Visions in the Dark

Dream starts off as an underwater exploration thing. The submarine surfaces in a two storey warehouse where the lower levels are submerged and the upper level is not. There are several men who are exotic tatoo artists and they start drawing designs on the side of the submarine. On the upper level of the warehouse there are many young girls, including myself, and we are all dressed as ballerinas. An instructor arrives and gives us the task of putting out small fires that have appeared around the second floor. Water is provided on rolling carts that have buckets of water on them. When the fires are out the instructor divides the group of girls into two, saying that one group will go home while the other group will stay and learn how to dance, but I wake up before I learn which group I am in.

The dream starts off in a warehouse of some sort. There are hundreds of people seated at desks working away at drawings and animations and the such. I am sitting at the very back and making little doodles because I am not happy and I do not want to be there. Some of the other animators are gloating and flaunting their talents and everyone is giving them praise. I start making drawings that are not a part of the criteria and get in trouble for it.

There was also some animator guy who stood up and made a big anouncement that he was leaving animation and becoming a wrestler or something, but I cannot remember exactly.

I leave the giant warehouse-animation room and go outside. I am in a farmer's field that is all dried up and devoid of any crops. I can see cars and trucks passing by on a distant roadway. There are a few small aircraft flying overhead. I gaze up at the aircraft and suddenly the dream changes and I am in the cockpit of a fighter jet. I am supposed to bring the aircraft in for a landing, but the small airport is suspended on the side of a large building or cliff and the runway consists of only a helicopter landing pad. Fortunately the fighter jet has hover capabilities and i am able to put it down on the narrow landing pad.

I get out of the aircraft and suddenly I am floating high above looking down on everything. There is a group of people looking at the fighter jet and an older man who is very rich and powerful who is gloating about his prestige and his ownership of the airport. Suddenly the dream is back in the bare field, but it is no longer bare. There are miles of grape vines, but all of the plants are dying. I can hear the voice of the rich old man but I cannot see him. He is still going on about how great it is to be him and it is really annoying me.

I then walk back to the giant warehouse-animation building, but when I go back insode it is different. The inside is now a giant mall (like the West Edmonton Mall) and everything is coloured in an autumn colour scheme. I walk for a bit until I am in the center of some sort of multicultural celebration. I see my friend Rebecca and I run to catch up with her.

We get some food and sit down to eat and talk. She tells me that she she is scared and does not want me to leave and I say that I am not going anywhere. Rebecca has a sad look on her face, then suddenly she stands up and runs away, dissapearing into the large crowd. I try to follow but I cannot push my way past the huge gathering of people and have to go back. I am really upset that Rebecca ran away from me. I go into an East Indian food display and think about buying some delicacies, but I am sure that I do not have enough money for it. I find a credit card in my pocket and just pay with that. I am sort of creeped out because the two men who run the display will not stop staring at me.

Suddenly the dream changes again to the inside of an Oriental food store. Everything is dull and grey. There is an old Chinese man at the counter sorting CD-RW disks. His wife comes in through a heavy metallic back door and starts screaming at him for something. I go through the back door and find that it not only leads outside, but is at the top of a tall building (where as the front door is at groud level). The heavy metal door locks behind me and I cannot go back.

Major Motoko Kusanagi from Ghost in the Shell is standing at the edge of the rooftop and jumps off. The scene is the same as the jump down from the opening sequence from the Stand Alone Complex anime series. I dissapear from the dream at this point and everything is viewed in third person.

Major Kusanagi lands on a low roof top in a back alley. In the alleyway below there is a black truck and three suspicious looking men loading cardboard boxes into the back of the truck. The boxes are sealed but heavy and the men are trying to load them quickly. The Major draws her gun and yells at them to stop, but the men draw their own weapons and open fire. Two of the men engage the Major in gun play while the last man quickly throws the rest of the boxes into the truck. One box falls out of the truck and bursts open, scattering VHS video tapes and CD disks all over the alleyway. The three men jump into the van and speed off.

The Major is trying to figure out what is on the disks when some investigators show up (though none are other characters from the GITS show or movie - they appear to be random creations of my subconscious). Major Kusanagi leaves them to clean up the mess and figure out what the disks and tapes are and runs off in the direction that the truck went. She runs out of the alley and into a beach front shopping strip. There are thousands of people and hundreds of vehicles on the road and on the beach, making it impossible to find the truck.

There is a bus sitting at a terminal on the other side of the road, seemingly abandoned. The Major gets onto the bus and it starts to move under its own power and without a driver. There are other people on the bus but they stare out of the windows and will not respond to anyone trying to get their attention. The bus travels down the road for a bit and makes two left turns around the block. It stops in front of the Oriental food store. When she gets off the bus, the Major can see the three men from the alleyway talking to the old Chinese man through the window. There is one of the sealed cardboard boxes on the counter.

The four men pick up the box and exit through the heavy metal back door. Kusanagi follows and finds herself back on the roof top in which she started, with none of the men in sight.


The dream becomes too fuzzy for me to remember any more, but it ended soon after anyway.