• Lucid Dreaming - Dream Views




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    1. Back in Haunted Time Passage House, Hidden Objects Style, Ties to Other Dreams

      by , 07-04-2017 at 05:31 PM
      06-03-2017 -- This one was from a month ago, jotted it down immediately, but didn't have time to get it on the computer until now. Much of the earliest bits have faded, but I am probably Harry Potter, judging by much of the stuff that comes later. It is late at night and I am trying to get some sleep, but I am rooming with a slightly stuck up but more or less OK Draco Malfoy. So while I am looking for a little bit of private relaxation time before falling asleep, Draco has been getting more and more into muggle electronics, so wants my help setting up his TV, cable box, DVD, video game systems and so on. So I'm kind of half-assing it, hoping in the process he doesn't stumble across porn and go nuts about it.

      I've got most of the stuff at least partly hooked up when somebody new wanders in and notices that his VCR doesn't have the cable channels tuned in, so he's only getting 6 or 7 broadcast channels, and the new guy starts to correct that, and is also showing him how to hook up and use his CB radio. Since he's now got other help, I'm more than happy to just turn around and head to bed.

      The next thing I know, I find I'm in a new circumstance that relates to several past dreams, including the Doctor Who/BtVS dream of a few months ago, and many others, including various secret passage dreams and more. I find myself outside an old three or four story house that I think I fought a plant in during another dream I can't find to link to, and I have a lot of memories of the last time I was here, and the things I had to do, but not exactly, or in what order, so I'm still having to puzzle a lot of it out.

      I start on the West side of the house, can't say what floor, but I'm kind of looking in a window at a room where the mom has fallen through a trap door in the floor (and possibly also time ala the Tonks scene in the above Doctor Who dream) to a lower dungeon-style room. The thing is, she'll need to be rescued on that floor (and in that time), not through the trap door she fell through. Meanwhile, though I should only have a limited view through the window, I can somehow see all kinds of people wandering up and down stairways throughout the house, though they should be out of sight, and quite possibly in other times. Strange.

      I move along the back side of the house, the area that most seems like the plant-fighting area, then I find myself in a hallway along the East side of the house, and there are ghosts wandering through the area, some helping and some hindering the regular people. At first I seem to be one of the ghosts, but as time goes on, I become more and more solid. Meanwhile, I am trying to use my half-remembered knowledge from previous dreams to help the regular people solve the 'puzzle' (it's all feeling kind of like a hidden object game), and am giving instructions. I point to one ghost in a room next to the corridor, and ask it to grab some tools and bring it to me.

      I realize almost immediately that this is unlikely to work. The ghost is probably not going to be able to pick up the tools, because it is a ghost. But it might be able to pick them up if that room is in the same time as the ghost, but even if it can pick them up, it probably won't be able to take them out of the room, and finally, if it did get them out of the room, then the tools would probably be insubstantial to me, so I probably wasted my time making the request. The ghost grabs the tools, and starts to bring them to me, but as it passes through the doorway, the door slams shut, and I figure the tools remain in the room. But no, the ghost kept them and brought them to me, and I found I was able to hold them, so that's why I figured I must be a ghost, too, at this point.

      I follow the East corridor to a large room at the back of the house, where there are a lot of people and ghosts around, and a lot of junk to possibly sort through. One of the ghosts is an old-fashioned housekeeper dressed in the appropriate garb, and looking just like Hermione Baddeley as the housekeeper in Mary Poppins. The room is one where I found Luna Lovegood in another time trap in a different dream, but this time there is no sign of her. Instead it is a long room with piles of junk to actually climb over, and some broken and damaged walls being guarded by an angry and dangerous tiger, who has several tiny ghost tiger cubs in the area. I suddenly manage to remember that I have to find some balls of ghost food to feed the ghost tiger cubs to be able to get by the real tiger.

      I ask the housekeeper to hand me the box full of food balls, and I start trying to toss them across the room into the cubs' food bowls, but being ghostly balls, they have no mass, so don't toss well. First I try to help them along by blowing on them, and it helps a little, but not enough. Finally I just throw the entire box of food, which gives it just enough mass to reach the other side of the room, and get a little bit of food in all five bowls. So I carefully creep past the ghost kittens, and the live tiger leaves me alone, and I crawl over more of the stuff, getting nearer and nearer to the ceiling, where I find a sort of secret passage way. It looks like there is a wall, but it's an illusion, and you can move right through it.

      I crawl up into a hallway on the floor above, and again I can remember it from other dreams (but not any particular dream the I can link to). I am now in a medium-length corridor. I crawled up through a passage at the floor level, and I know that there is another passage directly across from it at ceiling level, but it seems whatever point I have arrived at, we either have not yet found the step-ladder that we'll need to climb to reach the ceiling passage, or we haven't moved it here yet.

      There are doors at both ends of the hallway. The end close to the two secret passages is behind me, and it doesn't seem important. It is probably the first way we entered the hallway, early on in things. I seem to remember the door at the other end of the hallway being locked, and we have to pick the lock. I send my friend off to find the step-ladder, and head to the door at the end of the corridor, just to find it is already unlocked, so we must have already gotten that step taken care of.

      Spoiler for Humor and Sex:
    2. Fragments: Locomotion Routes in Orlando, Ubering Main Street, Knott's Security, Weird Stuff

      by , 07-04-2017 at 04:48 PM
      06-30-2017 -- Three tonight, all rather fragmenty. (Well, some of them are longer fragments than usual, but I'm still lumping them together.) Third starts (as far as I can remember) at the BP Nazarene church. I'm poking about a little, but some people are giving me some hassles, so I just walk away, down Page, then the side street that takes me out near Orangethorpe. Somehow I walk down the block a bit further, until I turn the corner onto another street, heading back toward Page (Stanton, perhaps.) By this point it is getting a little strange, because I seem to be laying out route lines in Locomotion, putting in tram stops about every four spaces.

      Soon I am hitching a ride from Carl Baumer, Starting from next to where the first route ended, heading across and down another side street to Page, ending at a shopping center where I am asking Carl to drop me off. He thinks it is to go to a tire company, but I don't really know what business I am looking for here. I just know I am looking to start a third route where the first ended and the second started, this one going down to Page, then to the right, until it largely completes the pattern I've been setting up.

      I am also pausing, glancing around, at an auto repair place I've seen in many dreams that has gotten constantly worse at fixing problems or selling me good cars and cycles, and glancing at a spot in the middle where I am trying to place a station, but having problems of getting it to place, and then finding I'm placing the wrong thing, and its an ad or something, instead of a tram stop.

      Don't know how the change happens, but the next thing I know, I'm now driving Uber (no idea what vehicle) and have a little old lady in my car who is telling me to ignore the GPS and just follow her directions. She must know what she is doing, because following her instructions, I now find myself driving her through the Fantasyland paths at the Magic Kingdom, where you can't usually take cars.

      But about the time we reach the Hub, it has changed to where I am pushing the lady around in a Publix shopping cart, and I stop and remove her because I think Disney will object to people using Publix carts on their property. I am trying to explain this to the lady (hoping she won't object, because a young family has already taken the cart and loaded their two young girls in it), but she's like "Of course, now come on, we're going to miss the Wild West Show," leading me over into Frontierland.

      As we walk along, the speakers are making odd announcements about people dying, and lawyers, and other strange things that have no place in a Disney park. Continuing along (now back in the car) we are passing Margaret, who I am surprised is still alive (its been a long time), and I roll down a window to call out hello to her, but she turns her nose up and ignores me. I think about making a comment about ol' Laser Lips.

      ---

      06-30-2017 -- Somehow playing around with (and building) some sort of rolling marble game, where I am trying to tilt a board to make a marble reach different points. There is a tiny hint of stuff about the TARDIS, and patterns painted on the board in a strange red ink that appears and disappears, depending on where you are in the game, and hints of buses or trains as well.

      Somehow I then find myself standing around at Knott's Berry Farm, late at night. I don't seem to be really doing anything, so I may be security or something. Vince Williams is here, and is speaking to me about two things. The first is that his van is locked in the parking lot, and there is no way to get it out. (There is a pole system something like the one used at House of Imports), and it seems they lock the parking lot up at night, but don't warn the employees of that fact. The second is that he is muttering something about idiots who set up the bus systems where two buses run in opposite directions on the same street, but each has a different route number. I think about explaining I laid out the system, and it was just coincidence that the two routes are running on the same street, so they shouldn't have the same number, but I don't really feel like bothering.

      Meanwhile, I say I think we can get him out of the lot, and I grab a sort of crowbar that is sitting around in the warehouse I am guarding, and approach the pole gate. I remember from my time with House of Imports, a locking system where the crowbar releases a latch within the pole that allows you to open the gate (the real system was nothing like this), and I've soon popped the latch and let Vince out. He's rather happy. Myself, I am hoping I haven't triggered any alarms or gotten myself in trouble.

      Anyway, he's driven off, and nothing has happened to me, and I soon find myself in Rosemary's place, and Vince, who is another of the roommates shows up. It is now a day later, and I want to ask him about the situation, and if he got in any trouble the next day, but don't want to tell anyone of the situation, so I'm like "What about ... was there any ...?" "Nope. No mention of it." Meanwhile, I seem to be eating a piece of hard lasagna noodle with spaghetti sauce spread on it, and when Rosemary walks in and sees it, she is freaking out. As I said, only fragments tonight.

      ---

      06-30-2017 -- First one is even more fragmented. I am in a warehouse, working security, but it is late at night and dark, and most of the staff has already left, so I am trying to watch something a bit sexy on TV. Unfortunately, there seem to be a few people who are working all night long, and I feel like they are trying to spy on me, so I turn the TV off. A couple of the guys are being rude and obnoxious, saying odd things, making odd threats. It kind of reminds me of Ray Burke a bit, but seemed more wrong and threatening.

      Somehow I more or less think I am dreaming, but can't think of any way to test it, so I am kind of wandering around, feeling up the occasional attractive female if I can find her alone, but not daring to be too pushy about it, since I am not sure I am dreaming. One girl is pleasuring a guy, so I pull her skirt down, planning to do a bit of pleasuring, myself, only to find under her skirt is a bit of a metal chassis, rather than legs and human skin and stuff. Very strange.
    3. Working at the Adventurers Club and Avoiding Supervisors

      by , 07-04-2017 at 04:31 PM
      07-03-2017 -- I'm headed to the Adventurers Club for the evening, as I always do, and have a small part to play in the show (kind of like Margaret had one line she always threw in at Preston's, just to give them the start of a joke, if nobody else did), but tonight it seems someone is missing, and Graham decides to use me to solve the problem. He grabs me, pulls me back stage, and starts throwing me into a costume, planning to make me a larger part of the show.

      Meanwhile, I am being forced to swap out some of my regular clothes for the costume parts, and getting ready, and I run into Anne (who is doing Pamelia for the first part of the night), who sees I am helping out, and decides to apologize for the way she's been acting to me the last few years, which kind of blows my mind. Anyway, I'm now dressed in a bit of a pirate costume, and am being dragged through some of the backstage passages and the off-limits cast elevator that I've known from multiple past dreams, while I'm keeping my head down so that the wide-brimmed hat I'm wearing hides my face, in case the Disneyland supervisor who was always trying to cause me trouble happened to be around.

      Anyway, I'm walking along with several of the guys, including Glenn, Jay, Karl, and Joe (as well as Graham). I soon find myself being kind of forced into the Beezel 'mask' and being told to read the prompts that are being projected in front of me, but the mask is blocking my vision almost entirely, so I just can't read it, and I'm stumbling along, which is ruining the show. They pull me out, and ridicule me slightly, but it's still friendly and good-natured, and they just cancel that Treasure Room show.

      I'm trying to get back out of the mask and ready for the Hoopla, but unfortunately it is taking time, and I end up missing it. I'm just reaching the area when the other performers come running backstage. It must be some sort of Halloween show or something, because all the ladies are kind of half-wrapped up in bandages and wet plaster, and Fairies (one of the female performers whose name I don't know, but she used to sing a song about fairies in her garden) is kind of freaking out an urging people to get the stuff off of her. It seems she is kind of claustrophobic or something, and having all this stuff stuck on her is really difficult for her. I'm commenting on not having realized just how much the ladies had to deal with, while wondering what happened to Anne, since Fairies only plays the Pamelia role.

      Soon we're all back in the dressing room, and I'm being told to take off all the costume bits, including the slightly lacy/ruffled undershirt that was comfortable enough that I forgot I was wearing it. Meanwhile, it seems the female performers wanted to thank me for helping out today, so they all decided to flash me for just an instant, but somehow I just knew what they were going to do, and at that particular moment it didn't feel right, so I turned around at just the right moment to miss it. Meanwhile, I'm still struggling to get out of my tights. Sheesh!

      Soon we're all in our street clothes, and ready to exit the dressing room, and moving on we're going to have to pass through a gauntlet of fans, and the others have decided to stop and pose for some photos, just so they can pull me into them and make sure I'm credited for my evening's work, seeming to not realize how much I have having my picture taken. Meanwhile, I somehow have a basketball in my shirt, and I am trying to get rid of it. I pose in the back, where I am mostly blocked by the others, and give a little wave at people, and then we're about to move on, heading to the employee exit. The problem is, I glance down at my feet and realize I have no shoes or socks. I must have left them in the dressing room. I tell the others I'll be right back.

      So I make it back to the dressing room, and I manage to quickly find both my shoes and one sock. But the other one is missing. They are the short ankle socks, in the dark grays. I also explain to Andre, the wardrobe guy, why I am back, and that I am not trying to steal any of the costume bits, just get my shoes. Soon I'm heading back out, and trying to catch up with all the others. I hurry through a backstage section that I am not at all familiar with, and eventually catch up with a couple of the ladies in a bit of an obstacle course kind of area, and they are forcing me to swing on a bit of a trapese (half trapese, half zip line) to cross the room. Since it is only about a foot above the floor, it is no big deal, but I land on a trap door which drops me down to the next room, so its still a bit startling.

      In the new room, the third female performer is complaining that the other two forced me into using that method of getting through the room before I was ready, and goes back to give them a piece of her mind. Meanwhile, I continue forward through what almost seems to be a warehouse of magical props, as I am glancing at sponge balls and colorful cups and linking rings and scarves and the rest. Cool dream, overall.