lucid

Ritual: Went to bed around 2am. Woke at 5:45 and fed the cat. Returned to bed and set vibrating alarm, attached to wrist. Interval was 30 minutes, set at 5:55am. Last time I used this device I completely slept through several vibration cycles (it was at the lowest setting), so I turned the intensity up slightly. The first time it went off I remembered to lay still, but could feel that I had already lost dreamstate. The second time it went off, my mind felt fully awake but I felt like I might still be integrated with my dream body. I tested movement cautiously and sure enough, I could swing my arms freely, unconstrained by the covers that I knew lay over them in WL. There were still a few moments when I couldn't quite be sure if I was engaging dream muscles or real ones, so in order to avoid sending the wrong signals, I started spinning and sliding my whole body until I felt like I was lying the wrong way in the bed. I didn't feel like I could safely engage my legs yet, so remaining on my back (though in WL I was sleeping on my left side), I slid across the bed and off the other side until I dropped gently to the floor. The cat was lying on me in WL (confirmed when I woke up afterward) and the sensation of warmth and weight bled through into the dreamstate, so it felt very odd and amusing to have this remain constant even while my self-perception of where I was in relation to the room and the bed was changing. I took care to note this WL sensation cautiously and with a certain mental distance, lest it startle me awake. The sensation faded naturally as I now "stood up" and walked through the house.

EILD: I walk straight into the living room, which was dark, and stop to figure out what I should do. Although I have been trying to remember a few personal tasks, somehow it is easier to recall the TOTYs, so I figure I'll attempt another of those to start with. Most of them seem better suited to the outdoors, so I exit the kitchen patio door.

My initial thought is to look for a circle of fairy mushrooms. My cement back patio is unusually life-like this time, so I cross it until I reach the fence that borders the property. In WL this is a low wall of beige-painted cinderblocks; in the dream it is a chain-link fence several feet taller than I am. With the lightness and agility of my dream body, I easily climb over it and drop down. In WL the ground slopes steeply downward here; for some reason in dreams, it is typically a steep hill going up.

I start looking for fairy mushrooms among the trees, but notice a large area where the soil looks loose and disturbed, as if recently planted with the flowers that cover the expanse at regular intervals. The blossoms are very simple in structure, a small disk encircled by six delicate purple petals. I realize that I am unlikely to find a fairy circle in ground so recently landscaped, so I decide to pursue the gnome task instead. There are trees all around, but most look young, their trunks only a few inches in diameter. I look around for the biggest tree I can find, and approach one that is over two feet in diameter, conjoined with two similarly-sized trunks to make a row of three. I can't tell if they are three trunks from the same tree, or multiple trees that grew up in close proximity.

The earth is still bare and loose here, recently tilled, so it is easy to dig my arms in and start casting it aside. I alternately cast the soil I'm displacing to the left and right and back between my legs. It is much easier to dig than it would be in WL, but it is still too slow and tedious to form a hole of the depth and dimensions I need, so I decide that I need a new strategy. If there are tunnels down there, there shouldn't be any need to displace the soil outside the hole—I should be able to drill straight through. I leave my hands in the earth and focus on pushing the soil inward. As a hole begins to form, I step in and will it to widen, so that I won't feel claustrophobic. When it is a few inches wider than my shoulders on either side, I take the plunge, willing the earth beneath my feet to drop into the tunnels and carry me along with it.

I find myself in a network of spacious square hallways, about seven feet tall and wide. They are dimly lit by what seems to be electric light, though I don't investigate the source. There is nothing natural or even rustic about these tunnels—they might easily be the basement corridors of some ordinary building. I look around for evidence that they are the gnome tunnels that I am seeking, and find that the most distinctive thing about the space is the graffiti scrawled here and there on the walls. It is not high-end arty spray-painted graffiti, just ordinary lettering written in what looks like thick black marker. I step closer to one example and find it at once legible and unexpectedly funny: "Hobbits are HUGE!" It does sound like the sort of thing a gnome might write, so it gives me confidence that I've landed in the right place after all.

I continue down the corridor, looking for more memorable examples of graffiti. The next piece that catches my attention says "SpiritLA." Something about the way it is written makes me think that this is a Los Angeles-based sports team that the gnomes apparently favor. A few steps further on, and I finally encounter the gnomes themselves, about six of them congregating in a junction where several corridors meet. There is also a sort of wire gate that appears to lead into a larger open space, though it is too dark to discern any details. Despite what the graffiti said about hobbits, these figures are pretty huge themselves, coming up almost to my shoulder, so I peer closely at their faces for evidence that they are in fact the gnomes that I seek. I am reassured by their features, which have distinctively rounded, gnomish features.

"Hello," I say, curious how they will respond to my intrusion. "Hello!" they reply cheerfully, completely at ease. I have been voicing my observations (like the examples of graffiti) aloud in order to assist my recall later, so as I take note of the appearance of the gnomes nearest me, I make a vocal shorthand description of their characteristics.

"Blonde, bangs, white dojo," I comment about the first gnome to approach me. She is a female wearing a gi (the garment used in karate practice), and though I know perfectly well what a gi is called in waking life, dream logic substitutes "dojo" instead. Her hair is long and straight, of a golden blonde color. Her gi is bound with a plain white belt. She smiles amiably.

Another female gnome is standing to my right, so I note her appearance in turn, remembering that the task specifies interacting with two of them. "Pink padded blouse and white skirt, knee-length" I say, but even at the time I realize "padded" might not be the right word. "Quilted" would probably be more accurate, since it looks like there is only a very thin layer of batting under the decorative overstitching, done with curving and intersecting lines spaced about half an inch apart. I note that the skirt has the same kind of decorative stitching over thicker cloth, with no apparent batting inside, as the stitches lay flat. "Light hair, long—no, shoulder-length," I continue, noting that her hair is exceptionally pale, almost white, and delicately textured. The way it falls reminds me of how hair was "feathered" in late '70s/early '80s hairstyles. The faces of both females look ageless, neither young nor old. Neither seems disconcerted by my weird mutterings, they both just look at me with calm curiosity.

Although I was able to make very detailed observations on the appearance of both, at this point I felt myself begin waking up and could not reverse the process. The EILD allowed me to time the dream precisely: it went off at 6:55 and I awoke at 7:04, so it only lasted nine minutes in all. Subjectively, it also felt very brief.

Ritual: Yesterday was full of work and stress, conditions that I have previously correlated to vivid dreaming. I worked until going to bed at 2am. Woke at 5am to feed the cat, then again at 6am after a dream that culminated in an experience of intense frustration, vivid enough that I spent around 45 minutes writing it down—an unintended but useful WBTB. Since today will also be very busy I did not do any other lucid practices, however, I had primed myself a little by reading the list of TOTYs last night. Apart from those conditions, the following dream was spontaneous, and I woke from it at around 8:45am.

DILD: I am at my mother's house, but it is unlike any WL house. I am in a long room with high ceilings, very spacious and sparsely furnished, with no modern accoutrements. Maybe it is the medieval look of the interior that reminds me of the TOTYs, and I become lucid. Which would be a good one to do? Fairy would be easier to do outdoors. I could turn into a dragon but then I'd have to destroy everything and I don't want to wreck my mother's house. Phoenix? That would be a good one. I try to remember the details. I can't just summon it directly, I have to burn something, right? I look around the room for something suitable.

On the far end of the room is a table under a shuttered window. The table is covered with a white cloth, and spread across it is an assortment of jewels and precious stones. These look ideal. I select a faceted gem and place it in my left palm. It is small, only about six millimeters across, transparent with cobalt blue striations, like a combination of diamond and sapphire. It is faceted into what I think of as a classic gem shape. [According to online sources, this is simply called a "round" cut.] I walk slowly across the room back toward the couch where my mom is sitting, concentrating on the stone and willing it to catch fire. The stone feels inert in my hand, and I feel that I have chosen the wrong one. From the coloring, this stone is clearly attuned with ice, not fire. I should go back and pick a different one.

I return to the table and find a small stone of matte earthy red color. This is more a mineral than a gem, and it is shaped like a narrow lozenge, almost a centimeter long, pointed at the ends, and only a few millimeters wide in the middle. I begin to will it into flame, but immediately have second thoughts. The stone is so skinny and small, it would probably make a scrawny phoenix. I go back to the table to look for a better one.

I decide to find a gem that could pass for a phoenix egg, examine the options more carefully, and finally come across a good-sized stone around three centimeters across. It is also matte and reddish, but a generous oval in shape, and the top is composed of randomly assorted rounded protrusions, like bubbles. The bottom has been leveled off and already set into a metal frame. I decide that this one is ideal, put it in my left palm, and begin to invoke fire in earnest. Around this time my mom tries to talk to me about doing some household chore but I hush her: "Not now, I'm busy."

The stone resists at first, but I do not let myself doubt my ability to do this. I've summoned fire in my palm before. This time I'm just transmuting it from a substrate. I will a flame to emerge from the stone and soon it does—but I notice that in the process, the stone has transformed into a candle. The candle is larger than the stone, filling my hand. It is a 6cm tall cylinder and is conveniently fitted in a round container. Between the candle and the sides of the container is what looks like a filling of crumpled dry grass.

The flame is burning on the wick in the ordinary way, and I will it to expand and consume the whole candle, turning it into the phoenix I am trying to create. For a moment it burns quietly, but then the whole object transforms again. Briefly I seem to be holding a bundle of smoldering dried grass, around a foot in diameter, until the whole thing explodes and violently flies apart, patches landing in various places around the room. Failure? I'd better check the remains.

I wander around to a couple of the smoking remnants, but see nothing notable. I remember that I need to keep my expectations high, so as I walk toward a third, larger patch, I anticipate finding a baby phoenix. Sure enough, when I prod at the charred dried grass, underneath I discover a tiny, long-necked, bird-like creature! The phoenix has hatched! But it is it skinny and completely limp. What can I do to help? As a creature of fire, I reason, it must need heat. It is probably freezing to death.

I gently pick up the baby bird, which drapes across my hands with no sign of life, and take it to the fireplace. Luckily there is already a good fire burning. There is a kind of metal chain screen separating the fire from a metal grate on the hearth. Sprawled on the grate, soaking up the heat, is a long iguana-like lizard that I had previously noticed on the table when I was selecting jewels. I figure it must be a salamander, with the same need for warmth as my new phoenix. Should I place the phoenix in the fire directly, or on the grate? Since my hypothesis about the wisdom of putting the phoenix in the fire is as yet untested, I decide to lay it on the grate in case I need to remove it quickly.

The experiment goes well. As soon as I lay the baby phoenix next to the fire, its body begins to perk up and fill out. It grows until it resembles a toucan in shape and size, though red in color and with a sleeker bill. Success! But was there more to the task? I can't remember if we were also supposed to fight something, and figure I'd better do that as well as long as I can maintain dreamstate. "Let's go fight something!" I say to the newborn phoenix, and it hops up on my shoulder.

I head past the table with the jewels and open the window in the end wall. The window is a square aperture about three feet on a side, fastened with a single wooden shutter. The shutter is hinged on one side, flush with the wall when closed, and opens inward to the left. This truly resembles a medieval house in that there is no glass in the window, so it is easy to climb up and out. I pause on the sill and bid the phoenix to fly on ahead. Meanwhile, I hang up the long metal hook that I used to open the shutter so that I can grab it when I come in later, then use another device that resembles a hook attached to a wire loop to suspend myself from the sill and ease the drop to the ground, which is far enough below that it requires some precaution. I have the feeling that I have done this many times before.

Once on the ground, I look around for someone or something to fight. I am on a grassy lawn that extends between a number of different buildings. The buildings themselves don't leave a distinct architectural impression—I wish I had taken a closer look. Instead I was scanning the ground between them, but all I see are ordinary people walking about, none of whom seem like suitable opponents. I don't want to be an unprovoked aggressor.

The dream begins to fade. I worry that the abrupt transition to a different space might have unbalanced it, and I immediately take steps to stabilize, falling on my knees and examining the details of the grass while running my hands over it for texture. For a moment the grass turns grey and although I see all the usual plants among it, like clover, everything looks unusually small. But then a voice hails me from above and the dreamstate resumes its integrity: "Do you want to fight?" I promptly agree.

I am facing a man who is accompanied by a creature resembling a muscular, short-haired white dog. The man has a sword, and immediately begins to strike at me. Although I am unarmed, I find that I am able to parry his blows with my hands without too much discomfort. I suspect that I could turn the fight to my advantage if I want, but the whole point of this exercise was to fight in tandem with the phoenix. Where is that bird? "Phoenix? Phoenix!" I call anxiously.

The blade keeps falling, and I keep catching it and pushing it aside, but luckily the dog is hanging back for now. Suddenly to my relief the phoenix swoops in, aiming a stream of fire at the dog. More gouts of flame follow, consuming the man and dog, but they do not go down easily. I watch the phoenix, who has now taken human form, take a blade right through his stomach, angling up toward his chest. It is an unmistakably lethal blow, and I run over to him as he falls. I feel guilty for having put him in this predicament—but recall that for a phoenix, there should be a way to fix this.

Looking around frantically, I am pleased to discover a fireplace in my immediate vicinity. Nevermind the unlikelihood of finding a fireplace outdoors; it is just what I need so I don't question it. I drag the phoenix, currently in the form of a slim Asian boy, over to the hearth and dump him directly onto the flames. I expect the fire to heal him; instead he begins screaming as his skin burns and chars. It is horrifying, but I hold him down as he struggles—he was dying already, this is the only thing that might help. Maybe this is how it is supposed to work. A phoenix has to die to be reborn, right? The human body blackens and burns away. Sure enough, in its place I find a little baby bird, looking much like it did initially but yellow instead of red this time. I wonder if its pale color means it needs to eat. The bird pecks at some morsel of food near the fire and I try to tempt it with something better. "Here, eat a hot one." I pluck an olive-sized piece from a row of snacks baking in the fireplace (I don't feel the heat, just as I didn't feel pain from the sword earlier) and offer it directly. The little bird compliantly swallows the morsel, growing in size and turning red again.

I feel that I have completed the task to satisfaction, so even before I wake up I begin reviewing the details, making sure I commit them to memory. There is a moment when I am back in the same house as the beginning of the dream and ask someone to remind me the name of the guy I fought. "Ziggy Starduster and the Hoarfrost," comes the reply. I note that they definitely said "Starduster," not "Stardust." Since I only hear rather than see the names, I briefly wonder if the dog's name is spelled "Whorefrost" or "Hoarfrost," but decide that the latter is more appropriate on a number of levels.

Ritual: I had time to sleep in this morning so I was motivated to get lucid. Went to bed at midnight and woke at 6am to feed the cat. Didn't do a full WBTB, but took a few supplements (alpha-g, choline, l-theanine) plus a tiny amount (between 1-2mg) of very old galantamine. I lay down on my back to delay sleep onset and practiced progressive relaxation, a few SSILD cycles, and counting. Couldn't count very high (usually not past six, my focus is terrible these days) but clearly noticed onset of hypnogogic imagery and managed to put in a number of rotations before falling into dreamless sleep. When I awoke after a few minutes (guaranteed if I fall asleep on my back), I turned on my right side and let myself fall asleep normally, feeling adequately primed and hoping for the best. This "kitchen sink" approach has pretty much become my standard and despite being really haphazard has a decent success rate, often resulting in WILDs. This time I had an NLD or two that I don't remember well, then the following semi-lucid that turned into a DILD.

SLD: I am on a beach. All is not well: there are what look like tiny floating islands approaching from across the sea, and on each one stands a little stone tower and a menacing-looking figure in black armor with a horned helmet. The armored figures to be using the islands as transportation. Though not quite lucid, I remember that I have certain broad powers in this place, so I walk along the beach until I spot a couple empty islands, and try to summon one toward me. It turns into a little white sailboat and promptly sinks. I try to summon the second one, and the same thing happens. So much for island hopping. I turn right and continue to walk along the waterfront.

Something seems oddly familiar about this place—I've been here before, haven't I? I note the urban architecture up ahead, the sprawl of a city just past the beach and I'm distinctly reminded of a particular dream I had once, years ago now. It was here, I am sure of it, though this corresponds to no earthly place. I don't remember much about that earlier dream, except that it started in one of the apartment buildings a few blocks from the beach and then I went down to the parking lot, but saw the beach in the distance. [I think I actually found it, an entry from 12/29/13, but I misremembered the order of events: I was in the parking lot initially, then dropped by the beach before going up to the apartment.]

Various people are wandering around the beach, and a distinctive figure approaches. He is a thin old man with stringy, longish grey hair, carrying three lidded boxes in different colors, each about eighteen inches square. "What do they call this bay?" I ask him. "Sigismund?" he suggests, then modifies it. "Or Sigisroot?" He seems uncertain. I am about to ask the name of the city, but we are interrupted by the approach of a huge wave. We try to scramble up the beach but don't make it in time, and the wave crashes over us. I have to struggle against the pull of its wake, meanwhile trying to reach around to find the old man, to help him if possible. I grab someone's hand in the water, but it turns out to be a short, dark-haired woman. After helping her to shore, I come across the old man again on the beach. He has made it to safety, but lost two of his boxes. I feel partly responsible for the loss of his boxes, so I go back to the water to look for them. I locate the boxes but their contents have spilled. Apparently they contained cassette tapes, so I dredge as many as possible out of the water and wet sand, restoring them to one of the boxes. After I've grabbed as many as I can find, I return the boxes to the old man.

FA-DILD: The dream resets, perhaps a half-waking, and I am in my house again. I start reviewing what just happened, and write down the name of the bay, both variations—not sure I realized at the time I was writing in a dream notebook. As I think over the events of the dream, I realize I must have been semi-lucid at the point where I was trying to summon the islands and then recognized the setting from prior dream. I reason that if I was semi-lucid then, I must be actually lucid now. Dream logic is terrible, but this time it did the trick—thinking about lucidity made me recognize that I was still dreaming. Since I was back in my house, I decided to do the TOTM of walking through the wall. I had interpreted "my room" to mean the bedroom, so I head in there and immediately turn left to look at the wall. I'm pleased and surprised to find an ample stretch of wall between the door and bookcase (surprised because in WL there is no free wall space in the room at all, to the point where I thought I would have to do the task by going into the closet!) Instead, the dream has obligingly provided sufficient room for me to stand in front of the wall, so I press both hands flat against it and concentrate. The wall resists the pressure at first, so I increase it, then watch as my right hand starts to sink into the surface. The wall crumbles under my hand like weak plaster with an impressively realistic texture and sensation. As I continue to push, a whole section about two feet wide dislodges and falls inward under my right hand, and then I push my whole body forward and break through the rest.

I find myself in a cramped, closet like space, empty yet messy somehow, like it was poorly constructed—for instance, there are exposed 2x4s at odd diagonals. There is no visible way out, and I remember back to a time I was exploring the use of mirrors as portals and got stuck in a labyrinth of empty rooms that became ever smaller and more claustrophobic. [The dream I was thinking of occurred on 4/17/14, and the earliest experience of this kind I recorded on 12/18/10]. Simply recognizing the dream's tricks gives me the confidence not to be waylaid by them again, so I turn left and push through that wall too. Unsurprisingly, I am in an even smaller, darker, and more cramped space. I remind myself to remain optimistic and keep pushing forward with the expectation of getting out. I push through a couple more dark, tiny, empty spaces and then find myself in one that is different. It feels like an actual closet, with coats. What catches my eye is the style of those coats: they remind me of the cheap winter coats we wore in the 1970s, made of smooth synthetic cloth in drab colors and augmented with wide fake-fleece collars. I push through the coats and finally tumble free into an outdoor space.

It's one of those transitions that are so striking in dream. I had been struggling in narrow claustrophobic space with poor visibility, and suddenly everything has changed: I'm in open space, the air is clear and fresh, the light is bright, colors are vivid, my vision is sharp, and I feel a surge of ebullience. I remind myself that it is worth it, all the trouble I go to over dreaming, even if dream isn't always cooperative, because of experiences like this. I even notice that little flutter in my solar plexus that I associate with deep dream.

I move forward, on my hands and knees at first. I am at the base of a steep hill, and there are a number of animals sitting on the hillside, placidly watching me, including several ape-like creatures. As I crawl through the grass, I note the distinct texture of it: it might not be grass at all, actually, but some kind of ground cover with stiff, spiny stalks that flatten rather than bend under my hands. When I get to my feet, I see that a number of these stalks have actually adhered to my palms. They look like black tubes about three inches long and only a couple millimeters across, hollow, with a longer thin hair sticking another inch out the end. I try to pluck one out and it won't come off. I have the impression that even if I manage to pull off the outer tube, the hair will be left behind. It occurs to me to wonder if this explains the ape-like creatures, which seem unusually intelligent and anthropomorphic: did other people come here before me, and end up with so many of these hairs attached to their skin that they became furry?

I consider flying, but decide not to: I'm really interested in this place, and flying would destabilize me from this particular scenario, if not the dream itself. So I continue walking forward on foot, reminding myself both literally and figuratively to stay grounded. As I reach the end of the flat terrain at the bottom of the steep hill, I look up at the animals arrayed on the upper terraces, who are still quietly watching me. What should I ask them? I never seem to get anywhere asking the names of things, so I decide to be clever, and call up to them: "What would be a really interesting question for a newcomer to ask?" No answer. I repeat myself, but still no reply, so I start climbing up toward them.

When I reach the upper terrace, things get complex. I can't remember what passes between me and one of the creatures, who is more man-like now, before he pulls a knife on me—though it is unclear if he he is using the knife to threaten me or the grizzled, older-looking apeman creature who is sitting to his left. I wrest the knife from his grasp, which knocks him off balance. He nearly falls off the cliff (which suddenly seems a lot steeper now, almost vertical, than when I climbed up it a moment before) and grabs on to my waist to save himself. I check my moral compass and find that I feel no compulsion to save him—something about his attitude puts me off—so I peel his arms away and he falls to the base of the cliff, presumably to his death. The elder creature has retrieved the knife, which is now lying at his feet, and I go over to look at it.

When I pick up the knife, I find it to be a wide, cleaver-like implement made of thin cardboard with silver foil stuck to it. There is writing on the cardboard side, and I read through a whole confession, apparently by the creature I just sent to his death. The text describes an elaborate scheme that involved getting me pregnant and then killing me after the child was born, because it concludes, "I won't regret killing you when I see your features in the face of our infant." I find this repulsive and it resolves my lingering doubts about whether letting him fall was the right thing to do. I ask the elder creature if I can keep the knife, and he doesn't speak, but I take his silence as assent. I notice that there is a second knife on the ground, made of roughly-forged steel or iron and elegantly curved like a viking blade (the handle a loop of the same metal), that resembles like the one I wrested away initially, so I swap out the mock-up I'm holding for the real blade, and walk forward on the hilltop.

I encounter another man, this one entirely human in appearance except for a strange feature: his face is completely wrapped in grimy white bandages, leaving only a bit of forehead and his hair explosed. The bandages are thicker over his left eye, but seem to adhere closely to his right—I can see the shape of the eye bulging under them—so I conclude that must be the one he somehow sees out of. Despite his odd appearance I feel an immediate affinity for him, in contrast to the last guy. He leads me into a building, where a girl approaches us and asks me, "Who made that knife?" I look at the blade in my hand. It doesn't bear a long text like the mock-up, but there is a row of runes along the top edge that I can't read. "He's dead now," I reply laconically.

In the entryway of the building, we immediately go through a door to the right, into what looks like a machine shop. The machines are in the center of the room, and two people are operating them, but I can't tell what they're making. The machines have some kind of spinning disk that either cuts or polishes. The bandaged guy is telling me about a hardware store somewhere. "That's where the first ship came from." I have the impression he is talking about a spaceship, and gather that there is a whole complicated plot behind all of this, but I don't know the details. By the time we finish walking through the room, I am waking up.

Ritual: Last night's moment of lucidity made me crave good dreaming again, but I woke up after six hours with nothing but a few shreds of bland and wan memory. Determined to do better, I dug out the silent vibrating alarm I was using last year for my DEILD experiments and strapped it to my wrist. I set the timer for 33 minutes at first, so I would likely be asleep by the time it went off, but after lying awake for about half that time reset it for 17 minutes. I reminded myself that it would be fine if I was still awake when it went off, a good opportunity to re-familiarize myself with the sensation I was anticipating and to RC. I did feel the pulse once before I fell asleep; afterwards, given that another 45 minutes went by before I woke up, it must have gone off a couple times that I didn't notice. However, I did get lucid, even though the timing suggests that the onset was not triggered by the vibration, because when I finally woke up the alarm was 30 seconds from going off again, and I don't think the dream lasted that long (though I could be wrong about that). This would be consistent with my other experiments with this technique: it works, but not in the way one might expect. Rather than directly inducing an awareness of the dream state with its signal, it seems to be rather that the anticipation of the alarm serves as an anchor for the attention that makes it easier to transition directly into dream. Consequently, rather than a DILD I had a WILD.

I knew I must have transitioned when I realized I was holding a piece of paper in my hands. I used the paper to better integrate by running it between my fingers and being attentive to the lifelike sensations. They were vivid enough that I figured I should just get up out of bed, even though my vision hadn't kicked in fully yet and everything was dim and blurry. Since there are bookcases right next to my bed in WL and my intention was to do this month's Basic Task i, the moment I was on my feet I started examining the books. My vision was no better overall, but I could see well enough in the area of my primary focus. Reading was surprisingly easy as well, although the words themselves did not always remain stable, sometimes changing into new ones right before my eyes.

I read a half dozen book titles right away, some better than others, but none so striking that I felt like putting special effort into memorizing them. I hoped a few might stick with me naturally, but unfortunately I didn't remember any of them on waking. After browsing the books in the bedroom for a while, I moved out to the kitchen, where I have more bookshelves (there are books almost everywhere in my house). I continued reading titles, trying to find a really good one for the task. Finally after moving on to a second shelf in the kitchen I found what I was looking for. The book was a slim hardcover, about 9"x11" and 3/4 inch thick. The cover had a glossy sheen and was white in the upper half and a darker color, grey perhaps, in the lower half. In the very center, where the colors met, was the word: "REVOLIOTUN" in red and black stylized capital letters. I took note of how it appeared to be the word "revolution" with some of the letters transposed. I wasn't sure if this was part of the title or designated something else, like the series, publisher, or maybe just a cover design, since the actual title seemed to be printed below this in the lower half of the cover. The title was David Bowie's Dreams: Naked in Flight. This tickled me, especially given his recent passing, and I knew it was the one I wanted to bring back for the task.

I set my mind on remembering that book, but glanced at a few more for good measure. There was one small paperback titled Blue Skulls Book that struck me, but that's the only other title I can remember.

Now that I had completed the task, I wondered if I should wake and write immediately, but it seemed a waste of good dream state. Was it really that good, though? My vision was still terrible. "Then maybe I should work on that," I told myself reprovingly. So I looked out the kitchen window and tried to clean up my vision. "Just open your eyes," I instructed myself. "But be careful not to open your real eyes!" I actually did have a sensation like my eyes were opening, and suddenly my vision cleared up beautifully! I looked out the window and was startled by the amazing color and clarity of the landscape, a wide grassy expanse bordered by distant hills, so unlike my actual concrete pool patio. The vision from my left eye was perfect, but my right eye faded in and out: it kept feeling like something was covering it, which I tried to brush away with my fingers as though it were an errant lock of hair. I realized that it was probably the bleedthrough sensation from the way my face was pressed into my pillow (I was able to confirm this on waking) and decided I'd better do my best to ignore it.

The beauty of the outdoors lured me, so I stepped through the sliding screen door into this marvelous dreamscape, and immediately felt my heart fill with joy. I wondered if I should plan to do anything in particular, but decided no, it was enough just to look around and drink in the sights, now that I could see so clearly. As I moved over the ground, I was more dancing than walking for the sheer pleasure of it. Momentarily I wondered if I should be careful not to accidently blunder into any WL obstacles I couldn't see, but then had to remind myself, this isn't like google cardboard: I'm not just surrounded by an illusory overlay on the real world, this is a whole world in its own right.

"This is my favorite world!" I murmured in fervent appreciation, then caught myself. That seemed like a radical statement. Was it really true? I reflected for a moment and had to admit that it was. I felt a bit sorry for the real world—how could it compare to this? As I looked around, marveling at the beauty of my surroundings, my eye was caught by a brighter spot in the dream sky, a white disk surrounded by intensified illumination, like the sun filtering through a haze. For some reason this struck me as remarkable, and I thought back and couldn't remember ever seeing a sun in my dream sky before. Unlike the unpleasant brightness of the real sun, this one I could gaze at directly.

I wandered across the lawn until I discovered a large headstone. It had the traditional rounded shape but was very wide, maybe three or four feet tall and five or six in width. I was pleased to discover that I could read the chiseled inscription very clearly: "THE EARLY DEATHS OF BLAKE GRACE." The name meant nothing to me, but what particularly caught my attention was the plural, "deaths." How could he or she have died more than once? Oh well, in the dream world, I suppose anything is possible.

Encountering the tombstone hadn't diminished my joy in the slightest. I still felt radiantly happy, even when I glanced down and noticed that I was standing on a carved piece of stone that covered the grave itself, like the lid of a sarcophagus. "I hope I'm not disturbing the inhabitant!" I thought amiably, and stepped off the stone, watching closely to see if it would move, on the off-chance that the corpse might decide to rise from the grave in indignation. Even this possibility did not dampen my mood; I felt fully capable of dealing with such an eventuality, should it occur. But the dead slept. I felt compassion for the person buried here and thought I should make up for my accidental insult by doing something to honor the grave. In the hollow of one of the carvings toward the foot of the stone was an accumulation of gravel on which an uprooted mushroom was lying. I picked up the mushroom and tried to set it upright, pushing the stem into the gravel to help it stand up. The surface of the mushroom was starting to rot, but the sight filled me with a sense of tender compassion, much like the grave itself.

After this I decided that it was probably time to wake up, since I didn't want to risk wandering off and forgetting the book title and the engraving on the headstone. Since I was waking myself up deliberately, I was able to get ready and do it in a very controlled way. As the dream began to fade into void, I grabbed a pen and got ready to start writing in the notebook next to my bed the moment I transitioned, until I realized how ridiculous this was. There was no point in picking up a dream pen—it wouldn't save me any time—I would still have to move my physical arm and grab the physical pen once I actually woke up! What a hassle!

Train—open—more and more crowded—trying to stay secure.

Earlier, plane—everyone had kissed the screen, identical lip print.

Bangkok—know the route from having taken many times.

Scenery from the train amazing, began photographing—tall earthy brown cliffs on the right; later on the left forest, enormous trees, figures of other beings like bas-relief in bark, then we were zooming through a city on the water, buildings alternating from Renaissance to modern faux-vernacular shopping plaza style.

Reminded myself to actually look at the photos after I took them, because when I woke up, they would be unlikely to still be on the camera. Some were amazing, and I was sorry they wouldn't last. Others not so great—we were moving fast, and I couldn't always capture the best angle.

"This is the clearest dream I've had in a long time." Happy because for a while dreams have been distant and dim, frustrating. How did I accomplish this? All I could think was that I had finally wanted it enough. But how did I get lucid? Thought back and tried to remember the moment—this actually destabilized the dream and began waking process, but it was gradual enough that I could think back a bit first—realized there was no "aha!" moment, the lucidity had dawned gradually, probably because it was right before I'd been planning to get up anyway—only genuinely lucid for those last few moments when I started thinking critically about the pictures and the dream itself. At the time, though, I felt not an alteration of circumstance, but a sense of continuity with what had gone before. To be aware that you are dreaming is not unusual; to be aware that you are aware that you are dreaming is to be lucid.

Was the lucidity that which allowed me to appreciate and experience the clarity of the dream? But an appreciation must have preceded lucidity because that's what prompted me to start taking the pictures, before I realized they wouldn't last. And even after I knew they would not persist—I couldn't help hoping that this time would be different from all the others, this time they might cross over, through some miracle.

I'm in the kitchen with my husband and one of the cats. A TV or monitor (neither of which is in the kitchen in WL) is advertising a website called "soundandspeed.com." I make a note of it, because it looks like it will be a useful place to pick up Christmas gifts.

The cat is dashing around like a maniac: she runs up to me as if she wants to be cuddled, then runs away again as if afraid. I'm lying on the floor at this point so grab her and put her under my head, like a fluffy pillow, which calms her a bit.

The kitchen is full of spiders of all sizes. At one point I step in something that crackles like dry leaves, but I feel something wet on my foot (I'm just wearing socks) and notice that what I stepped in was the carcass of an enormous spider, at least two feet across. The legs have dried out into husks, the source of the crackling sound, but there is apparently some residual moisture in the body cavity, which is what got on my foot. I feel a surge of disgust.

There is another large dead spider by the door leading outside, this one about eight inches across. It is flattened, which makes me think I must have accidentally stepped on that one earlier.

The spiders seem to have come along with stuff that we brought in from the garage. There are also cobwebs and dead leaves clinging to the boxes. I'm not happy about this. I see a spider that I suspect to be a black widow, and as I go toward the sink to grab rubber gloves so that I can crush it, I see another spider on the edge of a crate that is clearly a brown widow. (Both black and brown widows are actually quite commonplace outdoors where I live in WL, so this is not an unusual experience.) Should I kill it? I remind myself that I've decide not to kill the brown ones since they are less dangerous than the black, but I can't have it living in the house, so I decide to trap it and put it outside.

"This is an infestation of spiders," I think, as I go to the cupboard to get a glass. I ponder the word "infest" as I choose a glass of a suitable size and shape for trapping the spider. Next I need a stiff but thin piece of paper to cover the opening once the spider is inside, and I notice a piece of mail on the counter that will do the trick. As I reach for it, I notice a dead branch propped up on the counter, occupied by another strange-looking spider. It is glossy black with the red markings of a black widow, but the red forms a splotch rather than an hourglass shape. The spider itself looks oddly inflated, almost perfectly round as though it might burst. I look more closely and see a ring of tiny spiders, its young, circling around it. I decide I had better get rid of this one before worrying about the brown widow, so I grab the branch and take it outside.

I throw the branch over the wall of my patio into the bushes, silently wishing that the spiders will have a good life—so long as they stay out of my house. Meanwhile, I notice that the surroundings look a bit different than usual; the neighbors appear to be living in an RV rather than their house, and the bushes are more sparse than they should be. As I start walking back to my house, the realization comes very naturally: I'm dreaming.

I remind myself that I should begin a task in order to help maintain dream awareness, so try to think of what to do. No personal goals come to mind, so I think about the TOTMs and remember the one with the phone. That seems a good one to pursue, under the circumstances.

I begin by imagining that my phone is right in front of me on top of the wall and ringing. It doesn't immediately manifest, so I decide I need to build expectation: the phone must be ringing in the house. I dash back as though I already hear it and don't want to miss the call. Bursting through the kitchen door, sure enough, I see my phone on the counter. Although it is not making an audible sound, the screen is lit up with an incoming call, so I quickly grab it and push the button.

I hear the voice of a polite-sounding young man with a Middle Eastern accent. He is already talking, and sounds like he was in the middle of leaving a message when I took the call.

"Hello?" I interrupt.

The man doesn't seem to hear me at first, and continues with his message. There was more to it, but this is the part I can remember: "—honey and sweetness. Despite Middle Eastern rituals and invocation of Far Eastern gods, we regret to inform you that—"

"I'm here! I'm here!" I insist. Finally I get his attention. He states my name. "Yes?" I ask.

"What is your opinion of our company's business practices?"

The question mystifies me, because I still have no idea who he is or what company he represents, so I inquire, "What is it that you do?"

Instead of answering directly, he asks, "What do you think about your reduced number of intimid—?"

He was interrupted by the sudden dispersal of the dream. My impression was that the last word was going to be "intimidating," but "intimate" is another possibility. Unfortunately, neither one adds much clarity to whatever it was he was about to say!

Ritual: Woke up around 5am after four hours of sleep and decided to make a proper LD attempt. To reinforce my intention I used supplements, my usual stack of Alpha-GPC, L-Theanine, and Bacopa. Did some SSILD cycles until I felt too wakeful, and then breathing/counting. After falling half-asleep and waking up again, I turned on my side.

DILD: My recall is poor from the fact that I haven't been journaling diligently, and I also didn't write more than a few notes promptly after the dream, so I don't clearly recall the onset of lucidity. I just remember that I was in a small, empty, square room with white walls and beige carpet, and I knew I was dreaming. I had the idea that I should better integrate with the dream through physical activity, so I did some high-knee running for a few circles around the room, and followed it up with jumping jacks. This felt absurdly easy compared to the physical strain of exercising in WL, and the sense of incongruity almost collapsed the dream.

I managed to hold the dream together, but now I was feeling dissatisfied, and I decided that I didn't like this room with its ugly beige carpet. I went through the door and found myself outside, which was a nice change. I found myself in a small yard bordered by beautiful vegetation, glossy green leaves and vividly colorful flowers.

FA-NLD: At this point I had an FA during which I lost lucidity by believing I was actually awake. I recall telling someone about how beautiful the outdoors was in the dream I just had, compared to the bland indoor environment. The dream proceeded to take the form of a meeting with colleagues at work, though the details have faded.

DILD: At some point after the meeting, I was driving in a car with two women and realized I was dreaming again. I had reviewed the TOTMs during my WBTB, and was very confident in my recollection that one of the basic tasks was to blow a car horn! That will be easy, I figured, since I'm already driving a car... in fact, I feel bad because it's almost too easy. Dream took care of that, so when I pressed the horn, no sound came out. I ended up putting a lot of concentration into trying to coax some sound out of the horn, and the best I could get was a kind of doorbell buzz.

After giving up on my efforts to make the car horn sound louder or more realistic, I pulled over to the side of the road, and got out of the car with the two women. We were on a small rural road with a nice view over some fields. Now I wanted to try one of the advanced tasks, to pass into a DC's body. As I approached one of the women with this intention, I noticed her appearance had changed: previously she had been a fully-clothed middle-aged woman of non-descript appearance. Now I was walking toward the body of a nude young woman with no head! It wasn't that the head had been chopped off, her body just ended at the neck, a smooth stump.

I didn't let this deter me and walked right into the body. I realized that the lack of a head was handy: since the only "headspace" I was occupying was my own, I didn't feel any confusion about my identity—although it made the task less interesting than it might have been. However, I began to suspect that since the body had been facing me as I merged with it, now my head might be attached backwards! This thought was so disconcerting that I woke up before I could look down and check.

Ritual: I went to bed at midnight and found myself quite awake at 5am, so I got up and worked for an hour. On going back to bed, I realized that although I had not intended a WBTB, the conditions were good for LDing. I had to get up at 8, so I didn't want to spend the time on a formal WILD attempt, but I thought about what task I should do if I got lucid. All I could remember of this month's TOTMs were "fart" and "draw," so picked the latter. I decided I would draw a dinosaur, since I never got around to riding one last month.

DILD: I think I was outside my workplace—something I rarely dream of—when I reached down to pick up something off the ground. As I straightened, I realized with clear certainty that I was dreaming. I wasn't sure what had triggered the awareness, so thought it over, but there didn't seem to be any specific anomalies that I had noticed, and I hadn't RC'd either. On this occasion I just felt very naturally aware of the dream state.

I had originally planned to draw a dinosaur and bring it to life for the TOTM, but now I decided to start with something easier. I had been at my HEMA class yesterday, so I decided to draw a sword, then manifest it and do some practice. My initial strategy was to simply draw the sword in my left palm, so that I could manifest it directly in my hand (I am right-handed, so I was using my right hand to draw with). However, the lines changed as soon as I had set them down, turning into a cartoon-like character. I figured fine, I can work with that, it doesn't matter what I manifest... but my intention to transform the drawing into a real being fizzled. Nothing happened except that the drawing changed into a different character, and then faded.

Changing strategy, as I found myself walking next to a building I drew a sword right on the wall. It was a poor drawing, chunky and ill-proportioned, but I figured I could fix it in post-production. I put my hand over where the hilt was drawn, intending to grab the sword as it manifested. Nothing happened. I wondered if it would help to reach into the wall, in case the sword was inside it. I pressed my right hand against the wall, which consisted of a reddish, textured stucco. It resisted at first, but I kept pressing, and eventually it yielded like a crumbly semi-moist clay, and my hand went right through. I closed my hand over an object and pulled it out. Unfortunately it was not the sword I was trying to create, but a comic book.

It occurred to me that I was always trying to make the dream state conform to my will, and I should pay more attention to the things that it offered me unexpectedly, so I took a moment to flip through the comic book as I walked on past the building. The hero of the comic was a young boy, but nothing caught my interest, so I tossed it on the ground. Lucidity got a little weak, and I found myself grilling a piece of chicken for my husband's dinner. The image of the piece of meat on the grill was, in retrospect, an obvious bit of day residue from a Facebook post I had seen last night.

While getting the dinner ready I found myself indoors, where I made a third try at drawing the sword, inscribing an outline on the wall again. Since there was a DC in the room with me, I thought I would be clever and asked him to grab the sword off the wall and give it to me. I figured it would still count for the TOTM as long as the drawing transformed into a three-dimensional object by any means. But he couldn't do it either!

Later I got fed up and just manifested a sword directly into my hand so that I could actually get some practice in. For some reason I found it easy to create a sword in my hand out of nothing, even though I had been unable to do it from the drawings! I went through a few rounds of the "flow" movements I had learned in my HEMA class, but found myself wondering why I was wasting precious dream time practicing something that I could work on just as well in waking life, so I flew off to further explore the dream.

Only then did I notice the beauty of my surroundings. Some dream environments are drab, but this was one of those landscapes that is gorgeous beyond anything you've seen in waking life. Pink-tinged clouds of beautiful hue and texture filled the sky. All around me was water, interspersed with strips of inhabited land, like a strange city straddling the sea. The water was full of beautiful sailing ships of many varieties.

I felt a bit lonely in all this splendor and wished I had a friend to hang out with. Something inspired me to seek "Ozymandias," though the name has little relevance for me (outside being vaguely aquainted with its literary source) and has never come up in a dream before, nor can I trace it to DR. I loudly called "Ozymandias!" but no one appeared. Then I had an intuition that one of the boats was his, a small craft with a complex array of small square black and red sails.

I flew over and landed on the boat, which was not much bigger than a rowboat despite its magnificent sails. There was a tall vertical form in the prow that I had assumed was Ozymandias, only to discover that it was made of wood and evidently served as the steering apparatus. The boat was empty, even though it was not anchored but sailing freely in the harbor. Something caught my eye and I knelt down to find some single earrings and a few tiny beads in the bottom of the boat, as though a woman had been here. Though I retained a degree of lucidity, I found myself being drawn into a dream narrative. I lingered in the boat until it drifted vertically down a tall waterfall, although the movement was gentle and not frightening.

I wanted to figure out why Ozymandias had apparently disappeared from his boat, so I transported myself to an office where I could speak to a harbor official. I told him about the empty boat and the evidence that a woman had been on board.

"The only other person allowed in his boat is Delphine," the clerk informed me. Something made me suspect Delphine was a courtesan, so I asked about the local brothels, and the clerk described two locations.

As I went in search of the brothel I became confused.... now I began to wonder if I was Delphine, that is, if that was the character I was playing in the dream. But if so, why hadn't the clerk recognized me, since he had appeared to be familiar with her? Could it be because I don't currently resemble her, and instead look like my waking self?

Without resolving these doubts, I went to the brothel and asked if they knew what had become of Ozymandias. "We don't give information about our clients," the madam informed me politely.

"He might be dead!" I insisted, explaining my discovery of the empty boat. That persuaded them to give me a piece of paper listing the dates that he had visited. That was as far as I was able to pursue the mystery before I woke up.

Ritual: I went to bed around midnight, but the knowledge that I had to wake up earlier than usual this morning, at 7am, created a subtle anxiety that woke me up at 4:30am and made it hard to sleep afterwards. The natural insomnia created good conditions for lucidity, and I woke up at 6:30am after this dream.

DILD: Since I was lying in bed mostly awake for a couple hours, I had already gotten up several times to use the bathroom. This seemed like another one of those times, but an odd detail caught my eye. There was a steel mesh frame surrounding the toilet paper roll and someone had left a lot of used cotton balls in it. They were stained on one side with a color like Betadine. I assumed my husband must have left them there, and wondered what he had been using them for.

On some level I suspected that there was something wrong with this scenario and decided to RC. I braced one hand on the bathroom counter and the other on the towel rack, and tried to lift myself. My body lifted effortlessly off the ground with no real muscular exertion, which made me suspect I must be dreaming. (The fact that the bathroom did not correspond to its WL layout was something I failed to notice, as usual.) I checked again, with the same results, and then to be sure, I tried the same stunt without using my arms at all—that is, levitating. Upon levitating successfully, I was confident that this was the dream state.

It's so gratifying to get unintentional LDs! But one isn't always prepared with a task. I felt an impulse to go outside, so I went back out to the bedroom and quickly exited through the screen door. Immediately I noticed a destabilization of my vision. Experience reminded me not to fret, just relax and let images suggest themselves, the problem should straighten itself out. Sure enough, a moment later I started to notice colors, then the colors organized themselves into geometry, and before long they had resolved into a new scene: I was looking at a large stack of different colored shipping containers.

I realized that the deck I was standing on overlooked a great harbor. There was water on all sides, and my house was apparently on some tall island in the middle. I was surprised by the number of ships that I could see moving to and fro. They came in all sizes, everything from large cargo ships to little tugboats, all looking very industrious. There were so many ships that I wondered if the place I was in lacked air transport entirely: I didn't see any planes flying at first, but a moment later, perhaps summoned by my thoughts, a helicopter veered very close overhead.

I decided that I should do something useful as long as I was in the dream state, and tried to remember this month's tasks. Eating a moon rock leaped to mind. Okay, how should I do that? I didn't feel like shifting scenes just yet, actually traveling to outer space. I thought, well, maybe a rocket could land nearby and an astronaut could get out and present me with the moon rock. It sounded like a good strategy but I was not strongly motivated to try it, so I tabled the idea.

As I was contemplating the possibilities, I heard music from nearby, and noticed a miniature stage on one edge of the deck. This reminded me of one of the other TOTMs, attending a concert. Well, here are some creatures playing music in public, that might count. I call them "creatures" because the music was being played by what looked like muppets, only a foot or two in height. The initial music sounded like a piano, and a female muppet was playing it, but her fingers were moving over a clear plastic stand, with no visible keys. I thought she resembled what I can only describe as the "hippie girl muppet," but googling that now, it seems to be a good search term and reveals that the name of the muppet in question (in WL, anyway) was "Janice."

After her piano solo ended, a male muppet to her right began playing guitar. This muppet resembled Fozzie Bear, and and was singing as he played. I listened closely to the lyrics and did my best to remember them. As usual in deep dream, I was impressed how easily the rhymes came—though of course on waking, it was hard to remember the lyrics clearly.

The first rhyme involved the phrase "...how we live," which later rhymed with "...give." There was another stanza that I couldn't remember at all by the time I was writing my report. I have a slightly clearer memory of the third stanza, apart from the absent first line:

...
...and I'll let you do the rest,
Because you know Amos and Andy
And can put them to the test."

After that, the muppet went into a refrain of:

Can you help me?
Stranger, can you help me?

The lines may sound plaintive in plain text, but they were a little more jazzy the way they were sung. I was listening to the song and smiling down fondly at the muppet. I felt that "Amos and Andy" was a phrase I had heard before... was it related to cookies? Or an old TV show? I was certainly willing to offer help, if it was needed, but a moment later I woke up.

Note: Googling now, I see that "Amos and Andy" was originally a radio show in the 1920s, later moved to television, and lasted until the 1950s. I have no idea why my subconcious dredged this up! I must have thought of cookies because of the similarity to the brand name "Famous Amos."

Ritual: It's been over a month since I've done any deliberate dream practice, due to a combination of low motivation and being really busy in WL, so this morning I woke up early to feed the cats and decided to turn it into a WBTB. To reinforce my intention, I took a very small amount (2mg) of galantamine, backed up with alpha-gpc and l-theanine. I lay on my back and tried to concentrate on my intention to get lucid, but my focus was almost completely lacking, and eventually I dozed off only to be startled awake by my own snoring. I turned on my side and fell asleep without any further efforts.

I am in a store that specializes in custom-made, artisanal candy and chocolates. There is a table covered with samples, and I am surprised to see one set labeled with the names of my dad and a cousin, apparently commissioned by them for some event. It consists of three types of chocolate meant to be dipped into three different flavored creams. I want to try all three, but there is only one sample of each flavor and I am competing for them with other customers, so I miss out on one or two.

My disappointment is eased when the lady proprietor brings out more samples, but these turn out to be biscuits and candy, rather than the chocolates on the first table. Still, they are very appealing in all their colors and textures, and I am standing over the table unapologetically sampling one thing after another when I feel a strange tremor in the floor. The motion becomes more intense, and the other customers start to panic because they think it is an earthquake, but I recognize that it is a different kind of motion. It doesn't feel like the ground is shaking under the building, but rather like the building itself is sliding over the ground, which is of course impossible, unless...

"Don't worry, everybody!" I say authoritatively. "This is a dream." I open the front door to see if I was right about the movement, and sure enough, the whole building is sliding sideways through a forest at great speed. While I wait for our journey to end, I continue munching confections: I was particularly enjoying one fennel-flavored cookie shaped like twining leaves and tinted delicately green. Recalling that I was planning to resume my diet tomorrow in waking life, I figured I should take advantage of this opportunity to stuff my face with calorie-free dream food!

The building eventually came to a halt, and I went outside to explore the new environment. I recall it was now an urban area, but some of the transitional details are vague. Somehow I met up with my husband and another guy, no one I recognized, and we drove through the city in a really nice convertible sportscar (modeled on the picture of the BMW i8 he showed me last night in WL). I think we were going to see a movie but maybe it wasn't showing (I don't remember watching one) so we went back out to get the car. It was parked some distance away, so to retrieve it faster, I concentrated on making it drive itself back to us, and to speed things up even more, I had it fly through the air.

"Thank you, robot valet," I said, as the car gently landed in front of us at the curb. My husband got in the driver's seat, and I got into the back again, but when the DC squeezed into some weird sidecar niche, I climbed over to take the passenger seat. For some reason the car had a British layout, so the driver sat on the right with the passenger seat to the left.

Since I had demonstrated that the car could fly, we took off directly into the air to avoid street traffic. However, our flight path didn't feel stable: we were getting buffeted in strange ways. I pointed out that while this car was incredibly aerodynamic on the ground, it was not designed for flying: a sturdy little pod would be better for this purpose. We dropped back down to the pavement and now the car performed beautifully, hugging the ground with impressive traction even though the streets were wet, and roaring forward at incredible speed.

"Where are we going?" I asked. Even though I wasn't in the driver's seat, as the dreamer I felt like I was actually the one steering. My husband said he wanted to pick up some things from the Hall of Records, and helped me locate the building. Inside, it turned out he was retrieving some parcels that had been mailed to him. He mentioned that one package was three days late, because the sender had needed to mail out a movie script first. "Why didn't he just bring them both to the post office at the same time?" I asked, to which there was no satisfactory answer. The parcels contained research materials, and now that my husband had them in hand, he wanted to do some work. "Okay, you work," I said. "I need to go do something."

I had remained partly lucid the whole time, but I had been enjoying the dream enough to let the narrative play out. Now that things were wrapping up, I remembered that I had planned to catch a fish for the TOTMs. I went around behind the building and conveniently found a stream flowing by. The water was shallow and crystal clear, so I peered in to see if I could spot any fish. What I actually saw swimming underwater were... kittens!

"Actually this will make things easier," I reflected. Now I wouldn't need to bother with a fishing rod, hook, and bait. Kittens were much easier to catch! I dangled a length of ribbon over the water until a kitten surfaced and started batting at it, then lured it closer to me until I could scoop it right up in my arms. I concluded that the creature I had caught was a "catbird fish" (I'm not sure why it wasn't just a "catfish," but this was the term that seemed right at the time) and knew I should examine it closely so that I could write a clear description in my report.

Once I was holding the animal, it was no longer the size of a tiny kitten but had swelled into a plump armful. It was no longer quite cat-shaped, either: now looked more like a stuffed animal with the bodily proportions of a totoro: big rounded torso and very short arms and legs. Although my "catbird fish" didn't physically resemble a fish, I sensed that there was something fishlike about its bones, even if I couldn't see them.

I studied the head first, which was still cartoonishly cat-like overall, but with significant differences. The mouth was very unusual: more narrow and vertical than that of a real cat, almost beaklike the way it protruded, but with large exposed teeth. There were two large incisors on the top and bottom, but both sets of incisors were adjacent to one another in the center, more like those of a rat than a cat, but wider and flatter.

After studying the mouth closely, I looked back up and saw that the round, wideset eyes were now completely white. I recalled noticing normal pupils before and wondered if they were rolled back in the head. Just when I was thinking that the creature was starting to look a bit scary, with its weird mouth and whitened eyes, suddenly it spoke up in a very friendly voice: "Hello!" I responded in kind, smiled at it, and continued my examination.

It had the fur of a cat, brown tabby stripes with patches of white here and there: a white triangle on the throat and chest, a little white on the belly, and white gloves. I checked and determined that all four paws were white. After looking over the creature thoroughly, I returned the "catbird fish" to the stream.

The environment had shifted around me: the stream was no longer outside, but occupied a room in a building that had put together exhibits pertaining to different countries. I wondered which country had supplied my "catbird fish," and looked around until I saw the words "This is Canada," inscribed under the surface of the stream. I wondered what other countries were being exhibited—somehow I knew there were supposed to be five of them—and if I could find any rooms with bodies of water suitable for fishing. It would be cool to catch dream fish from several different countries!

I wandered around the building looking for the other exhibits, but to my disappointment, all the others were closed. I went to the front desk to ask about this, and became even more incensed when I noticed a sign informing me that the price of admission was $898.99. I complained angrily to the desk clerk: how could they justify charging so much when only one of the five exhibits was even open?! He simply pointed me to a second sign, which listed a complicated set of refunds that reduced the price of admission to only $1.25.

"Oh, alright then." I figured $1.25 was a reasonable fee for the one exhibit I had seen, and was willing to pay. I had a bunch of change in my left hand, and started trying to count out five quarters into my right palm. The first few attempts inexplicably failed due to the shifting numbers and appearances of the coins. "This is really hard to do in a dream," I commented, and wondered if it would be easier if, instead of trying to shift the correct number of coins from left hand to right, I put them directly down on the desk as I counted.

I started making a little pile of quarters, but had only counted out two before coins that had initially resembled quarters turned out to be square when I set them down, and I had to start a separate pile for them. The third round, quarter-sized coin that I managed to produce had a square hole in the center like those old Chinese coins, and the fourth one had three triangular holes, but by this point I realized that this would never get done if I was too much of a perfectionist. All I needed was one more vaguely quarter-shaped coin to complete my stack of five, but suddenly all the ones still in my hand appeared to be the wrong shape and size. I picked something arbitrarily to finish the stack. I was well aware of the irony of going to so much effort to pay for something in a dream, but since it was so unexpectedly challenging, I felt that it would be a good exercise to try to see it through!

I was looking under the bed for my two cats, and they were there, but to my surprise I found a third! It was an enormous calico, at least twice the size of any other cat I'd ever seen, and unbelievably fat. Startled by this strange discovery, I pointed it out to my husband. He gave me a suspicious look and said, "That's Crowl," as if explaining the obvious.

"He must have at least fifteen percent of the Internet!" I exclaimed, thinking that there's no way such an unusual cat could avoid becoming an Internet sensation. My husband nodded in confirmation.

"Where did he come from?" I inquired. It seemed like a reasonable question, since I had never seen this cat before but my husband appeared to be familiar with him.

Again my husband looked at me in wary confusion, as if he couldn't understand why he had to keep telling me things I should know perfectly well. "We got him from Donna Slope."

"Who's Donna Slope?" The tension was growing with every question I asked. My husband was now staring at me as if he feared that I had finally lost my mind. I gathered that this was the name of someone we knew quite well, for for the life of me I could not remember a single detail about her.

I noticed that the sliding door to the patio was open, and one of our own cats and Crowl had gone outside. I expressed alarm: ours is an elderly indoor cat, and definitely not allowed outside without close supervision. My husband seemed strangely unconcerned: "It's okay, he'll follow Crowl." I was not reassured. "We'll have to talk about this later," I said, indicating the events of the entire morning, and went out after the cats.

The two were already walking along the side of the house toward the street. To my alarm I saw that the front gate was open, and they went right through it. For some reason after I caught up with them I picked up Crowl first. As I walked back along the side of the house I noticed an assortment of little pumpkins or round gourds next to the path. One green one was rattling violently as if something were trying to get out. This piqued my curiosity, but I could not investigate with my arms full of cat, so I resolved to take a closer look after both cats were secured back indoors. I unceremoniously dumped Crowl back inside the bedroom, making sure to close the screen door behind him, and then went back for the other cat.

I was worried at having left my cat unattended, but reminded myself that he moved very slowly in his old age and he could not have gone far. As long as he hadn't blundered out into the street, he should be okay. I soon spotted him next to the sidewalk chewing on grass... but something was amiss. There were now two cats of his appearance. I studied them closely until I thought I was sure which one was him, and carried him back inside. After he was safely secured in the house, I went back to investigate those pumpkins.

The pumpkins ranged in color from green to orange, and seams indicated that the tops could be lifted like those of jack-o-lanterns. What did I expect to find inside? What if it was a coiled up snake, and it bit me? I brushed aside the fear impatiently: the only reason to be afraid of a snake is if you think it might have deadly poison, but that is quite rare. Most snakebites are harmless. Still, why did I want to look inside the pumpkins? I needed a good reason. "Curiosity," I concluded. "Curiosity is the desire to know more." That seemed like a good enough reason in itself.

The first few pumpkins were hollowed out as I anticipated, but they contained only vague shapes, like something was still buried in the pumpkin flesh. I peered closely at one and I thought it looked lizard-shaped. "Maybe they aren't ready to hatch yet," I concluded. I reached the green one that had been shaking violently. Surely this one was ready! I stopped and tried to imagine what I would most like to find inside, and decided on one of those little troll dolls. Wouldn't be cool to find one that had come to life? I lifted the top and... it was just another lizard. This was vaguely disappointing after I had gotten my hopes up for something more exotic.

After going back in the house I started thinking hard. I realized something very strange was going on today, and I needed to figure out what it was. My husband was acting very uncharacteristically, and I was apparently unfamiliar with major details of my own life. What could it be? Was it related to time travel? My current situation felt very similar to the life I knew, but not identical... could I have somehow "jumped the tracks" to a different timeline, a different possible present?

Later I was shelving some books in the kitchen when another possibility came to mind: I could be dreaming. At first this felt very unlikely, but I knew that apperances could be deceiving, and I would need to test thoroughly. I began by looking at a book on the shelf and trying to withdraw it through will alone. Nothing happened, but I thought it might just need a headstart, so I pulled it out about an inch with my fingers, then tried to finish using only mental strength. This time it worked! I let the book hover in the air above my palm to confirm that I was controlling it with my thoughts.

Alright, so I'm definitely dreaming. Shit. That means I have to remember everything so I can write it down when I wake up. I started going over details from the morning, listing them aloud to better fix them in memory. "Crowl... Donna Slope... lizards in pumpkins..." I'm sure several other things happened that morning that I'm now forgetting, but I lost lucidity and had another long NLD before waking up, so some of the details have faded.

Ritual: Slept from about 1:45 to 6:15am, woke to record a vivid NLD, decided to turn it into a WBTB and try to get lucid. I wanted to use some light supplements but nothing powerful, only alpha-gpc and bacopa... but after wondering why one of the bacopa capsules I'd just swallowed was white, I realized, oh shit, when traveling recently I had put some galantamine in the same bottle! I had no interest in taking galantamine this morning but now it seemed there was nothing to be done. Then I had an idea: since piracetam counters the more unpleasant effects of galantamine, and since it now frequently acts for me as a lucid trigger on its own, what might happen if I took the two at the same time? It had never occurred to me to try this before.

Writing this up after the experiment, I feel like an alchemist who has just stumbled across the philosopher's stone. Wow. After going back to bed 7am I did some prep before falling asleep and then found myself dreaming lucidly for over an hour, waking at 8:30am, probably my longest stint to date. Then I wrote up everything I could remember, lay back in bed to remember and write down some more, went back to sleep, and found myself in another semilucid that presented itself as building on events from the previous dream (though I'm not convinced it actually was). At 10:30am I woke again, feeling thoroughly surfeited and satisfied with so much dreaming.

DILD, "Three Houses": The dream lasted so long that there was even a point midway through it where I thought to myself, "With everything I've already experienced, how am I ever going to remember all this? There's just no way, especially if I keep going. Should I just wake up?" But the answer came readily, "No way! I want to keep experiencing it, even if I can't remember everything later." There were a number of shifts and transitions that might normally have destabilized the dream and woken me, but I felt confident in my ability to navigate them safely.

Although I don't clearly remember the beginning of the dream, I'm sure it was a DILD because I recall having one of those thought sequences like, "Hey... I think I might be drea—yes, of course I'm dreaming. Duh. I knew that." Experiences like these confirm for me that lucidity goes beyond mere dream awareness (which in itself can be non-lucid, as I've experienced many times) to encompass that awareness of dream awareness, a kind of meta-awareness, that enables agency. Once I had agency, it was on to my tasks. I had two main tasks planned, working on the "intellego" technique from Ars Magica and trying this month's bonus TOTM. I prioritized the latter because it is time sensitive.

Random house: Although I was upstairs in a house when I got lucid, I decided that to do the task properly I should start with a fresh one. I went out to the balcony, which looked out over some tall pines bordering the backyard, and easily levitated into the air. I was floating over a residential neighborhood with numerous houses to choose from, so I tried to let instinct guide me. Although the outside of the house I picked didn't inspire any sense of connection—it was an ordinary two-story suburban home in blue-grey clapboard—I figured I should look inside.

My first distinct impression was how heavy the front door was, one of those old ones made of solid wood. I had to manually lock it behind me and the bolt was hard to turn, though even at the time this struck me as mere DR, since the sensation of forcing the bolt was identical to what I have to do currently with my patio gate in WL. After entering, I found myself in a short plain white hallway, and started wandering through and trying various doors.

Although my intention had been to find house that represented me, and I even muttered something to this effect aloud a few times as I wandered through this one, I still didn't feel any connection with this place. All the rooms on the ground floor were vacant and a bit dirty, as though someone had moved out in a hurry. I wondered if I was seeing an empty house because I've never actually owned a house of my own in WL, having always rented, so I never had experienced a house that truly did represent me. I opened one door and it led into an enclosed porch or sunroom, also empty. I went back inside and found an interior room with no windows. I thought that if I did live here, this would be a great place to build bookshelves, something I've always wanted to do if I had a house of my own. This house, however, didn't look like a place would ever really want to live, much less a place could represent me in any meaningful way.

I was annoyed with how empty and uninteresting the ground floor was, so as I went upstairs I reinforced my intention for the house to represent me. At the top of the stairs were two rooms, and these were cluttered with scattered boxes of junk. Might this represent a cluttered state of mind? I looked around at the seemingly random stuff, but once again I felt no connection with it. There were big boxes crammed with vinyl record albums... but I've never owned any vinyl, having grown up in the era of cassettes and then CDs. There was a smaller box containing smaller records, and I tried to remember what that format was called. "Eight-tracks" was what I came up with—clearly I didn't have full access to WL memory, because I'm well aware that eight tracks are those big chunky early cassettes, and only after waking did I remember that the miniature records are properly called "singles." I've never owned any of those either. When I saw that another box on the floor contained an open bag of what appeared to be maxipads, I started to get annoyed. This is just random junk! Sure, I'm a woman, I occasionally use maxipads, but I really don't think they have any special meaning for me... apparently the dream is not cooperating with my intention. That part, at least, is nothing new. My dreamstate has never been entirely cooperative.

I went back downstairs and out through a garage. It was mostly empty, but there was a chest of drawers there, where I began to try out my second task. "Intellego," I said, touching the wood (I wasn't sure if the Form should be "Corpus," so I left it blank.) All I could read from the chest of drawers was a vague impression of the craftsman's hands, and a feeling that it might have been made in India. That made sense, I figured... how much information could I expect out of furniture, anyway?

I went outside and looked up into the sky. It was full of fluffy, almost cartoonish clouds. "Intellego auram!" I shouted. I got no response, even when I repeated the command several times and focused specifically on the wind. Well, what did I expect to learn from the sky? The current strength and pattern of wind currents? What possible meaning could that have for me? I suppose it was a failure of imagination, but "intellego auram" produced no impressions at all.

Aspirational house: I wasn't happy with my first house attempt, but figured I should try again. I tried to find a house that looked more like something I would actually want to live in. Stone walls, of course, something old and solid and dignified. I "located" such a house but it felt a bit fake, like I was forcing the issue, maybe even creating an overlay of what I wanted to see over what was actually there. I tried to remind myself this is dream, nothing is "actually" there, and went through the front door.

This front door was also pleasingly solid and heavy, and it latched shut on its own, a big improvement over the last one. I found myself in a little coatroom or antechamber, and from there passed through another door into a spacious kitchen. As I walked in I was still determined for this to be the house I was hoping for, so at first I felt like my impressions were driven more by imagination than dream. But after a moment dream took over, and my vague wishes solidified into a magnificent kitchen. It was long and narrow, and over to my right I had the impression of a stove range where a woman was cooking. To my left was the food storage area, consisting of a large refrigerator, floor-to-ceiling stainless steel doors that turned out to be the cupboards for dry goods, and the glass doors of a built-in freezer that also occupied a whole section of the wall. Although I had created the basic structures through my own deliberate imagining, as I now opened the doors and peeked at the contents, I was satisfied that dream had followed through and spontaneously filled in the details. When I opened the door of the refrigerator, there was even a beautifully frosted white cake, and although I thought I heard the woman across the room warning me not to touch it, I couldn't resist lifting up a corner of the plastic cover and using my finger to swipe a bit of the frosting. The vivid taste made me glad of my mischief... just like real buttercream!

I don't remember the other rooms of this house as clearly as the kitchen, though in contrast the last house it was furnished and even peopled. Upstairs I ran into a guy with a beard and mustache and decided to work on my ongoing attempt to summon game characters. I wondered if it would work better if I started with a character I had less interest in, so that I'd be less concerned about "getting it right." Last night in DA:I I had some conversation scenes with Blackwall in which I basically friendzoned him, so I tried to transform this DC into him by visualizing the scene I remembered. The voice was easier than the face; it wasn't a complete success but not a complete failure either. Unexpectedly I ended up kissing the DC (which was not in the original scene), and it was at this point that he seemed most like the game character, though I didn't take our interactions any further.

In further exploring the upstairs of this house, I opened a closet door and found myself in—I'm not sure what to call it, maybe "the labyrinth," a kind of claustrophobic dream space that perpetually replicates itself. In the past I've experienced it when I've portaled and accidentally found myself trapped in a seemingly endless series of tiny doorless rooms. This time it wasn't even rooms, just a texture like pebbly pastel-colored styrofoam that was pressing in on all sides. Wherever I pushed through in any direction, I found myself in another identical space. I even "airlifted," a technique of rising vertically that usually extricates me from unpleasant or threatening situations, but was still stuck in the labyrinth. In the past, the only way I've gotten out was to wake up, but this time I was determined to keep cool and persevere. Sure enough, eventually the sense of claustrophobia receded and I found myself in a new scene. Maybe the labyrinth is no more than a virtual rendering of unconstructed dream space.

I was now outdoors on a street far too narrow for cars, and cobbled. It was pleasingly archaic, and I wondered if I could work on the DA:I theme some more. The only distraction was the brightly colored balloons that were attached everywhere for some reason... a festival? At the end of the street I climbed a steep staircase to the second floor of an unpainted wooden building, and on an inspiration, I thought, "When I turn the corner, I want to see my dream lover." (I've been thinking it over in WL, and decided that I might prefer this over a mere "guide." But my DCs have been so inconsistent that to date I've identified neither.)

I turned the corner and... sitting in a rocking chair was a drab, ugly old woman. (I already mentioned how perverse my subconscious can be.) I didn't want to be rude, so I approached her with questions. At my wondering why she appeared in this form, she answered, "We take different appearances." I had the feeling that the "we" included both of us. Although I was not attracted to her in this form, I thought there was something familiar in her eyes, so I kissed her anyway. Around this time another DA:I character, Sera, came climbing up a rope onto the balcony of the room, and I thought perhaps the dream was suggesting that we take a stand for lesbian love. I was up for this, so I yelled at the young man pursuing Sera up the rope that he had better climb down as quickly as he could, if he hoped to stand a chance of surviving when I cut it. I pulled out my knife and let the taut rope brush against the sharp blade, severing some of the strands to show my threat was serious. The man started climbing down again, but the rope was not as durable as I thought, and my knife hadn't cut through more than a third of its width before the rest of it broke and unraveled, dropping him to the street. I peered down anxiously but was relieved to see him stand up again, apparently unharmed. "Sorry!" I shouted, and genuinely meant it.

Things only got weirder from here, and at the point where the jockey told me, "They should tape our warm hands to the wheel," and I was going over this line trying to make sure I would remember it, I started to wonder if I should wake myself up. Hell no, I decided. So there were more things I don't remember clearly, and I'm not sure how I found myself in my old house.

Old house: I was in the house where I lived from the age of ten until I left for college. This was so far into the dream that I can't be sure if it was another attempt at the TOTM that brought me here, but once I found myself in the house, it definitely felt relevant to the task... of all the places I've lived in my life, this was the one I felt the most connection to, and it lives very intact in my memory. I floated through it like a disembodied spirit, mostly impressed by the accuracy of what I saw. But there was something drab and empty about it, too, perhaps because I was aware that everything I was saw no longer existed: the house was sold shortly after I finished college, so although it still stands, it is no longer the home I remember.

I started in my bedroom, floated through the upstairs playroom I shared with my brother, drifted down the stairs, and then made a circuit through the dining room, into the parlor, through the closet that connected the parlor to my parents' bedroom, and through the adjoining bathroom. Everything looked ordinary and intact until this point, when I saw the first oddity: a white enamel woodburning stove, a kitchen model, was in the bathtub for some reason. I continued floating into the kitchen, where we did have such a woodstove—original to the house—though the real one was black cast iron and much too large to fit in any tub. I concluded my tour in the living room, having made a complete circuit of everything but my brother's room, the pantry, and the workroom.

There was something festive about the decoration of the living room, perhaps because of the many wonderful Christmases we had enjoyed there, and another oddity: a giant pair of elk horns, which when I looked closer appeared to be attached to an actual elk, although it was standing as still as a statue. I assumed the elk horns were DR, since I had recently been impressed by pictures of the giant Irish elk, an extinct species (neither specifically Irish nor actually an elk, to be pedantic) that sported massive antlers. It reminded me of the elk that Thranduil rode, and my earlier successes inspired me to attempt another thematic summoning. I clambered on the back of the giant elk and rode it outside (conveniently ignoring the fact that there is no way its antlers would have fit through the the ordinary-sized door that led outside from the living room.)



Outside it was winter, everything covered in snow, and I found myself in a hilly landscape with no connection to my old yard. I focused on finding Thranduil and saw him up ahead on his own elk, actively battling a pack of large winter wolves. He was alone and I feared that if I did not intervene I would lose the chance to talk to him, so I charged ahead using fire magic to clear the pack. When the battle was done and we stood alone again, surrounded by the fallen wolves, he gave me an imperious look and said coldly, "No Lothian tickets will be given to see me." Although I wasn't sure what he meant by "Lothian" (or why I feel like it should be capitalized), I had the impression that he was telling me that he was not someone to be summoned at whim by a mere dreamer. So I changed tactics, presenting myself as his sister. According to the lore I don't even think he has a sister, but it worked.

"So, our father in the middle of a storm brought anzu fruits for our hunters," I informed him, pointing to a cache of green and orange spheres buried under a patch of ice. Thranduil accepted my new identity and greeted me with a prim brotherly kiss, to which I responded with somewhat more than sisterly affection, though I tried not to go full Lannister on him. It was here that I awoke at last, delighted to have finally made some progress in the character summonings that, to date, I have found the most difficult type of tasks.

A woman and I are running from a pursuer, another woman. "Faster, faster!" the first woman urges me. "Don't look back, it will slow you down." I don't see why I have to run away, but fine, I'll play along... I do look back, however, and I'm surprised how close the pursuer is. This motivates me to try to put some distance between me and her, so I run harder... and yet I can't seem to make much gain on her. I'm perplexed: I know I should be able to do this, I'm dreaming, it's not like I have to rely on my physical stamina. I wonder if the answer is in running with more short strides rather than trying to cover more distance with each step, much as one is advised to run in WL, so I try out variations. I'm making progress, but concentrating so hard on my running form is becoming tedious. "Imagining running is almost as hard as the real thing!" I comment to the woman fleeing with me. Getting bored with this situation I decide to put an end to it, and succeed in sprinting ahead to the point where I can turn a corner and leave the pursuer's field of vision, at which point I figure I've made a fair escape.

However, it turns out that my pursuer had an accomplice: I now find myself in a struggle with a huge brawny man with a shaggy brown beard. I perceive him as a Viking, and I'm aware that his name is Torvald. He is connected somehow with the woman who was chasing me earlier, and is likewise an antagonist. Our struggle manifests partially as a kind of combat, but it feels as much like a battle of dream control as a physical battle.

I easily resist Torvald's initial attempts to subdue me, but his immense confidence makes me wonder if I should doubt my own. I go on the offensive and try to put him out of action more permanently, trying various tactics to destroy his body. For instance, at one point I imagine his body being crushed by a great weight from above, and although this has him stretched out supine on the ground for as long as I'm actively thinking it, he is soon back on his feet. I try crushing his heart and throat from inside his body, but he is only briefly inconvenienced.

I wonder if fire would do the trick, and visualize Torvald's body burning to ash. Though I've said nothing aloud, he appears to understand my intentions, and rather than actively resisting like he did with my other attacks, he simply denies the efficacy of this approach. "Fire won't work," he tells me flatly. I refuse to acknowledge this and continue contentrating on the image of fire consuming him. "Fire won't work," Torvald tells me again. I'm thinking: how could this be? It's my dream, isn't it? Fire should work if I say it should work. So I redouble my focus on the fire. With patient indifference, Torvald insists: "Fire won't work." I find this disconcerting, because apparently my confidence is unable to overcome his. Aren't I the dreamer? But there is no time for philosophical questions; we are still in combat. I switch tactics: if he is resistant to fire, how about ice? I start to try to freeze him—even if it doesn't destroy him it might at least slow him down temporarily—but Torvald has found the opening he needed and pins me to the ground.

Torvald's inexplicable ability to ignore my attempts to burn him makes me wonder if I should worry that he could actually harm me. But I have a superpower too: as the dreamer, I am invulnerable... aren't I? I decide to play it safe, and secretly project my "real" identity to the roof of a nearby building. It is a large square brick structure about 8–10 stories high, and I crouch behind the low brick railing that surrounds the flat roof, tempted to peek out at the combat occurring down below but not wanting to let Torvald see me and discover the trick. So I transfer my perceptions back to my body on the ground, which I now regard as a mere DC, and thus disposable. If my attacker succeeds in destroying this body, it won't matter: I've secured my identity elsewhere. Torvald actually glances up toward the roof when I think this, and I quickly realize that I need to guard my thoughts as well.

"Do you have someone watching me?" Torvald asks. I am relieved, because although he suspects that there is an observer on the roof, he hasn't seen through my whole trick—he doesn't seem to recognize that the person up there is actually me. I project a new thought toward him, gleefully: I recall how undercover police have been tracking him, and that I've been using our encounter to distract and delay him until they were in position. Maybe none of this was true earlier, but it doesn't matter: this is a dream battle, so it is true now! When Torvald looks back down at me, I grin mockingly and deliberately call him by the wrong name, "Harald," just to annoy him further. The game is up, and my undercover officers move in and force Torvald to release me. I'm not sure what happens to him after that... pleased with having solved the dilemma, I simply walk away.

What's next? The last incident was not one that I had intended, but now I'm free to work on tasks. I enter a wide clearing and wonder if I should try the Dragon Age task again. I've always liked the idea of aligning dream space with fictional environments from books, films, or games, but I'm still trying to figure out how to do it. I suppose the first step would be to remember a concrete environment from the game and try to insert aspects of it here. I played DA:I just last night, so I should be able to access those memories... but as I seek them out I feel a tremor of dream instability, and decide not to push it. If there's a risk of waking, I should put that task off until later. For now, there are still a few TOTMs I haven't tried this month, and I decide to work on those.

"Taste a rainbow." That one is easy to remember. I imagine a rainbow in the sky, and produce something very faint and not at all rainbow-colored. The colors are largely ochres and earthtones, and not even in proper lines but arranged in a more tesselated pattern over the arch. I'm not being a perfectionist at this point, so I accept this as a "rainbow" and shrink it into a stick of candy in my hand. The colors have changed in the process, and for some reason the candy stick is white with swirls of red and blue. Still not rainbow-colored! But I take a bite. The texture is interesting, lots of little pieces that crunch between my teeth, but the flavor is a real disappointment: vague, muted, and blandly sweet. Apart from "sweet," no other descriptors really present themselves. This won't do. A rainbow should taste more unusual than this! I decide to start over.

This time I put more work into the rainbow itself. I first visualize it, then focus on the faint transparent arch until it becomes more clearly visible, but this also has the consequence of making it more material. Now it appears like a physical object, a two-dimensional vertical banner in an arch about ten feet high and twenty feet long, right in front of me. I work on correcting the pattern so that it has rainbow colors in properly aligned stripes... I see some improvement, although it is a C+ effort at best. It looks better than my last attempt, anyway, so I approach the "rainbow" and try to take a bite directly out of it. The experience is like... chewing on a shower curtain. It really feels like I've put a sheet of plastic in my mouth, although the material is soft enough to crush between my teeth. Again the texture is more prominent than the taste. I put all my attention on the flavor, trying to detect anything describable, and think maybe I get some underlying fruity notes, but again it remains vague and uninteresting. Taste and smell are the least developed of my dream senses... I wonder if I could improve them if I worked at it?

I feel like I have adequately completed the task, anyway, and wonder what to try next. In all my efforts with the rainbows I had hardly paused to note all the people sitting at various tables around this clearing, like picnickers, but observing them now, I figure it might be fun to try the magic show. What would a stage magician do? I guess the most basic tricks involve having something up one's hat or one's sleeve? I notice that I am completely naked, which has long since ceased to embarrass me in dreams, but gives me a mischievous idea.

"What's up my sleeve?" I start circling among the various tables, challenging the audience members to come up with a response. One of the first responses is: "Following a guy from Eton to [...]?" (I forgot the second place name.) This answer reminds me of the earlier scene, and how I resolved the conflict with Torvald. This DC must have been one of my officers! "Are you an undercover cop?" I ask him in reply. He grudgingly nods. "Not anymore!" I'm joking about how he has just blown his cover, but it also feels like an appropriate analogy to my own lack of sleeves... I'm not "undercover" either.

I continue asking, "What's up my sleeve?" and collect various other responses from the audience, all of which were non-sequiturs... but I reasoned that the illogic of the question itself (since there was no sleeve) invited such creative responses. After hearing from seven different people, I realized that I might have trouble remembering all this when I woke up, so I stopped and went over their answers again, one by one, to help fix them in memory. Already I had trouble recalling two of the answers, but one of the DCs helpfully reminded me, additionally pointing out that the answers varied between the metaphorical (things that never could go up a sleeve) and the literal ("Three shekels" was one of these answers, I think). Meanwhile I was getting ready for the grand finale to my show, when I would reveal my own answer to the question. I had been planning on the groaningly obvious "Nothing!" and was ready for the big reveal when I noticed that something had changed... now I was wearing clothes, including a short-sleeved shirt. I realized that if I was going to go for the groaningly obvious at this point, I would have to answer "My arm!"

I felt myself start waking up, and I already had a lot to remember and report so I didn't resist the process. I woke up slowly enough that I was able to concentrate on those seven answers from the DCs and hold them in mind, with what felt like excellent clarity and accuracy. And then something happened... as I crossed the threshold, despite all my care and preparation, the memories abruptly tattered, the details dissolving. The only one of the seven answers I could still remember, and that incompletely, was the first—and that I suspect only because it was anchored by its reference to the earlier scene.

Ritual: I haven't let myself get bothered by my dry spell of the last few weeks, since it was easily attributable to lack of motivation and practice. My work life has been much more relaxed, so I think dreaming has been less psychologically necessary. I'm starting to observe a consistent pattern where I get lucid more frequently and intensely at times when I am under the most stress in waking life. I always think I'll have more time to work on dreaming when that stress disappears, but usually I find my motivation disappears along with it. I think this is because when I have more free time, I indulge in other kinds of experiences that satisfy my mind in a way similar to dreaming: films, books, and especially computer games.

Recently I started getting irritated with the bad dream recall and lack of lucidity, and decided to put more work into it. I did a few WILD attempts where my inability to count much higher than ten revealed my lack of mental focus and clarity, and they went nowhere. Today I found myself wide awake after sleeping four hours, a perfect WBTB, so I decided to try again. I didn't want to take any active supplements (alpha-gpc, galantamine, or piracetam), but I also didn't want to miss out on the placebo effect and reifying of intentions that might be gained from swallowing something, so I took a few tablets of bacopa and one of NAC. For good measure I also strapped on my MotivAider, set to 45 minutes, then lay down to do some counting. My focus was still crap.

I was not fully asleep yet when I felt the first pulse of the MotivAider, however it roused me enough that I noticed I was seeing some really amazing hypnagogic patterns. This is the first time I've experienced such distinctly geometric and symmetrical patterns in the hypnagogic state. I got up to use the bathroom and was amazed at the way the patterns persisted every time I closed my eyes, moving and transforming. I was tempted to wake up more fully to sketch them, but realized I could make better use of this state, so I preserved it and kept watching the imagery as I lay back down in bed.

I decided to skip the counting this time and work directly on tactile sensations. I concentrated on trying to move the dream body without activating my real one, and there was that inevitable ambiguity at first, but then I reached up to touch my face and I was pretty sure it was my dream arm that did it. I felt around my mouth with my tongue and was sure of it: the taste in my mouth felt too flat, too muted, to even be the normal background mouth-taste that we typically overlook. When I was confident that I had integrated into the dream body, I got up into my bedroom.

WILD, "Reflections / Zznvogayi": It is my first time getting lucid this month, so I decide to try a TOTM. The mirror task is convenient, since there are large mirrored sliding closet doors only steps away from my bed. I walk over and stand in front of one. At first I think the reflection bears a close resemblance to me, only with fuller cheeks and smaller eyes. But rapidly these features grow more exaggerated until they no longer look like me at all: the face is horribly bloated and the eyes have all but vanished beneath the puffy surrounding tissue. I recognize this as DR: I've been reading Gyo, a horror manga by Junji Ito, and it's full of faces like this. I force myself to keep watching as the image becomes more and more hideous, as though it is deliberately trying to unnerve me, but I remain calm and at last it vanishes.

It seems like the show is over, but the TOTM instructions were to keep looking as long as you can, so I continue watching the mirror. For a while it shows no reflection at all, just an empty dark space. Then a new reflection appears. This woman is beautiful, elegantly dressed in an archaic ballgown. I note that the bottom of her dress expands into almost a full half-sphere, and recall that this style was characteristic of the 1850s. I look up toward her face, but even though the expansive bottom of her dress is brightly illuminated, her entire upper body is in deep shadow and I can make out nothing but the silhouette of an appealingly slender torso. I keep staring until finally a tinge of light illuminates the lower curve of a shapely breast. I never do see the rest of her. As I continue watching, she is replaced by a male figure. I have the impression of a hairy man in rough clothing or primitive furs, but already the dream is deconstructing itself around me and when it stabilizes I am in another place entirely.

I find myself at the top of stairs leading down through water and rockery, landscaping that reminds me of a Chinese garden, though the buildings on all sides look contemporary. I wander down the stairs wondering what to do next. In late May I finally started playing Dragon Age: Inquisition, and was delighted to discover that one of the core characters is a lucid dreamer. This gives me the idea to try to summon him. Summoning people, historical or fictional (I rarely attempt it with WL people because I feel like it would be rude to deal with their doppelgangers), has always been my weakest area of dream control, but I'm determined to make it work. At first I hope to recognize the character among random DCs passing by, but don't see any likely candidates. Then I notice that at the bottom of the stairs is a large cafe, with a number of tables clustered in a semi-interior space with no front wall. This gives me an idea.

The cafe is organized enough to have a hostess desk, so I approach the two women working there and tell them, "There's someone waiting for me." When they ask his name, I say "Solas." One of the women acknowledges that he is here, and tells me to follow her. Oh my, is my trick actually working? I worry that I might get too excited over the prospect of success and destabilize the dream, and of course even that thought comes dangerously close to doing so, but I quell it and force myself to keep going along with the events I've set in motion, despite my impatience. So I follow the hostess, who leads me among the small circular tables toward one where a man is sitting by himself. I squint at him, trying to figure out if he really looks like Solas. Not so much: his face is thin enough but the features aren't right, and his skin has an odd greenish cast. I do my best to will his appearance into a better fit with my expectations, but this doesn't work. Oh well, appearances aren't everything. Maybe at least he'll identify as the character?

I sit down at the table and say, "Are you Solas?" He confirms that he is not. I don't remember our conversation clearly, but I recall being impressed with this DC's confidence and sense of his own identity. He seemed to find my questions foolish or nonsensical whenever I attempted to steer him toward my own ideas of how the scene should play out. For instance, when I asked something like "Are you from Thedas?" he replied emphatically, "I am from here." Still trying to keep up with the DA:I theme, I asked, "Is this the Fade?" I seem to recall he had an interesting answer to that, but I've unfortunately forgotten it.

At some point either I ask for his name or he volunteers it... and it is both odd and unfamiliar. I repeat what I think I've heard: "Vinyogi?" He shakes his head and says it again. This time I can make out that there are four syllables, with the emphasis on the second. "Zunvogayi?" I have to try several times before he's happy with my pronunciation, but it sounded something like that. I ask how to spell it, thinking this will help me remember it better, and he explains that the first syllable is spelled 'Zzn', but clarifies that the second 'z' functions as a 'u'. He gets up to leave and I follow, badgering him about how to spell the rest of it. He asks why I want to know, which I realize is a reasonable suspicion. I try to come up with an explanation that will sound bland and plausible without mentioning that I'm dreaming this, so I say something lame along the lines of, "I like to keep records of my activities."

Outside the cafe we head left down a path and then turn to the right, where some DCs are gathered looking at a long thin object resembling a small oar that is attached to a wall with a number on the paddle end. From their conversation I gather that it is a house number, and possibly they are trying to figure out if they should proceed with some kind of heist. Zznvogayi pulls out some cards and lays down four of them as though doing a divination. There are words and pictures on the cards, but they don't make sense to me. From what I can tell, the cards suggest that "if you have guts you get ice cream." I tentatively interpret that to mean that bravery will yield rewards... a favorable oracle? The DCs discuss the matter among themselves. Meanwhile I'm still pestering Zznvogayi to tell me how to spell the rest of his name, which he finally does. Of course it was just as complicated as the first syllable, and all I remember now is him explaining: "The 'v' and the 'd' are the same." "That makes sense," I reply, thinking how easily the two letters could merge based on linguistic similarity, and the fact that in some languages, like Sanskrit, they commonly occur in the compound phoneme 'dv'.

I want to make another attempt at summoning Solas, but this environment is too modern and urban to be suitable, so I decide to find somewhere better. Since there are a lot of DCs around I offer to make a show of it, announcing, "I'm going to make a portal!" Sure enough, this gets their attention and a small audience gathers behind me. I realize that with so many people watching I ought to give them a good visual spectacle. I begin by establishing, a few feet above the ground, a smudge of light colored deep cobalt blue. Then I wave my hand in a circle to rotate the light, spinning it into a flat vertical disk. I recall the beautiful hypnagogic patterns I was watching earlier as I fell asleep, and decorate the disk similarly. When I feel that the portal is well-established, I step through, trying to fix my thoughts on an environment appropriate to DA:I. However, at the spur of the moment I have trouble remembering any setting in particular, and for a while I find myself floating in unconstructed dream space. I focus on staying in the dream and finally a new environment forms around me. Across well-groomed lawns are large buildings whose style is unmistakably contemporary. There are no windows on the side wall of the building that I'm facing, just a four-digit number to identify it. This place looks like an expensive corporate campus: very far from what I was hoping for!

FA: It was probably the disappointment that woke me, but I had so much to write that I immediately went into "preserve and recall" mode, grabbing the notebook next to my bed and jotting down as many notes as I could before the memories faded, starting with the name 'Zznvogayi'. At one point I noticed that the pen wasn't making any marks on the paper, and remembered that earlier I had covered part of that page with an oval of wax. I tried to remember why and thought it must have had something to do with portals. I flipped over to a new page and continued taking notes, until I woke up more fully and realized that I was not actually writing, it had been an FA, and I would need to pick up my notebook for real and do it properly.

Ritual: It was a great night for dreaming, probably because I went to bed so much earlier than usual, though I've also been especially attentive to my RCs for the last couple days. I went to bed a little before midnight, and I'm also currently on the East Coast, so the clock was three hours ahead of my usual time zone. My sleep was punctuated with the usual half-dozen wakings, though I didn't do any specific night practices other than try to pay attention to the transitions between sleeping and waking, and in this I was not persistant or prompt enough to pull off a WILD or a DEILD. But by around 6am I woke up from the first DILD, spent until 7:30am writing it down, then went back to bed and lucked into a second one.

NLD, "Drones": I'm standing by a floor-to-ceiling, wall-length window in a big hotel suite, looking out over the curve of a bay. From the height we must be somewhere between the 20th and 30th floor, and to the right I can see another tall building, or perhaps an extension of the same hotel, following the curve of the beach. Ahead and to the left is the flat horizon of the sea. It would be a pleasant view if it weren't for all the drones hovering in our field of vision, each one carrying a sign with a single word on it, white block letters on a black background. The words seem to be completely random.

"It's like some dystopian future," I comment to Peter Dinklage, who is standing to my left. I muse about what it would be like if the drones were weaponized, and turned on us like machines tend to do in science fiction. Though a chilling thought, they are awkwardly constructed without any armoring, and look like they would be easy to shoot down.

Then I notice that although they are not armed with guns, each drone is fitted with a camera, which is just as bad in some ways. Are they conducting mass surveillance on us? The cameras are all pointed directly at us. As I watch, a see a few drones of a different type fly in very close. They are not carrying signs, and they are disk-shaped, topped with a transparent dome through which we can see tiny people inside operating them. The pilots can't be human: even though I am standing next to a dwarf, they are much smaller than him, the size of babies, but with adult features and pointed ears. One of them waves at us, and Peter Dinklage says something like, "This is really disturbing."

FA-DILD, "Smallpox": Shortly after this I have the sense of waking up, though it is not a typical FA; I do not find myself in bed. I feel like I am standing in the same spot, in the same room, only awake now. Everyone else who was in the room a moment ago is gone, and there is no longer any impression of a view. The light has changed, becoming greyer and dimmer: it felt like late afternoon a moment ago, now it feels like early morning.

At once I notice that something is wrong with my body: a dense network of small patchy blisters is completely covering my skin. I look at myself in third person, as though in a mirror, and see them everywhere: covering my face, my chest, my arms, every patch of visible skin is mottled with these raised lesions. I know exactly what they are, too, I've seen them before in historical pictures: these are smallpox pustules, apparently in an early stage, since they are slightly lighter than my natural skin color and haven't scabbed or opened yet.

Immediately my rational mind rejects the scenario: didn't I get vaccinated for this? I realize I don't specifically remember getting a smallpox vaccine, but... isn't that because smallpox is extinct? I can't recall the details but I'm sure I remembered hearing that. Surely it's not making a comeback, like measles, because of all these anti-vaccers? But that can't be right—if smallpox were coming back then vaccinations for it would have become available, and I'd have been first in line.

This can't be happening. I try to will away the pustules but nothing changes. I remain unconvinced. This can't be happening, it must be a dream. If I can levitate, I will know it is a dream: I put my mind to it and though I do not levitate properly, I can feel that gravity is definitely different from waking life. So it is a dream! Okay, that's what I thought. Thank goodness I don't really have smallpox. Now I just need to fix my appearance.

I go into the bathroom and look in the mirror, trying to will my skin smooth again. The pustules are stubbornly persistant, but a lock of hair turns white and I decide to transform the rest of it for fun. It instantly turns stark white, but the texture remains smooth and silky. This gives me the idea to turn my skin jet black, like that of a drow elf. I concentrate and most of it transforms, but there are still pale patches on my forehead and upper cheeks, and when I look down at my legs, they are a streaky grey that is fading out toward the ankles, more like body paint than skin pigment.

On the bright side, changing the color of my skin finally got rid of the pustules, leaving it smooth again. Now I just want to even out the color, but the pale patches resist my initial attempts to darken them through will alone. I try to use my hands, as though spreading pigment over the resistant areas, and this helps a bit, but it is not an easy fix. As I peer closer into the mirror during this process, I notice that my eyes are solid black. I can't remember if this was the correct color for drow eyes, but I really like the effect. By the time I complete the skin transformation, my hair has faded from snow white to a yellower bone white, and this looks better and more natural with the jet black eyes and skin.

During this process my hair has been going through stylistic variations, always long and straight, but hanging down in different ways, and smeared with substances like blood or oil. I figure this makes sense for drow fashion, since living underground they probably don't bathe all that often, making hair treatments like oil very practical, whereas the bloody streaks look impressively gruesome. Although my skin won't stay pure black, it doesn't fully revert to its natural shade either, but retains traces of color, like streaky orange-browns on a muted blue base, while the hair stays yellowish-white.

WBTB: I woke up and spent over an hour writing the report of the last dream, but afterwards it was still early enough to go back to bed. Although I was not sleepy, it was a pleasantly lazy morning, and I enjoyed drifting in hypnagogic imagery. There was a period of ambiguity where it became increasingly difficulty to tell if I was having waking or dreaming experiences, and then I slipped again into full dream.

DILD, "Bed Monsters": I was wandering through the large house belonging to my in-laws where I am currently staying, and I had lost count of the number of bedrooms... there had to be more than twenty. Just how big was this place? At that moment I realized, no, of course it is not so big in waking life, it is because I am dreaming that the size has been exaggerated. Dreaming, eh? Wasn't there something I had meant to do, if I found myself dreaming in a bedroom? Suddenly I recalled this month's TOTM, to make friends with the monster under your bed. Oh! I should get back to the room where I'd been sleeping! I dashed back so quickly I was afraid I would destabilize the dream, but luckily it stayed intact.

I peered under the bed but it was a pleasant open space. It looked like there were a few banal things stored under there, but nothing looked sinister or monstrous. I felt around for something to work with, and my hand closed around a small plush object, which I withdrew and examined closely. It was a small brown teddy bear, only five inches long, with a plump, pear-shaped body and tiny beady eyes. There was a lighter brown oval around the bit of stiching that served as a nose. I was impressed with the detail with which I could perceive it, but had no idea how was I supposed to "make friends" with it. It seemed totally inert, a harmless stuffed animal. I set it on the thick folds of the comforter piled on the bed. "Dance!" I commanded. It just sat there. "Dance!" I tried a few more times, but it remained inaminate.

I walked around to the other side of the bed, setting down the teddy bear on a dresser. I turned away for a moment, and when I looked again it had changed: now it was a sort of bell-shaped plastic structure hanging from the ceiling by a string. I couldn't tell what its purpose was, but it still appeared to be an inert object.

It occurred to me that I had been walking around and standing right next to the bed completely heedless of the space underneath. If there really were monsters under there, I'd have to watch out for my ankles! I wondered if this was the problem, that I didn't really have any lingering childhood fear of monsters under the bed. Perhaps I should try again with more intent.

I bent down and looked under the bed from this side, trying to keep the idea of monsters in mind. I still didn't see much under there: it was a light and airy space, just like in waking life, completely different from the overstuffed space under my bed at home. But I did see a scrap of cloth within arm's reach, so pulled it out. It turned out to be a little crocheted cat, only about three inches long, white with some orange spots. I guessed it must have been made by a total amateur. The body seemed floppy like it was unstuffed, and as I turned it over in my hands, I discovered that it was actually crocheted in a single flat piece with the four little legs sticking out horizontally, so only when it was folded in half along the back did it look plausibly like a cat. The head was the only piece that appeared to have been crocheted with any semblance of three-dimensionality. As I studied it closely, I saw tiny points of bright green contrasting with the dominant the white and orange: there was a little green tuft on the trip of the tail, and projecting from the head was a narrow appendange like the antenna of a cartoon alien, also topped with a green point.

However, this object also showed no sign of motion or life, so it would be hard to say I was "making friends" with it. But then my eye caught a glimpse of orange fur near my feet: my cat had appeared! I wasn't surprised that she had turned up: when thinking about the task in waking life, I had reasoned that she really was the monster under my bed. Though I adopted her when she was about five months old (the best guess of the shelter) she had been living in a feral state before that, and even after five years of comfortable indoor living she still has the edgy instincts of a street cat: she hisses at the slightest provocation, and holes up under the bed for hours whenever a stranger is in the house.

I knelt down to ruffle her long, soft fur, which felt totally life-like, but I noticed the color was off. In the dream she was calico, with big orange patches, but I remembered that she was a tabby in waking life. I wondered if she could qualify as my dream bed monster—though right now she was acting very pleasant and relaxed, and I figured it probably wouldn't count because I had already made friends with her in WL.

Yet again I peeked under the bed, and this time at last I found the perfect candidate for my experiment. I felt that it was connected somehow with the tame cat at my feet, as though all her feral qualities had separated into a different animal. This one had a tortoise-shell coat, all the same colors as a calico but in smaller, more mingled patches. Although the fur resembled that of a cat, the body suggested another animal entirely, with a narrower head and tapering snout. I was pretty sure it was a fox. Best of all, it was already hissing and snarling at me! This was the monster I had been looking for!

Now all I had to do was make friends with it. I began calling to it in the cooing, overly affectionate voice I might use with my cat. "Come here... lovely sweetie... lovely sweetie. I have treats for you my love... treats for you my love." The animal reacted as any feral creature would, holding its ground and continuing to hiss and snarl. I could see the tension locked into its body, poised for fight or flight. I reasoned that since it was a dream monster, the best approach would be to hug it, but that wasn't obviously wasn't going to be possible while it was still under the bed. I needed to draw it out first.

I reached under the bed and the animal snapped at the air and threatened to bite me. I considered drawing my hand back for a different approach but decided to let it go ahead and bite, inspired by that wonderful scene in Miyazaki's Nausicaa of the Valley of the Wind where Nausicaa tames the fox-squirrel by remaining calm and patient when it bites her finger. Plus, since it was a dream I didn't have to worry about physical harm. So I kept reaching toward the animal until it bit down on the middle of my left index finger. The pain was surprisingly clear and sharp, but easily manageable. I kept thinking of that scene from Nausicaa and projecting similar expectations on this situation. I felt the animal relax enough to take a few steps closer to me, but it had not yet emerged from under the bed when the dream abruptly faded. Intriguingly, even after I had fully transitioned to wakefulness, I could still feel a distinct itch in the second joint of my left index finger where the animal had bitten me.

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