• Lucid Dreaming - Dream Views




    View RSS Feed

    Verre

    1. Balloon and Mantra (WILD + FAs)

      by , 04-22-2015 at 07:21 PM
      Ritual: WTB 2:30am, woke up to work from 5:30 to 6:30am, realized I'd drunk too much coffee before bedtime and have trouble going back to sleep. I figure as long as I'm insomniac, might as well try for LD and take some L-theanine and alpha-GPC. I try counting but have trouble focusing, realize I need more motivation so resolve on a task. I had been thinking earlier about the use of mantras for getting lucid, and I've had trouble deciding on one so I thought I should ask a DC.

      WILD, "Balloon and Mantra": Since it seemed to initiate directly from the waking state, I guess this was a WILD though there was no distinct experience of transition, at least in the way I usually experience it (shifting into dream while continuing to perceive that I am lying in bed). At the beginning it felt more like hypnagogic imagery that I was playing around with, but gradually acquired more solidity and focus. (Or maybe that's the "normal" way people do it, haha.)

      I'm on top of a building, playing catch with two other girls. We're throwing a ball around between us counter-clockwise. The girl to my left spikes the ball to make it hard for me to catch, so I retaliate by throwing it right back at her when she's not expecting it, instead of continuing to pass to the other girl. She says it's not fair because she wasn't paying attention. I retort that I did it because of the way she was playing.

      The game becomes more leisurely and the ball becomes a balloon. I sit down and I'm practicing moving it telekinetically. The balloon is making the kind of strange echoing sounds that you hear when handling real balloons, only strongly magnified. I'm impressed with the way my mind can conjure that unusual but distinctive sound which I probably haven't heard in years. Although the sound component of the dream is impressively vivid, the visuals are terrible. The whole scene is in grainy black and white, and the balloon is white too, which makes it very hard to see against the sky when I bounce it up into the air. At one point I launch it away from me and lose sight of it altogether. When I go to summon it back, instead of the balloon returning to my hand, my right hand is contorted with a strange sensation, like it's being squeezed.

      Around this time, everything switches over to bright color, brilliant blues and pinks. It happens as suddenly as turning on a light, and makes everything look much more vivid and cheerful. I figure this is REM switching on more fully, and comment to one of the DCs, "Hey, color just kicked in!" I notice that instead of the two girls, there are now at least a dozen of them, and they seem to be having a dance party. I hear a bouncy pop song playing in the background.

      I get up and wander through the group, then suddenly I remember the task I had designated as I went to sleep. I approach a girl at random. She's dressed very unusually and elaborately, probably day residue from a Chinese painting I was looking at in WBTB, and I'm doubtful about whether she will be able to help, but figure it can't hurt to ask.

      Exploding match?-tangyin_poem-red-leaf_sm.jpg

      "I'm looking for a lucid dream mantra," I begin, then think I should explain more clearly what I mean. "Something that—"

      "Who is your mantra?" she interrupts. It's such an odd question that I stop and look more closely at her. Her face is pretty but blank.

      "That was my question," I reply, then wait to see if she'll have anything more helpful to offer.

      "Who is your mantra?" she repeats, in exactly the same tone and words, like a broken record.

      "That's what I'm trying to figure out," I insist. This is going nowhere. Reaching back with two hands I grasp the edges of a cloth, as though it were a scarf I were wearing around my neck, and draw it over both our heads. Now the two of us are alone in the dark, face to face, with just a bit of the background peeping through under the edges of the cloth behind her. Although I had performed the gesture instinctively, my intention was to blot out the distractions so I could try to communicate with the girl more effectively. A more rational course would have been to find someone else to ask, or ask the dream directly, but I got too caught up in my determination to try to make her understand. My approach was not helpful, however, as this deconstruction of most of the dream environment makes me lose traction and wake up.

      FAs: I had gotten up and was nearly ready for work. I went to use the bathroom before leaving and stood there dumbfounded: everything else looked normal, but the toilet was gone! I recognized immediately what this must mean. "You've got to be freakin' kidding me," I said aloud. Usually I would be delighted to realize I was still dreaming, but this time I already felt like I'd invested a lot of time in getting ready for my day, and now I would have to do it all over again, so I was actually annoyed.

      My lucid awareness must have been pathetically low, because instead of doing something cool with the dream or thinking of one of my many fallback tasks, I stood there until I had successfully conjured the toilet back into place, because I still wanted to use it! Then I noticed that the clarity of the dream was waning and in an attempt to restore focus, told myself: "Open your eyes." But I accidentally opened my real eyes, waking up! It was a fail on so many levels.

      I wanted to get back to the dream state so again I tried to play along with hypnagogic visuals. I had an image of a three medieval-looking riders in a wooded hillside. There was a male, a female, and one other. I was loping after them in the form of a wolf. The scene felt stronger and more stable than the usual hypnagogic imagery, but less tangible than a fully manifested dream. I realized that I instinctively knew the names of the man and the woman. (I suspect the indistinct third was their servant or page.)

      After I had nearly caught up with the riders, I worried that if they noticed me in wolf form they might shoot me with an arrow, so I transformed into a woman (nude, I noticed) and caught their attention. They turned around one exclaimed, "A forest sprite!"

      I "woke up" (I might have even had a vague sense at the time that it was not a real waking, since it still felt too "thin" for a proper dream) and tried to write down their names on my computer. The man's came so easily that it left no trace in memory, but the woman's name took me a lot of effort to type correctly, and I kept making mistakes and having to fix them. On the bright side, this meant that I still remembered it clearly when I woke up for real later. Her name was "Gwynrse," which I took to be Welsh.
      Attached Thumbnails Attached Thumbnails Exploding match?-tangyin_poem-red-leaf_sm.jpg  
    2. Indecisive Witch, Invisible Song (EILD-FFA-WILD)

      by , 10-07-2014 at 08:33 PM
      Ritual: Second try with the vibrating timer, successful but strange experience. This time it seemed to work not so much from going off (in fact I doubt it ever did), but because my anticipation of the trigger kept my mind alert during the process of falling asleep—to the point where I thought I was still awake long after I had evidently slipped into dream.

      It's becoming apparent that anticipation can serve the same function as motivation. Actually my motivation was relatively low, for the same reason as last time: it is the busiest part of my work week and I realized that I wasn't sure I wanted to have to spend a long time writing up my dream report if successful. I went to bed a little after 12:30am, and woke up naturally around 5:40. (I checked the clock but can't recall the precise time, I think it was somewhere between 5:37 and 5:43.) I decided it was too late to do full WBTB and recognized my lack of motivation, so I just shoved the MotivAider in my pillow and went back to bed with no further technique, letting things take their own course.

      Although normally I would fall back asleep in seconds or minutes at most after such a brief WBTB, I noticed that now I was oddly wakeful... it seemed like just waiting for the device to go off, even though it was set so that it wouldn't trigger initially until 45 minutes had passed, was keeping me awake. After a few minutes trying to get comfortable I grabbed the sleep mask from my bedside table because I knew the sun would come up soon. I then spent a very long time trying to get back to sleep... or so I thought. In retrospect it is apparent that for much of this period I was experiencing that obscure counterpart of a false awakening, a "false falling asleep" (FFA).


      FFA: I think I must have actually fallen asleep very quickly, since a lot of the things I experienced while I thought I was trying to fall asleep turn out to be have been things I dreamed. For instance, at one point I was convinced that I was lying in bed with my body rotated in the opposite direction, my head facing the foot of the bed, but then I fixed this without really moving my limbs... a maneuver that would have been impossible to do physically.

      Eventually I decided that I ought to have a back-up EILD method so I tried to program my sleeping mask. I reached up and pried apart the velcro near the top to flick the "on" switch, remembering to hold it down four seconds to enter "nap mode." I couldn't tell if I saw the indicator lights or not... I thought I did, but the impression was vague. Did I have the brightness set too low? Oh well, I don't remember how to change it. I'll just turn it off and turn it back on again to be sure. Hmm, same thing, the lights are vague... I'm not sure if I'm really seeing them or just imagining it. And then I realize... hang on... I'm not even wearing the Remee, this is just an ordinary cloth sleep mask! So I tried to correct the situation by putting my Remee on under the regular mask... and I really thought I had done this until, while writing this report, I began to have doubts and went to check. Sure enough, the Remee hasn't been touched all night! At least I can verify that I was wearing the ordinary mask, since that one has been moved and is now lying on my bedstand where I must have left it after waking up.

      At another point in the FFA I even felt the MotivAider finally go off. The vibrations felt lengthened and distorted again. I ignored them since I thought I was still awake, and hoped I would be asleep by the time it went off next. In retrospect I realize I must have dreamed even this, because the MotivAider could not have gone off until 45 minutes had passed (even on random mode it initially counts down the full maximum set interval), and I got up to start writing this report at 6:14am, less than 45 minutes after going back to bed around 5:40... so it is very unlikely that it actually went off in that whole period!

      I was getting annoyed with how long it was taking (or so I thought) to fall asleep, and eventually in my impatience I decided to just start "practicing" WILD separations in my imagination. I tried to envision an almost physical pull on my dream body that would tug it up from the lying position into a standing one, and after each repetition of this I imagined myself landing with both feet on the bed with the flourish of a gymnast who has just finished an acrobatic move. It felt at first like I was only visualizing this rather than experiencing it: as though I were just going through the motions, practicing for when I got closer to falling asleep... but before long the sense of immersion set in, and I realized that I was already in a light WILD state. I was surprised that I had been able to move so easily from full wakefulness to full REM, still unaware that I had evidently already been dreaming for quite some time already!

      WILD: Since I was under the impression that I had only just transitioned into a dream state, my initial goal was just to improve immersion and stabilization, so without trying to do any tasks at first I simply wandered through the house. I soon half-woke and had to separate again. I used the same visualization as before "pulling myself up" from lying down to standing up, but it went more smoothly and easily this time. Once again I landed like a gymnast, but this time rather than landing on the bed I vaulted right out of it and onto the bedroom floor.

      By this time I felt immersed enough to start working on tasks. One of the TOTMs is to dress in a costume, and I had decided in advance that I wanted to dress like a witch, so I went to the "costume closet" where I keep my clothes that are too dressy or impractical for everyday use. At first I was surprised to see (so I thought) nothing but the clothes that are there in waking life. I must have been a bit confused, because although in WL the closet contains plenty of gothy-looking wraps and dresses entirely suitable for a witch costume, the only thing I thought to grab at the time was a small halter top of some colorful iridescent material. I didn't put it on yet, since my priority was to find a mask.

      The closet actually contains a box of masks on the upper shelf, but in the dream I "remembered" that I had a brown paper bag of them on the floor, so I went through it until I found a witch mask... or was it? Looking at it again, I thought it actually looked more like a Darth Vader mask that someone had clumsily tried to convert into a witch face with dabs of green paint. But then I "remembered" using it as a witch mask before, so I figured it would be adequate.

      Next I needed the pointy hat. I must have one around here somewhere... I dug through the closet, but couldn't find one of the right shape. Nevermind, I can make one! I pulled out a fedora made of black leather, and started trying to pull the top to make it longer and more pointy. At first the material was resistant but I put some focus into the act and soon was able to mold the hat into a proper Halloween-style witch hat, and put it on my head. The fact that it was made of black leather made me feel extra stylish. I paused at the door of the room and wondered if I needed to change my clothes as well, but when I looked down I saw that I was wearing a long black dress that already looked witchy enough, so I never had to put on that stupid halter top!

      After walking back out to the kitchen, I remembered to check my reflection in the mirror (in a spot where there is no mirror in WL). It wasn't bad! I looked like that classic witch from the Wizard of Oz: green face, hooked nose, tall hat. The mask was looking much less Vader-like now, and at this point I noticed that there was even an inscription on it (entirely legible in the mirror rather than inverted by the reflection) that gave the title "Witch," and was signed either "Robert" or "Richard." I assumed the name must be that of the local artist who made the mask, and was reassured by the title that it had been intended as a witch mask after all.

      When people were contributing suggestions for the October TOTMs, I had really liked the one about flying on a broomstick to a witches' gathering, so this was something I had planned to do once I got in costume. But now I wasn't sure. Maybe it would be fun to work on my lucid dare instead, and go startle some elves with my witch costume! I felt indecisive. And in either case I'll have to leave the house, so which door should I use? I've let myself get into the bad habit of being paranoid that leaving the house might destabilize the dream, so I wondered if leaving by a door I don't often use would help bypass this impression. I know that this worry is a wholly self-imposed obstacle—and moreover that it is not supported by the evidence—yet I also know that even letting myself worry about destabilization can have a destabilizing effect!

      While I'm standing there trying to make up my mind, I notice that the scenery outside the kitchen door has already begun to change. Replacing the back patio is now a beautiful summer forest, with green leaves, mossy trunks and a clear limpid pool of water on the ground, like a natural spring. The water is only a few inches deep and appears completely transparent and pure. The scene is so lovely that I immediately let go of my pointless worries and go outside to enjoy it, kneeling in the water and running my hands through it, lifting it in my palms and letting it splash back into the pool. I find myself wondering if these surroundings will transform my costume from that of an ugly old green witch into a young beautiful forest witch. And what do we mean by "witch," anyway? I start pondering the question: aren't those two archetypes (ugly old witch and young beautiful witch) from the same tradition? Don't they both imply a woman with an unusually strong connection to the natural world?

      I still haven't decided if I want to look for a witch gathering or an elven gathering in this forest, as I think both could conceivably be taking place here. Would the elves resent my presence if I'm still a Halloween-style witch? But if this pool has transformed me into a beautiful forest witch, maybe I would blend right in. (I regret now that it never occurred to me to check my reflection again in the pool! Though I still had the impression that I was wearing the same black dress.)

      Once again the dream distracted me from my thoughts, this time by the sound of a voice singing. It was an attractive male voice, a low tenor, drifting from somewhere up above. The pool where I knelt was at the foot of a rocky ledge, at least ten feet high, and it seemed like the main part of the forest was up there. I flew up (I can't recall if I used a broomstick or just levitated as usual) to see if I could locate the singer. I followed the voice and soon found myself in a green mossy glade. I could not see anyone but I could hear the voice distinctly, so I took note of the words:

      On the new sensation lying within,
      One can ride a stream of water, straight and thin.


      There was another half line of verse after this but on waking it faded before I could record it. I think it had something to do with the feeling or awareness produced by the "new sensation" mentioned in the first line. I woke up before I could listen to any more of the song or continue to look for the singer.

      Note: It was still very early after I finished writing all my notes, so I went back to bed. I had some NLDs and at one point as I was starting to wake up from one I found myself thinking about the song again. At this time I got the impression that the missing line might have been: And so a new feeling is won. Of course there's no way to confirm if that's what it was originally, but it's the best I've got to go on!
    3. Proto-Lucid: Half Memory, Half Dream

      by , 08-27-2014 at 08:00 PM
      NLD fragment, early: There was a band of Thai Buddhist monks in Bangkok called "Sacred Light." Contrary to what you'd expect, their music was surprisingly harsh and experimental. A musician from another band commented about one of the group, "His music has an edge of irrancidity." I woke up and for a few minutes I remained fully convinced that "irrancidity" was as much of a real word as "rancidity" (sort of like how you can legitimately say either "regardless" or "irregardless").

      NLD: (I'll gloss over this since it was tedious and contains a lot of RL details. It was a basic anxiety dream: I was performing a task at my workplace and I was ill-prepared, everything was going wrong, and a senior colleague was observing the whole fiasco.)

      Proto-lucid: After the anxiety dream I half-woke and was reminded of my speculations lately about the degree to which increased stress in waking life might actually be a condition actually favorable to lucidity. I slipped from these musings into a proto-lucid event—I don't want to call it a "lucid dream" per se because it felt too superficial and unformed. It started when I transitioned from my half-awake thoughts into walking past the house where I grew up. The back door was wide open, including the screen door, and this bothered me. Was the house abandoned? Or were the people who lived there now just careless? It was not a good idea to leave the door open like that because the nearby wetlands meant that the summer air was always thick with mosquitos and biting flies.

      I stepped up to the threshold and called out, "Hello? Hello?" There was no response. The interior was decorated differently than I remembered, which I attributed to the fact that other people lived there now. I was reminded of the last episode of "The Leftovers" I watched Sunday night and figured that with the door wide open like that, even a large animal like a deer could wander inside. I decided not to go in—it didn't feel like "my" home anymore and I would be intruding on someone else's space, even if they weren't present. However, the wide open door still annoyed me, so I closed the inner screen door. Then I mostly closed the outer door as well. If the inhabitants came by and found their door unexpectedly closed it might startle them, but they should know better than to leave it open in the first place.

      I continued walking around the side of the house and headed down toward the chicken house and barn. I was impatient to cover the distance so I started running, and I was reminded how good running felt when I was living here in my teens. Sometimes I would just run across the grass with sheer exhilaration and excess of energy. It's been a long time since I've felt like that—especially when running! When I got to the space between the two buildings I peeked into the chicken house, but it was empty so I went into the barn instead. I had noticed some people in the pasture so I crept quietly through the barn to the lower area where it connected with the pasture and peeked around the wall. Yes, there were definitely a couple people in the pasture, about a hundred yards away. I was pleased that the dream was finally starting to take some initiative and manifest something other than the basic environment. However, I didn't want those people to see me, since I still felt like an intruder now that they owned the place, so I remained hidden.

      I went back inside the lower level of the barn and headed for the stairs that led upstairs. Meanwhile I reflected on how muddy and vague the environment still was, despite the fact that the dream had been otherwise stable so far. My senses were crap. I had experienced this in plenty of WILDs—which in hindsight this might have almost been, though since it had started in a non-standard location (my WILDS typically involve me "getting up" out of bed) I simply might not have recognized it as such. But at that time I still didn't want to give it credit for being a real dream at all, because I felt that it didn't quite measure up. Maybe I'm getting too critical; on reflection it looks more like a real dream than it felt at the time. But that's probably just a trick of print: the dreamstate was not really rising to the occasion, and I felt too much like I was "working the controls," as it were.

      Anyway, I was contemplating the muddy, vague environment, which I felt was being shaped almost more through my conscious memory of the place than through the independent activity of the dream. Last night I had been reading a thread on DV about ADA, which included claims that greater awareness in waking life can also sharpen one's dream senses, and I couldn't help but acknowledge that my ordinary level of perceptiveness in waking life is probably much lower than most people's—because in effect I've spent most of my life practicing how to filter things out, not let them in. That said, my dream senses are usually reasonably sharp (with the exception of taste and smell) and my recall can be quite good, but I thought that perhaps the muddiness of the environment this time had been conditioned by that chain of thought.

      I headed up the stairs to the upper level of the barn. I wandered around a bit more but don't recall encountering or thinking anything else of note before I woke up.

      On waking, I realized that the circumstances were now all in order for a proper WILD attempt, but although I went through the ritual in a way that felt like it should have been successful, in the end I just fell into a period of regular sleep without even an NLD to show for it. This has actually happened several times over the last couple weeks, which is irritating given my satisfying successes earlier this month.
    4. First FILD

      by , 08-02-2014 at 10:45 PM
      Ritual: wtb around 12:30am. Had to get up at 8am so no time for serious WBTB, but I had been reading about FILD and how it relies on short WBTBs that allow one to go back to sleep quickly, so thought this would be a good opportunity to try it out. I was waking up naturally every couple of hours and each time did FILD as I went back to sleep, but no results. If I was having NLDs, I didn't take notes and don't remember them now.

      My fourth waking occurred at 6:50am. I did FILD again. This time, as I was nearing sleep I saw a tiny white light, rayed like a star and unusually bright, appear in the darkness behind my eyelids and seem to come closer. This reminded me: wasn't I supposed to be paying attention to hypnogogic imagery? Actually I don't think that is a part of the FILD technique but in my half-asleep recollection I was convinced it was, so I focused on that white star, and for whatever reason I felt like it was actually effective in helping me transition.

      I had not been doing the "nosepinch" RC during my FILD attempts, as the tutorial recommends, because it struck me as potentially counter-productive to make such a large motion—if the body is not already in SP then one would end up moving one's physical arm and disrupting the transition. Plus, I figured, if I still had the presence of mind to remember to RC in the first place, then I could probably figure it out in some other way.

      As I was trying to come up with alternate RCs that didn't involve physical movement, at one point it occurred to me, "Hey, if I'm lying here with my eyes closed, how come I can see my bedside table?" What a giveaway! So then I realized I must have transitioned without even knowing it, and got out of bed.


      WILD: The first thing I did was go look out the sliding door in the bedroom. In RL it leads to the back patio, but in the dream, it opened onto a wide grassy lawn that extended a great distance. The air felt very real and fresh as it came through the door. I remembered my tasks, but after botching them last time because I rushed out of the house before the dream had stabilized, I didn't want a repeat of that failure. I realized I'd better take some time first and let the dreamstate develop a bit more strength. It felt unusually "thin," even for an early-stage WILD.

      As I walked down the hall, I noticed three coins lying on the floor just inside the door to the library. This pleased me immensely, because I recognized it at once as waking life residue, the consequence of a conversation yesterday, and I was glad the dream was showing a bit of initiative. I picked up the coins and then wondered where to put them when I discovered that was wearing a skirt that had no pockets. "Don't be silly," I reminded myself, observing that this shouldn't be an obstacle in the dreamstate. So without looking, I slipped my hand down until I could feel the edge of the pocket that manifested on the skirt just where I "expected" it to be, and slipped the coins inside.

      Shortly after this the dream was disrupted by a half-waking, but I was able to re-transition. I got out of bed again and realized I'd better work more deliberately on stabilization, running through each of my senses in turn to better engage them. Touch always seems the most foundational, so I rubbed my hands together and over various differently-textured surfaces in the room: the fluffiness of a sheepskin, the scratchiness of the wool rug, the smoothness of the wall. My sense of touch tends to be robust even in the most poorly-integrated dreams, so the results were satisfactory. What next? I thought of sight and sound, but immediately hesitated. The dream felt so thin and fragile that I felt convinced engaging sight and sound would expose me to RL stimuli and risk waking me. I thought it might be better to do taste and smell first to try to get a little more traction. As I walked toward the kitchen I saw a potted basil plant (much like the one I had bought yesterday from Trader Joe's) sitting in the door of the hallway bathroom. "That'll do for taste," I thought, plucking a leaf and putting in my mouth. It tasted very much like real basil, spicy and herbaceous, but somehow not entirely pleasant on its own. The leaf was unusually large and now it was filling my mouth in an unpleasant limp wad, so rather than chew and swallow, I took out what was left of it and put it on the counter. Surely there must be something else to eat? Ice cream maybe? I looked in the freezer, but remembered that I had finished the chocolate ice cream last night. I considered manifesting some more, but didn't get around to it. This might have been around the time the second half-waking occurred, and I had to re-transition.

      It's not unusual that I have to chain a few WILDs like this before the dreamstate stabilizes, but this time it only seemed to be getting weaker rather than more robust, despite my deliberate attempts to gain traction. I guess my REM state wasn't very strong or I was already too wakeful. At one point I had opened the screen door by my work area and was standing with one foot inside the room, one foot outside on the patio, looking down the side of the house and thinking how unusually lifelike it looked, rather than showing the typical degree of dream-like distortions. And not long after that I woke up for the third time, too fully awake to retransition. I checked my clock and it was 7:35am.

      It was a rather unsatisfying WILD in that the dream started out thin and only got thinner as time went on... there was one rough patch in the third part where I felt like I was holding it together through imagination alone before my senses re-engaged. By the very end, after it became apparent that I wasn't going to be able to accomplish anything worthwhile, I think I just gave up and was indulging in libidinous pleasure—through thought alone, as it seemed too much trouble at that point to try to create a scenario.

      I'll have to keep trying with FILD to see if I can get better results. On the upside, it has the advantage that it can be practiced during very brief WBTBs, so it can be used at times when other techniques that require more mental focus would be unsuitable.

      Updated 08-02-2014 at 10:48 PM by 34973

      Categories
      lucid
    5. Breadcrumbs / Sketchbook

      by , 07-30-2014 at 07:48 PM
      Ritual: Went to bed around 12:50am. Woke naturally at 3:32. Seemed a bit soon to WBTB but my motivation was good and I recalled traces of imagery so decided to go for it. Drank guayusa tea and read Brooks & Vogelsong. Before going to bed did hybrid of SSILD/counting/affirmation while sitting in chair. Technique: counted incrementally while breathing slowly and deeply, thinking the number on each in-breath, and on outbreath rotated between senses (thinking "look," "listen," or "feel") and then adding an affirmation, letting it fall randomly between "always lucid" or "always aware." Counted to fifty in this way, though I was impressed how easily it was to lose track of the number (this is good, it means the mind is losing its focus on waking life) even while sitting upright in a chair. Returned to bed at 4:52am and continued counting up to 70 while lying on my back, then ceased the practice and turned on my left side to sleep. I soon realized that I'd overdone the WBTB a bit and was excessively wakeful, but consoled myself that I should be able to return to sleep eventually given how few hours I had gotten so far, and my chances for WILDing should be improved by this touch of insomnia.

      I had made sure to fix a very clear task in mind: I had read about the "fairy tale" challenges on DV and they seemed potentially interesting, but I realized I should make a clear plan. If I did successfully WILD I would find myself in my house, so how would I go about pursuing the task? My idea was this: grab a loaf of bread from the kitchen, exit the front door, turn right and walk up the hill, where in a previous WILD I had passed through a tunnel and found myself in a deep, dark forest. I could leave a trail of bread crumbs and see what happened from there.


      WILD #1: It took a long time to go back to sleep. Eventually I felt sensations I interpreted as the onset of SP: tingling and distortion of the physical body, then a sense of weight on my chest so localized and specific that I wondered if the cat had actually jumped on me, but the weight quickly increased beyond that of any cat. I was encouraged because it seemed like this transition was happening very cleanly and consciously, and turned my attention to beginning to "move" the non-physical "body." I was careful not to wiggle my fingers or adjust my limbs lest I break SP, so I concentrated on unnatural movements like full-body rotation. I could begin to feel my body swinging in a horizontal rotation but didn't yet have enough traction to "get up" out of bed. Suddenly I felt a vertical "lift" as though my body had floated up several feet, and the next moment I was standing on my feet next to the bed. "And I'm up!" I thought to myself, pleased.

      I noticed right away how dark it was, and despite the clarity of the transition, I did not feel well-integrated into the dream body. I deduced that this was probably a consequence of weak REM-state, given how little sleep I had gotten before the WBTB. I thought I'd better do some stabilization, so I touched some surfaces around me and then rubbed my hands together. This felt lifelike enough, so I became too easily complacent and didn't do anything further to integrate... a mistake, as it turned out. But I was pre-occupied with performing my task and didn't want to get distracted to the point where I never left the antechamber, as so often happens, so I rushed to get started.

      I moved swiftly toward the kitchen and picked up the bag of bread from the counter as I passed through. It felt quite full, and I recalled that I had bought a new bag just the other day in waking life. Although the environment was still very muddy and vague, I could easily find my way through the house out of habit, so I headed straight for the front door. As I was crossing the threshold, I noticed that the bag of bread suddenly felt very light, as though there were only a few slices left. I hesitated for a moment, wondering if I should return to the kitchen, but didn't want to be distracted from my task, so I figured, "That's alright, I can always manifest more."

      I walked out into the night, the outdoor environment no more distinct than the indoors had been, but I knew where I was going. I turned right and began to walk uphill, reaching into the bag to start dropping breadcrumbs. To encourage the right environment to appear, I started muttering under my breath: "Entering the world of Hansel & Gretel. Entering the world of Hansel & Gretel." But I only got off two recitations before I abruptly awoke. I realized my error at once: the dreamspace outside the antechamber is always less stable, and in my impatience to get started on the task, I hadn't integrated properly before exiting.

      I lay for a long time in the position I woke in. Often I can seamlessly re-enter a WILD if I half-wake and don't move. But this was no half-waking: my mind was fully awoken and I soon realized that holding my position would be of no use, sleep had well and truly gone. I used the bathroom so it wouldn't pre-occupy me later and returned to bed, lying on my other side now to make a fresh start. By now the sun was rising so I got out my sleep mask from the drawer. I hate wearing it, but I could tell the light would be disruptive today. I considered checking the time but was trying not to stimulate wakefulness any further, so deliberately decided not to. It was evidently around sunrise, anyway, which occurred at 6:01am today according to Google. That was well over an hour after I had finished my WBTB and the dream can only have lasted a few minutes, so it must have taken me a very long time to fall asleep beforehand.

      WILD #2: I lay on my right side and tried to keep a positive attitude: of course I can do it again! I re-WILD all the time! Not usually from such drastic awakening, admittedly, but I didn't let myself focus on the negatives. I wondered if I should rise and write a report, but reflected that there was little to report apart from the exact wording of the phrases I had thought or spoken, and these I had already scrawled in my notepad. The rest, what little there was, would be easy to remember. So I let go of those worries and focused attention on my breathing, remembering not to "try" to fall asleep but just let it happen. Eventually, it did.

      Whereas the previous transition had been so vivid, this time I was surprised to find myself simply standing at the foot of the bed. I hadn't noticed the separation. But at least I remembered where I had gone wrong in the last attempt, and reminded myself: don't rush it. Get traction. Find something to do in the antechamber to better immerse yourself.

      I noticed that this time the bedroom was full of books, stacked in messy piles and filling bags all over the floor. I figured that these would provide a good opportunity to more fully engage my senses in the dreamspace. So I selected a few and carried them with me as I moved out of the room. The kitchen floor was also covered with books, so many piles and stacks that was actually hard to pick a path through them. I was picking up volumes more or less at random until I noticed what was clearly an artist's sketchbook, a spiral-bound 9"x12" Strathmore, on top of one pile. "Oh, I should look at that!" I thought, and grabbed it. Finally I made my way to the living room, where I found a small oriental rug on the floor (about 2'x3', black pattern on a white background) and sat down on it to begin to peruse my books.

      I chose the sketchbook first, because I was the most curious what I might find inside this one, and dream pictures tend to be easier to perceive and remember afterwards than dream text. The first picture I saw upon opening it was a portrait of what looked like a tribal chieftain, showing the upper half of his body and filling the whole page. He looked about middle-aged, with angular but weather-beaten features. The most distinctive element of the portrait, dominating most of the visual space, was the enormous headdress he was wearing. It wasn't made of feathers or any obvious RL material but seemed composed of abstract patterns with a Mayan styling to them. I took note of the colors. The headdress was all in shades of red, mostly an earthy brick shade. There were constrasting shades of muted green in the distinctive wide straps criss-crossing his body in various places. It didn't occur to me at the time, but the obvious deduction is that these straps were there to secure the enormous headdress.

      After looking carefully at the first drawing, I turned the page. The next image I saw was more cartoon-like. The page was divided into four rectangular panels, each one the width of the page, and stacked vertically. There was a caption, though I don't remember if it was above or below the panels: "Doyle Oss Toss." How clever, I thought... until I realized that it didn't rhyme as well as I had thought at first, because I was aware from the start that "Oss" meant "Owl" but soon realized that the RL word had been distorted unrecognizably to fit the rhyme. My dream texts often demonstrate this tendency to favor rhyme and alliteration over comprehensible meaning.

      The four panels showed the Doyle Owl being punted by a large shaggy grey wolf. The Owl was on the left, the wolf on the right, and the setting suggested the outdoors but was very plain, with little in the background to distract the eye. The sky behind them was dark. The first panel showed the Owl already in mid-air, with the wolf's head lowered, evidently having just head-butted it. The second panel showed the Owl about halfway down, in the act of falling, the wolf's head still lowered. The third panel showed the Owl having come to rest again on the ground, the wolf's position unchanged. The last panel showed the Owl lying on the ground where it had fallen, and now the wolf had lowered its haunches into a crouch and lifted its head toward the sky, howling in what I interpreted as triumph.

      I think I might have spied one more drawing but I don't remember it, because around this time I woke up. In a false awakening. Which I didn't recognize. Responsibly, I immediately began to record the dream on my notepad, first sketching out the four-panel cartoon I have just described. After completing that, I started blocking out the tribal chieftain, and made some notes about the colors. I think I wrote about the green straps first, and when I started trying to describe the particular shades of red in the headdress, the dream began to evolve, and I thought I remembered dreaming that I was a sultan who had a vizier who wore a turban constructed of red cloth in various textures and shades, including a dark red kerchief. It's possible that this image relates to a drawing from the original sketchbook that I've forgotten, because as I was jotting down notes about color of his headgear a new visual appeared, where I could see the vizier from above and behind, with a clear vantage on the dark red kerchief, and I was surprised because I knew that I had not previously seen him from that perspective.

      Before the FA could evolve any more, I woke up for real and recognized that I had just been writing my dream report in another dream, and I'd better get up and do it properly. In this case I didn't mind the delay because writing it down in the FA had helped cement the details in memory (this is not always the case). So I started jotting down my notes on the notepad next to my bed... only to realize soon after I'd started that even though I was more or less awake now, I still wasn't actually doing it, I was still just experiencing a kind of half-dreamed enactment of writing, and I should stop tricking myself and physically get out of bed so I could be sure I was doing it properly. So I got up and hastily sketched out the four-panel again—noticing with amusement how much crappier it looked in RL than in the more elegantly sketched version from my initial FA. I noted the time of rising as 6:56am, and recorded the rest of the dream on my laptop.

      Updated 08-02-2014 at 10:48 PM by 34973

      Categories
      lucid , false awakening , task of the year
    6. Butterfly Transformations

      by , 07-22-2014 at 09:30 PM
      Ritual: wtb 3:15am, last wbtb 9:15am, woke 10:38am, SSILD: WILD

      Last sleep, last chance. It was already 9:15am, but since I'd gone to bed so late, and all my previous attempts that night had been without real motivation and had resulted in falling asleep before completing a single cycle, figured I could try once more. SSILD: tempted to mix it with other techniques, but if I was going test this properly, ought to do it straight up. My timing was messy and uneven, but remembered that was okay. Did maybe three cycles on my back, uneven length, afraid of waking myself up too much, given that it was already mid-morning, so turned on my side and prepared to let myself sleep. A few times I ran through the cycles very lightly and quickly, just to get back in touch with my senses. At some point in this process the cat jumped on the bed. I was getting closer to sleep but figured I could work with this if he settled down and didn't just start yelling. Fortunately he decided to sleep on me, and I was able to work that sensation into my rotation. I wasn't cycling regularly, just randomly once in a while when I felt I might be losing touch.

      I must have been already dreaming without knowing it, because I thought I was only thinking, and it never occurred to me that the presence of sustained visuals suggested otherwise. I was replying to posts on some online forum made my a friend—nothing to do with DV, no one even connected with dreaming, just an old friend I haven't talked to in a while (AS). He was posting something about falling asleep a certain way and used an acronym like "TILD," and I wanted to reply snarkily with something like, "Does TILD stand for 'talking to yourself in bed'?" At the time, I was convinced this phrase perfectly fit the acronym, so I was apparently already touched by dream logic. So I was trying to type out my reply, and I simply could not type "TILD" properly. I tried over and over, and my fingers kept slipping and hitting everything else on the keyboard. Technical difficulties like this are one of my dream signs, but since I was convinced I was still awake, it didn't occur to me to RC. On the contrary, I thought I was having this trouble typing because I was getting too sleepy! This was precisely the opposite of a false awakening: instead of losing dream awareness by believing I had woken up, on the contrary, I failed to realize I was dreaming because I thought I hadn't fallen asleep yet! (If there's no acronym for this yet, I propose FFA for "false falling asleep," as it pairs well with the more familiar term FA.)

      Around then the music started. I could hear a Pixies song. At the time I was sure that it was a song I knew, and it was playing perfectly down to the last note, even though I hadn't heard it in years. (I can't remember now what song it was, if it was indeed a real one.) I knew the music wasn't coming from outside me, and figured it must just be hypnagogic activity. The whole time until now I had been aware of lying in my bed, which was part of the reason I thought that I hadn't quite fallen asleep yet. After the Pixies song played in its entirety and then concluded, a new song started. This one intrigued me even more, because I was sure it was a song I had never heard before. It was lively enough to make a good follow-up to the Pixies, but the singer had an accent that sounded African. It reminded me of the song "Rise" by Seun Kuti, one that I downloaded free from Amazon and put on my running mix—but I'm not familiar with his other work. This song, like one before it, was crystal clear... like so often before I regretted that I am not more musical in waking life, because I felt sure if I were musically literate I could wake up and recreate it. But I didn't feel like rousing myself and trying to hum the melody into my iPhone when I hadn't even gotten to sleep yet.

      WILD: At some point around here the transition finalized, and I realized, hang on, I think I am asleep now! I'm in my dream body! I could probably just 'get up' without disrupting anything... so I got out of bed, and even though everything felt extremely lifelike, there was a lightness to my body that I was sure meant I was dreaming. I was impressed how bright and clear everything was, and how mobile I felt, unlike a lot of WILDs where it's dark at first and I'm crawling over the carpet trying to get traction. But perhaps integration wasn't perfect yet, because hardly had I gotten out of bed when I was disturbed by a loud rhythmic noise that threatened to disrupt the dream state and wake me. At first I thought it must be the mailman knocking on the door, because I'm expecting a package. But as it continued without abating, I realized it must actually be construction on the house up the hill. How foolish it was, I chided myself, to do my dream practice so late in the morning! The world wakes up and starts making loud noises; at least during the night it is quieter. (RL: It turns out there's nothing at the door and no construction going on outside, so despite these very reasonable hypotheses about bleedthrough stimuli, the sound appears to have been largely or entirely internal.)

      The sound was extremely disruptive and I felt alarmingly close to being woken by it. But I had just gotten into a perfectly good dream and had no wish to lose it so soon (like that time recently when I was woken from an otherwise fantastic WILD by my own snoring—come to think of it, this is another possible culprit for the sound!) How can I deal with this and remain in the dream? The answer occurred instinctively: dance! So I started dancing to the noise. It was a bit like dancing to the sound of hammers, and my dance was correspondingly jerky and spasmodic, but it did the trick! After a while I felt that the dreamstate was no longer threatened, so I paused and looked at myself in the bedroom mirror. Once again, as in the last SSILD, I was impressed how much like my waking self I looked: the hair was different, shorter, but the same face, same eyes. I smiled at myself and could see the smile in the reflection. Interestingly, even though it was a full-length mirror, I have no conception of what I might have been wearing. I wasn't curious about it at the time I was looking, so I have no impression of it now. If I had to guess, I would suppose it was a loose white summer dress of the sort I've been wearing around the house lately (I don't wear these to bed though).

      Even though I had come to terms with the noise, it was still loud and annoying, so I decided to leave the bedroom and move deeper into the house, hopefully away from it. It might have diminished slightly by the time I got to the kitchen, but only a little, so I keep walking through to the living room. I notice my fluffiest down comforter is heaped up on the couch for some reason. I pull it off, and as the folds of cloth open I see the dark silhouette of a butterfly within them. I am momentarily confused: is butterfly a dream figment, or is it real? That is, just as I thought the sound might have a source in waking life, it didn't seem improbable at that moment that a butterfly might have accidentally made it into the house. Dream logic prevented me from realizing that, even were that so, how would I realize it when I was asleep in my bed? The butterfly flutters up and flies into the kitchen, so I follow it. Around this time I am too distracted to notice the noise anymore, being completely engrossed in the butterfly. When I enter the kitchen, I notice that in place of the little black one I followed, about the size of an ordinary monarch, there are now two very large butterflies, their wingspans about 16 to 18 inches across. One is slightly larger than the other, a very pale greenish yellow. The other one has the same base color, but its wings have black borders.

      I am reminded of the task I had been intending to work on next, "creo animál." However, it seems that the dream has jumped the gun and already created the animal for me, so I roll with it and decide to experiment with "rego animál" instead—apparently forgetting I've already done this one numerous times. I know I should try "intellego animál," as I've never tried anything with that technique, but I'm not sure how to go about it, so I decide to put it off until later. I hold out my hand and command "Rego animál," focusing on the larger, lighter-colored butterfly and intending for it to land on my hand. The butterflies flit around and ignore me. I try again. Doesn't work. What's the problem? They are "animals," aren't they? I mean, in the broad sense of the term, I'm pretty sure insects count. Do I need the "auram" sphere for this, as they are creatures of the air? But I've worked with wind before—I've found it quite straightforward to conjure all the elements directly—yet somehow this is harder. I'm forgetting all the times I have commanded animals very easily in other dreams, and am probably just making it harder for myself by all the Ars Magica rigamarole, but truth be told I like rigamarole... it's more stylish and satisfying than just making things happen in a perfunctory way. I conclude that the main problem is that I'm just not putting enough focus into my intent, and so the third time I sing the command. For some reason, I always get the best results in dreams when I sing to shape them, and sure enough, now the butterfly comes over and lands on my proffered hand.

      What next? I walk the few steps back into the living room, and command the butterfly to fly up again and go land on the small table by the window on the other side of the couch. Again, it takes me a couple tries, but the butterfly finally obeys. As it lands there, it turns into a young light-haired woman. I am distracted from this transformation by a young blonde man who is now at my side. He is not the second butterfly, the one with black-bordered wings: around this time she transforms into a dark-haired woman who is standing near the closet. With all this transformation going on, I am inspired to try "Muto animál," so I direct this command to the young man, intending for him to turn into a butterfly. He stands there looking a bit obstinate or confused, so I sing the command in what I intend to be a very persuasive manner, and he finally complies—sort of. He lies down on his right side in a fetal position. He is not lying on the floor, but on some platform a few feet high that doesn't exist in RL (there would just be a wall there). He produces a bundle of red yarn that he stretches along the length of his spine. I watch, waiting for the transformation, but nothing happens. I command him again, and he respond that he is doing his best, but that it will take a very long time—maybe up to a year!—because the timing isn't right.

      It's possible that the guy is just dicking me around, but he seems sincere, and he does offer that he could transform more easily into a goat. (OMG! I hadn't even realized until I wrote this that my first SSILD also involved a goat... odd coincidence, as I don't remember dreaming of goats under any other circumstances.) I say that this would be fine, so he gets back up, discards the red yarn, and transforms at once into a brown goat of ordinary size. He warns me that when he is a goat, he speaks in a strange high voice—which seems contradictory at first, because he has already turned into a goat and is still speaking in the same voice as before. However, after delivering the warning, his voice does change. From his description of a "high voice," I was expecting him to start speaking in falsetto, but instead he sounds more cartoonish, like his voice has been sped up. With his new voice he introduces himself to me, telling me his name is "Hemm." I find myself wondering how this is spelled. I imagine it with two 'mm's, but having only heard it spoken, I can't be sure. Should I ask? Well it can't hurt, and might help me remember the name better. "Is that spelled H-E-M or H-E-M-M?" I inquire. He replies that there's no way to know: he was just a blacksmith's son and never saw it written down.

      I realize that I should get the names of everyone in the room, because then I'll be able to write a more detailed report when I wake up. So I turn and ask the girl sitting on the small table, formerly the pale butterfly. She tells me her name is "Anna." She is now holding a painting, a vertical rectangle about 24x36 inches, and turns it around to show me the back. "And his name was 'Jakachibe', he was a Japanese thief." I gather that the guy she mentions is represented on the front of the painting, but I barely had time to glimpse the image before she turned it around, and now she is just showing me the back of the canvas, where something like 'Jakachibe' is written in large sloppy pencil letters on a wooden crossbar. I say "something like" because the transliteration of the name is even worse than what I've rendered here—there was another 'h' in it somewhere, maybe even a 'q', something more like "Jaqhachibe," but I can't remember precisely—and I have to bite my tongue to refrain from telling her that "Jaqhachibe" doesn't sound like a proper Japanese name and even if it were, it certainly wouldn't be spelled that way in English. I just smile and nod, then turn to the dark-haired woman who has continued to stand by quietly. She tells me her name is "Caroline." After I hear each name, I am repeating it aloud, to better impress it on my memory.

      After talking to each of the women in turn, I notice that the young man who had transformed into a goat has returned to his former human appearance. He is of average height, with wavy blonde hair, short but not too short, a bit tousled, and he has a pleasant, open face. He volunteers that his name—in this form—is "Viryec." Or at least, he says something that sounds like that phonetically, but is probably spelled very differently—"Virjece" occurs to me as the most likely possibility—so I start inquiring more about it. He tells me that his name means something like "sincere effort." This rings a bell—both in sound and meaning, it reminds me a lot of the Pali word viriya, which has been on my mind lately, so I ask him if that term has any relationship to his name. Although he and his name both strike me as coming from northern European stock, perhaps there is some ancient Indo-European etymological relationship with the Pali... but before he can reply, I wake up. I don't know why my dreams so often seem to end just before what promises to be some interesting revelation, but here we are again. Still, I'm not that disappointed because I have so much to write down!

      Updated 08-02-2014 at 10:49 PM by 34973

      Categories
      lucid , memorable