rshort1202

I am in some class. The classroom itself is large, but the class is maybe only about ten people. We’re sitting in a circle and telling about ourselves. I’m initially fine with it, but then I think I’d rather just get it over with then wait and have to hear everyone else’s first. The professor notices that I get ‘skipped again’ so I now go. I tell about pretty much my whole work history, slowly and with detail, probably with too much detail. I notice some lose interest quickly, which trips me up a little but ultimately is okay.

Arriving at a restaurant, I meet Brooke at a booth. The restaurant seems opulent and large, but almost like it’s inside something else, such as a shopping mall. I’m pretty sure Melissa is coming too. The waitress, cousin Renee, comes over quickly for our order. I think I tell her we need some time. Her interactions are hurried. Looking over the somewhat short menu, I decide on the ‘women’s dinner.’ I don’t care what it’s called - it comes with a few things that sound good. I also look over the drink menu - mostly frilly cocktails. When she comes back, we order. I think about asking if there might be a good beer that’s not on the menu, but decide against it, thinking it kind of desperate.




I am in what seems like a highschool, showing up late to a class. Looking through the closed door, I see almost every seat (~20+) occupied. The teacher must notice me, as she tells me to come in. There is a project that’s due and is being presented today. Mine is a picture or sculpture of a dolphin? with drawn white lines on/below it. (*This reminds me of the painted dolphin sculpture I made and had as a kid.) With a lurch of the stomach I realize that I’m missing a large portion of what I need. I think these things are different line weights and an explanation of the typeset (*This is now reminding me of Dance, Dance, Dance and the Dolphin Hotel). I think that gets communicated to her, and she gives me time to do it. *Typing this a few days later, I’m remembering that sculpture as a whale, not a dolphin.




I am in a plane that has just begun its descent into Reno. I notice that we are very close to the ground already; specifically, it looks like we’re above the riverwalk. Quickly, I begin to think we’re far too low for not being anywhere near the runway. This sentiment is apparently shared with the pilot, as, with an ominous mechanical groan, the plane slows and seems to try to begin reversing. At this point it is all but futile. The plane almost comically collides with a ballard and begins spinning. The pilot works to correct the spin, and we then land not too abrasively on the large sidewalk. The ride was enough to set me a little on edge but not enough to terrify me, seeing how close to the ground we already were. At one point, I saw peoples’ shocked expressions as they watched from behind the curtain wall of a taller building. After the plane has settled, we unbuckle and disembark as if this is not too uncommon.

I am in class with Kreg. The room is fairly large and open, with maybe 10 students (no one is wearing a mask - Covid doesn’t seem to exist in this dream). We are making models, I think for a house. I’ve finished mine - before anyone else? and Kreg looks at it. I have a vertical plain façade with a small, perpendicular plain protruding a foot or so over on the left and a sweeping, curvilinear roof. It is honestly somewhat impressive, a sentiment that Kreg shares. I tell him I imagined it going in above the Truckee River near downtown. Now, we are at the site? and this model has been put in/built life size, though looking different. It’s at an angle, and the roof is a different curvilinear shape. There are two bands of color, light and darker blue, and I tell Kreg I like how they’re complimenting the sky behind. It is modern looking.




I am inside somewhere with Sage and her old boyfriend Ryan. He has downloaded an app that makes him weightless and/or able to fly. There is an open threshold to the outside (a small jumble of rocks, I think at the top of the cliff), through which he steps and begins the transition to flying. I watch as for a moment he seems to sink into this other ‘side’ - there’s a slight and slow ripple through his body. He then easily steps off a rock and floats through the air. Sage goes next, with some enthusiasm, jogging to and leaping off the rock. Now she and Ryan are back, and she’s showing me how to get the app. I fill out its small questionnaire, but it returns as declined. Apparently I answered something similar to ‘I am feeling exasperated with life.’ I make a joke concerning suicide and see in Ryan’s eyes that it gets to him. I think that his brother? committed suicide some time ago. I think I was cognizant of this but didn’t think it should stop me from making a joke. I’m now looking at a screen showing who is ‘logged in’ to this other ‘side’. I notice an ‘Rshort” but know it’s Ryan’s brother, as he has the same name.

I am outside somewhere in what looks like a marsh. The water brilliantly reflects the sky, making it hard to tell how deep it is. It’s also hard to tell what/where the land is, as the plants are lush and thick. I am walking through this, giving in to the inevitability of my feet sinking into the water at some point. I still try to avoid it as much as I can, and at one point I am jumping higher, farther, and slower than is humanly possible. This marshland is really peaceful and beautiful. Now, I’ve ended up on the edge of a forest, traveling inward. It’s gotten darker quicker than I expected, and I feel a brief pang of fear as I don’t have a light or a sense of direction.




I’m in an unfamiliar college building and walk into Mike Holmes’ class (different than his real class), finding it full when I thought it would be over. I see my empty seat at the high desks and take it. Now, I am presenting a model - a plain, rectangular, multi-floor shopping mall. I don't think I've ever actually seen this model until now, and I'm only talking about its simplicity as if it is its biggest asset. He seems to like it.