Thread: Poem Findings

I <3 villanelles.

Practice, Practice, Practice
by William Matthews

Suburban feral children roam the mall
in lonely clumps. Their ambling, dreamy
private life is social, after all.

By window shopping they might learn to call
in love's or sex's voice. Maybe that's why
suburban feral children roam the mall:

they need to learn to shiver like a bell.
Who masturbates without a fantasy?
Private life is social. After all,

the milky eyes, the roiling breath, the squall
that stains the sheets can briefly pacify
suburban feral children. Roam the mall

again tonight? They will. "Sweetie, you'll call
if you'll be late?" we ask them brightly.
Private life is social, despite all

our homage to the individual.
They aren't bored. If we but thought, we'd know why
suburban feral children roam the mall.
Private life is social, after all.

Suburban feral children in lonely clumps. That cracked me up! Fantastic.

Of course, you probably all know the ultimate villanelle:

The Waking
BY THEODORE ROETHKE

I wake to sleep, and take my waking slow.
I feel my fate in what I cannot fear.
I learn by going where I have to go.

We think by feeling. What is there to know?
I hear my being dance from ear to ear.
I wake to sleep, and take my waking slow.

Of those so close beside me, which are you?
God bless the Ground! I shall walk softly there,
And learn by going where I have to go.

Light takes the Tree; but who can tell us how?
The lowly worm climbs up a winding stair;
I wake to sleep, and take my waking slow.

Great Nature has another thing to do
To you and me; so take the lively air,
And, lovely, learn by going where to go.

This shaking keeps me steady. I should know.
What falls away is always. And is near.
I wake to sleep, and take my waking slow.
I learn by going where I have to go.

This is a poem by 0Thouartthat0 not mine.

You come and go. The doors swing closed
ever more gently, almost without a shudder.
Of all who move through the quiet houses,
you are the quietest.


We become so accustomed to you,
we no longer look up
when your shadow falls over the book we are reading
and makes it glow. For all things
sing you: at times
we just hear them more clearly.


Often when I imagine you
your wholeness cascades into many shapes.
You run like a herd of luminous deer
and I am dark, I am forest.


You are a wheel at which I stand,
whose dark spokes sometimes catch me up,
resolve me nearer to the center.
Then all the work I put my hand to
widens from turn to turn.”


— Rainer Maria Rilke

Every Day You Play

Every day you play with the light of the universe.
Subtle visitor, you arrive in the flower and the water.
You are more than this white head that I hold tightly
as a cluster of fruit, every day, between my hands.

You are like nobody since I love you.
Let me spread you out among yellow garlands.
Who writes your name in letters of smoke among the stars of the south?
Oh let me remember you as you were before you existed.

Suddenly the wind howls and bangs at my shut window.
The sky is a net crammed with shadowy fish.
Here all the winds let go sooner or later, all of them.
The rain takes off her clothes.

The birds go by, fleeing.
The wind. The wind.
I can contend only against the power of men.
The storm whirls dark leaves
and turns loose all the boats that were moored last night to the sky.

You are here. Oh, you do not run away.
You will answer me to the last cry.
Cling to me as though you were frightened.
Even so, at one time a strange shadow ran through your eyes.

Now, now too, little one, you bring me honeysuckle,
and even your breasts smell of it.
While the sad wind goes slaughtering butterflies
I love you, and my happiness bites the plum of your mouth.

How you must have suffered getting accustomed to me,
my savage, solitary soul, my name that sends them all running.
So many times we have seen the morning star burn, kissing our eyes,
and over our heads the gray light unwind in turning fans.

My words rained over you, stroking you.
A long time I have loved the sunned mother-of-pearl of your body.
I go so far as to think that you own the universe.
I will bring you happy flowers from the mountains, bluebells,
dark hazels, and rustic baskets of kisses.
I want
to do with you what spring does with the cherry trees.

Pablo Neruda

There is a pleasure in the pathless woods,
There is a rapture on the lonely shore,
There is society, where none intrudes,
By the deep sea, and music in its roar:
I love not man the less, but Nature more.

So many. I did not know poetry had undone so many.

Can anybody recommend some sort of anthology or website that'd be a place to start in the world of poems? I truly have no knowledge of wherein to look.

In the meantime,
a Rumi piece from memory. I don't know if it has a title.

Come to the orchard in spring. There is light and wine
and sweethearts in the pomegrante flowers.
If you do not come, these do not matter.
If you do come, these do not matter.

Morning
Why do we bother with the rest of the day,
the swale of the afternoon,
the sudden dip into evening,

then the night with his notorious perfumes,
his many-pointed stars?

This is the best--
throwing off the light covers,
feet on the cold floors,
and buzzing around the house on espresso--

maybe a splash of water on the face,
a palmful of vitamins--
but mostly buzzing around the house on espresso,

dictionary and atlas open on the rug,
the typewriter waiting for the key of the head,
a cello on the radio,

and, if necessary the windows--
trees fifty, a hundred years old
out there,
heavy clouds on the way
and the lawn steaming like a horse
in the early morning.

Spoiler for others:

Days
Each one is a gift, no doubt,
mysteriously placed in your waking hand
or set upon your forehead
moments before you open your eyes.

Today begins cold and bright,
the ground heavy with snow
and the thick masonry of ice,
the sun glinting off the turrets of clouds.

Through the calm eye of the window
everything is in its place
but so precariously
this day might be resting somehow

on the day before it,
all the days of the past stacked high
like the impossible tower of dishes
entertainers used to build on stage.

No wonder you find yourself
perched on the top of a tall ladder
hoping to add one more
Just another Wednesday,

you whisper,
then holding your breath,
place this cup on yesterday's saucer
without the slightest clink.


MarginaliaSometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.

Other comments are more offhand, dismissive--
"Nonsense." "Please!" "HA!!"--
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
who wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.

Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.

Or they are fans who cheer from the empty bleachers,
hands cupped around their mouths.
"Absolutely" they shout
to Duns Scotus and James Baldwin.
"Yes." "Bull's eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.

And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.

We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.

Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird singing near their window,
or the sunlight that illuminated their page--
anonymous men catching a ride into the future
on a vessel more lasting than themselves.

And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.

Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page

a few greasy looking smears
and next to them, written in soft pencil--
by a beautiful girl, I could tell,
whom I would never meet--
"Pardon the egg salad stains, but I'm in love."


Dancing Toward Bethlehem
If there is only enough time in the final
minutes of the twentieth century for one last dance
I would like to be dancing it slowly with you,

say, in the ballroom of a seaside hotel.
My palm would press into the small of your back
as the past hundred years collapsed into a pile
of mirrors or buttons or frivolous shoes,

just as the floor of the nineteenth century gave way
and disappeared in a red cloud of brick dust.
There will be no time to order another drink
or worry about what was never said,

not with the orchestra sliding into the sea
and all our attention devoted to humming
whatever it was they were playing.

Desire

I remember how it used to be
at noon, springtime, the city streets
full of office workers like myself
let loose from the cold
glass buildings on Park and Lex,
the dull swaddling of winter cast off,
almost everyone wanting
everyone else. It was amazing
how most of us contained ourselves,
bringing desire back up
to the office where it existed anyway,
quiet, like a good engine.
I'd linger a bit
with the receptionist,
knock on someone else's open door,
ease myself, by increments,
into the seriousness they paid me for.
Desire was everywhere those years,
so enormous it couldn't be reduced
one person at a time.
I don't remember when it was,
though closer to now than then,
I walked the streets desireless,
my eyes fixed on destination alone.
The beautiful person across from me
on the bus or train
looked like effort, work.
I translated her into pain.
For months I had the clarity
the cynical survive with,
their world so safely small.
Today, walking 57th toward 3rd,
it's all come back,
the interesting, the various,
the conjured life suggested by a glance.
I praise how the body heals itself.
I praise how, finally, it never learns.

Til Ungdommen
Nordahl Grieg
(English translation)

Kringsatt av Fiender,
gå inn i din tid!
Under en blodig storm -
vi deg til strid!

Kanskje du spør i angst,
udekket, åpen:
hva skal jeg kjempe med
hva er mitt våpen?

Her er ditt vern mot vold,
her er ditt sverd:
troen på livet vårt,
menneskets verd.

For all vår fremtids skyld,
søk det og dyrk det,
dø om du må - men:
øk det og styrk det!

Stilt går granatenes
glidende bånd
Stans deres drift mot død
stans dem med ånd!

Krig er forakt for liv.
Fred er å skape.
Kast dine krefter inn:
døden skal tape!

Elsk og berik med drøm
alt stort som var!
Gå mot det ukjente
fravrist det svar.

Ubygde kraftverker,
ukjente stjerner.
Skap dem, med skånet livs
dristige hjerner!

Edelt er mennesket,
jorden er rik!
Finnes her nød og sult
skyldes det svik.

Knus det! I livets navn
skal urett falle.
Solskinn og brød og ånd
eies av alle.

Da synker våpnene
maktesløs ned!
Skaper vi menneskeverd
skaper vi fred.

Den som med høyre arm
bærer en byrde,
dyr og umistelig,
kan ikke myrde.

Dette er løftet vårt
fra bror til bror:
vi vil bli gode mot
menskenes jord.

Vi vil ta vare på
skjønnheten, varmen
som om vi bar et barn
varsomt på armen!




I've always loved this one. Herborg Kråkevik sings it in the video linked below, but excluding paragraphs 7 - 10.

This is a creature on fire with love, but it's still scary since most people think love only looks like one thing, instead of the whole world.
~Brian Andreas

(Art that for me is close enough to poetry.)

Part 2 of Howl by Allen Ginsberg

What sphinx of cement and aluminum bashed open
their skulls and ate up their brains and imagi-
nation?
Moloch! Solitude! Filth! Ugliness! Ashcans and unob
tainable dollars! Children screaming under the
stairways! Boys sobbing in armies! Old men
weeping in the parks!
Moloch! Moloch! Nightmare of Moloch! Moloch the
loveless! Mental Moloch! Moloch the heavy
judger of men!
Moloch the incomprehensible prison! Moloch the
crossbone soulless jailhouse and Congress of
sorrows! Moloch whose buildings are judgment!
Moloch the vast stone of war! Moloch the stun-
ned governments!
Moloch whose mind is pure machinery! Moloch whose
blood is running money! Moloch whose fingers
are ten armies! Moloch whose breast is a canni-
bal dynamo! Moloch whose ear is a smoking
tomb!
Moloch whose eyes are a thousand blind windows!
Moloch whose skyscrapers stand in the long
streets like endless Jehovahs! Moloch whose fac-
tories dream and croak in the fog! Moloch whose
smokestacks and antennae crown the cities!
Moloch whose love is endless oil and stone! Moloch
whose soul is electricity and banks! Moloch
whose poverty is the specter of genius! Moloch
whose fate is a cloud of sexless hydrogen!
Moloch whose name is the Mind!
Moloch in whom I sit lonely! Moloch in whom I dream
Angels! Crazy in Moloch! Cocksucker in
Moloch! Lacklove and manless in Moloch!
Moloch who entered my soul early! Moloch in whom
I am a consciousness without a body! Moloch
who frightened me out of my natural ecstasy!
Moloch whom I abandon! Wake up in Moloch!
Light streaming out of the sky!
Moloch! Moloch! Robot apartments! invisible suburbs!
skeleton treasuries! blind capitals! demonic
industries! spectral nations! invincible mad
houses! granite cocks! monstrous bombs!
They broke their backs lifting Moloch to Heaven! Pave-
ments, trees, radios, tons! lifting the city to
Heaven which exists and is everywhere about
us!
Visions! omens! hallucinations! miracles! ecstasies!
gone down the American river!
Dreams! adorations! illuminations! religions! the whole
boatload of sensitive bullshit!
Breakthroughs! over the river! flips and crucifixions!
gone down the flood! Highs! Epiphanies! De-
spairs! Ten years' animal screams and suicides!
Minds! New loves! Mad generation! down on
the rocks of Time!
Real holy laughter in the river! They saw it all! the
wild eyes! the holy yells! They bade farewell!
They jumped off the roof! to solitude! waving!
carrying flowers! Down to the river! into the
street!

I swear my iPod used to have a thing for Ginsberg reading Howl! on shuffle. I prefer America. "When can I go into the supermarket and buy what I need with my good looks?"

But today a different favorite:



The City Limits
by A. R. Ammons

When you consider the radiance, that it does not withhold
itself but pours its abundance without selection into every
nook and cranny not overhung or hidden; when you consider

that birds' bones make no awful noise against the light but
lie low in the light as in a high testimony; when you consider
the radiance, that it will look into the guiltiest

swervings of the weaving heart and bear itself upon them,
not flinching into disguise or darkening; when you consider
the abundance of such resource as illuminates the glow-blue

bodies and gold-skeined wings of flies swarming the dumped
guts of a natural slaughter or the coil of shit and in no
way winces from its storms of generosity; when you consider

that air or vacuum, snow or shale, squid or wolf, rose or lichen,
each is accepted into as much light as it will take, then
the heart moves roomier, the man stands and looks about, the

leaf does not increase itself above the grass, and the dark
work of the deepest cells is of a tune with May bushes
and fear lit by the breadth of such calmly turns to praise.

I like this poem, though I find it more funny than anything else.
It almost feels true sometimes, but hey, I'm just a woman, right?

The Lady's-Maid's Song By John Hollander

When Adam found his rib was gone
He cursed and sighed and cried and swore
And looked with cold resentment on
The creature God had used it for.
All love's delights were quickly spent
And soon his sorrows multiplied:
He learned to blame his discontent
On something stolen from his side.

And so in every age we find
Each Jack, destroying every Joan,
Divides and conquers womankind
In vengeance for his missing bone.
By day he spins out quaint conceits
With gossip, flattery, and song,
But then at night, between the sheets,
He wrongs the girl to right the wrong.

Though shoulder, bosom, lip, and knee
Are praised in every kind of art.
Here is love's true anatomy:
His rib is gone; he'll have her heart.
So women bear the debt alone
And live eternally distressed,
For though we throw the dog his bone
He wants it back with interest.

The Stranger by Charles Baudelaire

Tell me, enigmatic man, whom do you love best? Your father, your mother, your sister, or your brother?
" I have neither father, nor mother, nor sister, nor brother."
Your friends, then?
"You use a word that until now has had no meaning for me."
Your country?
"I am ignorant of the latitude in which it is situated."
Then Beauty?
"Her I would love willingly, goddess and immortal."
Gold?
"I hate it as you hate your God."
What, then, extraordinary stranger, do you love?
"I love the clouds the clouds that pass yonder the marvellous clouds."

Bless Your Eyes By Alex Grey

Your eyes are blessed openings,
Taking in whatever light brings.
Treat eyes kindly, feed them well,
They excitedly glisten and lovingly swell.
Show them the worst all over again,
They shrink into hollows of mortal skin.
Bathe your eyes in images Divine,
All Heaven unfolds, the opposites combine.
Your eyes become temple domes for the Pleiades,
Crystalline mandalas inhabited by Peities.
Blessing every moment you see
As glimpses of eternity.

Edit: had to add these...

Flying Crooked By Robert Graves

The butterfly, a cabbage-white,
(His honest idiocy of flight)
Will never now, it is too late,
Master the art of flying straight,
Yet has- who knows so well as I?--
A just sense of how not to fly:
He lurches here and here by guess
And God and hope and hopelessness.
Even the aerobatic swift
Has not his flying-crooked gift.

A Man Said to the Universe By Stephen Crane

A man said to the universe:
"Sir, I exist!"
"However," replied the universe,
"The fact has not created in me
A sense of obligation." <33

I did a better job this time, I swears:

“everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.”
— Pablo Neruda

[awesome Tao!]

In a Dark Time

In a dark time, the eye begins to see,
I meet my shadow in the deepening shade;
I hear my echo in the echoing wood--
A lord of nature weeping to a tree,
I live between the heron and the wren,
Beasts of the hill and serpents of the den.
What's madness but nobility of soul
At odds with circumstance? The day's on fire!
I know the purity of pure despair,
My shadow pinned against a sweating wall,
That place among the rocks--is it a cave,
Or winding path? The edge is what I have.
A steady storm of correspondences!
A night flowing with birds, a ragged moon,
And in broad day the midnight come again!
A man goes far to find out what he is--
Death of the self in a long, tearless night,
All natural shapes blazing unnatural light.
Dark,dark my light, and darker my desire.
My soul, like some heat-maddened summer fly,
Keeps buzzing at the sill. Which I is I?
A fallen man, I climb out of my fear.
The mind enters itself, and God the mind,
And one is One, free in the tearing wind.

-Theodore Roethke

I like short poems.


a total stranger one black day

a total stranger one black day
knocked living the hell out of me--

who found forgiveness hard because
my(as it happened)self he was

-but now that fiend and i are such
immortal friends the other's each

----- e.e. cummings

This is my favorite Yeats poem. He was a background figure of sorts in the Irish independence movement, acquainted socially with many of the leaders but distancing himself from (and generally discounting) their more violent plans. He is thought by some to have had a longstanding crush on "[t]hat woman" in part II. He was quite shocked when his friends followed through on their brave talk with the Easter Rising in 1916, which was brutally quashed by the English and its leaders executed, including Yeats' acquaintances elegized in this poem.

EASTER 1916
W.B. Yeats

I

I have met them at close of day
Coming with vivid faces
From counter or desk among grey
Eighteenth-century houses.
I have passed with a nod of the head
Or polite meaningless words,
Or have lingered awhile and said
Polite meaningless words,
And thought before I had done
Of a mocking tale or a gibe
To please a companion
Around the fire at the club,
Being certain that they and I
But lived where motley is worn:
All changed, changed utterly:
A terrible beauty is born.

II

That woman's days were spent
In ignorant good will,
Her nights in argument
Until her voice grew shrill.
What voice more sweet than hers
When young and beautiful,
She rode to harriers?
This man had kept a school
And rode our winged horse.
This other his helper and friend
Was coming into his force;
He might have won fame in the end,
So sensitive his nature seemed,
So daring and sweet his thought.
This other man I had dreamed
A drunken, vain-glorious lout.
He had done most bitter wrong
To some who are near my heart,
Yet I number him in the song;
He, too, has resigned his part
In the casual comedy;
He, too, has been changed in his turn,
Transformed utterly:
A terrible beauty is born.

III

Hearts with one purpose alone
Through summer and winter, seem
Enchanted to a stone
To trouble the living stream.
The horse that comes from the road,
The rider, the birds that range
From cloud to tumbling cloud,
Minute by minute change.
A shadow of cloud on the stream
Changes minute by minute;
A horse-hoof slides on the brim;
And a horse plashes within it
Where long-legged moor-hens dive
And hens to moor-cocks call.
Minute by minute they live:
The stone's in the midst of all.

IV

Too long a sacrifice
Can make a stone of the heart.
O when may it suffice?
That is heaven's part, our part
To murmur name upon name,
As a mother names her child
When sleep at last has come
On limbs that had run wild.
What is it but nightfall?
No, no, not night but death.
Was it needless death after all?
For England may keep faith
For all that is done and said.
We know their dream; enough
To know they dreamed and are dead.
And what if excess of love
Bewildered them till they died?
I write it out in a verse --
MacDonagh and MacBride
And Connolly and Pearse
Now and in time to be,
Wherever green is worn,
Are changed, changed utterly:
A terrible beauty is born.

The force that through the green fuse drives the flower by Dylan Thomas

The force that through the green fuse drives the flower
Drives my green age; that blasts the roots of trees
Is my destroyer.
And I am dumb to tell the crooked rose
My youth is bent by the same wintry fever.

The force that drives the water through the rocks
Drives my red blood; that dries the mouthing streams
Turns mine to wax.
And I am dumb to mouth unto my veins
How at the mountain spring the same mouth sucks.

The hand that whirls the water in the pool
Stirs the quicksand; that ropes the blowing wind
Hauls my shroud sail.
And I am dumb to tell the hanging man
How of my clay is made the hangman's lime.

The lips of time leech to the fountain head;
Love drips and gathers, but the fallen blood
Shall calm her sores.
And I am dumb to tell a weather's wind
How time has ticked a heaven round the stars.

And I am dumb to tell the lover's tomb
How at my sheet goes the same crooked worm.

Hey look, more Dylan Thomas. "Do Not Go Gentle Into That Good Night".

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.