rshort1202

I am outside with some others. We are following a middle aged British lady to a house that must be hers. We nonchalantly ascend an impossibly steep staircase as she tells us about the house. I make a comment about the architecture, in admiration of it. I also tough the black façade (it’s steeply inclined, almost 90 degrees) and rock on my heels to put weight on whatever I’m standing on, finding it to feel hollow and not altogether sturdy seeming. We are inside the large house now. I think the others are some of my coworkers and we’re staying in a room with one of the residents. Mine is a girl, maybe in her teens. This room is large, upstairs, and completely baroque. The color scheme seems to be greys and dark wood, but every surface is ornamental, sculpted, or decorated. There is a shelf along the entirety of the far wall that is set with china as if for a meal. I find it odd at first but then come to like the idea. The bed is in the center of the room and impeccably made. The feeling is somewhat sterile, but maybe more so refined and elegant. I see Eric in the room across the hallway. I go over and close either his door or the door to this room, hoping he doesn’t find it suspicious. I say something that the girl takes sexually?, which puts me off because this is not at all how I meant it.

I am in a large and opulent house with an unfamiliar girl. There is the sense that the family is out for some amount of time. I am carrying this girl, she, and probably me too, completely nude into a large bathroom. The space is lots of tile, I think L shaped, and with a tier or two. There are many in ground tubs, either hot tubs, bathtubs, or both. Each seems to be a different dimension and lit from within by its own color. I walk very carefully as I carry this girl at chest height facing me. I then lift her, while walking, this being feasible only by her extreme petiteness, and bury my face between her legs to begin going down on her. It is unfamiliar, sweet, pungent. We then near a pool and I start setting her down. Now, the couple? that lives here shows up. They see us, and the situation is slightly awkward. Now, I am walking through the house and it’s like the family is gone again. Each room is indicative of that, shades drawn, lights off. I can walk for a while and find a new room at each turn. I’m now outside and looking at the house. It is angular and somewhat modern, and off-white. I notice that the windows are reflective so they can’t really be seen though.




I’m with Laynie in a store that must be in a mall. Behind a rack of clothes I see a preteen girl throw a thing of makeup into her pants/pocket behind her back. We also see her friend bringing makeup items towards a fitting room and begin taking bras off of hangers. I think we agree that we’re going to stop them even though we don’t work AP anymore?

I’m in a grocery store, in the refrigerated section. I’m looking through a shelf of books that happen to be in one of these fridges. They seem arranged alphabetically and I seem unphased by their being in a fridge. It seems like I have some time off and am searching the rows for books on my list. I find two, each a thick (~800 pages) book of approximately the same size. There’s a smaller, thicker copy of one, but I put it back because it’s a 20% off brand new and not used like the other. It has a white cover and I think it’s a fiction book about Yosemite. I flip through it and decide I like the writing. I now grab a package of chicken and find it to be sticky, so I put it back and wipe my hands on my pants. I go up to a counter and ask the guy for a few of the chicken wings. He asks if I’m going to pay for them, which annoys me.

I am at work when a guy comes up, looking for recommendations on a book about [something that didn’t seem like an English word - like Hua?] and houses. He sees me confused about the word and clarifies: sci-fi. I immediately think of House of Leaves and take him over there. He excitedly shows me the book already in his hands - House of Leaves. There are a few copies on the shelf, really slender hard covers that I’ve never seen before. I open one that is very new feeling. I don’t know much about sci-fi, so I plan on telling him what’s been popular recently. Now I’m back at the counter and see a brunette, middle aged lady come in without a mask. I go up to her and tell her she needs one in the store. She is dismissive and defensive, but does start walking out. She then comes back, first staying by the door, then coming all the way in. I go over again and the situation escalates to where I am calling the police on her for trespassing. This seems to scare her, as she hurriedly walks out. I follow her. I end up tackling her and holding her down until the police arrive. On the phone I said that I was calling from 660 E. Grove Streets, wondering why I said ‘streets’. I said there was a woman trespassing and start describing her, putting her weight at 180 pounds. They now arrive and handcuff her. I think she looks defeated. A woman officer says something about her being closer to 200 lbs and good thing she wasn’t bigger. I say yes, I just barely managed. There’s a white male officer and black female officer. They aren’t wearing masks and I wonder about it for a moment.

I’m somewhere, I think with Carlos and Kestlie. I think we’re in a large building. It seems to have a largely wooden interior and long, labyrinthine hallways. It also feels like we’re in a movie or game? I know how it’ll end but don’t tell them, because it’s their first time. We walk through the hallways and end up in a room. The doors are then shut and a fire is ignited, as if a furnace, which is how this ends. Though I know how it ends, this momentarily shocks me.

I am with an unfamiliar tattoo artist and about to get a tattoo of a seahorse on my left arm. The guy is middle aged or younger, shorter, and stocky, I think with a short grey beard/stubble. He’s casual and easy-going. This shop seems smaller, and we’re the only ones in it. We talk about the tattoo, and I ask if I can sketch it out. He passes over a piece of paper that already has a few drawings, in squared off areas, on it. I start sketching on the bottom right, recalling the shape and features as I go. I think it’s turning out pretty well. We’re now looking at where it’ll go on my arm, right on my trice, the only remaining space between quite a few color tattoos that are already there.

I’m in a restaurant with Brittney and probably Melissa. It seems like Olive Garden or some other Italian. It is fairly full but doesn’t seem crowded. There are three porta-potties against the wall inside, with more people than I expect visiting them. I see two people fight over what was first to one of them. We are sitting next to them, so I wait until it’s cleared out and get up to use one. Now I’m back at the table and talking about growing my hair out. It’s already down around my shoulders, but I want it very long. Brittney seems fond of the idea, and I think I’m really going to.

I’m going somewhere with Melissa, and I think her dad, to get a massage. We enter this building, a large and empty rectangle. There are quite a few people, all off to the right and in salon chairs. I think the floor is tile, but I notice that the entirety of it is covered in a few inches of water. It feels like salt water and is pleasantly warm. We continue walking straight back and I start sliding/gliding through the water. There is the sense that they don’t want me to do this, but I can’t help it. Now I’m sitting with Melissa in what seems like the far corner. A massage is never actually involved. I think we are in the water, but she is also under a blanket. She lifts it, revealing herself to be naked from the waist down. I want to touch her but I don’t think she lets me.

I am in a large library with Seth from work. The aisles are small and randomly arranged, curved and linear and somewhat labyrinthine. We are one some scavenger hunt for the classics? As we walk down one aisle I notice how hot it is in here and make a comment about them needing to turn it down. We’re in a little dead end area, maybe 10 x 5 feet and I notice that it’s crowded here. There’s a young Hispanic looking girl or two and another group just in here. I think I tell Seth something that he didn’t know. At one point we’re looking at maps of museums in Ireland, and there are many. (Part of this dream?) I’m with Britney’s friend Kinney? talking about traveling all over the place without having to pay for the actual travel. There’s a sense that we both seem earnest yet it’ll never happen.

Emma and her boyfriend are getting married. We are all at the small venue - a restaurant? - and I get the sense that we’ve travelled a ways for it. The interior is dim, carpeted, with darker wood. There is a mezzanine level with chairs at slot machines that have been turned to a stage on the ground level. I think some of Dad’s and Melissa’s family are here, and I’m sitting by Melissa’s mom. We’re looking at the single page menu that just seems to be a bunch of meats. We’re trying some and I like this certain salted one that I think I’ll order. I’m now up and walking around, looking at different things on the walls, and getting really close as if I don’t have any contacts in. I look at a very small beer menu right behind a table that a small family is sitting at. I’m awkwardly close to them, which they notice, and it also seems like I’m looking at them. I’m at a counter now where I think they are serving beer. There are a few options written on the counter surface and one middle-older aged guy serving. I look for a minute, then order the ESB, thinking it sounds good right now. For a moment I think it’s going to be a sandwich? but then he hands me a paper cup. It looks more like a latte or coffee drink. I try it and it’s good, tasting like a flat white with some kind of spice.

I am in class with Kreg. The room is fairly large and open, with maybe 10 students (no one is wearing a mask - Covid doesn’t seem to exist in this dream). We are making models, I think for a house. I’ve finished mine - before anyone else? and Kreg looks at it. I have a vertical plain façade with a small, perpendicular plain protruding a foot or so over on the left and a sweeping, curvilinear roof. It is honestly somewhat impressive, a sentiment that Kreg shares. I tell him I imagined it going in above the Truckee River near downtown. Now, we are at the site? and this model has been put in/built life size, though looking different. It’s at an angle, and the roof is a different curvilinear shape. There are two bands of color, light and darker blue, and I tell Kreg I like how they’re complimenting the sky behind. It is modern looking.




I am inside somewhere with Sage and her old boyfriend Ryan. He has downloaded an app that makes him weightless and/or able to fly. There is an open threshold to the outside (a small jumble of rocks, I think at the top of the cliff), through which he steps and begins the transition to flying. I watch as for a moment he seems to sink into this other ‘side’ - there’s a slight and slow ripple through his body. He then easily steps off a rock and floats through the air. Sage goes next, with some enthusiasm, jogging to and leaping off the rock. Now she and Ryan are back, and she’s showing me how to get the app. I fill out its small questionnaire, but it returns as declined. Apparently I answered something similar to ‘I am feeling exasperated with life.’ I make a joke concerning suicide and see in Ryan’s eyes that it gets to him. I think that his brother? committed suicide some time ago. I think I was cognizant of this but didn’t think it should stop me from making a joke. I’m now looking at a screen showing who is ‘logged in’ to this other ‘side’. I notice an ‘Rshort” but know it’s Ryan’s brother, as he has the same name.

I am at Frenchman’s, alone. Renee and her family might be at their property too. It is really dark out and it does feel kind of late. I think I am inside the trailer, but it feels more like I’m in a room. I think I’m drinking something and just hanging out idly/doing something. I'm outside now, noticing first light showing behind the pines, realizing I’ve been up all night. I panic somewhat, not wanting to have stayed up all night, wanting to be able to still get some good sleep. There is an unfamiliar lady out here; I think we talk.

I am at Camp Richardson with some of the family. Right now we are in some trailer that we are touring or in which we are planning a tour. There is something about it being a small space and people not wearing masks. I think David from Discology is here. Now we are down at the beach. The beach is a deep and wide expanse of only sand that doesn’t seem to be crowded by other people. The water is calm and devoid of boats, etc. I am a ways out and jumping off a tall (20 ft?) wooden structure. There’s something about the Grateful Dead - maybe they’re playing in the background? I jump in and immediately hit the bottom, hard, but it doesn’t really hurt, which surprises me because I thought it was much deeper. Back on the beach, Michelle is here and brings me a Starbucks? coffee, which I think is very sweet of her.

I am with Mom and Makayla in what seems to be a grocery store. The store seems very large and open, spaced out, with high ceilings. We are walking and Mom starts saying something. Her words slowly become incoherent and at first Makayla and I find it funny until I see a confused look in Mom’s eyes. I then become worried and panicked, thinking she’s having a stroke. She then becomes silent and sort of freezes up. I attempt to call 911 but it won’t go through.

I am going to meet the guy who is giving Melissa the free microwave. I know we’re meeting on S. Virginia and Moana, which is where I’m at, but for some reason I get on the freeway. I immediately realize I’ve messed up and get mad at myself. I decide I’ll just have to take the next exit and turn back around. This exit looks completely unfamiliar - it takes me to either a numbered or lettered street (C or 6th street?). The area seems dim and dingy. I am now on the sidewalk and meeting with him. This ‘microwave’ is huge, more like the size of an oven or bigger. It seems more like a microwave attached to a square coal furnace. The guy too looks different from the picture Melissa showed me*. I open the slats to peer into the empty space, imagining how it would be cool to have a fire in here and heat a space. *He is large, probably obese.