaves to the robodemons) and complains about the lack of shoes (he keeps stepping on tiny nanoites that look like humans) and the robodemons agree to let a few of their human slaves take Vincent into the human world to buy some footwear. There are three burly looking men covered in scars and tattoos and two women. One is a platnium blond who eyes Vincent suspiciously and the other is a pretty and thin brunette woman who attaches herself to Vincent's arm and leads him down and out of the robodemon's futuristic world.

      While the buildings and things in the robodemon's world are advanced technologically, most of the human settlements and technologies are primitive and many of the objects that people use and wear were dug up in excavations of the "old world," which the pretty brunette explains was the time before "the Reckoning" when most of the world was organic, before the robodemons appeared and enslaved the organic world to their futuristic technologies. One of the men mention something about it being 1.5 million years since that time but Vincent has trouble believing that he has slept for that long and the the world he once knew and the people in it are completely gone.

      The shoes that he is shown are silly and retro, one pair being ridiculously oversized. He finds a decent pair of black leather boots which he is given for free because the human slaves believe he is a robodemon and regard him with great fear induced respect.

      At some point the platnum blond talks to Vincent and reveals that her name is Lucretia. Vincent is shocked but she explains that she was named after St. Lucretia, the Lady of the Crystal, who is secretly a hero for the humans because she fought valiantly against the robodemons and allowed some humans to initially fight back and remain free from the demons for a time. There was a religion centered around St. Lucretia but the robodemons stamp out any external signs of it and thus the reverence for her sacrifice are often carried out in secret. It brings Vincent much peace to know that his former lover ended her life in an act of bravery and not suffering.

      The blond Lucretia eventually reveals that she wants a perfect and immortal machine body like the robodemons and that it is she who has been betraying the hidden settlements of rebel humans to the technological oppressors. In exchange she has been promised a machine body for her loyalty. Vincent is infuriated not only at the desecration of his former love's name, but also when the blond tries to kill the brunette, with whom he was starting to develop feelings for. They fight and though the details are fuzzy, the blond dies, not by Vincent's hand, but because she is betrayed by the robodemons, who mock her inferior organic body to her death. Vincent now knows that his awakening and is new powers are needed. He makes it his goal to defeat the robodemons and free the organic world from their technological oppression.

      He rallies the organic humans to fight and distract the robodemons while he forces his way into their central stronghold. Vincent starts battling the giant digital monster that allows the robodemons to control the world. Between Vincent's new god-like powers, and the giant digital monster's devouring of the physical and etheral deimensions, holes are ripped open through space and time. Vincent uses his powers to blast parts of the creature (and the essence that it is feeding on/being powered by) to bits.

      Through his physical body does not change, Vincent can feel the entity Chaos, the harbinger of doom of the old world, working through him once again. After a long and epic battle, which lays waste to most of the world, he defeats the demon, then destroys the robodemon's strongholds on the world and thus frees the nanoites and remaining humans alike.

      The collective consciousness of the nanoites explain that his purely organic yet immortal body was necessary to fight the robodemons since there are no nanoites in his body for them to control, (since all of the other "organics" of the world, plant or animal, have nanoites embedded in their genetic make up). Now that the oppressors were gone the organic world could flourish again since the nanoites could not grow or reproduce themselves and relied on their organic hosts to do that for them. In return the nanoites gather memories and feelings of the lives experienced by the individual organic humans and add that knowledge to their collective consciousness. There would be a balance between organic and technological, with not one being better or dominant over the other, but working together to create and sustain life in perfect harmony.

      After telling Vincent what became of his friends in the world he once knew in the past (and revealing that his new brunette lover is actually the reincarnation of Rosso the Crimson) the nanoites offer to release his consciousness to the lifestream, or allow him to live on in this new world, where his immense god like powers will remain intact. Vincent chooses to live in the new world and while uncomfortable with the new religion which has begun centered around him by the greatful humans, he looks forward to watching, with the reincarnated Rosso and new human friends, the newly freed technorganic world recover and develop.


      Whoa, dude! I think I've been playing way too much Dirge of Cerberus!