Hi Seph,
Thanks for the link. I will check it out later.
It's been awhile since I've taken a good listen to any scriabin. I'll have to dig through my CD collection, as I'm sure I have one or two of those symphonies. I recall liking what I heard, but not necessarily being completely enthralled. But as I said, it's been awhile. I regard him as being a bit like Honneger, Milhaud, and Messiaen. All composers I greatly respect, but I can only take in moderate dosages. (I do love Messiaen's "Quartet for the End of Time," though).
I have heard the Prokofiev concerto you mention, but I don't remember much of it. I don't think I have a recording of it.
I absolutely love the Shostakovich 6th! (prefer it marginally over the 10th) I'm a big fan of most of his symphonies, particularly the 1st, 4th, 5th, 6th, 9th, 10th, and 15th. I'm also a huge fan of his quartets. You absolutely must hear the Fitzwilliam play his 15th quartet. It changed my life! (ok, yes, hyperbole). If I remember correctly, it is in six movements, all marked Adagio. Best to set aside some time, turn off the lights, and let it just wash over you.
Personal preference from your list of symphonists is Mahler. The second is a classic of course, as are the first and fifth. I actually wrote a paper on his unfinished 10th symphony as my senior paper for high school. There is a Simon Rattle recording of this piece reconstructed that is quite striking.
But along these lines, make sure you check out some of the Nielsen and Sibelius symphonies, and maybe Martinu. Looking at your list, I feel pretty certain you'd like all of them... especially try the Nielsen 3rd and 5th, and the Sibelius 1st and 2nd. Lush, romantic, beautiful, and strikingly individual.
The Piston book is very good. Of course the orchestration "bible" is the Rimsky-Korsakov, though it's a bit dated. Other than that, my favorite is from Alfred Blatter, though it may be out of print at this point.
By the way, the entire RK book is available as online training on the Garritan forums. I was one of the people who helped recreate some of the samples from the book for that. I'm a regular on those forums and share a lot of my compositions there.
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