One Must Imagine Sisyphus Happy

Experimenting with some dream titles to break up the wall of text a bit.

0230: F. Two sentences of illegible notes.

Birthday Girl, Bro Code
0337: C. Even in a dream, I obey the bro code. I'm at a girl's birthday party. I came with Lance. It's indoors at a house. There are about a dozen people there. It's dark outside and mostly dark inside. Lance and I pull the birthday girl aside to give her the gifts, so the three of us are alone in a dark room. Lance forgot to bring a gift, but luckily I brought two. I say they are from both of us.

The birthday girl has short black hair. She's tall and pretty. She's wearing a dress. She opens the presents. One is wrapped in purple, the other in yellow. Yellow is her favorite color? I don't remember what the gifts are but she really likes them and is very happy. She starts making out with both of us. (Not the arrangement I had planned for my first threesome, but whatever) As things get heated, it's clear the girl is more interested in me. She pulls off my pants and ignores Lance. Lance gets up and paces around the room upset. He keeps saying "That's not cool." I stop her and get up. She wants me to come back. I leave with Lance.

Hell Is An Amusement Park Line
0510: C. I need to raise half a million dollars, fast. Maybe I'm in debt to a loan shark.

Scene change. I'm in purgatory. I guess I'm dead. I'm waiting in line to be judged to go to heaven or hell. The focus changes to someone else, like I'm watching the movie of some else's life. The main character is a man who died while trying to solve a crime. He's destined to go to heaven, but he chooses the go to hell instead. He hopes he can find more information in hell to solve the crime. I think that's heroic. His partner tries to stop him and says he's crazy. Our hero says he's from San Francisco. Somehow that makes sense to the partner and lets him go.

Scene change. Now it's hell. People come sliding down a big ramp into a large red cavern crowded with people. It's lit by flames and it's fairly bright. Our hero comes sliding down. The focus switches back to me in first-person. I'm already in hell when the hero arrives. In hell, everyone is standing in tight groups in little pens formed by metal railings. It's just like waiting in line for an amusement park ride. I'm standing near some elementary school classmates and they are talking on and on about boring stuff. I think, this IS torture. I think that's funny.

I yell to someone who just arrives down the slide. "Hey, I hope you can come up with the money, by the way. Just because I'm dead doesn't mean I don't have bills to pay. But it's not like I can do anything about it from down here."

Birthday Gifts, Annoying Ice Cream Girl
0716: C. I'm indoors in an unfamiliar place but I get the impression that it's my own bedroom in a house. Apparently, it's my birthday. I'm unwrapping presents. Most of the presents are children's toys like dolls and figurines. My sister gives me a new Blackberry. I walk across the room to plug it in to charge. Another gift is D&D-like role playing game. Hugh wants to play so I unfold the map across the floor. I remark how big the map is. It's about 6 feet by 3 feet.

Scene change. I'm in a outdoor mall in a food court. I'm wearing a blue shirt with faded white lettering that says "BIRTHDAY TODDLER." Everyone is gone except Hugh, but he starts walking away leaving me alone. There are other random people in the food court though. A girl from the crowd walks up to me. I'm not attracted to her. She says she want to satisfy some urges and then walks away somewhere, as if to go fetch something that she will bring back to me. I feel awkward. Another girl walks up to me. This one is attractive and I want to talk to her. She wishes me happy birthday. I ask how she knew it was my birthday. She says it's written on my shirt.

The first girl comes back and hijacks the conversation. The second girl walks away. I'm annoyed about that but I try to be polite. The girl has a variety of ice cream and she starts feeding it to me. She want me to guess the flavors and pick my favorite. I play along to be polite. The first one is dark cherry. The second is strawberry. There are two more that I haven't tasted yet. The next one is green so I'm thinking it will either be mint or pistachio. Dream fades.

0740: False awakening. I don't RC. I roll over to write in my dream journal about my last dream. I write something but I don't note the time. Then I wake up for real. I RC. I roll over to write in my dream journal. I think, wait! Didn't I just do this? Damn it! I write: "False awakening. I dream of writing in my journal."

Unstable DEILD
0811: D. Again, I'm in the food court of an indoor mall but this one is different. I'm with two friends but I don't recall who. We sit at a bench near the actor who played George's father in Seinfeld. But he doesn't say anything. A young blond girl walk up to us nervously. She says "Did you guys know there's a dance coming up?" We say nothing and she walks away.

Another group of girls comes and sits near us in the same set of benches. One attractive blond looks at me and says "Hi I don't know if you remember me." I don't but I guess just to keep the conversation going: "Did we meet last night?" She says no. "I'm on of the 'Real Players.'" I have no idea what that means. Then she starts talking about a family and farm animals. Scene fades.

I wake up and DEILD into a lucid. My view is totally distorted. It's like I'm looking at a blurry TV, off center and from an angle. On the TV it looks like Street Fighter and I struggle to recognize one of the characters is Guile. I turn my head to try to center the view. Instead, I enter a rocky tunnel. I'm floating through, like I'm being carried underwater. It's like in medical films when they stick a camera down a person's esophagus. I look at my hands and rub them. The view still sucks. Dream ends. I think, damn, another difficult scene. I guess I need to be more prepared to face anything that comes at me. Or maybe I just need to be patient and let the dream solidify before trying any control.