Superheroes/Serial Killers/School/Sex
I am Nightcrawler, and I am on a mission. My fingers are tapping nervously against the steering wheel and my heart is beating terribly hard. But I have to focus on the objective. I have to save Psylocke.
I open the door to the inconspicuous white van I have taken here and look around. I'm in a narrow alley. The building I must infiltrate looks to be about fifteen stories high. I don't know where she is in there, but I'll definitely find her. If I have to go through every floor, I'll find her. I hop out of the van, and teleport.
It's fairly easy, teleporting: With the intent of appearing in a certain location I jump into the air, and before my feet have touched the ground I disappear in a puff of smoke, only to reappear exactly where I need to be. I can't do it without jumping or running. To be honest, I'm not quite sure why. Though I suppose in a way it does make some sense- after all, you can't get anywhere without moving, can you?
BAMF
I'm on the top floor, and the interior looks like a typical office building. But Psylocke isn't here.
I teleport through each floor and eventually end up in a man-sized ventilation duct somewhere in the middle of the building. I peer into the room below, and there she is! Psylocke is bound, gagged, and blindfolded beneath me. I kick the vent away and immediately scoop her into my arms. Blood is trickling down her forehead, and I gently remove the cloth from her face as she mumbles and slowly turns her head. "Mmn..." I shake my head. 'What have they done to you...'
Suddenly the door is kicked open, and guards clad in body armor stream into the room. They raise their guns and I run in the opposite direction, ultimately leaping through the glass pane and into the alleyway. The bullets stop as I agilely crouch on the ground and I quickly open the door. As I place Psylocke in the van, I hear a bloodcurdling scream behind me- I turn around, and see the Ghostface Killer standing behind the shattered window.
This frightens me immensely and I jump into the car. When I turn around, he too is on ground level...The side doors begin to close automatically, though slowly, giving Ghostface enough time to run to us. He tries to force himself in and I quickly kick him in the face. He falls to the ground.
I drive away then, too afraid to look back.
*****
Some of my family and myself are in the car now, and I am no longer Nightcrawler. Psylocke is gone as well. We're driving as far as we can to avoid Ghostface, as we know he's in pursuit: we just don't know where he is...my mother stops the car at a gas station. Though I plead with her to stay with us, she goes inside with promises of returning quickly, leaving me with my three brothers. I unbuckle my seat belt and stand beside the car. Then I receive a flash of precognition.
My oldest brother is the killer.
I'm lucid now, and a wave of relief washes over me. There's still some fear and tension because of the situation, and I figure that the easiest way to erase it would be to change the dark night to day. I face the moon, and point my palm towards it. With the intention of telekinesis in my mind, I lower my arm in an arc. Though I feel no connection with the moon as I move it(like I believe I should), I am able to move it, and so it is so far a success. When it gets low enough, the sun rises from the other side of the horizon and flies to take it's place. I realize that they share an invisible link: they are interdependent.
Though my telekinesis has not failed me and the sun is in the sky, a peek of the moon still rests above the ground. Perhaps that's the reason that it is still dark outside. This bothers me, but I resolve to ignore it in favor of enjoying the rest of the dream.
But wait- I turn around, and am reminded of my two young brothers in the car. With a serial killer...what could I do? I knew that Christian was destined to become the killer, I knew that my brothers, who were not even five years old, would not stand a chance. I couldn't take them with me. I couldn't kill him. The only thing I could do was stay.
As I think this over, I realize that if I remained attached to my waking life feelings, everything would be ruined. This was not waking life. Those were not my brothers. Surely then, their deaths couldn't really be their deaths...This is a dream, I try to convince myself. This is only a dream. I look to them once more, and all the regret in the world is on my shoulders as I run away.
The night turns to day.
I soon find myself along a road in an unfamiliar neighborhood, and it leads to a highway. It's filled with cars, and I can see that it will be impossible for me to travel across it without getting hurt. I take a deep breath and tell myself that this is only a dream, that nothing is real. I step into the busy road, and I'm right.
It's like I'm not even there...the cars simply speed through me, and it serves as a reminder that this is not my real body. I run, and in a short while I end up at my school.
Telling myself that I'm dreaming seems to be working quite well for me, and so I try it again when I enter the school building. None of this is real, I speak in my mind. I repeat it, hoping to do something I have never done before. I jump into the air, trying to fly. I'm already thinking I'll fail shortly after I'm off the ground, and so I quickly throw my hands out to catch myself as I fall.
I stand up. But this time, I truly intend to fly- and it works! I am stretched horizontally above the ground, flying with my arms outstretched! My flight feels a bit unsteady, but it is my first time after all. And so I have made another discovery: fear inhibits lucid abilities. I wondered how many of these obvious truths I had been missing in my lucid history, and I flew to the band room.
I landed as I entered. Besides the practicing band, the first thing I noticed was a large, circular trophy. It was silver. Suddenly I remembered, I was supposed to go to the moon! And then, something strange happened.
'You'd better hurry.'
It was a Caucasian boy who spoke, and as I turned I saw that he was standing before me. He had a pretty, somewhat feminine face. He was small and thin, probably a year or two younger than me, and he possessed pale green eyes and a mess of wispy brown hair. He smiled a friendly smile, and at the same time his look was a bit mischievous. He grabbed my shoulders from behind and directed me into a room that branched off from the band room. 'You can get to the moon from there,' he said.
I peered into the room and saw a manhole in the center. I knew that I was supposed to jump inside of it to get to the moon. I turned around to thank him, when he slammed the door shut in my face. I jumped back, confused at first, but I looked through a window and saw that my father was here. He looked very angry, and he was trying to get to through the door. The boy was facing towards me, his arms outstretched as he blocked the way. He continued to smile. I began to wonder if this could be my dream guide...I didn't recognize him from waking life, though I felt I had a memory of him. Perhaps from a previous dream?
I didn't feel like going to the moon then, so despite the danger my father presented, I opened the door and walked outside. He was gone. I told the boy to follow me. We walked together, but as soon as I left the band room he disappeared. I took little notice of this, as I had the immediate urge to try flying again. After a few attempts, I found that I couldn't get in the horizontal position again. However, I could fly vertically, a few inches off of the ground. I hovered unstably throughout the hallways for a little while, going past classrooms and peeking inside. I went past my World History class room and stopped. My concentration had just been depleted. I backtracked a few steps and looked back into the classroom: Sitting on the opposite wall of the classroom was a very pretty girl.
I ran inside and plopped into the seat in front of her. 'Hey there,' I said admirably. She smiled: She had brown hair and faintly green eyes. I leaned in almost automatically and kissed her, and when I pulled away she had switched from white to Hispanic. I stared in awe- she was so much more beautiful!
Ms.Manning came from behind her desk, and called for the class's attention. She pulled down the projector. 'Alright,' she said loudly. 'We're going to be watching a film. It is pornographic, so if that makes you uncomfortable you are allowed to leave.' The girl immediately got up, and the teacher told her to go to the room next door, as there would be no one in there to bother her. I jumped up and took her hand: I saw this as the perfect opportunity for sex. I lead her into the room, and there were already couches, mats, and a bed- it was almost like someone knew we would be here! I turned to her, and saw that she was leaving the room. 'I think I want to go see the movie now...' she said softly. She left me then, in the middle of the room. I wondered if I should join her.
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