May 25, 2007.
The Second Coming, Non-Lucid:
I “expected” to have a lucid last night, and while that did not happen… something else most certainly did. This dream was absolutely frightening, and yet it was also one of those once-in-a-lifetime dreams that you’ll never forget. Even now the details are still fresh in my mind. I’m not exactly sure what to think of it, and it’s terribly difficult to explain, but here I’ve done my best.
The dream flickers back and forth between first and third person POV. It begins in third person; I see a large, open room. There are small tables all around and some toys and puzzles on the ground towards the back left hand corner—that part looks very much like a kindergarten or first grade classroom would. The back right corner of the room is devoid of anything at all; just navy blue carpet on the floor. The front half of the room has two large, cylindrical boxes. They’re huge; they reach at least eight feet tall and about eight people wide. Set in these cylinders are panels that can be pulled downwards. There are handles on them; to these handles are tied two children. One is a girl with long blonde hair, and the other is a boy that could easily be her twin. They both look about six or seven years old.
Two men in dark clothes come into the room from a back entrance and pick up the children. They untie their hands from the panels itself, and both pause for a moment to examine the girl. Shrugging, one man carries her off; she is dead. The boy is still alive, though, and they walk him over to the second cylinder and open one of the panels. Inside is Jesus (he looks like what we’ve been taught him to look like, and I know instinctively in my dream that it’s him). He’s got cuts and abrasions and bruises all over his body- clearly someone’s tortured him, and he is still alive. They simply show him to the boy, and then close the panel again.
Even though it’s still third person, I’m overwhelmed with the feeling of how a person could do that to another human being, because it’s so utterly inhumane and terrifying. And although we don’t see anyone else, I know instinctively that all the other panels in the cylinder are filled with people just like him.
The scene flickers into first person now; I and a DC named Gabriel (who I’m somehow closely tied to in the dream, though he’s no person in RL), come in through large, glass doors in the front. There are no lights on in the building, and with the dark carpet, dark walls, and dark wood paneling on the cylinders everything is gloomy and rather forbidding. We’re trying to save the children, although we don’t yet know the girl is dead. The boy is free now, and is sitting on the ground doing a puzzle. One of the two dark men walks up to me (Gabriel has disappeared already to another part of the room), and explains that they have been keeping the boy safe.
I’m confused about this. The man goes on to say that Jesus had been forcing the boy (who’s name in the dream is Lucas), to do things he didn’t want to do. At this point I’m even more confused, so I go over to the boy and sit next to him. I ask him what he did with Jesus and he says, “He made me dance.” The dark man gives me a meaningful look, but I’m still not convinced and turn towards Lucas again. He says, “He made me dance because He wanted to teach me the meaning of quiet.” He gets a small piece of white paper and wrote in black marker four or five words; I don’t remember what they said, but they were some philosophical meaning for the word quiet. My confusion disappears and I know now that indeed these guys in dark suits are definitely bad and are trying to twist things into something they’re not.
The dream scene changes suddenly at this realization, and it’s back in third person again. We’re now looking down on the brink of hell; there is hard, hot rock all around, and a huge chasm in front with molten lava rushing through it at the bottom. Very Lord-of-the-Rings-like, if I had to compare it to anything. Standing on one side of the chasm is a monster made of rock and fire, and standing on the other side is the devil (I don’t know how I know this, but I did). He’s very much like the rock-monster, except that he’s comprised of more fire than rock and you can see flesh beneath the flames at some parts of his body. Both of them are huge; at least nine feet tall and twice as wide as anything we’ve seen. They’re fighting with each other; the rock-monster keeps shooting fireballs at the devil while the devil is trying to “work.” This “work” is throwing all the beings that come into hell into the fiery pit in front of him. At first I’m appalled, but then I realize all the beings he’s throwing in the magma are misshapen, monster-like goblins and such. I begin to think that maybe they all really do deserve to go to Hell because they’re terrible.
Meanwhile, the rock-monster continues to shoot these fireballs at the devil. He gets annoyed and sends something over at the rock-monster, then smirks because he thinks he got the better of him. The rock-monster laughs, though, and a shape emerges behind the devil; it’s another monster, this time made entirely out of burning coals. It laughs quietly, and the devil sneers at the rock-monster before jumping into the pit below him. The rock-monster and the burning-coal-thing both follow him and are submerged into the lava. We know they’re not dead, however; they’ll emerge soon and begin the whole cycle over again.
The scene flips back to the previous dark room with Lucas, Gabriel, Jesus in the cabinet, and the dark men. Now there is fighting all around us. I am laying on the ground with Lucas, my hands covering my head to try to protect myself. Next to me the young boy is doing the same thing, and I see Gabriel out of the corner of my eye a few yards away in the same position. I don’t exactly know who is fighting or what they are fighting with, but it’s clear that all of us are in a bad situation that we’re probably not going to get out of. At this point I panic completely and start to cry, but I’m more worried for the little boy than anyone else. I yell out his name, trying to make sure he keeps himself safe, and yell for Gabriel—I don’t believe my dream-self was in any control at this point. I believed this was the end of all things and was simply calling out in hysteria.
At that moment Jesus walks out of the cabinet He was trapped in. He looks at the fighting for a moment, then begins to walk slowly towards the door. He stops, and I have the feeling that He is wondering whether He should stay to help or whether He should leave; I don’t actually know, but that’s my impression. At this point I stop my hysterical yelling for the little boy and Gabriel and instead start yelling for Jesus to leave. The only thing I can think of is that if he stays with us, He’s bound to be killed, but if he leaves He can get away freely and the world will experience the Second Coming of Jesus Christ. He walks out the door, and I see him pass across the glass.
At this point I think I wake up from the dream, but in all reality it’s an FA. I am laying on my floor in my bedroom, and I think to myself that I should write the dream down because it was so incredible. I’m shaken up, though, and I don’t want to reach my hand out from my blanket to get the book that’s on the shelf above my head. And then I actually wake up.
Dream 2, Non-Lucid:
I am on a school bus with ET, EF, SC, and SW. Amber from Survivor jumps on the bus just as it’s driving away, and her sleeve is caught in the door, but she quickly frees it. We’re driving on a bridge over the largest river I’ve ever seen, and we’re right on the edge, driving in the shoulder of traffic. Somehow we make it to a dark street, and ET, EF, SC, SW, and I all get off the bus. We walk down a dark street, not really knowing where we’re going but knowing that we have to stop at ET's house, which is nearby.
He says “It’s right here,” and promptly disappears into a shack-like house. A few moments later he comes out, and we continue walking. At this point SC, EF, SW and I all step forward and put our arms around our shoulders so we’re all connected, and start singing a tune and stepping in time. I remember ET not being in it with us, but he doesn’t feel left out despite this.
I wake up at this point, but I’m actually humming the tune in my bed, which has never happened to me before. I promptly fall back to sleep and back into the dream, though I don’t become lucid. Now we’re in the wilderness somewhere, and my companions have disappeared to be replaced by Hugh Laurie (as he looks in the show House, MD), and three other people I don’t know. We’re supposed to be traveling somewhere in order to succeed in some dangerous quest that nobody has ever come out of alive. We come across a huge hill of soft, sticky dirt. ET reappears and tells us that this isn’t all dirt; there’s bit and pieces of people in here as well; the people who failed. We’re dead tired and need to rest, but we can’t just lay in the open because something will get us. Knowing that, we bury ourselves in the dirt with only our heads showing. For some reason House has a glass eye that keeps swiveling around because he’s nervous.
We make it through the night (I don’t know how time passes), we cross a river, and we begin to climb a hill that looks very much like a part of the hiking trail behind my school. We hear noises behind us, and once again we hide in the ground with only our heads above. A cart goes past us, not seeing us, but that wasn’t the danger; this huge centipede comes crawling up through where we’re hiding. Apparently this is the “danger” that’s killed everyone else. ET nods towards us, we all jump out of the ground, and someone kills the centipede with a container that was strategically placed right next to the bug. And that was that.
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