After looking up the symbolism of some of the things I think I've come to a conclusion. First, the definitions I found. I'll be segregating them into two sections: one for the settings and actions in the dream and another for those on the television...
DREAM
Underwear: Problems with expressing private desires/feelings
Businessperson: The rational and organized aspect of my being.
Screaming: Powerful, repressed emotions
Genitals: Issues with commitment and pleasure
Bed: Security and shelter
Pajamas: A need to relax. Also 'going with the motions'
Mother: Shelter, support, and nourishment
Brother: Reminder that others in your life share similar feelings
Hotel: A loss in personal identity. Also a transition from one state of mind to another, in which one belief must be put down
Hair: Having less hair symbolizes a loss in strength
Clothes: Represents your public life and how it is perceived by others. Can also show hypocrisy in being someone you're not
Pants: Questioning your role in a situation
Shirts: Your emotional side
Two: A need for diversity and partnership. Also shows double weakness
Airport: Symbolizes birth and death (arriving and departing planes)
Laughing: Evil laughter represents helplessness
Newspapers: Searching for a new light and meaning
Intercom: Your unconcious
Sirens: Copious amounts of stress
Red: Raw energy and rage. Can also mean you need to stop and think about your actions
Woman: Femininity; symbolic of love and feelings of good will
Disgust: Unacknowledged or denied aspect of yourself
TV
News: Bad news means that you will be unfortunate
Terrorist: Frustrations and violent tendencies
Repetition: I need to imbibe whatever is being repeated
Nuclear Bombs/Holocaust: Helplessness, hostility, and rage, to the point of being destructive. Something crucial is about to change
Television: An objective view of what's going on in my mind. Also, being an extremely archaic model suggests that whatever is being shown needs to change
Firefighters: Your higher self; a symbol of heroism
City: Sense of community and your social life/interactions
Corpse: A part of you that is inexpressive; an aspect of you that has died
Hole: A pitfall; 'digging yourself into a hole you can't get out of'
So, synthesizing these symbols and their interactions within my dream, I've deduced the following...
- Having the number two recurring (two beds, twin-sized beds, two shirts, two people in the other bed) seems to allude to my need for partnership but, again, my public-self is blissfully unaware.
- My mother wearing pajamas seems to stress that my self-soothing ways need to be put to rest, and my brother wearing his normal outfit while I am clad in just my underwear says that I am not nearly as composed as my contemporaries and that I really do have no one going through the same tribulations. The fact that both my mother and my brother are in the same bed, a bed that is distanced from me but not out of reach, seems to say that I've isolated myself from the real world and made a bubble for myself to deal with my own problems, but the beds being close says I still have time to rectify the situation. The fact that I don't look at or even address either of them (besides commenting on the clothes) while I scream at my public-self says that I currently have no interest in rectifying it.
- The fact that I'm folding clothes goes back my loss of personal identity, like I've packed it up, and the complaints of my brother better clothes is not saying that I'm jealous of my brother, but that everyone seems to have found and composed themselves when I'm still left standing here in my underwear.
- The fact that I'm oblivious to being in my underwear means I no longer have problems expressing my inner-desires to others, and that I possibly am abusing this
- Screaming 'LOOK AT ME' is, obviously, showing that I have a deep desire to be noticed, but the fact that I'm yelling at the businessmen, in my underwear no less, seems to be saying that I want my public-self to be more consciously aware of my inner-self, but my public-self, reading the paper, is oblivious to the demands and out searching for its own identity. Also, that my inner-self is gesturing towards it's genitals seems to be saying that it wants my public-self to specifically be aware of my committal problems.
- I think the fact that this entire scenario is taking place in a hotel room/airport is symbolic of my inner-struggle. I actually feel like I have no personal identity at the moment, and this attempted coup against my public-self would illustrate a transitional period, a rebirth if you will.
- The fact that I put on pants but not a shirt after I've confronted my public-self seems to say that I'm questioning the relationship I was trying to get it to notice because I don't think I'm in-touch enough with my emotions to be in a relationship. Sitting back down onto the bed symbolizes my unrest with these types of thoughts and receding back into sanctuary, as not to think about them
- The sirens and red after receding show that I NEED to think about them, that they're what is causing my current problems, but my inner-self is too fatigued to do so. Being unable to distinguish what the intercom was saying says that I am ignoring my unconscious and its warnings against my actions. The fact that my public-self gets up to turn on the TV rather than my inner-self says that the message is getting through, but I may be unwilling to see it. The businessperson getting up being a woman says that my femininity is trying to show me what is happening on the television...
- New York represents my social habits and, more importantly, my current relationship. The terrorists represent my frustration, not with my relationship, but with myself and what I'm doing to the relationship. My unconscious is trying to tell me that if I continue acting in the same vein I'm going to eviscerate my relationship, leaving nothing but a hollow shell of what I currently have. I'm being irresponsible and toying with emotions, and the Polaris missiles embody both the fear I feel for this relationship failing and a foreshadowing of what's to come if I continue 'going through the motions' as I am now.
- The firefighters represent my good intentions, my love, but it can't salvage the shit-hole New York had become. The corpse he trips over is my inability to properly express my feelings for her, how I swing like a pendulum to the poles of over-bearing and stoic, and that this tendency will be the end of my relationship if I don't fix it. The hole he falls into seconds that...
- The fact that everyone but my inner-self laughs hysterically at this shows that I still possess the will to fix this, regardless of what my public-self, contemporaries, and others may lead me to believe.
tl;dr: I need to get better in touch with my emotions and steer my relationship on the right track before it gets out of hand.
Any feed-back on this conclusion would be greatly appreciated.
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