The Fourth Factor

I am hanging out with co-workers and getting to know somebody who’s apparently just been hired. Her name is Marie, and she’s from Canada. In addition to working here, she’s a grad student working on a music degree, which she's now almost done with. She's currently working on the composition that will be her thesis. She shows it to me – via some sort of electronic device, I think.

The music is notated on manuscript paper, but instead of the usual note shapes, there are little horizontal rectangles that stretch out for as long as the note is held, rather like a midi display. The inside of each rectangle is patterned in ways that indicate something about the music. I hear it in my head as I read, with the patterns calling up images and connotations in relation to it.

The first bar begins with two long Gs an octave apart played by instruments in the violin family – I don’t identify them explicitly in the dream, but given that it’s written in the bass clef, almost certainly cellos. The rectangles contain the patterns signifying darkness and light. The impression this makes is hard to describe. Poignant, maybe – a suggestion of a cavernous space vast enough to hold them both at once. It continues, but I can’t remember the part after that so well.

16.5.20

In the earliest part of the dream I can remember well, I’m with a group of people from work. We’re in a house rather than an office, a mostly empty one that’s not in the best condition and which strikes me as reminiscent of somewhere in the past (it's not a vague memory in the dream – rather, my waking self can’t pin it down to anywhere familiar). There’s something in the way everything is happening that suggests we’re maintaining order in the midst of a chaotic situation and extemporizing as necessary. Some disaster has struck the world – although it seems less like this is the aftermath than that it was so bad that what remained of humanity actually had to flee to some sort of parallel dimension.

Kate, the director, tells us we should all go outside to see something. Stepping out of the house, I can see what looks like a large town square across the street, round-ish in shape, possibly cobbled. Above the old-fashioned buildings on the opposite side, the sky is turning pink and purple in a certain area. In the middle of it, a black spot appears, clearly visible against the light. I recognize it, as does everybody there: this was what happened before, the thing that came and destroyed the world.

But something is different this time: instead of appearing large and far away, the spot now seems to be quite close, in the square itself. Somehow, I know that I can make things turn out differently this time around. I run towards it, the others not far behind.

The dark sphere is floating there, too high to jump for but close to a flagpole on the far side. I scale it. The flag, which is dark blue, isn’t flying – rather, it seems to be tied to the pole, and (on later reflection) entirely too large for it. The thing actually looks more like a mast than a flagpole. But I manage to make it up with no trouble until I'm level with the sphere. It’s very small now, smaller than a cotton ball. I reach out and grab it, enclosing it in my hand.

The moment I touch it, it changes, becoming material, taking on a definite shape. It has become a key on a keyring.

I know what to do now: the keyhole can’t be too far away. I actually find it on the way back down, on the base of the pole. I put it in and turn, and keep turning. And as I do, something is happening to the building closest to the pole: the whole façade is unfolding, revealing a large airplane inside. It looks like a typical jet, but in the dream, it strikes me like something out of another era, concealed here for who knows how long.

A dirty, light brown liquid is pooled near the nose. An inner voice that seems to belong to the plane itself tells me that it needs an oil change. I think that it probably needs rather more than that, considering how long it’s been here. But I’m aware that this situation is out of my hands now. It will be others who fix it up and who make use of it somehow to avert disaster. I’ve done what I can.

10.5.20