Just to help clarify animus and anima to others who might not be familiar with them, here are a few quotes etc.:
A helpful definition of the term “animus” is found in Jungian analyst Jane Wheelwright’s book “Death of a Woman”. Although being a definition, it might tend to sound a little dry, by mulling over each part and relating it to one’s personal experience, the nature of this inner figure should gradually make more sense over time:
“Animus: The archetype in the female psyche that is the inherited pattern of potential experience of the male instinct.
This archetype underlies and is basic to a complex which is affected by the individual’s early experiences of men, primarily her father, male siblings, and the collective images of men provided by her cultural experience.
The images and affects [emotions] that attach to the complex express what is other than her female body-ego identity, such as her own unconscious maleness, the unconscious, the inferior function [for example, if a woman tends to move through life chiefly using emotions and values, then her inferior function, i.e. a less developed way of dealing with certain situations, would often tend to relate to the use of thinking and the intellect].
The animus assumes a generalized image of the individual’s male ideal, which strongly influences her selection of a mate.
Consciously related to, the animus – presented in dreams as a single figure or a group – functions as inspirator or bridge to the unconscious as source of creative, mental, or spiritual initiative and well-spring of potentiality for development. The animus functions as guide to and expedites the pursuit of impersonal endeavours.
When not consciously related to, the animus causes a woman to be opinionated, argumentative, rigid, controlling, and excessively critical of herself or others”
Generally speaking, the animus is also related to “focus”, intentionality, assertiveness etc.
As outlined in “Man and His Symbols”, edited by C. G. Jung, there are four general stages of animus development in a woman.
Stage one is the “wholly physical man”, e.g. the classic “Tarzan” type, stage two the “romantic man” or the “man of action”, e.g. a movie heart throb or wilderness explorer etc., stage three is the “bearer of the word” such as a president etc., stage four is the “wise spiritual guide”, e.g. a Ghandi-like figure.
These stages aren’t fixed and one or two may never be reached, but they’re a useful guide to help decide what “level” a given animus dream figure is symbolic of.
To find out more about the animus or “inner male” in women, Jungian analyst Barbara Hannah’s “The Animus: The Spirit of Inner Truth in Women, Volumes 1 and 2”, is a valuable collection of her many lively and easy-to-read essays on the topic.
You may also like a book by Jungian analyst Marion Woodman called “The Ravaged Bridegroom” which also deals with the animus figure. A new copy can be obtained from the publisher at innercitybooks.net
Also found in analyst Jane Wheelwright’s book is a definition of the “anima”:
“The archetype in the male psyche that is the inherited pattern of potential experience of the female instinct.
This archetype underlies and is basic to a complex which is affected by the individual’s early experiences of women, primarily his mother, female siblings, and the collective images of women provided by his cultural experience.
The images and affects [emotions] that attach to the complex express what is other than the individual’s male body-ego identity, such as his own unconscious femaleness, the unconscious, the inferior function [e.g. if a man usually uses thinking and the intellect to navigate through life, then his inferior function, i.e. a less developed way of dealing with certain situations, would often be related to emotions and values].
The anima assumes a generalized image of the individual’s female ideal, which strongly influences his selection of a mate.
Consciously related to, the anima functions as inspiratrice or muse – a bridge to the creative wellspring of the unconscious and to unknown potentialities for development.
The anima serves as a guide in relationships, particularly with those who have a different outlook.
When not consciously related to, the anima causes a man to be moody, capricious, ruthless, and snide with others.”
The anima broadly speaking is also related to the “irrational” and openness to nature etc.
The four stages of the anima are: 1) the “primitive” woman e.g. Paul Gaugin’s Polynesian wives. 2) “romanticized beauty”, e.g. the classical example of Helen of Troy still shows up in movies etc.
3) Spiritualized eros, e.g. images of the Virgin Mary. 4) women who transcend even the most holy and most pure; a classical example include Athena, the Greek goddess of Wisdom
Similar to the stages of animus development, the current level of anima development can be seen in a given female dream figure.
Anyway, I hope these quotes etc. are helpful in some way to clarify what animus and anima are although in reality, we shouldn’t try too much to pin down and “define” what they symbolize and how they can affect our everyday lives.
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