Carabas

Yesterday's dreams included using abandoned tunnels running beneath a lake as a hiding place to sleep in during the day. There's one place that leads to a glass dome where you can look up and see the lake above you.

Today's: I'm trying to prevent some disaster, and I'm running out of time. At the moment I'm standing on a rooftop, watching several people in a field far below us. Along with me there's two people, a woman who I think of as my partner - she's on the other side of the roof at the moment, busy with her own efforts - and then this man. He has the power to make anything he says come true, but for his own safety and everyone else's, I made him forget about this power. This is an emergency. I force him to remember, and then I have him use that power to say that there's an earthquake. We all hold onto the roof and watch a crack open up in the field where those people are. The ground's still shaking, the people are scattering, but I don't think this will be enough. We should just bury this place beneath the sea, that ought to do it.

The place is covered in white mist now, blocking out everything below the roof we're standing on, and it's quiet, no more sounds of people below us. I'm walking back toward my partner on the other side of the roof, and I believe submerging this place and all the people in it has managed to avert the disaster. But then this dark spire rises up out of the fog directly in front of me, and keeps rising up into the sky.

It's this huge, gothic tower, a single immense spire composed of smaller ones, spire upon spire upon spire, all jagged edges. I think of a cathedral, but there's no religious imagery, just a sense of awe and horror; I think of a clock tower, but there's no face. It keeps rising higher and higher, I can no longer see the top of it. Flooding this place was a wasted effort.

And as I hang onto the edge of the roof and watch the spire rise, I hear an old man's voice in my head. "Here to keep your ledge, little boy, who once rared-"

There's this vampire who went through a bit of a rock star phase in the 60s. During that time he had this assistant who would occasionally arrange for the vampire to wake up with one of his groupies locked in the same room. The vampire resents this. He compares it to throwing a live, venomous snake at someone - neither the snake nor the victim has any choice in the matter, the snake is used as a tool.

(Woke up. Back to sleep.)

This woman, thoroughly soaked by the rain, just completely drenched, has just been put into the back seat of a car. The man who's just gotten out of the car and insisted she take it is now standing in the rain. After just a moment the woman gets out of the car again, makes this sort of exasperated sound, drapes her coat over his head to keep the rain off, and gets back in the car. The coat is thoroughly drenched so this does absolutely nothing to keep him dry, but he gets this big lopsided grin.

There's another guy standing in the rain with him, and my first impression - before the woman had gotten back out of the car - had been that the two men were enemies of some kind, but that the first guy was obliged to go along with him for something. But looking at the second guy again now, on second thought I'm thinking of him as a friend.

The scene changes to show the woman and that first guy again, parting at a rural train station sometime in the 1800s. I'm thinking about how during the scene in the rain, they hadn't remembered each other from this time. Part of immortality - it's important for them to forget every so often.

False awakening. I try to write down this past scene, and write that there were three different ways things could go for that pair in the rain. The best route for them is associated with fire.

(Woke up. Back to sleep.)

I'm a man passing a large arched opening in a stone wall, and as I look at it I remember that someone had asked me to fetch something for him from down here. I hadn't intended to, but since I'm here anyway I might as well. I go inside, into an immense underground stone dome with a dirt floor. It's empty, and large enough that it's difficult to see the other walls, but I'm aware there will be a door off to the right leading to a place where things are stored. As I'm walking, I hear a voice accusing me of enjoying blood. I don't see a physical source of the voice, but I expect he'll show himself eventually. I sort of laugh at the accusation but otherwise ignore him and keep walking. The voice continues: "If you are one of the evil dogs, care to know as much as I do?"