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    1. Decayed Fence and Strange Weather

      by , 07-07-2015 at 01:07 PM
      Morning of July 7, 2015. Tuesday.



      My dream starts out like a typical imposer dream. The setting is our present house on W Street, though there is a slight change in the layout relative to size. My wife Zsuzsanna is sitting near our front window (sewing, I think, though her sewing machine is in our living room in reality) where there is more of a view of the neighbor’s house. I notice that the fence design is different. The thinner wooden planks had supposedly been horizontal (rather than vertical as in reality) but are now mostly decayed and lying on the ground. However, the first section of fence about three feet into the front yard division is still standing and made of brick - and is at least five feet high. There is a group of at least four young males. One of these males steps over the rotted planks into our front yard and this imposition immediately annoys me. I am thinking of going out and making sure they stay where they belong, but he goes back on his own. I speak about continuing the front part of the fence by putting more bricks in (not thinking about cost or work effort).

      From here, I am concerned about the longevity of our wooden house. These thoughts do not result in any threatening event manifesting even though I consider the possibility of parts of the ceiling falling on us. Diverse features of the ceiling and the angles and differences in height in different areas are far more complex than in reality.

      I am outside for a short time. I notice that one section of the sky to my right is different than to my left; a very distinct green color, which makes me think a really bad storm is on the way, perhaps a tornado (even though the sky to my left to the west seems normal and calm).

      I go into our house, concerned about the possibly approaching bad weather. As I shut our front door, there is resistance and a pulling sensation and I think that it might be an imposing neighbor trying to get in to assault someone or burglarize, though it turns out that the door will not fully shut due to a large circular (slightly wreath-like) clump of grass being blown into the doorway above the doorknob and being stuck between the door and door frame at about shoulder level (mostly due to my closing the door so quickly that the grass did not have time to fall, the additional pull being caused by the wind). However, I do manage to get it closed. From here, I join Zsuzsanna and our youngest son, and the inside of our house then seems longer, though narrower, north to south, almost hall-like. There is soon a very eerie and human-like low-pitched howling of the wind, which we first think may be an old man or creature moaning just outside our front door. We end up still running, but in a sort of playful manner upon realizing the circle of grass stuck in the closed door is making a feature to cause sound to amplify and phase in this way.

      The next scene involves other people being in our house, apparently by permission or just random passive characters coming into existence. Regardless of the weather concern, I sit down to consider a very large game board (about three feet by about one and a half feet) that has several different simultaneous game scenarios at once (though seemingly not at all related to each other). I take it apart (the board seems to have small joints whereby smaller sections connect), separating a section that appears to have some sort of Egyptian strategy game in progress (so that the other sections of the board displaying different cultures and battle scenarios do not distract from the seemingly individual game). The two buildings in the opposition look more like ziggurats than pyramids, though. I do not really reflect on why a person or group of people would have so many different things going on at the same time on the same game board. I am not interested in playing it now.

      An older male sits on the couch (its position has changed; it is perpendicular to its location in reality; it faces east rather than north), apparently talking to a young Ava Gardner (December 24, 1922-January 25, 1990) - probably related to the fact that my wife had checked out a “Perry Mason” DVD set in real life (thus a distorted Erle Stanley Gardner association). I am not sure what the scenario is; perhaps he is coaching her in her acting, though he is seemingly her agent. I go over and notice that she is dressed in lacy black and is sitting back with her arms back (and knees up) on the floor. I grab her heels and lift them slightly. She then transforms into a Tweety Bird foil balloon (shaped like Tweety Bird in frontal silhouette) of about three feet long. I end up whacking the balloon by her “feet” (the balloon of which is still somehow her) against the floor (though I am not even focused on why) with a slight wariness that I probably should be doing something else.


      Updated 02-22-2017 at 09:17 AM by 1390

      Categories
      non-lucid
    2. The Unexplainable Guard

      by , 09-19-2014 at 03:19 PM
      Morning of September 19, 2014. Friday.



      In my dream, I am in a seemingly unknown building though of which has aspects as a possible composite that includes the Cubitis living room and our present home’s living area. At one point, there is some sort of telephone call or paging for me, but the call comes from some sort of intriguing larger coin-operated video game of the kind from the mid-1980s. This does not seem unusual to me. I press a button under the top front edge of it to take the call by way of a small hidden microphone and the (unrecognized and remaining unknown) caller’s voice comes from the speaker of the machine.

      Supposedly, I am to do some sort of job which may relate to mowing and maintaining a public building. I had done work like this (with several others) in a previous dream at either a shopping mall or hospital (or both in being in the same area). There seems to be something else, though - something mysterious and possibly relating to another job regarding surveillance or detective work.

      My voice sounds a bit unusual; not like mine, but like a fairly young boy’s (though not like I really sounded as a boy). In any case, the caller says that I sound like Steve Finch and for a time, thinks I am him. (I know of no one with this name in reality.)

      Over time, I try to speak more “correctly”, though the caller still thinks I may be the other person. Oddly enough, I am supposedly the actor Bruce Willis. At least, I seem to think I am to some degree in my dream (without any seeming pretense). I explain that I have a “voice modulator” - so this is why I sound as I do. I tell him that I have forgotten how to turn it off.

      We arrange some sort of meeting with a “guard” of some kind. Supposedly, this guard is a representative and “protector” of a certain type of dream environment in another location of the supraconscious as well as being some kind of judge of dream workers. Oddly though, I do not relate it to the fact that I may be dreaming at the time so I never become lucid. I am to meet her in another location, which is apparently like some sort of portal to other types of dream states. Even though I will be instantly killed if I do not meet with her approval, I do not seem to be worried by my state of mind relating to the unexplained and dreaming itself due to my continuous and validated experiences with remote-viewing and precognition since earliest memory.

      There is soon another person who explains this to me; an older unknown female on my left. We walk to an area near a small wooden fence where the “guard” is to judge me. One section of the fence is broken, but that does not seem ominous in any way. As this unknown female approaches, I maintain a very precise and clear open and honest perspective, wanting to express all of myself with full sincerity to “automatically” avoid my potential destruction (in short, by just “being me”). She towers over me - over twice my height (not as a giant, but as I am now seemingly of a child’s perception with an amazingly clear memory and orientation of when I was that size). She seems almost like a bag lady at this point. (She also reminds me somewhat in afterthought of the crossing guard from when I lived on Rose Street at age five.) She soon approves of me, allowing me to live and to continue dreaming, this being because of my lifelong connection to the unexplained and my sincere interest in the mysteries and meanings of dreams, it seems.

      Before she leaves, I ask her about how precognition works. I ask if it is related to “threads”, like individual threads of a spider web, from both the potential future, and the “threads” of prior thought and memory simultaneously aligning in the present (in the sense of a fractal equation balancing out) - in other words, the human mind as a “spider” picking up the subtle “vibrations” in distant parts of the “spiderweb” or the event horizon of the theoretical future. I probably do not clearly explain myself as she shakes her head “no” in a very subtle way (but does not at all seem displeased) before walking off as my dream slowly loses cohesion. It may be that she did this to express that she did not have the time to answer any of my questions regardless of what they were.

      Updated 09-19-2015 at 08:54 AM by 1390

      Categories
      non-lucid
    3. Through the Fence

      by , 04-17-2014 at 10:17 AM
      Morning of April 17, 2014. Thursday.



      The setting is very similar to our backyard, and it probably would be our backyard were it not for a group of Aboriginal Australian girls moving from near the front of the house along the side, seemingly coming to talk to me (perhaps I am trespassing). They are mostly dressed in blue jeans and casual blouses and tank tops. It seems to be late afternoon. I am only semi-lucid and I am thinking of some sort of “trick” (in case I am absentmindedly trespassing and thus to avoid a confrontation by going over to what appears to be a public-park-like area) which involves walking through the tall wooden fence (which looks very similar to the one we have in real life). I move one slat on the fence (so that it is only still attached near the top by one nail) that is almost to the end of the backyard (perhaps the fifth slat back from the end corner) and am able to step through sideways with just a little difficulty. However, I end up in an area (which may either be a public park or another backyard, though seems almost like a woodland area) that also has a large group of Aboriginal Australian girls who seem a bit annoyed at my antics or appearance from the other yard (it is possible that the two groups are having a feud with each other).

      An older female of about seventy or so, with white hair, asks me if I have seen her husband. There is some sort of short conversation she continues with, with me, relative to whether he has been “left alone” (I am not sure if he was supposedly on the other side of the fence or had disappeared or become lost - I get the impression she means that he might have even died) which seems a bit odd and with an ambiguous meaning; that is, “being left alone” in a negative sense (and not having a partner to share life with) and “being left alone” with a positive implication as in not being bothered. I am trying to work out the odd ambiguity as my dream looses focus, the older lady’s eyes being quite vivid and intense and I am not sure what to say because I am confused about the meaning. I say something like “People have never left me alone in my life,” (coming off as a bit sarcastic) which does not sound quite right, as I am supposed to be talking about her husband, not myself, though I have no idea who he is or about anything else that is going on.

      Updated 05-23-2016 at 08:07 AM by 1390

      Tags: fence, old lady
      Categories
      lucid
    4. “Bewitched” Swimming Pool

      by , 02-18-1976 at 08:18 AM
      Night of February 18, 1966. Friday.



      When I lived on Rose Street in Wisconsin, I had a few dreams of there being a large swimming pool that took up nearly the entire back lot area, and was fenced in with an unusually high wooden fence (which I doubt could exist as such in reality). Samantha from the “Bewitched” series would visit on a broom (although she did not fly on a broom much in the actual series). The moon sometimes looked cartoon-like, or rather, like a colored-in yellow crescent with no detail, and the sky a deep blue - even with five-pointed and four-pointed stars instead of “real” ones. Since I saw the opening so often, I guess it had a lot of influence.



      Added online personal notes on Wednesday, 6 July 2016: This dream is a great example of one that holds moon induction, water induction, and a typical flight symbol. Even the fence represents a more defined liminal space.
      Categories
      non-lucid
    5. The Little Giant (Fence Autosymbolism part 3)

      by , 08-24-1975 at 02:24 PM
      Morning of August 24, 1975. Sunday (the day before starting 9th grade).



      This dream is like an O. Henry tale and as such, is more like an amusing (but nonsensical) ”story” than many of my other dreams. There was a time when I titled it “The Smallest Giant” to have a titular relationship with other (though unrelated) dreams such as “The Smallest Rabbit” and “The Smallest Ghost”.



      In my dream, a fictitious family lives directly south of us and seemingly shares their house with another family, or perhaps they are only visiting them or staying with them for a time during the upcoming school year.

      A fictitious wooden fence, much like an old cattle fence (but of only two separated narrower boards high), runs east and west at the southernmost end of our house all the way out to the train tracks. The grass is also longer in our backyard than it had ever been in real life.

      The main idea is that there is a “giant” living next door. I think the giant’s name may be John but I am unsure. (There is only a vague awareness at one point of the Edward G. Robinson movie “The Little Giant” from 1933.)

      However, the male that had been thought by others to be a giant is eventually seen to not be very tall at all, but he is chubby, and at one point, seemingly only a little taller than the average height for an adult male. He seems mentally “slow”, though. He vaguely reminds me of Kenneth W, a classmate and friend from the year before.

      I play a few games with him and Kenny and Karen (neighbors, schoolmates, and friends in real life, though Lisa is not present), mainly with a Frisbee, and some other events take place related to the “giant” making a few odd mistakes in judgement (mostly regarding distance orientation). Near the end of my dream, there is an idea that it is foolish for people to call him a giant.

      During the clearest segment of my dream, I call over the fence to him, “hey” and his first name, saying “…Kindergarten starts tomorrow!” Of course, this is a “twist ending” and implies that he actually is a giant but only four or five years of age. I am almost laughing as I wake, being aware of the apparent “cleverness” of my dream.



      This dream has been used here for part 3 of my “Fence Autosymbolism” series. Here, the fence is a main feature of which does not exist in reality. However, in this case, there is a degree of correlation with waking life. It is important to understand that dreams are typically an ambiguous mix of literal factors and autosymbolic factors, sometimes with conscious self correlation.

      This dream was, on one level, temporarily making light of my conscious self’s discomfort and uncertainty over the idea of going to high school for the first time, as ninth grade was to start for me on the twenty-fifth of August (on the morning after this dream). My dream colored my mood from mostly negative to somewhat cheerful, at least during this day.

      The “giant” was not the preconscious factor in this dream (and not all dreams have a personified preconscious either), but my emergent consciousness. Again, it was making light of an upcoming transition, that for some, might instead have been rendered as a nightmare or at best an unpleasant dream. In reality, I was no longer in the lower grades. I was no longer a child. The fictitious fence appeared in my dream as both a liminal space divider (which was not present in later dreams) and because contact with our real neighbors was nearing an end as was the previous openness with Lisa as had existed in our childhood and early teenage years.

      This validates that some dream content comes from current (though liminal) deliberate conscious thought (while other content seems to have no recent source). This is important to understand, as fences which already existed, the ones in part 1 and part 2 of this series, were solely autosymbolic of the dream state and waking process only, and they did not imply creating a new fence in a real-life setting by way of liminal dream control (dream control without lucidity).


      Categories
      Uncategorized
    6. The “Little Rabbit” Song

      by , 03-17-1970 at 09:17 AM
      Morning of March 17, 1970. Tuesday.

      Dream #: 1,184-02. Reading time (optimized): 1 min.



      The southwest corner of West Elementary School’s playground is my dream’s setting. A small light-colored rabbit is trying to get through the bottom of a chain-link fence with a few broken links (to leave the fenced area of the playground to go south, into the backyard of a home). The rabbit seems too large to squeeze through.

      Other children are with me, mostly friendlier schoolmates, including Danny and Annette, as well as Linda. Some are standing together, but a few are squatting, including me.

      We happily sing, “Come little rabbit you can do it” to the tune of “Glow Worm” (a song my father performed now and then and one I had played on the accordion and organ). It seems to work, as the rabbit is making progress. I sense our singing ritual is effective.

      Although we sing “come little rabbit” (instead of “come on, little rabbit,” though this would not fit the “Glow Worm” melody), the rabbit is going through the fence away from us. The “Glow Worm” lyric is “glow little glow worm, glimmer, glimmer,” which matches “come little rabbit, you can do it” with nine syllables.



      The causation of this type of dream correlates with instinctually or liminally navigating emerging awareness of physicality during the waking transition (as my mind cannot viably discern physicality or move my body while sleeping). The fence defines the state of liminality (and its duality) between dreaming and waking.

      A rabbit’s back legs kick, my liminal association with the anticipated myoclonus of the waking transition.





      Updated 11-12-2020 at 08:57 AM by 1390

      Tags: fence, rabbit, singing
      Categories
      non-lucid , memorable
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