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Dante's Inferno symbolism in The Shining?
I don't know if anybody around here is into film analysis, or even more specifically analysis of the complex themes and symbolism inserted by Stanley Kubrick into his movies. If you are you should look up Rob Ager's Collative Learning site or one of his YouTube channels - so much win! Mr Ager has a forum where people discuss themes and interpretations of movies, and today a post went up that I got so excited about I felt the need to blather about it somewhere, so here it is!
"I have recently become aware that Kubrick's The SHiNiNG has a lot in common with Dante's Inferno.
I stumbled upon this after listening to the ladies theory in ROOM 237 about Jack potentially being a stand in for the Minotaur as the film version of The SHiNiNG features a hedge maze or labyrinth not found in Stephen King's novel. This was intriguing because Danny handles Jack very much the same way the Minotaur is handled by getting them both lost in the labyrinth. I did a search on the Minotaur and discovered that he was a man eater, a cannibal. That was interesting because there are a few references to cannibalism in the film.
The search also led to the fact that the Minotaur appears in Dante's Inferno as an inhabitant of the 7th circle of Hell reserved for perpetrators of violence. This line is where things started getting interesting.
Quote:
In Dante's Inferno Phlegethon is described as a river of blood that boils souls. It is in the Seventh Circle and is guarded by centaurs, who force souls to remain at their level. Here are punished the shades who committed crimes of violence against their fellow men (see Canto XII, 46-48). Here are murderers and tyrants: men who through their violent deeds in life caused hot blood to flow and now themselves are sunk in flowing, boiling blood. Dante sees Attila the Hun and Alexander the Great up to their eyebrows in it. He gets across it with help from Nessus.
A river of blood would describe the hemoglobin spewing elevator and two murderers up to their eyebrows in blood (albeit symbolically) describes the red bathroom scene where red walls are kept in frame at eyelevel with Jack and Delbert. (…)
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http://i76.photobucket.com/albums/j8...ps29c3850c.jpg
This image is taken from Room 237. When the film is played forwards and backwards overlapping this image happens.
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The remarkable thing about this is that the real blood on the walls from the twins line up with the symbolic blood on the walls of the Red Bathroom. It's odd that the real blood isn't on the walls beyond the border of the Red Bathroom walls. To me that seals it that the Red Bathroom is a symbol for murder and more specifically the twins murder.
With that revelation I started thinking about the Overlook itself an analog for the Inferno(Hell). Jack commits a lot of sins in the film and they take place in specific rooms that could be analogs for the circles of Inferno.
In the Gold Room Jack is gluttonous in his alcohol consumption. The party going on and the name of the room itself implies greed and gluttony.
In Room 237 Jack is lustful.
In the red bathroom murder is planned.
In the Colorado Lounge Jack is slothful. Wendy does the caretaking so jack can focus on his writing but is unproductive and spends time throwing a ball against the wall. Maybe another intentional or unintentional joke is that Jack is slothful in the Lounging area.
Also worth noting that Jack freezing to death and being trapped in a photo for eternity matches the punishment for betrayers of special relationships in the 9th circle whom are frozen in a lake of ice. The ultimate betrayal of father abusing child would land you here with Judas and Satan for company.
I feel like Danny is an analog for Dante, and the Inferno he is given a tour of is his father's.
I feel like Halloran is an analog of Virgil as Virgil is Dante's guide and protector likewise one could make a point Halloran fills those roles to Danny.
What brought this all together was me doing a search for The SHiNiNG and Dante's Inferno to see if these things had been noticed before and what popped up but a line from Dante's Inferno that takes place as Dante and Virgil depart from hell(the Overlook)
“To get back up to the shining world from there
My guide and I went into that hidden tunnel,
And Following its path, we took no care
To rest, but climbed: he first, then I-so far,
through a round aperture I saw appear
Some of the beautiful things that Heaven bears,
Where we came forth, and once more saw the stars.”
― Dante Alighieri, Inferno
Coincidence?
I think not as the circles of Inferno that correspond to the number 237 are as follows
Circle 2 is Lust
Circle 3 is Gluttony
Circle 7 is Murder
All of which Jack is guilty of during the film.
I also feel that the ending shot of Jack in the black and white photo date July 4 1921 serves two purposes. The first is that it shows that Jack's soul is frozen in eternity in the photo a symbol for the lake of ice (9th circle). If we didn't see the photo and Kubrick left us with Jack's frozen corpse in the maze I don't think we would have gotten the sense of utter and everlasting finality that the photo gives. The date on the photo and the line where Delbert tells Jack that he has always been the caretaker leads me to believe since Delbert is already dead and thus aware of eternity that he has always known Jack(in Hell).
I also think the July 4th date celebrates Danny and Wendy's escape and hard won independence of Jack, an abusive father and husband."
DM again - I'm not saying I completely agree with all of this, but most of it does sound quite feasible. It would explain why Room 237 is always said as "two three seven" rather than "two thirty-seven" as you would normally expect. It also finally offers a decent explanation of why room 217 from the novel was changed specifically to 237.
