rshort1202

I am driving somewhere (it doesn’t really seem familiar). It’s a surface street, and it feels like I’ve pulled out of a shopping center. A small red car comes up besides me and then cuts in front of me, scraping my front bumper in doing so. I think he might just keep driving, but he pulls to the side immediately after. I notice that the car has a California plate. I get out after pulling over too, and don’t notice any damage to my car. We agree to exchange information, just in case. He is lanky and darker skinned, in a beanie and sweatpants and has his mom or grandma with him. The interaction is amicable.

I’m with Melissa, in our house. I think we are about to go on a trip. I know it has been raining lately, and I’ve noticed a tiny crack in the ceiling that wasn’t always there. Now when I look again it is even longer and deeper. I show Melissa, and by the time she comes over it is bigger yet and the outlined portion looks unsteady. We watch as it slowly cracks more and the now giant chunk falls out of our ceiling and onto the couch. (The layout of the house feels similar but maybe arranged in the opposite direction - like the couch, and with even higher ceilings. It seems dim). Dumbstruck, I go over to it and look unbelievingly into the exposed attic. I touch the portion on the couch, as if I’m just going to put it back. It has a texture exactly like wet paint. I don’t know why it would be wet. I don’t know what to do or how much this is going to cost.


I’m in what feels like a different state, at what looks like a BBQ food truck. I’m with some others who order first. I’ve barely had time to look when I’m up. I tell the man I’ll just have a combo plate and ask what his favorites are. He enthusiastically tells me, and I agree to them. Now, I’m reparking my car here. I go down a very small hill, which the spots surround. I back my car up, aiming between two parked cars. I do a really bad job and back into one of them because I haven’t straightened out enough. I don’t think there’s any damage, so I just fix it. I also end up making art for this guy (over a period of time) in exchange for food

I’m outside somewhere with Zoe and either her son or Jessica from work. Her car is here, with the back full of Blu-rays and DVDs. We are sorting them into fruit trays. I get going and then realize I haven't been checking the condition on the last few. Some are still wrapped and the ones I did check were in good condition, so I’m not really worried about it. Now, we are in the back of the car with the door open as Zoe starts driving. She accelerates far too quickly for this situation. Still speeding, she glances in the rearview with an expression almost of joy to see if we’re still holding on (which we are).

I am driving to ---. The area seems fairly empty, like it’s not school hours. As I approach, it’s been so long that I forget which side is student parking. I guess it doesn’t really matter, as I’m just a guest. I end up parking on the side that I now remember is staff parking. I hesitate, but there are plenty of empty spaces. I’m now getting out of the backed-in car, except it is a rolling office chair. I guess I don’t find this odd, rolling it back into the far corner of this edge spot. Now I’m in the school and it is empty. Jessica from work is now here and we pass by the library. The door is cracked and I peek in, reliving some of my time here. The lights are off and I want to go in, but Jessica does not. I then see some guy moving slightly around in there, so we do not go in. Now, we are in a smaller, dim room. It seems to be a bathroom. There is just a window and an inset tub. Julia is now here and they’re both down to their underwear and in the tub. They want me to get in, but I hesitate. Finally, I strip down to my black boxers, self conscious of how my penis is sticking up a bit in them. Just as I’m about to get in, Jessica gets out. This irritates me because she was just asking for me to get in.

I’m at work (I’m not sure where, but it feels like some kind of retail store). I notice a quiet Asian girl wandering around and, as I perceive it, ‘scoping out the place’. I make a mental note of it but don’t do anything else. Now, I see her in a small garage (right outside of but still part of the store?), crouching down by a car. She’s taken off its license plate and is measuring it. I think this is too suspicious, so we go out and stop/talk to her.




I’m with Melissa and Brooke in what seems like downtown. We’re by the river and a large bridge. To the side of the bridge is a large tree or tree trunk protruding out almost parallelly over the water. I think this tree is some sort of monument (911?). We walk out onto it to have our picture taken, but end up breaking it, which feels very serious.

I am at work. There is a man in line who has a few things and looks somewhat sketchy. He gets up to the counter and asks for some ice because he’s ‘recycling’ his beer. I think this means it’s warmed up and he’s trying to cool it down rather than throw it away. I tell him to hang on a second and go back to get some. I tell a guy in the back this scenario, as if I had to tell him yes. I’m still not sure if this is something we’re supposed to do, but I think it’s fine. The ice bin is long and also full of fabric bags. I fill one, unsure of how much he really needs. Back in the front, I see him with a small stack of DVDs and casually rushing out the front door. Julia is here and says something like ‘Wow, well go kick him out’ as if this was obviously my fault. I run out to at least get a plate. He’s gotten into a small, rusty yellow car with a woman in the passenger’s seat. He has to back straight out, so I see the plate, but it has a plastic covering and the numbers behind it start spinning like a combination lock. Terribly smart, I think, even though it’s disappointing. I pick up a rock and throw it but miss. I try a few more times, even as they’re stopped at a red light down the street.

I am in Brittney’s new place (it doesn’t really look like her new place), with Melissa. It seems dim either outside or in here. Right now, it’s just Melissa and me in the living room, and I don’t see Brittney. The living room is long and narrow, including a couch, tv, fireplace, and sliding door at its end. Each is staggered to give an illusion of multiple areas within the one. I tell Melissa that I like this, but she doesn’t seem to be listening too closely. I get up and, thinking that was all of the apartment, discover a new space. It is seen only from the kitchen and is another small living room with a bedroom at each end. It doesn’t have much décor but does have some random things on the floor. Now, we are about to go somewhere. I am outside, down by the pool. There is a deep washing machine inset in the ground, through which I am looking for shorts to put on because it’s going to be warm out. The clothes seem damp, and I toss them into the empty pool as I go. Once I’m almost all the way through, it occurs to me that it made no sense to throw them all in there. I consider spreading them out a bit so they’ll dry? Now I am by a larger, black truck. It seems to only have two front seats, one of which is just a space and not a seat. I don’t think I see a steering wheel. I think this truck is either Russian or belongs to a Russian, but I refer to it as Ivan something in my head. I am now driving the truck. It is dark out and the truck seems more normal inside. On the display screen I see a text pop up, someone asking if I’m on my way. There is an option on the bottom to change the language.

I am in some building. It seems to mold around the surrounding terrain and/or go below it. The architecture is minimalistic but sleek, dark wood and darker walls. Everything seems angular as well. I am looking for a restroom and find one, an opening, at an angle, in a wall. I enter and follow it, a longer hallway. It seems both open and private, and I love this effect and its subtle opulence. I think before I fully get into the restroom I arrive at a corner that opens into a larger space. Off to the left the building is open to the terrain, a rock grade with a small trickle of water. In front of me is the main opening, a vault type space, the far side of which is a wall coming out of the terrain, with a large, high window. Through the window I see some tables and two old men sitting at them. I take a picture of the scene and when I look back at it, the men look ominous and familiar. (They look like Ken Rose and the old customer at work with a ponytail and pebble mask). I think I take a turn and end up making it to the actual restroom.




I am in a car with Vladimir Nabokov, him in the driver’s seat and me in the passenger’s. He has a piece of paper, on which there is a line of symbols that I think repeat. I’m not sure the objective here, if there is any, but he’s found a clever way to pencil in a few to perfectly look like the outline of a house (he gets two or three on the larger sheet). I think this somehow correlates to his last name.

I’m in my car with Melissa, driving us somewhere. I think I need gas, so she tells me where to go. She tells me to go left through this roundabout and then to take a right, and I do so. I notice a car coming to the roundabout and think it’s not going to yield to me because everyone assumes no one will take the second exit. Indeed it doesn’t, speeding in front of me. I’m driving down a hill now. The area is very green, with many leafy trees and a large grass area. There’s a large pond in the grassy area. We are now swimming in it, and the surrounding area doesn’t seem as green anymore. A few people in kayaks pass us, too closely I think, and say not to fish/swim in here, humorously. I jokingly say we won’t. I think he meant not to submerge ourselves, which, looking at the murky water, I’m not going to do anyway. We’re out now and on the sandy shore. I’m laying face down on either a towel or my shirt so I can dry off.




I’m on my bed with Melissa and I think we’re each doing something separately. On my record player I am listening to a Brokedown Palace from 1972. Bobby is telling the crowd to shut up and says “oh, I don’t wanna sing” to the melody of the song. I chuckle at the historical interest of it, and Melissa makes a comment too. Now I go out to see if the air is on. I think it’s been running all night, same as the water. We also watch an animated movie with a twist ending or something that suggests a sequel.
*Last night I meant to turn the water off but kept forgetting.

I am outside and walking through a neighborhood with a few others. It seems like we’re doing something for a school assignment. We’re looking for a certain house and come up on one that I think is right because it looks familiar. The house is white with a light blue trim. It’s slightly downhill from the street and is placed horizontally on the lot. The garage is open, revealing all of the stuff inside that looks familiar. The number is something like 150105. I look on the map on my phone, and it shows us about halfway down this street. Looking to the left, I see that the street starts to incline somewhat significantly, telling them I don’t remember going uphill. I tell them I can also search Canvas to see if it’s the right one. I do so and don’t think I find anything. We end up deciding that it’s the right house. We go inside, and it’s kind of empty and dim. The others take an open riser staircase to the second floor. I stay back and then walk back to the front door. The owner has arrived - it’s David from Discology and his son. They’re walking up and I meet them at the glass sliding door. I don’t think much is said, and I guess he doesn’t find it weird that I’m in his house. I say something about the others, and I think he goes to look for them, using a flashlight. I think it is somewhat intense.




I’m at work and going on a break. I need to use the bathroom, and we have to use Sani Huts. they are scattered all around this parking lot, and I head for a line of them up against a fence. There is a handicapped one, which I take because it is larger, because it is not busy out here, and because there are more in case someone needs it. I am relieved when I step in and find it clean and without much of a scent. I use some toilet paper to put the seat down. I think I am just sitting on top of the seat now, and I notice a window in here. Through it, I see a bed, upon which sit several people. I notice two girls, a couple, what look very similar if not almost the same. They are reclined, tan, and naked from the waist up. Currently, each has her arms above her head, which gently lifts her breasts and perky nipples. They begin taking off each other’s underwear and kissing, so I take out my phone and start taking a video on Snapchat. I can’t believe I can see this from here and no one can see in. I briefly contemplate its potential. I end up in another Sani Hut now, and it has the same kind of window. This one seems to be at the end of a dirt road or parking lot. To the left is an old station wagon with an open back. There are one or two women and some kids (maybe on a sports team?) approaching it - it must be theirs. One of the women, Asian?, is wearing a Grateful Dead shirt I’ve never seen before. It’s black and is tasteful; it also looks like it could be homemade. I think it’s cool that she’s into them, I think because it’s a change from the typical white male. They all start getting into the back of the car, which has blankets and I think string lights. They start playing music and smoking weed out of a lightbulb. One guy, Asian, takes a quick but large hit. I know that I don’t smoke, but they seem to be having a great time, which is fine by me. Now, I’m walking out to the Sani Huts again. It is raining fairly hard, which I barely feel. I’m walking over the rocks in a median and notice it pooling up here as well as along the sides of the road.

I am at Melissa’s house (though this house looks nothing like it). I’m in a larger, open living room that I think is mostly barren except for a short, wooden shelf with a larger TV on it. I think it’s off right now. The place seems somewhat dirty and doesn’t have the feeling of a home. In here is her mom, someone unfamiliar, and a guy that looks like Ryan. He has those same drug-addled features, and I instantly dislike him. I think the other is the same, and, sadly, there is something a little off about her mom too. They all seem to be arguing about something dumb, and I sense that it’s going to lead to a fight. Her mom starts talking to me for a while, but I’m eventually able to sneak away. I end up in a small kitchen with two counters, one at a diagonal to the other. Each has a sink, and I recognize the one facing the TV as the one her mom likes to use. I’m washing my hands in the other, notice I’ve left a small pool on the tan tile, and leave it there. I figure I can go this way to sneak off to Melissa’s room, and head that way. Suddenly, an old lady in a thin, pink bathrobe bursts out of a bathroom and rushes past me without a word. It startles me. Now I’ve made it to Melissa’s room (different) and notice that it’s kind of messy. She’s sitting at a desk in the corner, wearing what is either pajamas or lingerie, a matching blue set. They look like satin and lace. We start talking and I think I’m sitting or something, as she comes over, puts a leg up and pulls the bottom to the side, and I start licking her. I’ve barely started when a noise just outside the door causes her to jump back and straighten herself up at the desk again. I sit up normally, but am laughing as Brooke comes in. I don’t worry about it, as I could’ve been laughing at a joke for all she knows. There is a mirror across from me, and looking in it I move a portion of my hair along the part.




Michelle is driving me and Melissa somewhere, and she is driving terribly. She starts driving the wrong way and only us telling her causes her to realize it. The cars that were coming slow and stop for her as she reverses. Having not reversed far enough, she hits the landscaped divider and then decides to drive right over it. She makes it to the other side, but we are still going the wrong way. We eventually end up going the right way, as I notice an old fashioned sheriff car turn right in front of us. I think ‘oh god’ or something similar and hope for the best.




I am sitting in my car that is backed into the driveway. I know it is 6 am; it is light out but the sun is not up yet. The mountains glow yellow, pink, and blue. I had woken up, started listening to an early Pink Floyd show, and then came out here. I notice a larger family on the street in front of me. There are about three or four kids of different ages. All are wearing shorts and tee shirts and look happy and ready to go. They also look like they’re deciding which way to go, pointing and looking back and forth. The next thing I know, they’re walking up the lawn towards our house. I am on edge for a second, but then think they’re probably just going into the communal area. I’m now back inside and see my things on the bed where I left them. I think it’s my laptop and a dream journal. This room seems square and somewhat empty. I think about finishing the show, but Melissa is awake. Surprised, I ask if she feels awake, and she enthusiastically says yes.




I’m in a parking lot with some others. It seems dim to dark out. We are secretly going to put a sticker or two on Felicia’s car (a white car or truck?). The sticker is three words, I think, including ‘fuck’ or ‘fucking’.

I am with Brooke in what looks like Mom’s backyard. I see a woman in a police uniform or something similar walking along the top of the fence, left to right. She does this easily. There is also a uniformed man off to the left that is just hanging back. I take out my phone and start taking a video of the woman. This causes her to become angry and ask what I’m doing. I tell her I’m just taking a video, knowing there’s nothing she can do about it. I go around to the front and see a cop? car in the driveway (the driveway seems longer and more level). I take a picture of the license plate and the VIN. She watches me, still irritated, but does nothing.

I am at work with Laynie, though this place looks completely different. It is two stories and mostly an atrium space. It seems that the mezzanine floor branches off into the shopping spaces. There are sets of double doors to the outside right below the mezzanine floor. We are interrupted by me noticing a known shoplifter coming in the doors. He is carrying a bag and dragging another rolling one, and I recognize him as one of the two guys that gets a few pairs of Levi’s every few days. I think we just wait to see what he does and then lose him for a bit (it’s fairly busy in here). When he reappears, he is on the ground floor, bag a little fuller, heading for the doors. I start sliding down some wide, green pole type thing. He starts to double back so I hesitate and then finish sliding down when he starts back for the doors. I guess I don’t feel like stopping him but just getting a plate. He glances around before going out right behind a small group, going off at the doors. I think he notices me going out right behind him, but probably thinks I’m just a customer. I take out my phone and call Laynie but it is Dad who answers. I only pay a little bit of attention to the conversation as I’m watching the guy meet up with the other outside of a white van. I think it has Arizona plates, and I can’t memorize it without drawing too much attention to myself. I keep walking past it to blend in and notice two vans to my right. They both have Grateful Dead stickers and are parked close together; I think they must be together. The cars have thinned out by this point and I stop walking. I stand for a little and then head back. The white van starts pulling out and I think I’ll get a great look at the plate, until it turns and starts coming this way, the wrong way (with no front plate). The man driving it has tan skin and scruff and is either bald or has very short hair. He glances at me as he passes and I wonder if he’s seen me before and recognizes me. I now see the other guy walking away from a maroon car. He has a backpack on and is going back into the mall. I just about step in front of a taxi in the road, but he sees me, stops, and waves me forward. I wave back, slightly self conscious of being on the phone and not paying attention. I hang up and meet up with Laynie inside. We, and quite a few other people, are on the second floor, sitting. We are sitting in what almost feels like bus seats arranged in a circle or half circle around the mezzanine/atrium. Two younger, Hispanic guys in grey/darker hoodies and beanies arrive, and one starts shooting off a handgun. There are windows next to our seats, which he shoots out. I think he is shooting above heads to scare, but I don’t rule out the possibility of him shooting to injure or kill. I listen to the shots ring out, more than there should be in a pistol’s magazine. He makes his way back this way and I brace for the possibility of getting shot. He announces that this is because the two men thought they noticed someone following them. I genuinely think that must’ve been someone other than me. He says something about a Hyundai and then trails off, probably realizing it wasn’t smart to give away the make of car. He seems like he is being made to do this. I think the world, and now even this town, is becoming a scary place.

I am driving up to what looks like some event outside of a school or something similar when I notice Makayla and Mom walking this way on the sidewalk. My window is down and it seems like a very pleasant day. Makayla is holding an imperial pint glass that looks like it is full of very light Guinness or nitro cold brew. I roll up to her and the first thing I say is “my goodness… my Guinness.” She says it’s actually some flavored iced coffee (hazelnut?). I try a sip and it’s really frothy and not all that bad. I think I already have an iced coffee as well. I realize that I’m in the middle of the road and start moving again. There is one intersecting road to the right where I am going to try to turn around, but I think someone has already gone around me.




I am at work when I notice a sketchy person heading towards the men’s shoes. I think he already has some merchandise and a small, empty looking, black plastic bag. When we see him turn the corner again, the merchandise is gone and the bag looks full. We agree that this makes him good to stop, so I try to get downstairs before he does. I do this pretty easily and get by the door that it looks like he is going for. I try to look inconspicuous, and when I look back I see that Bobby is right by him, talking to him, still in the store. I wonder what he could possibly be doing, until I see him start walking him back. This really irritates me. Back in the office, the guy is hesitant but compliant. He seems homeless. He says his name is Kenneth Cox and that he is 46? I get all the paperwork done before calling PD. I ask his birth date, realizing I’ll need it, and he says something like ‘5 o’clock’. He keeps giving me bullshit answers, and I can’t tell if it’s on purpose or if he’s just not all there. I realize he doesn’t have an ID, so PD’s going to have to come anyway. I think of how they may need video and how Bobby stopped him while he was still in the building, which irritates me more.

I am at Mom’s house. I step outside and it feels like it’s the middle of the night, though it is not extremely dark. I can see frost and my breath, but I do not feel cold even though I’m not even wearing shoes or a shirt. When I’m walking back up to the house, I notice a car pulling up. At first I think it’s Ryan’s truck. When I get inside, I notice Mom is up and making food. I either ask or just find out that it is one of her guy friends outside. She ends up going out and leaving with him.




I am by the river. It is very full, as if flooded. It goes up to almost the top of the arches on a stone bridge, upon which people are jumping in from. I notice an older couple, completely nude. I notice the man’s penis, short but thicker, slightly standing out from his pubic hair.