Nine
Out of the Closet - Into the Frying Pan
(Or - Zha_Zha's Amazing Ass)
It's really the first time since this thing began there's been real laughter - and it's dangerous. Here in these stone-walled corridors it probably rings out - carries far into the Castle. But it seems safe enough because in both the kitchen and the Grand Ballroom there's noise aplenty to mask it. Plus much of the sound must be getting absorbed by all the tapestries, drapes and wall hangings in the Royal Bedchamber.
Xey is doing somersaults and backflips to accentuate the hilarity of the moment, and it's good to see Doreenema's dark Amazon face lit with real joy for the first time. At my expense, but oh well. A worthwhile sacrifice.
The King walks over to a nearby dresser and looks in the mirror. He removes his plain silver tiara, takes up a black wig from a velvet-upholstered wig -head next to the mirror and places it on his head, covering his own shorter black hair. Surprisingly, it actually pulls his look somewhat together, reducing the stark ridiculousness of his initial appearance. He stands taller, admires himself from various angles, and, deciding to keep it, places the tiara on top once again. His raven tresses now fall in gently curling cascades to slightly past the shoulders, and it accentuates the thin scrubby growth of beard that's trying to emerge across his broad squarish jaw.
He's actually quite a masculine looking man I notice, which was hard to see amid all the drag. His hands are large and strong-looking, and his arms and legs, though skinny and knob-kneed, are sturdy and covered with black hair. All in all he presents a rather ridiculous image, like Ernest Borgnine wearing a dress. Completely incongruous. Now he selects a dark crimson lipstick and begins to apply it carefully.
Xey's tumbling clownery has somehow resulted in his coming up right against Doreenema and banging against the large ornate basket hilt of her Main Gauche - a move that might have been accidental or perhaps calculated. He asks her something about it and a moment later she draws it from the sheath to show it to him. Curious, I step closer - I had never seen one before.
"Main Gauche is French for Left Hand - it's the left hand weapon, to be used alongside the Rapier mainly for blocking and parrying - think of it as a sort of small shield with a large dagger blade attached. Very handy for fending off a sword that's got past your initial guard."
She draws the long slim Rapier and tosses it lightly hilt-first toward Xey, who adroitly catches it by the grip and does an elaborate courtly bow with it held before him ending in a comical En Garde. She brings up the small but very thick broad blade of the Main Gauche with a clash against the longer blade and they pantomime a rapid duel, he comically and she with deadly precision, miraculously blocking his every slice and thrust (none of which are of course aimed anywhere near her). She's using only her left arm, the one encased in heavy plate armour.
Suddenly she sweeps in past his sword behind him and grabs him in a tight clutch around chest and throat at once with her bare arm, bringing the stout little blade up to his lower abdomen.
"It's also good in a clinch, when you're in too close for swordplay, as a stabbing weapon." It rapidly touches several points along the front of his torso and throat, any one of which would result in a fatal wound. "But the coolest thing about it - the ones that are made right anyway" she continues, withdrawing the deadly little weapon from the vicinity of his neck "It has a Sword-Breaker."
She holds it upright for our inspection. Several deep wide cuts have been made in the thickest part, near the base of the broad blade.
"Touch here" She indicates a spot on the rug with her black-booted toe where Xey obediently places the point of the Rapier. She now engages it with her short thick blade, catching it in one of the slots, trapping it with a savage downward pressure that bends the longer blade back dangerously against the floor and begins to pull him forward off balance. Rapidly her booted foot lifts and comes down hard on top of the flexed blade, forcing it harder toward the floor and yanking poor Xey now completely off his balance.
He tumbles forward, for once not of his own doing, and his face clangs against her smoothly burnished breastplate, slides down and ends up planted firmly in her rippling washboard abs. She grabs him by his spiky straw-colored hair and pulls him away, helping him back to his feet, his face turning red as a beet.
"Oh Bravo!!!" Shouts the King, clapping rapidly and practically jumping up and down in joy at this display of swordsmanship. "Totally Pwned! But not unhappy about it I'd say." Indeed it was not only embarrassment coloring Xey's shocked face.
She takes the sword from his slack hand and returns it to its scabbard, and it's smaller cousin as well. "But enough play." she warns. "We had best be on our guard. Saffron's little concert could be ending any time - and when it does the Black Queen is going to be wondering what happened to her pretty little pet. And looking for her defrocked King as well I'll vouch."
She strides to the large doorway, a dozen meters away on the far side of the Bedchamber, and takes up a sentry post there. Very intelligently I think, she opens one of the double doors and positions it so she can look at the reflection in the glass without being seen herself from the corridor.
Damn.
This chick is seriously badass! 
Meanwhile, the King has applied some deep green eye shadow and black eyeliner and rouged up his cheeks a bit too much, and is now hanging a pair of tiny dangly teardrop-shaped silver earrings from his earlobes. Clip-ons I assume. He finishes up, turns dramatically away from his reflection, and claps his hands sharply twice in very Diva-licious fashion.
"Alright people. Listen up. If this is to be my rescue (and I shudder to think it - egads!) then we have to get a few things out of the way right now. First introductions. My name is Ominous_Diddy - former God/King of all DV and Lord of Castle Ominous, which of course has recently become Castle Neener - passing over to my cold-hearted bitch of a wife along with my dignity, my manliness, and everything else I once owned. You can call me OD if you want, or Ominous, though I prefer Diddy or better yet O_Diddy. As I like to tell anyone who will listen, I came before P Diddy. And it's best if said with the proper emphasis to it - like Oh, Did he? And if anyone dares call me Bo_Diddly I'll have your guts for garters!"
"Ominous_Diddy... ?" I ponder. A strange name for a King.
"Yes, do you have a problem with it, Lion-O? I think it used to be something different, before everything changed. Something more suited to a powerful God/King. But alas now my identity has been changed along with my name - and I'm deposed as well. A lowly failed commercial jingle writer now as far as I can tell, though I believe these are false implanted memories. Diddy of course being a little tune."
He strolls over to another table on which lie various musical instruments of the small, handheld variety - a harmonica, a flute, a pair of castanets and the like. He picks up the flute and gives it a quick test-play. Worse by far than Saffron's Discordion music - for while the notes of that deadly instrument are horrid and off-key, it produces a deeply pleasing hypnotic tone at the same time. Diddy's music does nothing of the sort - just sounds like he's never played before.
Suddenly the Amazon woman is running across the room, amazingly without the slightest sound despite all her armour and weapons. "They're coming. And they're not happy. Out."
She leads the panicked charge out through the wide French doors across the portico and into the courtyard. I pick up poor little Zombie-Muffin and carry her in my arms, like you'd carry a child to her bed when she's fallen asleep.
* * *
Fifteen minutes later we're piling into the stables. Late afternoon is drawing a blue curtain on the day. The appointed hour of dusk is almost upon us, which is when Zha_Zha told us to meet her here.
The stables are large and roomy, like everything else on the Castle grounds. Rustic. All knotty grey wood and straw and old ropes and battered lanterns hanging everywhere from rusty nails. Lots of empty stables in this section and nothing else. We move forward along the wide corridor between rows of stables. Ahead in a stable to the right is the first living thing we've seen in here, a smallish donkey. As we draw quietly nearer we see there's a woman bending down beside it apparently washing its legs with a soapy pail and brush.
She's bending over very low with her back turned to us in a heavy cornflower blue dress, but I instantly recognize Zha_Zha, the head Kitchen Maid who saved us earlier.
She looks back over her shoulder at us, smiles brightly and rises to come greet us, wiping the soapy water from her hands on her apron as she comes.
The first thing she does is lift Zombie_Muffin from my arms and stand her on the straw-strewn hardpack floor, drop to a knee, and grasp her face with both hands in a concerned motherly gesture, getting her own face very close.
"There wasn't time in the larder to take a good look at this poor little one. How long has she been like this?"
"Maybe a day?" I answer, not at all sure really. The passage of time is strange here and I have no way to know exactly how much of it passes between my visions when I seem to be in a deep blackout state.
She pulls the foam-dripping mouth open, puts a couple fingers inside and feels around. "She's still teething. They're like this at first, but it only lasts a couple days - no telling exactly how long. Start off weak and purposeless, but then the hunger and the jaw strength grows rapidly, and soon she'll be a land shark, biting and devouring everything and virtually unstoppable. When she reaches that stage there's nothing to be done for her anymore except a mercy killing, but if she can get the right help before that happens, she can still be restored."
You can feel relief flood the room.
"What's the right kind of help?" I ask.
"Magic. Powerful magic. The kind that doesn't exist anymore in this place." She now casts imploring eyes on the King. "unless you can get him his powers back."
Doreenema is using her Main Gauche to cut three-foot lengths of rope she's found hanging on a nail and tying the water jugs to each end of these strips by their handles. She hangs these over the Donkey's back so a pair of jugs rests on either side. Zha_Zha starts handing her rolled blankets and bundles which she also starts fastening to the animal.
"Oh, you're gonna LOVE my Ass!" Zha_Zha gushes, face lighting up like a christmas tree. "Everybody says it's the best!"
We all exchange puzzled glances, eyebrows lifting and trying once again not to burst out laughing.
"I wish you could all ride my wonderful Ass, but of course you won't all fit. Not at the same time anyway. But you can take turns. I guarantee you'll all love it!" She reaches out and slaps the Donkey on its round flank, and comprehension dawns.
"Donkey." King Diddy stage-whispers so we can all hear. "An Ass is a Donkey."
"But of course you'll need more." She adds. "Even my Ass, as fine as it is, can't handle you all. I think I can get you a horse too, but I'm gonna have to distract the Stable boy. You two, come with me." She indicates me and Xey and whirls to walk off down the broad corridor between the stables. Along the way she picks up a boombox which she hands to me to carry, and she begins untying her apron as she walks. She whips it off and hangs it on a nail in passing, then fiddles momentarily with the heavy blue skirt, which she whips off a moment later to hang on another nail, still walking rapidly.
Xey and I gulp and exchange incredulous glances. This woman is taking her clothes off right in front of us!!
And she's got some very nice legs. Sturdy and stout, but very shapely, bulging slightly toward the top the way a woman's legs should. They're bare except for white sneakers and the bottom edge of her light beige peasant blouse which hangs frustratingly halfway to the back of her knees.
Now her hands reach for the lacings of the tight corset binding her waist. She casts a wide-eyed glance overshoulder toward Xey and says "Undo me?"
He complies, struggling briefly with the complicated lacings but working them loose enough for her to shrug off the corset and hang it on the next nail.
Now we pass a stable on the right with a brokendown old swayback plowhorse standing dejectedly in it. This must be the one she's attempting to obtain for us. A quick double-tap of her hand on the railing indicates that it is.
Just ahead the corridor ends in a wall with a door slightly ajar in it, light spilling through the crack. She whips off the peasant blouse, tossing it to Xey, grabbing the boombox from my hand and bursting through the door spectacularly - dressed now only in bright orange booty shorts with "Got Ass?" printed in block letters across the back and a tight white tanktop.
Even knowing the danger, we can't help but look through the door and watch her stride across the large room toward a spacious stable with a magnificent stallion in it being groomed by a tall slender black man with a shaved head. He's lighter-skinned than O, leaner, and seems younger.
Zha_Zha presses a button on the boombox and Girls Girls Girls by Motley Crue starts playing loud. She bends supplely from the waist, sets it on the ground without slowing her forward momentum, and walks directly toward an upright pole standing in the center of the room, her wide womanly hips moving hypnotically from side to side.
"Hello Akorno, my little Stable boy." She purrs, grasping the pole with one hand and planting a foot against the base of it. He turns from the stallion, his full attention now riveted on her as she swings up into a graceful spin around the pole.
"Whew!" I gasp. "Most amazing transformation I've seen in all my life!"
"Yeh" Xey agrees. "Total MILF."
The stable boy moves to a chair set up facing the pole where he can get a nice unobstructed view and settles in to enjoy the show.
Just then we're both wrenched up off our feet by strong arms gripping the back of our waistbands. Sort of like wedgies, but by the pants, not the underwear. Before we know what's happening we're lifted effortlessly into the air and deposited unceremoniously onto the back of the dejected old plow horse, which is now standing in the corridor just behind us, and we're both bent over and wincing in pain.
Doreenema.
Damn that girl is strong!
She smacks the horse's rump and gets it moving toward the other stall where King Diddy, Zombie_Muffin and Zha_Zha's amazing Ass await.
Her OTHER amazing Ass.
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