There’s a theory that our unconscious can be distinguished into two parts: The personal unconsciousness (u.) which is sort of a back yard of our consciousness, and the unpersonal u. where innate patterns of behaviour reside with universal symbols and ideas. If so some dreams seem to belong to the personal u. and some others to the unpersonal or collective u. Most dreams belong to the former and a characterized by familiar environments, figures and symbols, for instance one’s parents, work place and so forth. Dreams from the lower regions are on the other hand characterized by mythological or collective images, sometimes called archetypal images. And while we usually have associations to contents in dreams from our personal u., we seldom do to images in dreams from the collective u.. However, dreams with archetypal images often make a big impression and we carry them with us for a long time, with a feeling that it is important. Archetypes always make a big impression, whether projected unto others, or discovered in art, or dreams.
Since we lack associations or personal understanding of the images in archetypal dreams, we can turn to the “collective associations”, to see what humanity has had to say about these recurring symbols. But to be able to do that, one has to be an expert in literature, religion, mythology, folk lore, and so forth – which I am not, unfortunately.
A more unexpected source for archetypal images Carl Jung found was alchemy. There were two kinds of alchemy, one where the alchemist tried to make gold, and the other where the alchemist was a mystic trying to make the philosophers' gold, which wasn’t a metal, but a spiritual goal. There are numerous books from the hundreds of years of alchemical struggle, filled with archetypal imagery describing the inner journey projected onto outer processes.
This dream is not untypical in my experience, in that it seems to begin in the personal u., and then the dreamer journeys into the unpersonal parts of his own inner world; from the familiar environments with familiar people to a place he has not – at least not consciously – visited before, where a man he has not seen before greets him.
So I came to think of the old alchemists, because mother and father is making art. “The Art” is mystic’s work (opus), it is often called simply "the art"; and the dreamer has to mix different chemicals, which is exactly what the alchemists’ did while performing their art. But the dreamer is unsuccessful (which is quite expected because he is very young) and let loose a poisonous gas – that is Mercury, the most central figure in the art of alchemy, to some even the inventor of the art. He is both the devil, the helper, and the goal itself (archetypes are paradoxical). Mercury is let loose and makes the dreamer to drop his container. The container is the vas, the most important tool in the alchemists’ laboratory; that is where the work is done. And as Adam and Eve, and many other archetypal characters in different stories, the failed dreamer is sent away by his Mother/Father. This is an essential part of the hero's journey, because he cannot become an individual if he is not separated from his parents.
Being cast from his personal environment, the dreamer comes to a place he has no personal relationship to. This is very typical, most adventures start out with something like this. The strange place reminds him of a ship, because the ship can be a symbol of life’s journey; and it is from the 1600’s, which funny enough is the peak of the mystical alchemical tradition in Europe.
The walls are replaced with grey fog – once again one come to think of Mercury – and there is a foul smell, the smell of something rotten. Now this is yet again an alchemical reference if you will. That which is rotten and black and unpleasant is called nigredo and it is the first step of the journey to the philosophers' stone. Fact is, that this room itself is a vas, and in this place there is a man who is symbolizing the art; he is of course a representation of the archetypal image The Wise Old Man. When the real Father/Mother has cast him out, there is a possibility to develop and inner spiritual authority; that is why heroes never have parents (alive). As long as we are our parents’ children we will not develop our own individual potential.
It is a big dream filled with archetypal imagery. I certainly understand the impact it had. Very interesting, thanks for sharing.
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