rshort1202

I’m with Melissa and by what seems like a warehouse building. The following seems more like a movie, but also like I’m experiencing it? The dim, empty warehouse space has a cluster of what looks like large cocoons on the ceiling in the far corner. They are black and close together. There is a creepy woman here what crawls or somehow gets to the ceiling and slowly metamorphoses into one of the cocoons. Her face remains most recognizable the longest, and the scene zooms into it and her creepy grin. Now, I think Brittney is here too and it’s like a small amount of time has passed. The warehouse is now a small airport or a single terminal that we have to use. Melissa does not want to go, as we have to pass right under the ‘cocoon people’. It is fairly creepy, but I try to persuade her to just get it over with. We end up stalling in a gift shop here.

I am inside a vast warehouse with a very high ceiling. It has a sense of isolation, like it is far from much development. It also seems run down; I think part of it is broken down and exposed to the outside. Sand has blown in and blended the indoors and out. Atop towering shelves, product is precariously placed. I think about trying to knock it down by bumping into the shelf, but then think about the real damage that could be done if it fell onto me. The place is so very quiet, emanating silence. I think Melissa is here too. Now, I am outside of the warehouse, rising into the air. I look down and watch everything become smaller as I rise. This compels me to continue rising, and I do so until I am hundreds of feet above the desert dirt below. It’s almost effortless and entirely exhilarating.

I am in a larger building (it feels slightly like the warehouse, though there’s also a homey element). There is an opening in the wall, through which I pass. On the other side is a large, open space that seems to have low rows of some kind of crop? There are people walking through the rows, dragging longer bales of hay.