Vampyre -
Thanks for the input, man. And no need to appologize for the long post. 
It might be better, though, to be a little more specific with your advice. Are you talking Solely to Flinte, or everyone? There are about 4-5 of us who have posted projects.
As far as some of your critiques, you have to understand dance music (which is what most of us have posted) and Hip-Hop, which a few of mine are.
In dance music, repetition and excessive drops are much more common. Repetition gives ample time to display symmetry and flow between dance steps without feeling rushed to change up your style 40 times in a single 8-beat count that has no concrete structure whatsoever. I agree that too much repetition is never good, but “Too much” repetition is only relevant to the style of music that you’re used to hearing.
Excessive drops are actually Crucial to dance music. They are your cues for pulling off “power moves” and “freezes” and a list of other tactics that dazzle the audience by timing a shocking dance move with the emphasis of a drop behind it. A dance song with One drop would mean you have to wait an entire song for One Drop to pull out one really flashy, distinguished move and have the suitable musical change to give it justice.
Just doesn’t work. Especially in a group packed with people wanting to dance to the same song.
As far as the popular intro, verse, bridge, chorus, repeat, outro structure of most mainstream music, it’s nowhere near necessary. This is especially true for club music. Though many electronica songs are structured in variations of those ways, (artists like Hybrid, The Crystal Method, Moby, etc etc) the majority of club/dance music is made with a beat that runs from beginning to end of song. The reason for this is so that the DJ’s can beatmatch and mix fluidly without having to worry about intros/outros that make it near Impossible to mix songs seamlessly while keeping the dance floor momentum going.
You gave good suggestions, though. It’s just that the guidelines for certain types of music always seem awkward to people that live mainly outside those genres. And again, it’s hard to determine exactly who you see as using too much or too little of anything, because you didn’t really specify, ya know?
And damn, your music makes me miss my guitar.
Anyway, Crits and comments: Also not to be taken harshly, I hope.
Aery Water – Nice tune, but it seems way too rushed. I think it would be perfect if it wasn’t played so hurriedly, though.
Bag of Dinks –The Solo was pretty cool.
Letter in the Bottle. – Love the rhythm to this one. Great choice of instruments too. My only real crit, which is seeming to be universal as I listen to more of your work is that the harmony leaves a little something to be desired. A lot of the different melodies, frankly, just clash with each other. The ambience is nice. The beat is nice, but the two lead instruments suffer from two things: 1) the melodies of each instrument don’t quite flow through the scales, and somewhat jump around sporadically with no harmonious procession through the notes in different areas. This is specifically more apparent during the vibraphone (is that a vibraphone? The lead instrument?) breakdown in the middle of the song. 2) The second ringish instrument that comes in, is that a different instrument than the initial vibraphonish one, or the same instrument, played at a different octave? If it’s the same, I’d think about switching it up a little.
Toward the end, when the wind/synths come in louder, I don’t think they harmonize with the percussions of the vibes very well. Don’t get me wrong; the instrumental sounds go well together, but harmony is crucial, no matter what instrument you play. When two notes (or more) harmonize, there is a shared vibration. It is easy to misinterpret the sound as One note being played, even when there are two or three.
You play the guitar, and I know you know chords. Each of the notes in your chords harmonizes with one another. That’s what makes them chords. If you were to substitute any of those notes, for a note right next to it, you would completely throw off the harmony of the chord, and it would sound like off-notes competing with each other. This is what seems to be your only really apparent flaw, if you ask me.
Mellow Shade – I really like this one. A little pitchy at times, but not too much I can say about it.
Xombie – Best one out of the lot. A little too much reverb for my tastes, but it’s a good tune.
Cemetary Walk - I like the feel of this one. As usual, it’s got a great ambience. The melody is still just a little pitchy for me, though.
Pretty decent stuff, though, all around. Welcome back, and keep it comin’. 
Like the Sig, btw.
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