Originally Posted by Mes Tarrant
Is it true that the first spoken words on screen were, "You ain't seen nothin' yet?" I heard that on a documentary about film quite a long time ago..
Well, aside from the afore-mentioned benshi, narrators, etc, it might have been. It is from "The Jazz Singer", which is considered the first "talkie". After looking it up, as I suspected, the actual line was "you ain't heard nothin' yet."
"Wait a minute, wait a minute, you ain't heard nothin' yet! Wait a minute, I tell ya! You ain't heard nothin'! You wanna hear "Toot, Toot, Tootsie"? All right, hold on, hold on..."
I'm not sure that's the first actual words heard by audiences, but, good enough! I never actually saw the film myself.
On to later cinema!
Favorites: The Last Laugh. The ending you see was actually added on at the end when they realized the original was too depressing. Perhaps the beginning of the "Hollywood ending", granted it's German.
The Cabinet of Dr Caligari. Famous, famous, more German expressionism. Made famous to the young-uns (not so much anymore, I guess) in Rob Zombie's "Living Dead Girl" music video.
Metropolis - famous scifi. Precursor to, well, a lot of films. This one with NiN fun. The sound is pretty bad, though. I highly suggest just dubbing them with your own music. I suppose "Wish You Were Here" would go well with Metropolis, or just about any electronic album. Remade into a bad kid's anime in 2000 or so, although arguably "Blade Runner" was a remake of sorts.
I would also highly suggest "M" by Fritz Lang. One of the best movies I've ever seen, and one of the earliest sound films. I can't find a good copy online, but I guarantee it's in Blockbuster (most of the famous early films are). It's a German film, made in response to rising fascism, about a serial pedophile rapist-killer who is hunted by angry mobs. The ending act is one of the best. Oddly enough, no one in Hollywood has wanted to remake it...
Also check out the first "All Quiet on the Western Front". It's about WWI, silent. They remade it in the 70s with some guy and Ernest Borgnine. I prefer the original.
And, as I mentioned, Vertov. While we're on Vertov, I am obligated to mention Eisenstein. Unlike a lot of film people, I'm not a huge fan. His work is definitely good, and some of the most famous and alluded to work in film history, but I guess I just never liked his style (and got sick of rereading his writing in every single theory class). Still, he has some pretty sweet shots.
http://video.google.com/videosearch?...1&sa=N&tab=wv#
Battleship Potemkin and October are his most famous works. I like October a lot more, personally - it's about the October revolution in Russia that brought Lenin to power. The Odessa steps sequence from Potemkin was redone in "The Untouchables" in the train station with the baby carriage. Just about everyone is aware of the scene, as homages have appeared everywhere in television and film since, even if they haven't seen the actual movie. Both Eisenstein and Vertov were Russian filmmakers, if you couldn't tell.
The 20s and 30s are my weak spot in film history. Things get kind of crazy, then they get less so, and then everyone starts talking, and the old silent stars can't adapt for the most part, save Chaplin and few others.
Oh, and Mizoguchi and Ozu in Japan had a lot of really good movies in that period. Ozu, in my opinion, was one of the best directors before 1950, period. His films are some of the most poignant and moving I've ever seen. Kurosawa, probably the most famous Japanese director, came onto the scene in the 40s, but I'm moving well outside the range of the thread now.
I'm not sure if anyone will actually bother reading all this and watching any of the movies, but at least it was a good review session for me Gotta keep that knowledge somehow, God knows it hasn't been of much use lately...
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