Purple Trees and Zombies: Trippy Dreams of an Artist/Writer

I'm at a table at work, making a sign for the employees, something about encouragement. Char, one of my co-workers is annoying me, but I never remember why. I'm trying to find space on this poster board for what my manager, Brian wants. I think I ask Arayna, the day baker, if making a checklist for the employee's achievements is okay to conserve space.

Then it's Halloween and I'm putting on makeup. I don't remember the details, but my mom is there and we are in my old kitchen in the trailer I grew up in. I'm dressed in white, but the costume details are fuzzy. I'm waiting for my friend, Mark to come. I think he'll be impressed by my makeup job. I grab my orange pumpkin pail and head out.

Cut to a woman's house. It's down a dirt road, in the country. I remember white siding and a screened porch. I'm still dressed for Halloween and I think Mark is still with me. The woman gives me these old books instead of candy. They look like picture books from the 50's. I look over to her pile and see two art books on dragons. I ask if I can have one. She gives me one, but then I know the other has more techniques on "how" to draw the pictures inside. Mine just has the pictures. I ask for the other, but she refuses, says it's not for sale. She'll let me look though. This isn't enough and I wonder if I should steal it. The art inside is by Luis Royo, a Spanish (and my favorite) artist. I do remember some of the pictures, most of them had females, blond hair. (There's that blond hair again).

Then Mark is gone, and I'm inside this old mansion. I think I'm babysitting this boy, dark haired and around 12 years old. His mother is sleeping. Another fragment invades this dream and I'm unsure if it's context or where it truly fits. I'm outside in a red snowsuit, covered from head to toe, sitting in the snow. I'm warm and I'm burying myself inside the snow drift. it's sunny outside and I'm right outside my parent's window at their house.

Back to the babysitting, the boy runs away and I have to find him. Joey (friend from work) is there and opens one of those books the Halloween lady gave me. It's newer this time, looks like a travel book. He says the boy might have went to a place inside the book. I have to hurry before the mother wakes and realizes her son is gone. I go outside, cobblestone road under my feet, and there's all these alleys I pass, "hallways" from inside the house. Their walls were wooden, but the floor was the road. One at the end had a cabinet filled with glass tubes and bottles, like a lab. Others had storage cubbies and doors. I see a woman poking around, she has reddish hair and dressed in eighteenth century garb. I wonder what she's up to, but don't investigate at this time.

I go outside and into a marketplace. It's something out of the renaissance, but with goth people dressed in black instead of the renaissance clothing. I look down and realize, I'm dressed in a black dress myself, out of the eighteenth century, but my feet have gray socks, no shoes. I seemed unconcerned, even proud of this for some reason as I walk down the road.

I wander around and forget about the boy. Jewelry stands are everywhere, glittering with every type of jewelry I love. I reach for my purse, but have none. I wonder where Jenny and Adam are, my best friend and her husband. I know they are there, somewhere. I go back to get some money from the mansion, and realize the woman poking around earlier has my money. I see her dart between the hall/alleys and chase her down. I push her around a little, angry and she doesn't fight back. Hugh Jackman, dressed in the same style clothing I have gives me a sickle and says "You know what to do." I ask should I cut the woman's head off, and he laughs, says the sickle isn't sharp enough. So I angle it and slit her throat. She doesn't struggle the entire time, and I feel nothing when I do this.

Once dead, Hugh searches her body and gives me three pouches, one maroon, and two dark green. There's money inside, but I'm not sure how much. I know she robbed the mother while she slept, and apparently someone else besides me. I keep all three purses.

Interpretation:

The last dream was one I had right before waking, therefore, all the details were still quite vivid. No lucid. Which is, again, annoying, but I'm starting to notice a few themes I haven't before. The blonds are now looking dubious to me. Why the hell am I dreaming about blonds? Every night so far has had blond females. The art books are kinda self-explanatory as I wish to get back into drawing again, but I'm not sure of my skill level. Halloween is my favorite holiday...and Mark in RL is a makeup artist, among other things so yes, I would be interested to see what he thought of my makeup. Snow and the snowsuit...have no clue. A memory invading? I never owned a red snowsuit though. The jewelry and the whole renaissance bit is also simple. I love those type of necklaces and Ren fest is coming up this month. I'm afraid I won't have the money to buy anything. Not sure on my clothing or lack of shoes. Not sure about the boy and the sleeping mother, or what was going on with killing the thief. As for the work part of the first dream, not sure either. Maybe because things have been tense with the managers and district manager lately.

I recall little of the beginning, but it might have been the night (or morning) before work. Melanie (co-worker from Subway) was in bed with me, but we weren't playing around like that. It was more "slumber party", than sexual. I remember setting the alarm, angry at Melanie for some reason.

Cut to the car; we are driving down the road, my lap desk is on the roof of the car, or in front - not sure. But I'm concerned for my belongings, so I bring it inside. I take out my laptop and pen tablet; Melanie is watching and in the back seat. Not sure who's driving, lol.

I want to go to a store before work, I look at a clock in my mother's kitchen to gage the time (should have known then I was dreaming, being "suddenly" in my mother's kitchen) and determine I have 15 minutes to get to this store. However, my dad has to get money from the bank. He drives us into the parking lot; it's empty, but he tries the door anyway. The bank is closed. We leave, and I mention something that he should have known the bank was closed since no one was parked outside. He makes some flippant comment back, but I can't remember what it was.

Back to the house and Melanie is unconcerned with getting to work on time. I'm getting pissed at her, not for being late for work, but I really want to get to this store (have no clue what store it was, but I really wanted to go). Mom gives me marshmallows for some reason, says I should eat. I put one in my mouth, but then take it out and set it on the counter. Melanie it doing something with laundry, or is in the laundry room doing something, not sure what because -

Outside, we are getting ready to leave. These people show up, a few college-type guys, and a lady with short, blond curly hair. She is carrying munchies and a large butcher knife. This gives me pause, but Melanie assures me she's cool. The woman affirms this with a grin and shakes the chips in her hand. We all pile into the car, and I'm annoyed I'm smushed against the door. The door itself becomes only a frame, a yellow steel frame I have to lock or it'll open while we're moving. I don't want to fall out.

Now I'm outside a house, it's fancy, maybe a mansion. There is a gondola on the roof, lit up and with windows. Everyone that was in the car is inside, frightened by all the water on the floor, running from the sinks. No one can shut them off. I know there is something nasty inside the house, waiting to hurt people.

To confirm this, my awareness goes to the gondola, where Melanie is there with two children. I can't remember the details of the children, just a boy and girl. The girl is blond and wearing a dress, I think. Melanie has been taken over by...something. It makes her jump in a graceful arc from the gondola ledge into a window. For some reason, I remember her hair rippling in the wind. That really stands out in my dream.

I'm back inside, and I try to get off the floor (where the water is) by holding onto a sink and holding my legs up. Why I'm doing this...I have no clue. But I know whatever is in Melanie, it's going to electrocute people. A moment later, I relax. I'm immune to electroshock. Silly me.

I go downstairs and confront Melanie, who then changes into an old man in a tan suit. He smiles before trying to kill me, and I smile as the attempt fails. The others aren't watching, too busy running around panicking. He frowns and becomes angry. The shock itself is uncomfortable; I can feel it shooting up my legs. He leaves and I follow, taunting him that he's angry I won't die (yes, let's taunt the mean electrocuting monster :/ ). He falls into an ornate chair as if exasperated, changing appearance again into a blond heavy-set woman who rolls her eyes at me.

I wake.

Themes seem to be blond hair, water (as usual), food (I am on a heavy lifestyle change, lost 35 pounds so far), and perhaps money? Work seemed to be the farthest thing on my mind during the dream.