rshort1202

I’m outside somewhere, in a line for something. The area is grassy, with what seems like a few farm-style buildings (it reminds me of Apple Hill). The line is maybe two dozen people, all unfamiliar, except for Makayla right next to me. There’s a blue, above-ground pool off to the side. At first, I think it’s full of hot water because I think I see steam coming off of it. Then, I decide that it’s cold. I find out by simply jumping in. It’s cold, but not overly so. It feels really good. Nobody else gets in.
*We were talking about apple hill yesterday.

I am in what looks like the back or side yard of a nice house. There is a pool and Makayla is here. There is something going on here?, or about to, and I ask Makayla about me going to it. She sarcastically says ‘no’ (in more words) and, in a moment of low self-esteem, feel bad, thinking there is truth behind the joking and that I’m not wanted. More people have shown up now and are in the pool, filling it to what looks like it’s capacity. I’m in the pool too (I think we’re all in our street clothes) and notice a three piece band at the other end. The drums are in yet slightly above the water - it must be shallow? He starts playing a fast jazz groove, which I think is Take 5 (it sounds different than in reality). The other two I think are some combination of guitar, keyboards, and vocals.

I’m with Melissa and taking Stella to a pool. It feels like the pool at our complex but a little different. It seems we’re approaching it the same way as we really would, but there is no fence. Right away I notice two guys (one in the regular at work, Blair) and their black and white border collie in the water. Stella doesn’t react to it. Now I feel alone or just separate from them. In the pool, which looks like a long oval with a skinny section in the middle that also seems to be a hot tub, I swim and submerge myself. Someone? asks if I’m doing it to get away from everyone. I think to myself that she’s not entirely wrong.

I am in Brittney’s new place (it doesn’t really look like her new place), with Melissa. It seems dim either outside or in here. Right now, it’s just Melissa and me in the living room, and I don’t see Brittney. The living room is long and narrow, including a couch, tv, fireplace, and sliding door at its end. Each is staggered to give an illusion of multiple areas within the one. I tell Melissa that I like this, but she doesn’t seem to be listening too closely. I get up and, thinking that was all of the apartment, discover a new space. It is seen only from the kitchen and is another small living room with a bedroom at each end. It doesn’t have much décor but does have some random things on the floor. Now, we are about to go somewhere. I am outside, down by the pool. There is a deep washing machine inset in the ground, through which I am looking for shorts to put on because it’s going to be warm out. The clothes seem damp, and I toss them into the empty pool as I go. Once I’m almost all the way through, it occurs to me that it made no sense to throw them all in there. I consider spreading them out a bit so they’ll dry? Now I am by a larger, black truck. It seems to only have two front seats, one of which is just a space and not a seat. I don’t think I see a steering wheel. I think this truck is either Russian or belongs to a Russian, but I refer to it as Ivan something in my head. I am now driving the truck. It is dark out and the truck seems more normal inside. On the display screen I see a text pop up, someone asking if I’m on my way. There is an option on the bottom to change the language.

I am alone in Mom’s house when I hear a knock on the door. Coming from my room, I creep up to the peephole and try to see who it is. It looks dark out, and I see a female walking away from the male who is still right outside the door. Though he’s mostly a shadowy figure, I guess he’s in his late 20s-30s. Though she is walking away, I think she’s older, maybe in her 40s. I start to think maybe I shouldn’t have come up to the door, because he’ll have heard me or seen my shadow against the windows and know that someone is in the house. After a moment he leaves, but he starts walking around the side of the house towards the back door. In a small panic, I rush over there to make sure the door is locked. I also think I call 911 at this point. There is some trouble, like them not believing me or being dismissive. I end up outside of the house in an attempt to get away from this guy but also keep my eye on him. As I’m walking around, I notice the snow on the ground and that our house is one of the ones with no cars in the driveway. I wonder if this caused them to pick our house.




I’m with some people from work, by a large outdoor pool. I think we’re in a pool house or something, and it feels like we’re doing work things. I notice a printed schedule that has written additions on one of the days - Saturday? I think it’s Julia and Ethan that are here. Now, I am doing cannonballs into this fairly crowded pool. I do one and end up hitting the bottom even though it’s a deep pool. When I surface, Makayla? makes a funny comment. I jump again, moving through the air at about half the speed I really should be, and collide into a red haired boy. Again I’m jumping, this time soaring over most of the pool and gently landing in the patch of gravel past it. There is something about me being really good at cannonballs because I’m not good at other things.

I am in a large and opulent house with an unfamiliar girl. There is the sense that the family is out for some amount of time. I am carrying this girl, she, and probably me too, completely nude into a large bathroom. The space is lots of tile, I think L shaped, and with a tier or two. There are many in ground tubs, either hot tubs, bathtubs, or both. Each seems to be a different dimension and lit from within by its own color. I walk very carefully as I carry this girl at chest height facing me. I then lift her, while walking, this being feasible only by her extreme petiteness, and bury my face between her legs to begin going down on her. It is unfamiliar, sweet, pungent. We then near a pool and I start setting her down. Now, the couple? that lives here shows up. They see us, and the situation is slightly awkward. Now, I am walking through the house and it’s like the family is gone again. Each room is indicative of that, shades drawn, lights off. I can walk for a while and find a new room at each turn. I’m now outside and looking at the house. It is angular and somewhat modern, and off-white. I notice that the windows are reflective so they can’t really be seen though.




I’m with Laynie in a store that must be in a mall. Behind a rack of clothes I see a preteen girl throw a thing of makeup into her pants/pocket behind her back. We also see her friend bringing makeup items towards a fitting room and begin taking bras off of hangers. I think we agree that we’re going to stop them even though we don’t work AP anymore?

I’m going with Makayla to get her hair cut. We are at what looks like an apartment complex’s outdoor pool. There may be some others here. Makayla sits in a chair near the water, and it is Tess what shows up to cut her hair. I’m aware that my hair’s getting a little long, and I wonder if she'll trim it really quick. It doesn’t seem like she’s going to. I think my hair is quite longer than I ever keep it, maybe a few inches all around. It feels coarse.

Brittney is looking to rent a house with me since I think I have expressed that I’m looking. She’s wasted no time, and we are pulling up at the house. This house looks more like a school building it is so large. There are two separate buildings, the smaller of which we are parking directly in front of. The main building is off to the left a bit. I think this one in front of the ~4 parking spaces must be a guest house. Both are of a darker brown wood, angular and modern but not gaudy. From this parking spot I can see up into a space in the main building. It looks like a giant pool room. The walls are an antique looking white stone and vast; the ceiling is thirty or so feet high. The far wall has a large mirror that reflects a chandelier. I am taken with it and take a quick picture. We now go inside to tour the place. There is a middle aged black lady wearing some kind of headwrap who has 1-2 boys and is still currently living here. This house has an absurd amount of rooms, but they are all decorated modestly. It is almost an odd juxtaposition to the opulence of the house itself. I begin looking at rooms more thoroughly. I notice a few bathtubs. One room has a circular nook and tub with currently drawn curtains, which I like. It seems this entire room is just for the bathtub. There is an area that looks like a hallway, except it dead ends at a wall with a small, square window.it is inclined at 10 degrees or so, yet there is a long, dark wood dining table. Intrigued at this, I pull a chair out to envision how this would or wouldn’t work. I notice the lady watching me down at the other end and become self conscious, but she’s probably thinking it’s good that I’m involved/invested. I know that she is going to bed soon (even though I think it’s only around 9pm) so I quickly look at one more room (a bedroom with a walk-in closet and tub - almost like Dad’s) and we leave. I think the plan is for it to be me, Melissa, Brittney, Carlos, and Kestlie, so the rent will be manageable.




I’m on what looks like an apartment balcony with Laynie and I think Melissa and Laynie’s mom. Laynie’s baby is here too, only about six inches tall and playing around on Laynie’s shoulder. Laynie is completely topless, which strikes no one as odd, if we even really notice. The kid goes to give me a high five and I raise my hand to where she can’t possibly reach, then bring it to rest on Laynie’s shoulder because it is the closest thing. I think for a second we both thought I almost set it on her breast and both make a jokingly relieved face.




I’m up on a rocky outcropping on a hill, right at the crest of where a small river/stream becomes a sort of flume. It seems natural, but I think there are three different channels of stone. There are two other men here, somewhat older than me and Asian, I think. We are finding certain stones to send down the flume. These stones are tan and somewhat translucent (kind of a tan quartz) and they float. I’m breaking them off a larger section of stone, I think having more trouble finding the right ones than they are. I think they float down to a town and then do something. It seems dark out.

I’m going to go to Melissa’s after work, I think for Valentine’s day. After I’m done (not sure where) I walk to the house, which seems close. The house is very upscale, large, and with lots of stone. When I get inside I discover that all of the lights are out, so I figure everyone is sleeping. It was light outside but it is near pitch black inside. I start down a foyer or hallway, which is the only place with even a hint of natural light filtering in. I go through a living room and stumble into a couch, then use it to guide myself. Despite my slight miscalculation on the couch, I seem to know exactly where to go. Now, I’m in the backseat of a car in the garage here. Melissa is in the driver’s seat, Alex in the passenger’s. I’m thinking that they’re just getting back from somewhere, but they’re actually going out to see the sunset. The garage door is open and behind me I can see the sunset through some trees and houses. The sun looks halfway sunken on the horizon, shrouded in oranges, yellows, and thin clouds. I end up telling Melissa that I didn’t bring an extra pair of clothes but that I might not worry about going to get some tonight since I’ll be going home in the morning. I tell her I’ve barely worn this shirt and that the shorts are fine too (*I think I am envisioning the same clothes I was wearing at her house yesterday). She makes a comment about the underwear still being the same. We are walking around this neighborhood and pass what looks like Scott with a much younger Shannon and I think a small dog. I end up at a swimming pool with an infant (about six months old and mine). I’m swimming at the shallow edge and the boy is up on the tile. I’m not being negligent though; I am watching him. There are about two women here, and he’s playing with one of their iced drink Starbucks cups. I have him bring it to her and he does. He’s cute and we’re all laughing and smiling. He looks very similar to me as a child that age.

I am in some room, maybe a kitchen, in a house or building that seems to be by a beach, probably on the ocean. The place is dim and seems to be empty, except for Dad, who is here celebrating his birthday. There is no one here, so I assume it is just too early for them to be showing up. He shows me a little machine on the counter top that has a few tap handles. There is what looks like a thin, green hose. On it is a circular piece with an indentation (like one for a screwdriver), which corresponds to a piece on the machine. Once inserted, it can be turned and creates a sound like it is adding carbonation or something similar. It also allows the beer to come out. I look at the options and choose a witbier. I pour it into my Artown cup at a 45 degree angle. It seems to pour quickly, but doesn’t produce much head. I take a sip and it is pretty tasty. I look at the other options, two being home brew?, one IPA, and a Revision IPA with a pretty cool graphic (space?). I think the others are more eclectic, constituting a pretty decent selection for so few handles. I think I am going to go sit outside.




I am seeing a video of Dad at some circular bar counter that looks to be encircling a pool. The whole thing is not very big, but it looks pretty cool. I think we’re supposed to be on a family trip and he’s already there without us. I then see a filter or location on the video that says he’s only at an airport (in Vegas?). Now I am where I think we are going, I think with Makayla. The place is a fairly large and high ceilinged room with a large, rectangle pool in the center. Along the walls around it are what look like doors to hotel rooms. We start looking for one that’s open. You can’t really tell what’s locked or not by looking at it, and I feel weird trying all the door knobs. It seems like most are locked. I get towards the end of the row and hear movement behind one of the doors. The very last door then opens, and coming out of it is a boy probably in his late teens, with long and center parted dirty blond hair, wearing only what looks like boxers or small swim trunks. I assume he is about to swim. I consider asking him to see the inside of the room, but think it’d be a little too intrusive.




I am with Sage and her old friend Sierra Fiester in some large room with a bouldering wall. The bouldering wall is not too long, but it is pretty tall and slightly overhanging. I am attempting a problem and its big move. There is a thin crash pad on the ground that I have them move, since it is not where I’d need it if I were to fall. I ready myself for the big move out right, but never commit, afraid to fall. I end up just using different holds to climb to the top, a little disappointed in myself. I still try to make it harder, with big moves and small holds, including small crimps. I use a large half-moon shaped hold (the one from Rocksport and Basecamp), I think getting a hand or two and a heel on it at one point. I am making loud vocalizations of effort at each move.

I am with Brittney and by some pool. I’m not sure if it’s in ground or a small, natural pool. The water looks clear and inviting. I’m pretty sure it’s a natural pool, as I think the water is lapping up against sand.




I am outside somewhere that food is being served from a long table up against a wall. There is one in front of me, and he is getting the first large cut of a large slab of some kind of meat (it looks like the size of a small animal). I get the second slice, equally large. I put another large portion of something on my paper plate, making it just about full. I think I’ll have to come back later since I won’t have room for everything they have out on my plate.




I think I am going on a road trip or driving somewhere fairly far away.

I am at a castle on a hill. The hill is small yet steep and very green. The castle is also rather small yet still imposing and impressive. It is in two parts, with a pool between the two. The pool actually looks more like turquoise ocean water gently lapping up against a thin strip of sugar-fine white sand. I think that someone lives here as I look up to a window in the dark brown stone. I imagine looking out the window as the person that has to live in this place that seems so secluded without all the tourists that visit. I think I (and Makayla?) might be staying here. I’m in the pool now, and it seems more like a regular in ground swimming pool. There is also a circular hot tub that looks just big enough for literally one person to sit in. I think about going in it, but am not sure because of how small it is.




I am walking through what seems to be an outdoor shopping center. The buildings are sort of laid out awkwardly and at weird angles in relation to one another, and this is not helped by the trees all around as well as all the cars, parking spots, and people walking around. It also seems to be on a slight hill. I am looking for a certain bookstore and think I have spotted it, the building furthest from me, tucked in amongst some trees and other stores. I walk up to it, but stop and set my huge Forever 21 bag on the sidewalk. I also take off my small backpack and put it into the bag, not wanting them to think I’m going to steal when I go in. I then realize I don’t want to just leave them out here, so I leave the backpack in the bag and carry it in. Inside, this place looks more like a house. I notice a large staircase to my left. It all seems to be decorated for Christmas. There is also some sort of (Girl Scout?) event going on; there is a sign in sheet on a long end table (the one at Mom’s?). I see Mom at the far end of the long room.




I am on a pretty full school bus. I think we are stopped and about to disembark. There is some guy with foreign currency, and I see another guy calling me about it (like I’m at work). I find it humorous that he’s trying to call when I’m right here, but then announce myself and say I’ll check it out. I grab the little maroon drawstring bag. It feels like it contains coins as well as paper bills. I have no idea how I’d check a coin, and I’m not even sure how to verify if this foreign money is real or not. I’m not even sure what it is or where it’s from. The bill is about two times the size of a credit card and feels somewhere between paper and a credit card. It is an off white and has different numbers all over it. I check another one, and it has a few words on it that are indented (I feel it first). One word is ‘receipt’ and the others must say when it was purchased. I get the idea to go up to him (he looks familiar) and ask how he got these, holding my finger slyly over the ‘receipt’ part. I ask if he bought them with another currency, hoping that will just validate that these are real. He says almost what I want to hear, but it’s good enough.

I am in what I think is a smaller climbing gym inside a shopping mall. I am going to climb, and I feel good, like I’ve been back in it or something. I notice one other guy, sort of larger guy with longer back hair. I think his shirt is off. I think his presence makes me self conscious. I am climbing but it is also like I am clocked in as security at JCPenney. I start moving quite a few shoe boxes that turn out to be empty. I can’t believe that many would be stolen. I have my radio on, and I’m getting called to do something. Entering the shopping mall, I am running. I clear a few longer steps quickly and then slow down self consciously. I think I am following the middle school boys (what stole watches and socks the other night). I enter another clothes store and am walking around inside when I notice their security or associate following someone. He simply asks the person if he is going to buy something. At this point, I think I’ve lost who I was following or they are no longer an issue. Now, I am in the shopping mall, probably in a little communal area, with some unfamiliar? others. They are asking me if I got dirty or something like that. I look at the back of the pant leg on my Levi’s (that looks like mine but a little darker and newer) and there is a little bit of caked on mud. I think I’ve just washed them though, as the rest of them look clean. I glance up and notice that everyone in my view is wearing blue jeans of the same darker blue jean blue. Now, I am in some dim amphitheater-like room. There are large steps of stone and pebble that descend and end at a very small pool. I am running down these steps as well (possibly in slow motion?) At the end, I jump into the circular pool. While in midair, I had humorously asked if there were rocks at the bottom of the pool (concerned about my landing and impact). This pool could probably only fit four people comfortably, and it is between warm and lukewarm. There is a baby (in a diaper, I think)and one other in this pool. Now, I am driving. It looks like S. Virginia under the overpass, right before McCarran. I see multiple people in the street in front of me. They’re walking this way. Slightly annoyed, I’m going to change lanes to go around them to the right. Before I can, they sort of separate to give me room to get through. I notice that they have brooms or mops, so I slow to a stop by them and crack my window. The guy wants to wash my car. I say no and gesture by waving my hand in front of my neck. When I start to drive away, I see the rest of the group on the side of the road to the right. They look very sketchy, like prison-hardened. This impression is based on their face, neck, hand, and everywhere else tattoos, clothing, and also the look in their eyes. I feel bad for saying no because I don’t want them to feel bad or like I’m judging them. As I am driving off, I look at my hood and see that it is a little dusty but not really dirty. I am now on a more rural/residential road. There is snow, only on the houses and yards and not on the road. The area seems somewhat lower income; the houses are smaller and just slightly dilapidated, but nice enough. They are spaced nicely apart. It is sort of like I don’t really know where I am but do know where I’m going (or vice versa?). I now pull into the driveway of a house. This house is definitely unfamiliar, but I am walking up to its door and I have pliers or some sort of tool in my hand. There was a walkway in front of the house, to the right of the garage, leading to the front door. I don’t know what lives here, but I am going to go in. I think I am about to use the pliers when I hear someone coming to open the door. I throw the pliers to the side lawn as the door is being opened. The door opens, revealing an old woman. I am hoping she doesn’t notice the pliers lying on the grass. I am going inside with her now, and it is like she knows me. Behind the door she let me through is a foyer/entryway type area that seems to be outside but covered. It sort of then blends into the inside. She starts talking to me, and I think she thinks I’m her grandkid. I’d feel bad if that was the circumstance, but it almost feels like I am her grandkid. There is an old man in here, sitting at a computer. He says hi to me like he knows me too. We talk a bit, and I then realize it is Opa. I notice his eyes, and I notice his voice is the same. He is wearing blue sweatpants and has his feet up on the swivel chair. His mannerisms are exactly the same. I am about to leave now, as I think there’s something I have to do (write down this dream?), when Granny?/Reta shows up. Now I am kind of stuck here. We all talk for a bit until I can sneak outside. I walk outside to my car blocked into the driveway and Makayla just getting here. I notice Dad’s truck. The right side of the driveway is a bit more open, but I don’t think I could get out. Jon shows up now, wearing a sun hat, shorts, and a button up short sleeve. We’re all inside, a gathering of everyone, and I think I’ll be here a while.

I am at work, in the clearance section. Two or three guys are browsing together over here; one of them approaches me, holding a pure white men's jumpsuit, saying he’s looking for a different size. I quickly scan all of the hanging white items as well as the single rack that’s on the wall by the jeans. I come back over to tell him that I didn’t find any, when we see a folded, white dress shirt on the cream white and fairly empty shelf in front of us at shoulder height. I casually offer it as a possible substitute. He unfolds it to find out that it’s actually a tuxedo vest. He says something like ‘oh nice, a vest,’ like it would actually work for him. As he is unfamiliar and possessing of a sort of expressionless face, I can’t tell if he’s being serious or if he’s fucking with me. I now unfold another, and this one is actually a dress shirt. It’s close to a jumpsuit in only the material - it’s heavier, like a broadcloth, also a cream white. This guy is actually happy with it and is going to get it. After they have left, I end up putting some items in the clearance next to the kids shoes. The shoes are on a torso-high display and looking pretty disheveled. There are way more things in this section than in real life. I start walking somewhere else, and the whole place is different and much larger than in real life. It seems more open; there’s a sort of skywalk to another part of the mall (or casino? - it feels a little like a casino). Over by it, I briefly help a Hispanic man look for something before I go to do something else. I end up over by the suits fitting room. There’s a computer desk at the wall opposing the opening at which sits Evelyn. I have the impression that someone’s been trying to call me on this radio, but I’m not entirely sure. I ask Evelyn if they have, and she says yes. Someone (the lady at work with sort of darker skin and frizzy hair who I think is a supervisor and whose name I’m not sure of) starts walking over to me, saying that I didn’t really help my customer if I didn’t completely follow through (referencing the Hispanic man). She directs our attention to the man who is standing on the skywalk, arms crossed, but not in an unpleasant way. He’s wearing a plum colored long sleeve with a vest over it, blue jeans, and cowboy boots. He seems dependent on the help, not in a co-dependent way, but more like he is turning the trust over to the employee. I tell this supervisor sorry, I was helping someone else and so my radio was down, slowly adjusting the volume up as I speak. I do feel poorly for leaving him and for not hearing the radio. I tell her I know I was helping him, but I forget what for, and ask if she knows. I genuinely am trying to remember. There’s another employee too, and they look slightly incredulous. I can’t tell if they find it funny or think I’m stupid or both. At one point, someone was ridiculing me for something, and it irritated me enough that I considered bringing it up to someone higher up. Anyway, I attempt to make it right and start walking over to the man. There is a rush of people moving in both directions, causing me to lose sight of him. I reach the top of the incline on this skywalk so I can survey it all the way to the bottom, but he is nowhere to be found. I double back and still, nothing. I’m by an elevator now; it is closing, so I get the notion to jump into it while I can. Literally jumping forward into it, the doors brush me on each side before closing on my JCP key lanyard trailing behind me. I pull it out and turn around to be greeted by two Hispanic men. They both seem genial and good-natured, and they both seem to think my jumping into this elevator was somewhat funny if not unexpected. One of them is shorter and more portly; I think he has a mustache. I dryly say either “that was close” or “just barely made it.” They begin talking to me, slipping into Spanish. It is too fluent for me to understand most of it. I think on a different floor now, I see the door closing. It is closing on a chubby white family with a daughter. I don’t know why we haven’t let them on, so I am awkwardly diverting my glance. Doors closed now, we need to choose a floor. They tell me ‘tres’ and I go to press 3 but mistakenly press something else. I can’t entirely read the numbers on the round, silver buttons. For whatever reason, I end up just pressing all of them, the off white light illuminating behind each in succession downwards. I think the elevator is going to the highest floor first. It ascends, and part of the wall must be glass, because I can see what looks like the Atlantis casino outside the elevator. [As in looking into the Atlantis (from within) from the elevator, not as in looking out at the Atlantis]. I think the men now exit and I continue up one more floor. The doors open, revealing a floor that appears to be one huge hot tub. There’s a low ceiling and dim but colored (blue?) lighting that plays on what is either bubbles or an excess of foam. There’s an unassuming swim up bar, and I think a pool up above it. A young boy climbs up and over the bar counter to get to it. I don’t think I’m in the water, but I am conscious of its proximity to my clothes and my radio. I start to think about staying here and using the hot tub, imagining sneaking onto the hotel room floor to find a towel from a room being serviced or the service cart itself. I wonder if anyone at work would notice my prolonged absence, but figure it’s a large place so maybe not.

I am in a room that has a pool or multiple pools. One of them is pretty crowded. I am now sitting in it though, with Veronica (from high school). She’s wearing a Grateful Dead tie dye and is sitting a little too close to me. She is also turned towards me and is not so subtly coming onto me. I’m not very comfortable with it.