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    Visions in the Dark

    Lucid Dreams in red.
    Non-Lucid Dreams in blue.
    Dream Conversations in purple.
    Comments in black.

    My spelling and grammar are terrible. Expect mistakes.
    Thank you for reading!

    1. My birthday, Little Bear and our crazy neighbour

      by , 08-28-2009 at 05:00 AM (Visions in the Dark)
      In this dream I am living back at my mom and dad's house,I am in my old bedroom and it is the morning of my birthday. My dad and brother wake me up like it's the first day of school. Dad says that it is his last day off before he has to go back to work (even though he is retired in real life). For some reasons he says this twice.

      My brother give me some music CDs and three DVD versions of the same movie, which is a back to school comedy. He puts one of the DVDs on and turns the volume up loud to wake me up. They leave and I groggily get up and notice, against one of the walls in my room, neatly wrapped presents are stacked in a big pile to the ceiling.

      I try to turn off the t.v my but instead of shutting it off, the power button only turns the volume up louder. None of the buttons on the t.v seem to work properly and I am tired and frustrated but I eventually figure out to turn off the DVD player instead. Somehow, this fixes the t.v. and I can finally turn it off.

      I crawl back into bed and have a dream with a dream where the cartoon character Little Bear and his father are walking through a forest. They are both carring hunting rifles and dressed in hunting vests and hats. They talk about morality and ethics in mainstream religion (specifically Christianity, I think) but from a "bear's point of view" until they come upon a clearing and see a human male chopping down a large, healthy looking tree. Father Bear shoots the man dead and Little Bear makes a remark about all the blood. Father Bear tells his son (cub?) that the killing was justified on religious grounds because the man was defiling the forest, or something like that.

      I wake up from the dream within a dream finally get out of bed. I look out the window and see the neighbour (with whom my father has a real life feud) tearing up the front lawn with his car. He is driving in big circles and leaving deep muddy marks.

      I get dressed and head outside. The neighbour and his car are gone, but the lawn is still ruined. My dad is outside standing in front of three fold out table upon which are many short sleeved t-shirts. The make and style of the shirts are all the same, but each shirt is a different colour. The entire spectrum of the rainbow is represented. My dad's attention is drawn to the shirts, though he does acknowledge me when I first come outside, but he doesn't seem to notice the sorry state of our front lawn.

      Dad starts to talk to me about something but I can no longer remember what and I woke up soon afterwards anyway.
    2. The Gypsy Ship

      by , 06-03-2008 at 05:00 AM (Visions in the Dark)
      Most of the general items and fashions in this dream appear to be from the mid to late 1800s, though most of the transportation machines that appear look like they came from the 1930s-40s.


      I am a Gypsy and travelling but do not know my destination. I appear to be in my late teens and have nothing with me except for the ragged brown dress and light blue handknit sweater I am wearing. My meager worldy possessions are in a faded green corderoy bag. I am alone and very pregnant. I do not know where the father is as he is never mentioned in the dream. I feel mistrustful of most of the people that appear in this dream, as well as unfairly judged by them because of my youth and pregnancy.

      At the beginning of this dream I am sitting in a glass bus terminal on a deserted road in the middle of nowhere. It is night time and raining hard. The only nearby lighting is old fashioned oil burning street lamp which really does not supply a lot of light. Beyond the immaediate area around the lamp and a little bit inside the terminal everything is utterly, pitch black. I can see faint yellow and red lights flickering in the distance, but I have no idea what they are. I am waiting for a bus that will take me to a nearby port. There lies a ship that I know I am supposed to board but I do not know how because I have neither money nor a ticket.

      After a while of sitting a bus does come along and it appears that it came from the 1950s or early 60s. There are several unsavory looking men taking up most of the seats at the front of the bus so I head to the empty seats at the back. They all stop talking and leer at me as I walk by which makes me feel nervous and fearful. The bus is well lit and clean and I stare out the window as it travels, though I can still see nothing through the darkness outside. I am uncomfortably aware of the men at the front talking quietly amongst themselves then shooting leering glances in my direction and laughing coarsely.

      The bus arrives at the port and all of the passengers disembark. It then turns around and drives back the way it came, eventually disappearing into the darkness. The lighting of the port is dim but much better than at the bus stop. The only ship in the port is docked beside the only building, which is multistoried, made of concrete and painted white. I am not sure exactly where to go so I cautiously follow the group of men who also disembarked from the bus, but they do not head towards the ship like I hope and instead go to a pickup truck parked on the far side of port and drive off.

      There is a large group of people outside a set of glass doors and they appear to also be Gypsies seeking passage on the ship. A man with a goatee and dressed in a black navy uniform stands between the people and the door and is telling everyone that they cannot board the ship. Many of the Gypsies hand the man wads of cash or jewelry and he quickly waves them inside. It is not long before most of the people are inside and the few who were rejected linger around the port. The rain no longer pours and slows down to a gentle trickle. An elderly Gypsy couple arrive late and convince the man at the door to let me in along with them. He accepts only when they produce an acceptable bribe.

      Once on the ship we join with the rest of the Gypsies and are told that there is no rooms available and the only space available is on the floor in secluded halls and storage rooms or out on the deck. Everyone scrambles to find space inside and the few unlucky ones who have to go out onto the deck try to find spots out of the wind and rain. Because we are the last ones to board, the elderly couple and I try to make ourselves comfortable undernearth a lifeboat, but it is hard to crawl under for them because of their age, and for me becuase of my bulging belly.

      I do not know how much time passes, but the ship is far out at sea and though it is still dark, the ambient lighting of the scene allows me to see practically everything. The rain has stopped but the temperature drops drastically, almost to the point where I can see my breath. I am laying on the open deck looking up at the sky. It is overcast with thick, dark grey and maroon coloured clouds. I stand up and look over the rail. The water is choppy and dark, and I can see icebergs in the distance all around the ship. An old man who looks like the captain of the Titanic (as portrayed by Bernard Hill in James Cameron's film) dressed in a white and blue navy uniform comes out and asks me if I would like to sleep inside. When I say yes he takes me to a room with eight cots in it. The small beds look like hospital gurneys and have lime green burlap blankets on them. The room is devoid of people but seven of the beds look like they have been slept in and have bags and coats thrown around nearby I recognize the possessions as Gypsy in origin. There is one bed left and it is in the far corner of the room against the wall. I lay down upon it, using my corderoy bag as a pillow, and fall asleep almost immediately.

      I have a dream within a dream.

      I am sitting on a bench outside of the white building back at the port when an old fashioned pickup truck drives up and stops in front of me. The leering men on the bus are in the truck and they try to convince me to get in with them. I say no and try to ignore them, but two jump out of the back of the truck and grab me by the arms and try to force me into the vehicle. I kick and scream and out of nowhere a police officer with short black hair and dressed in a modern uniform appears and tells the men to let me go. He then warns them to leave and not come back. The leering men get back into their truck and mumble angrily as they drive off. The police officer encourages me to keep going on my journey before disappearing as mysteriously as he appeared.

      I wake up to a room filled with people. The other Gypsies have returned and most of them are not happy to see me as they paid heavily in bribes to get into that room and I was given a bed for free. Some of them also vocalize their disapproval of the shame of me being a single unwed mother, especially one travelling alone, but they speak to each other and not address me directly. I ignore their jeers and go out to visit the kind elderly couple on the deck, but they are nowhere to be found. It is still dark and icebergs still surround the ship but there are more of them and they are much closer. The ship seems to be heading for a large featureless landscape in the distance that looks like either a beach with cliffs or a glacier.
    3. Vincent Valentine and half Subterranean City

      by , 11-04-2006 at 06:00 AM (Visions in the Dark)
      Dream takes place in a city that is half subterranean (half above ground and half below ground). Most of the shops and recreational areas are above ground, while the living quarters of the civilians are mostly below ground. There is a vast tunnel system that connects the entire subterranean area to the above ground city. The main character of this dream is Vincent Valentine from the Final Fantasy 7 franchise.


      The dream starts off in Vincent's living quarters. Unlike most other homes, his residence is above ground. He is laying down on something (I can no longer remember if is was a bed or a sofa) and having a dream or vision:

      He is exploring the subterranean area when he stumbles across a woman being brutally murdered by a knife wielding man in a remote area of the tunnels. The murderer, who was wearing a green shirt and black pants, takes off and disappears around a corner. Vincent tries to give chase by he cannot find the culprit. Soon, Vincent finds himself in the tunnels underneath a tea shop in the center of town and he sees another woman being murdered by the man in the green shirt.

      The vision or dream ends there and Vincent believes that he has seen a vision of the future. He spends the next few days patrolling the areas where he saw the murders occur but comes across nothing suspicious. He goes into the tea shop one night and finds that it is devoid of people. In the tunnels below the shop, it is unnatually quiet. Vincent checks out the living quarters in the area but all of the homes are mysteriously empty of people and furniture. There is a commotion above ground and when he goes up to investigate, Vincent finds that there is a group of people fighting in the street outside of the tea shop. Amidst the group of people who are fighting is the green shirt man that Vincent had seen in his vision. Rather than become involved in the steet brawl, or even find out why it started, Vincent just watches from the side lines until it dies down. When Greenshirt breaks away from the fight and enters the underground tunnel system, Vincent follows close behind.

      Greenshirt seems to wander the tunnels aimlessly for a while but he does nothing suspicious. After wandering around for a while, they end up in the tunnels below the tea shop and it is there that Vincent is confronted by the man, who demands to know why he is being followed. Vincent tells him of the vision he had a few days before where he saw Greenshirt murder two women with a knife. The man seems a bit perplexed but then laughs and invites Vincent to his residence. When they get there Vincent sees that the man's home is actually one very small room with only one chair, a television, and shelves on each wall, cluttered with various random stuff.

      Greenshirt puts in a horror movie that depicts the deaths of two characters in the same manner that Vincent had seen in his vision, and says that he had just watched that film a few days before. When the movie is over, the man pulls out an old videogame system that looks like an old Atari, except that it has "Azure" written on it instead, and starts to play old-school Tetris. Vincent sees thrity-one cents in change on one of the shelves, takes it and leaves.
    4. The Artistic Princess

      by , 10-07-2006 at 06:23 AM (Visions in the Dark)
      (There is a "trigger warning" on the content of this dream.)

      This dream is so long and detailed that I cannot believe that I have remembered so much of it. It takes place in a large castle that sit in the middle of a huge field. The landscape is mostly flat plains with a few hilly areas and small forests scattered about. There is a shallow river that runs behind the castle and a dirt road that runs almost parallel to the river, but in front of the castle instead of behind. The castle is also surround by huge stone walls (which in turn sorround a small moat) and has some areas within the yard that are "forbidden" and closed off for some reason.


      When the dream starts I am the King's youngest child and only daughter. I have long flaxen colored hair and wear a white and blue dress and a dark blue cape. I am betrothed to be married to a prince and he short with medium length black hair and a fierce temperment. Prince Rolgan, as I think he was called, was living with us in the castle until we marry, but he all but ignores me and kisses ass to my father. As the princess I was not allowed to venture outside the castle walls alone (as it is "dangerous" in the outside world) so I spent a portion of my time trying to figure out ways to break into the sealed off "forbidden" areas, as I was curious to see what they contain before I have to leave when I marry.

      As I am crossing the main bridge that goes over the moat in the front of the castle when I run into some children from a nearby village. They beg me to teach them how to paint. They each give me a small bundle of fine-quality paint brushes and I accept these modest gifts happily. I spend a few hours with the children teaching brushstroke techniques (something I have been practicing myslef in waking life), until the sun hangs low in the sky. Before it starts to get dark I call for my personal carriage and tell the driver to take the children home. As the carriage leaves there is a window of opportunity for me to climb over the fence of one of the forbidden areas. The guards were busy seeing the carriage out the front gate and did not notice me jump onto a vine and climb over.

      The small closed off area on the inside was strewn with garbage and debris. Part of the moat went through the area but there was no bridge leading to the other side where I could see some sort of fort or hut made out of sticks and peices of fabric. The water was very cold and dirty, but shallow enough for me to walk across. As I walked through the water my dress caught on something. At first I though was a caught on a stick but when I yanked hard enough to free my dress, a long white bone floated to surface. I stared at it in shock for a moment, before I quickly ran to the other side. It was only then that I noticed there were bones and skulls all over the place as well as garbage. The inside of the little hut had skeletons piled upon each other and most of them were skewered with weapons that the King's soldiers used.

      I had seen enough and wanted to leave, but I could not get back over by way of the vine as it seemed to have disappeared. It was getting dark now and the only way out was by slipping under the fence where it went over the moat - but first I had to move garbage and bones out of the way. On the other side the water was warm and clean and dipped down a little in a mini waterfall sort of thing. I was almost directly underneath the main castle bridge that went over the moat. At the edge of the small waterwall, standing waist deep in the moat was a young girl who seemed to be looking for something.

      As I approached the young girl she looked up at me. It was then that I saw a man with a long flowing cloak standing against the side of the main bridge, looking in my direction. I ignored him and asked the young girl who she was. She said her name was "Galia" (or something like that) and I asked if she had a sister, as the named seemed somewhat familiar to me. The young girl said yes, that her sister's name was "Egalia" (or something like that. I am not sure if I am remembering the exact names but I do know that they rhymed) and that she had been at the castle earlier. Galia then lifted something out of the water and offered it to me. It was a bundle of paint brushes, but unlike the brushes the other children gave me they were not fine-quality. Instead they seemed very old and worn, but I accepted them anyway as the young girl had a very hopeful look on her face. The man leaning against the bridge called out that the brushes were not any good, but I just ignored him because I was annoyed that he was eavedropping. Galia said that she knew the brushes were not good but they were the only things she had to offer. I tell her that I can reuse the handles and make new brushes from them, which seems to make her happy.

      I take Galia by the hand and we wade to the shore. The man with the cloak approaches and helps us out of the water. Even though it is almost dark I can see his face now and he is very handsome. He has long blond hair, deep blue eyes and elf ears. (He looks exactly like Legolas as protrayed by Orlando Bloom from Peter Jackson's Lord of the Rings films.) He tells me that every guard in the castle is looking for me. I blush and hurriedly thank him for his help and take off towards the main castle gate, with poor Galia in bewildered tow. I am rushed to the throne room where my father, the King, lectures me about going off on my own and how worried he was about me, all the while I am still holding onto Galia for some reason. My fiance, Prince Rolgan, and my brothers all stand beside the throne and glare at me disapprovingly, but I am unnaffected because I do not care what they think. Just then a guard comes in and announces the arrival of an elf prince. While the king and princes recieve the Legolas clone I stalk off to my private chamber, promising Galia that I would take her home tomorrow and that she could sleep in my room for the night.

      Later that night there is some sort of dinner reception going on and I have to attend, which would not bother me except that I have to face the elf-prince again. I try to ignore him and fawn over my fiance but as usual he is ignoring me and kissing ass to the king. I do care for Rolgan at this point in the dream, but only because it seems so far that I have no choice because marrying him is my only option for the future. At some point during the socializing, the elf prince corners me and asks me what I was doing in the moat and what I think of my future husband. Before I can answer (but not before I blush again) Prince Rolgan comes over and says that we are retiring for the night, before leading me to my chamber. He doesn't say a word to me (or even look at me), drops me off at my chamber door and heads to his own.

      When he dissapears I hear a smash from down the hall. I run towards the sound and I find that a servant has broken something in the dinning room. There is broken glass all over the floor underneath a small table with a yellow tablecloth. I kneel down to assist the servant cleaning up the mess, but something I cannot see pushes me from behind and I fall forward onto the pile of broken glass. I put my arms out in front of me to break my fall but I cut my hands severely. I panic and run to Prince Rolgan's chamber, crying and covered in blood, but when he opens the door he just scoffs at me and calls for the castle doctor. He lets it be known that his is not pleased that I have interupted him and shows no concern what-so-ever for my well-being. When he is speaking with a guard I glance into his room and see a woman I do not know laying naked on his bed. She just sneers at me and stretches out, flaunting how confortable she is on my future husbands bed.

      The doctors come and take me to the windowless medical room where they remove the glass and bandage my hands. Rolgan just goes back into his room, not knowing that I have seen his secret lover. No one comes to visit me in the room and I am told to stay there even when the doctors leave. Overwhelmed by everything that has happened that day (finding the skeletons in the forbidden place, cutting up my hands, and realizing that Rolgan doesn't care for me) I start sobbing uncontrollably. I hear the door open and someone wraps there arms around me. At first I though it was Galia or the King but when I open my eyes in turns out to be the elf prince. He doesn't say anything but just lets me cry on his shoulder. At some point I fall asleep on the lone, small cot in the medical room.

      I have a dream (a dream within a dream!) of sneaking out of the castle and riding a horse along the river that runs behind the castle. It's a beautiful clear blue day and I run into the elf prince. He finds my "escape" amusing and calls me daring and brave. There is a bit more to this dream-within-a-dream but I cannot recall anymore at this time.

      The next day I find out that the elf prince has gone home. I tell the King about Rolgan's apathy towards me and the woman I saw in his room and, to my surprise, the King breaks off the engagement and throws Rolgan out of the castle. I am somewhat relieved that I do not have to marry anymore, but new anxieties about my future arise. I pass the day trying to show Galia how to reuse paint brush handles and make new brushes, but it is all but impossible with my bandaged hands. Later in the day I call for my personal carriage and go with Galia to take her home. I am hoping that getting off of the castle grounds will help alleviate some of my anxieties.

      After seeing Galia home my carriage is surround by heavily armoured men on black horses on the road back to the castle. They kill the driver and my guards and drag me to a black carriage that has stopped just behind mine. I get thrown in and land at the feet of Rolgan, who sexually abuses me while on route back to his castle. I get thrown into a tower cell that is empty except for a small narrow window and an old dirty matress on the floor. Left without food and water for what seemed like a forever I was crying when Prince Rolgan returned and raped me and I cannot defend myself at all because of my disabled hands. He eventually leaves and drops a small morsel of food on the floor.

      I don't eat, I just cry and give into despair. I do not know how long I am trapped in the tower when I feel someone lift me up and begin to carry me. In my half-unconscious, half-starved daze I cannot tell who it is. There are the bodies of the heavily amoured men laying all about and I snap to full consciousness when whoever is carrying me passes the bloodied body of Prince Rolgan. He is so freshly dead that his blood is still steaming. When we finally exist the castle I can get a clear look at my rescuer - it's the elf prince! Woo hoo! He just smiles softly at me.

      The dream becomes fuzzy here as I struggle against consciousness but alas I fail and awaken. And I was hoping for some steamy elven sexual healing, dammit.

      Updated 08-21-2011 at 09:52 AM by 6048

      Categories
      non-lucid , nightmare , memorable