• Lucid Dreaming - Dream Views




    View RSS Feed

    Verre

    1. Three Vials (NLD)

      by , 10-22-2016 at 04:16 PM
      Ritual: Ongoing dry spell. I'm not sure what caused my focus and motivation to diminish so drastically, but neither has been sufficient in months to deliberately achieve lucidity. Even when I thought I've been motivated, I haven't been able to concentrate properly, or pay sufficient attention to the stages of sleep. Less attention to dreaming in general means that even my NLDs have become intolerably drab and dull for the most part, and since I've been journaling less my ability to remember dreams has also dwindled. However, this morning I woke up with a dream that I found interesting enough to write down, and I'm posting it here to try to help get my head back in the game.

      NLD, "Three Vials": The container in my hand consisted of three conjoined steel vials closed with screwcaps. Each one held a different substance that would change me in some way. I was in a militarized compound full of soldiers and agents of some secretive organization; I was their experiment. Evidently one of their high level people, an old man with grey shoulder-length hair, had decided that it was time for my transformation. I began unscrewing the top of one of the vials while remembering the prophecy:

      His breath is the wind.

      The method of ingestion seemed straightforward. Breath? Wind? I held the end of the vial to my mouth and inhaled. It did feel like a great wind coursing into me. When the turmoil had settled and I spoke, my voice was changed. It was no longer a human voice, but impossibly deep and resonant.

      There were things going on around me but I don't remember the details. I saw a news briefing of some sort; apparently the nation was in a state of emergency. I was being transformed so that I could go do battle, perhaps with another creature similar to what I was becoming. I decided to use the second vial. I had a vague anxiety that I should consume all three vials before someone stopped me: the old man had wanted to go through with the procedure, but I could tell that a lot of the others did not think this was a good idea. I should finish the transformation before someone decided to organize the opposition and restrain me. I recalled another line of the prophecy:

      Sunlight fills his heart.

      I opened the second vial. At first I habitually started bringing the container to my mouth, but the prophecy suggested that it contained light, so I diverted it to my eyes instead. White light filled them, blinding me. When I could see again, I went to look at myself in a mirror. My eyes were white now, but not an undifferentiated white. The pupils were tiny little pinpricks at the center, literally no larger than if the tip of a pin pricked a hole in a piece of paper. I thought that made sense, given that pupils contract in the light, and they had just been exposed to more light than ever before. The irises were still differentiated, but they were an ivory white and glowed as if with inner light around the inside of their circular rims. The whites of my eyes were now pure white.

      I also noticed that my skin had turned white, but not smoothly or evenly, instead it left a mottled appearance, prompting me to comment wryly: "I hope the last vial contains a pore cleanser." No one laughed at my joke. The dream ended before I ever found out what was actually in the final vial.

      Notes: There are some straightforward influences, though the dream transformed them into an original scenario. But the concept of putting things to my eyes and mouth clearly derives from the Vive VR game "Accounting," which I played last night. (It was brief and hilarious, I totally recommend it!) Then before bed I was playing Witcher II and noticed how cool Geralt's eyes looked. (I recently finished Witcher I, since I wanted to play all three in order, and just started on II. It is a breath of fresh air compared to the first one.) Having the Witcher series fresh in mind probably also contributed to the concept of drinking potions to achieve transformational mutations.

      Updated 10-22-2016 at 04:24 PM by 34973

      Categories
      non-lucid
    2. The Reluctant Dragon (DILD)

      by , 02-25-2016 at 09:43 PM
      Ritual: Set vibrating alarm for 40m at 6:20am. I don't remember it going off, but I began dreaming that I was trying to fall asleep, until it gradually dawned on me that I was already dreaming. It was 7:19 when I awoke, so given that the dream must have manifested at some point after the signal went off at 7am (since it was not interrupted by it), it could have lasted up to 19m. I'm classifying this as DILD and not EILD since lucidity was not initiated by recognition of the device signal.

      DILD: Initially I am on a beach, lying on a sort of cot, trying to fall asleep. There are other people all around me, and their activity and noise is keeping me awake. I mention aloud to someone nearby that I seem to be entering REM state even while awake, as I notice crisp and colorful visuals superimposing themselves over my visual field. Even though the new scene is layered over the old one, it is distinct enough that I can make out details: I am at the edge of a river running through a futuristic city. Some sort of V-shaped flying craft is flying in tripartite geometrical formations up above, the crafts each giving off light colored red, white, or blue, each grouped into a separate section. Is this meant to be a patriotic display?

      I do not change position, but the cot I'm lying on becomes a sort of couch as the environment around me resolves into a room full of kids. Someone plays a video on a TV monitor, which annoys me because I am trying to fall asleep and the music is distracting. But then they mention that the video features Jonathan Tweet, and the name sounds familiar. When I remember it is one of my favorite game developers, I take more interest in the video and sit up.

      Something makes me think this is a kind of school where the kids are learning lucid dream abilities. One boy, bald, sits to the left of me on my couch and he's trying to test his powers against me. He takes my hand in his, which begins to glow blue, and I realize that he's trying to "crystal" me, that is, harm me with the pale blue light he is creating. I counter it easily, however. This frustrates him and he begins trying to bite me. He opens a disturbingly wide mouth and tries to chomp down on my hand, but I counter him by softening both his flesh and his resolve, so that mouth sags toothlessly and he never completes the bite. We go through this cycle three or four times before I tire of the game and get up.

      By now I'm aware that I am already dreaming, and I walk into the next room, recalling my personal goals. [I accomplish a personal task, finding a certain fictional character, then suggest that we become dragons to fulfill one of the TOTYs.]

      I lead the way to a window and lift it open. We're about four storeys up, but I jump out without hesitation and spread my arms, letting the air catch me. As I fly off to the left, I focus on trying to develop the "feel" of a dragon body: four legs, wings, tail, scaly skin. I haven't tried this before and the results are so-so, a fluctuating hybrid between the new bodymap and my usual one. I am flying over what strikes me as a mid-twentieth-century city. There are no skyscrapers, just a mixture of low commercial and residential buildings that cover a wide expanse. I recall that the task requires me to destroy a village, but the city below seems too urban to qualify. Would a neighborhood count as a "village"? But my moral qualms kick in, and I hesitate to bring wrath upon an innocent residential neighborhood.

      I fly further on, toward the edge of the city, looking for a more remote target, preferably one with few occupants. After exploring the land for a while, I find a spot that, while a stretch to call it a "village," at least satisfies my ethical preoccupations: it is a cluster of buildings around a large industrial apparatus, evidently a manufacturing concern of some kind. I don't notice any people wandering around, so hopefully there are not many on site to be harmed. I can't imagine I'll find a better target (at least in relation to my own concerns, rather than the specifications of the task), so I begin circling over the site, breaking the buildings and bashing them down. Meanwhile I focus on maintaining my dragon form; this takes constant vigilence because it is so unfamiliar, and too easily slips into sensations more congruent with human limbs.

      What color dragon am I? I recall that D&D dragons can take many different colors, with corresponding breath weapons. On the ruins of the factory, I test acid and frost breath in turn, trying to decide which feels more natural. I like the effects of frost—after freezing metal walls solid they shatter in a satisfying way—but then I remember that the task specifies leaving flaming ruins in my wake, so I switch to fire. There isn't much in the way of visuals; rather than great gouts of flame, my fire breath is more of an intense heat that makes metal glow red. But I dutifully knock down and burn the factory into rubble.

      Afterwards, I hover anxiously over the destroyed site to see if anyone was harmed by my stunt. (I know, I know, I make a terrible dragon.) I do spot someone—something?—running around frantically, but as I peer closer, it does not look human at all. Curiously, it appears to be a small white gem that I take to be a cubic zirconia, attached to a tiny wire loop that looks like it must have once been the pendant of an earring. The sense of scale has been skewing dramatically as I have been peering closer, and now I feel back to my normal human size and form, kneeling over ruined buildings the size of an architectural model. I look carefully and spot two more little gems running around. Unless there are more I don't see, three victims isn't too bad, and at least they're still alive, even if they're looking understandably anxious. (How do gems even look anxious? It was something in the way they moved.)

      [I've been concentrating on my task and realize I have lost track of my friend. I look for him and we are briefly re-united before I wake up.]
    3. Castle Infiltration (WILD)

      by , 04-24-2015 at 07:52 AM
      Ritual: WTB 12:45am, woke 6am and felt rested enough to do a solid WBTB and WILD attempt. Read LD books for an hour then returned to bed at 7am. I took bacopa, L-theanine, alpha-GPC, and even ventured to add a little galantamine to the mix, breaking open a Galantamind capsule and adding half the powder to my alpha-GPC solution. I lay on my back and counted, also deciding on my intended tasks: muto herbam and my lucid dare. For the hell of it I added in a short mantra on the off-counts: inspired by the DC's weird question last night ("Who is your mantra?") I was using the name of an intriguing DC from a prior dream. I started losing the count quickly and after picking it back up a few times, drifted off somewhere in the 30s. Eventually I woke back up, used the bathroom, and checked the time before lying down on my left side to sleep. It was 7:30am. Woke up at 8am with dream.

      WILD: I quickly started to feel promising bodily sensations, able to move in ways I was sure weren't "real." At one point I felt my husband's face very close to mine, thought I could feel his breath against my face, and was afraid this distraction was going to wake me. Feeling a bit rude, I pushed him away. After that he got up and I hoped he had understood my reasons—recognized that I was in the middle of a dream attempt—and wasn't annoyed. Of course in retrospect, I'm sure that none of this actually happened; not only does the geography of the bed make it physically unlikely, but my husband was still fast asleep on his side of the bed when I woke up to write this report.

      As soon as I felt I had full bodily control, I started trying to get out of bed. I threw caution to the winds because I've started to suspect that a lot of the barriers to transition are self-imposed. So I got out of bed as soon as I could manage it, and although I felt awkward at first, moving very herky-jerkily as I tried to walk out of the room—a bit like a marionette whose puppetmaster is still figuring out the right use of the strings—I soon got back into the feel of it.

      I walked into the kitchen, where my attention was caught by what looked like a big wad of gauze or lace, about 18 inches in diamter. In shape it resembled those scrunchies you use in the shower, but it was much larger and made of lacy white gauze with silver sparkles. The texture was wonderfully detailed, more distinct than anything else in my field of vision, so I decided to pick it up and use it for my first experiment. The simpler of the tasks I had planned was to practice a bit with transformation and with plants, so I held the gauze in my hands and commanded, "Muto herbam," envisioning the form of a long-stemmed red rose.

      The material was resistant at first, so I repeated the command a few times and intensified my will. Eventually it shrank compliantly into a red flower, but the blossom appeared to be that of a tulip, so I continued staring at it sternly until it manifested more layers of ruffled petals. I studied it to make sure it was a proper rose and not just an ambitious carnation, and when I was finally satisfied with its form, I lifted it to my nose to smell it. It actually did smell like a rose! This impressed me all the more because I so rarely have any olfactory impressions in my dreams. (Then again, I guess I don't spend much time sniffing things.)

      I wondered if I should leave the house to perform my next task. I'm still working on my lucid dare, which requires me to find an camp of elves in the forest and join them in making music. My initial impulse was to leave my house and look for the forest, but that hasn't worked well before, so this time I thought I would to try a different approach and transform the environment around me rather than bodily leaving it. I looked around the room for another plant suitable for my experiment and was pleased to discover a spindly sapling with lots of thin twigs tipped with narrow yellow flowers growing in a pot. I went over to it and commanded "Rego herbam," commanding it to grow into a tall tree. Nothing happened at first, but eyeing its numerous twigs I had another idea for how to use it.

      The sapling was slightly taller than I was, so I backed up against it and pulled its flexible branches around me to create the visual impression that I was surrounded by a thicket, once again commanding "Rego herbam." The trick worked! The twigs filling my field of vision became a real thicket in which I found myself hiding on a hillside, trying to remain unseen as I peered down at a large camp of about two dozen people occupying a cleared basin just below me. I hoped they were elves! But they didn't seem merry, and I didn't hear any music. They were dressed in muted earthtones and went about their business grimly.

      I can't remember if I actually observed the camp being raided, but by some means I understood that this was a camp of rebels whose people were being oppressed and frequently captured and sold into slavery by the inhabitants of a nearby castle. I was aware that had several been taken away recently, and decided that the best way to ingratiate myself with the camp would be to rescue them. So I transported myself into the castle dungeon and began to search for the captives.

      The first door I opened led to an empty room, though it definitely looked like a classic dungeon, with rough-hewn and filthy stone floor and walls. Returning to the corridor, I saw that there were lots of identical doors, and I didn't think I had time to try them all, so I let instinct guide me to another door across the hall. At first this seemed promising: there was very little light filtering in through the tiny windows high in the wall, and in the shadows I thought I saw four figures manacled to the walls around the room. As I walked in, planning to free them, I found that either my eyes had decieved me, or the dream had shifted: the manacles were there, but this room was just as empty as the last. It made me wonder if what I had seen were the ghosts of past prisoners.

      As I went to leave the room, I was startled to discover that the door was now half-blocked by a chest-high mound of stone rubble. I started to climb over but it was too steep, and afterward the blockade looked even higher, taller than I was. If I didn't act soon I would be completely walled in! So I mustered my concentration and simply pushed through the pile of rocks. The stone felt very resistant and I had to use all my strength, but finally burst through into the hallway. I was surprised how exhausted I felt after this feat. Given that it was a dream, it shouldn't be any harder to move "rocks" than anything else, but I felt completely spent. While I paused to regain my strength, I heard people approaching from around a corner to my left. There was no time to get away, so I simply held very still in the doorway and concentrated on being invisible to them.

      There were three people in all. One person passed by without giving any sign of seeing me. Two others followed, walking together, and to my consternation they stopped at the door, right in front of me. Although they didn't seem to see me, something appeared to have caught their attention (the dislodged rocks?) because one of them pulled out a handheld device and started waving it in my direction as though scanning something. I wondered what would happen if they tried to walk through the doorway. I still seemed to be invisible, but would they be able to pass right through my body? Or would they bump into me? I decided not to risk it, and I was also a little worried that the scanner might detect my presence, so I reached out and grabbed one of the people with each hand. I willed them both to fall unconscious, and they slumped to the ground. The one to the left was a woman dressed in "business casual," while the guy to the right appeared to be a uniformed security guard. I immediately knelt down and hastily stripped the latter of all the tech I could find on his body: earpiece, cellphone, and a few other little widgets that I didn't recognize. I thought I heard another person coming down the hall, so I transformed into a bird and flew out one of the small barred windows high up on the walls.

      The castle was on a gently sloping hillside, and I was now flying over a wide rural landscape. At the base of the hill was a wooded region, and far beyond that I could see the curve of the ocean shore. I figured I would still be able to find my way back to the camp, since I had just come from there, so I let memory or instinct guide me. Meanwhile I focused on making sure I was flying properly, since I haven't spent much time in bird form. I alternated between flapping my wings and holding them stiff and outstretched so that I could glide on the wind. I felt like a large bird of prey, and I was clutching the tech I had just stolen in my talons.

      I flew over the forest until I saw a clearing below that looked familiar. Descending felt very realistic, because I was circling just like a raptor would, wide at first and then in a narrowing spiral until I landed. To get the attention of the people in the camp, I decided that I should not be an ordinary brown eagle, but a white eagle. Apparently this drew a little too much attention, because on the way down I discovered that someone was shooting arrows at me. I decided I could use this to make my entrance particularly impressive, so at the very moment that I touched the ground I not only turned back into a woman, I also grabbed an arrow that was about to hit me right out of the air.

      Earlier I had not made sure whether or not the people in the camp actually were elves, and now that I look around at closer range, I see only round human ears. I approach a couple people who are talking authoritatively, like leaders of the group. One is a capable looking woman with short, dirty-blonde hair. I ask her if there are any elves in the camp, thinking to myself that if I do find some, I'll give them the tech I stole as a friendly gesture. No one can specifically point to any elves, so I ask, well, who was shooting at me? I figure that if there is an elf, it might well have been the one lobbing arrows. The woman points across the camp. Following her gesture, I notice a slight figure huddled on a bench, completely wrapped in a dark grey blanket.

      I walk over and lean down in front of the figure, trying to gently tug the blanket aside to reveal its face. It seems shy, hiding its face under the blanket like this, but I soon discover the reason. As I begin to reveal its features, they are the last thing I would have expected. The head is made of molded transparent plastic, with a suggestion of human features on the outside and circuitboards within. It is an android!

      The android has a high, almost childish voice, and evidently feels very bashful about its unusual appearance. It tries to prevent me from pulling back the blanket, protesting, "I look repulsive."

      I completely disagree, and tell it so: "No you don't. You look amazing." It reluctantly lets me tease aside the blanket to reveal its whole head.

      At this point a man walks up to us. He looks to be in his forties, balding, a bit stocky in build, and with rounded features, kind of resembling Rob Corddry. From his dress and demeanor, I immediately intuit that he is the creator of this android. I realize that he would be the ideal person to give the tech I stole from the castle guard.

      "I have something for you," I say without preamble, and fill his hands with the little pile of objects.

      He looks delighted. "This will be really useful."

      We start chatting a bit about the android, and I ask if he knows where to find any elves. He's not aware of any in the camp, but I overhear a snippet of conversation from people standing nearby that I think might be relevant to my question; one of them mentions a place called "Junkyard Bay" and I resolve to check it out.

      "What's your name?" I ask the inventor. I feel a bit silly always asking this of DCs, but I like to know.

      "Dira," he says. That's how I assumed it was spelled, but from the pronunciation it could just as easily be "Deera." He asks mine, and I tell him.

      Dira is looking at me like he finds me really familiar, but can't figure out where he knows me from. "We haven't spoken before this? No beer? No comfort?"

      I am perplexed by his laconic queries until I realize that he's asking if he might have met me in a bar or a brothel. I might have been offended at the implications if I weren't so fascinated by his distinctive manner of speaking, so unlike my own speech patterns. How could a DC, a projection of my own mind, demonstrate linguistic traits so utterly unlike my own, to the point where it took me a moment to make sense of what he was saying? It was one of those moments that make me wonder if my reductionist assumptions are correct, but I'm not ready to go down the path of madness without better evidence than this.

      I shake my head, since I'm pretty sure I've never met him in either dream or waking life. He asks my name another time, and I repeat it. I've been using my WL name, having forgotten my former resolution to use an alias with DCs.

      Dira starts explaining something about the locals: "What's particularly important for the native Ukaran communities is the..." there was more, but it was complicated, and I was still trying to figure out what was going on.

      "Ukaran?" I ask, to make sure I heard correctly.

      "Yes, the Ukaran and the Utankaran."

      I had the impression that he was implying that the Ukarans were the people in this camp, and I'd already seen the problems that they were facing—oppression and human trafficking on the part of the people in the castle. I wondered if the oppressors were the Utankarans. The similarity in their names suggested that they were closely related but (in the manner of such things) probably deeply opposed social groups.

      Updated 04-24-2015 at 08:50 AM by 34973

      Categories
      lucid , memorable