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    1. bird resurrection, page 1

      by , Yesterday at 01:08 PM
      Friday, 18 October 2019

      Reading time: 3 min 20 sec.



      Here, I will explain the essential decoding of entries that will eventually include “bird resurrection” in the title. The original entries will remain in my online journal.

      Something coming to life, reviving, or waking from sleep in the last part of a dream is simply the subliminal, liminal, or supraliminal anticipatory autosymbolism of waking up, the preconscious precursor of gaining control of the physical body and the emergence of consciousness and valid personal identity. That is what most final dream segments include (more so with instinctual and lucid modulation), though with an infinite variety of content. Ultimately, the most common indicator of this process for me is a bird of any number of species from dream to dream.

      The foundation of this process has occurred every sleep cycle since early childhood, though I have only thus far included some of the more interesting dreaming experiences online.



      Qebehsenuef Canopic Jar (October 18, 2019). A mummified parrot in an Egyptian falcon canopic jar (Qebehsenuef) comes to life, and the bird vibrates in my hands with pleasing sensations.

      The most recent mental activity before this had been in slow-wave sleep (virtual mummification). I am lucidly modulating liminal space (anticipating the drop, but it does not occur). I had intestinal pain before (and during) sleep. (A Qebehsenuef canopic jar holds the intestines.) Note that any container typically represents how the dream self cannot arouse the physical body until consciousness emergence.

      Decayed Fence and Strange Weather (July 7, 2015). At the end of this dream, Ava Gardner is in a lacey black dress. She is on the floor near a couch on her elbows, with her knees up. As I grab her heels, she transforms into a Tweety Bird foil balloon of about three feet in length. I strike it against the floor while holding the bottom edge, but it remains as it is. (It was similar to “Unconvincing Resurrection” from October 18, 2016, when I tried to resurrect a dream character from his skull in a bucket of water, but out came a novelty balloon with a skeleton print.)

      That dream segment (the last part of a much longer dream) is probably more ridiculous than most other examples. Balloons and birds both correlate with drop anticipation, though balloons additionally relate to a subliminal, liminal, or supraliminal focus on breathing while sleeping.

      One Quail into Three (September 26, 2014). There is a tall thin paper sack with a rectangular bottom that contains a sickly quail on its side. There is a vivid vibration as I hold the paper bag. Eventually, there are inexplicably three quail in it, two healthy, one sickly. Zsuzsanna is about to sell the sack of quail to an unknown woman who arrives at our door (lesser wall mediation with doorway waking autosymbolism). I wake as she talks to her.

      That dream indicates the same process and with the same modulation as the first example, though instinctually rather than lucidly. However, enigmatic space (not a dreaming process) also became a factor here. Years later, in real life, our oldest daughter took an interest in raising quail (with Zsuzsanna helping her). When selling a few in town, the buyer complained about one of them being unhealthy, though it was not; it only had one feather out of place. Thus, my dream’s scenario was also literal, but years before real-life correlation. (One quail of a small hatching as here died in another instance.)

      Baby Bird (May 4, 2014). We have a baby bird (possibly a wild finch) that fell out of its nest and is living inside my makeshift terrarium outside. It is weak and sickly, seemingly injured. By feeding it small pieces of rubber cut from a bicycle inner tube, it grows and becomes healthier in a short time. Later, after feeding it potato chips, it ceases to exist.

      That dream might seem bizarre to people who do not understand the co-occurrence of dreaming and waking processes. Bicycles are a more grounded form of vestibular correlation anticipation than flight is (with less expectation of the drop), so this is instinctual modulation to correlate emerging physical preparedness as much dream content is. Next, come potato chips. As they crumble easily, I associate them with the dream state losing cohesion (and the bird and anticipatory factors dissipate as a result).

      The Hummingbird Power (January 2, 2007). In this dream, a hummingbird had gotten into our house, and I do not want it to become weak over time or injure itself. Holding it creates an extreme sense of compressed weight as well as pleasing powerful vibrations. Although it seems to have gotten squashed when I absentmindedly close our front door, it seems invulnerable and flies back into our house for a time.

      Ceramic Chicken (from 1963) is one of my oldest validated dreams from before I could write. A statue coming to life is the anticipation of waking (cortical arousal).



      Hopefully, this entry should serve as a partial foundation for idiot-proofing my online dream journal when it comes to this type of content.


    2. Dream Vehicles, Bumping and Phasing Dream Resource, 1

      by , 10-16-2019 at 04:34 PM
      Sunday, 13 October 2019

      Reading time (optimized): 4 min.



      In this informative dream journal series, I will clarify how vehicles appear and function in the ways they do in my dreams based on over 50 years of experience and validation in my life as both an instinctual dreamer and natural lucid dreamer.

      First and foremost, the isolated (with the exception of enigmatic space and quantum entanglement) and illusory mental model of the dream self (that also lacks the viable memory of conscious identity because of its disconnection from the unconscious mind, chiefly in non-lucidity, to prevent false memory building) does not have the potential to control the physical body during sleep (though sleepwalking seems to be an exception, but that is not a subject of which I have experience). Even so, that factor does not stop my dream self (by way of preconscious monitoring and accommodation) from creating the imaginary dynamics of physical movement and virtual travel.

      Since early childhood, there have only been a few basic practices and variations in the modulation of vehicles that I will explain in this series. When it comes to the drop (vestibular correlation experienced as an imaginary fall, typically during the natural waking process), dream modulation often varies as analogical to controlling a potential sneeze, which is possible, though somewhat unpredictable (depending on the depth of sleep).

      I typically experience two types of short dreams at the start of each sleep cycle (before entering longer hypnagogic sessions). One is the right leg kick (usually correlating with the same dream content, that is, walking and falling, more intense when I had done more walking earlier that day, which proves it is a result of physical causes stemming from muscle dynamics and not personal reasons by way of the popular but asinine notion of “interpretation”) and the other is the spasm in my back, like a jab, that is extraordinarily intense, though the foundation of its dynamics specifically stems from liminality (that is, being between dreaming and wakefulness with separation of conscious identity from viable physicality) and the extent of cortical arousal. As such, dream content varies, though with the same types of autosymbolism that represent stages of dreaming.

      I will review various dream features and events from my 50 years of dreaming history. Vehicle renderings mainly stem from my dream self’s desire to subliminally, liminally, or supraliminally enhance the potential of imaginary physicality and the illusion of movement. The kind of vehicle (for example, car, train, bus, truck, boat, airplane, helicopter, flying saucer, and so on) establishes co-occurrence with the dreaming stage and specific dynamics of vestibular arousal, degree of expectation of the drop, and extent of physical dynamics and muscularity in sleep as well as the residual level of melatonin.

      It needs to be understood that not all vehicles in my dreams exhibit co-occurrence solely with my imaginary dream state physicality and its status as I instinctually or lucidly anticipate and match induction, dreaming, and waking stages (including the drop). In some cases, associations with the bed I am sleeping in become part of the vehicle-rendering process, either directly or ambiguously, and then it becomes a signification that the vehicle is more representative, in an imaginary sense, of the bed (and my contact with it) than my physicality is. It also depends on incidental shifts that match shifts in consciousness, particularly preconscious processing. There are also cases where a vehicle correlates with legitimate physicality, including in a premonitory context.

      I will now elaborate on the specific causes of dream content and variations of the fundamental processes, the main focus on imaginary vestibular dynamics, and their control (whether instinctually or lucidly).

      I will reveal an interesting note on how a vehicle bumping or rubbing against another one was rare in my dreams until after being with Zsuzsanna and sharing a bed with her. This occurrence stems from the anticipation of our bodies bumping together during our sleep. It does not mean my dream is demonstrating literal co-occurrence with such monitoring (other than when there is physical contact), as it mainly stems from anticipation as with the drop.

      Now, I will go into the specifics with dream content and comparing and contrasting processing factors.

      In “Overpass Mishap” (September 22, 1974), I instinctually phased out of my imaginary physicality (and my dream) by passing through the roof of a taxi as I anticipated the drop. As the overpass collapsed, I was simultaneously in flight. The car, being an illusion of my fictitious dream body as I looked down, became like a Matchbox car in this case, the setting becoming like a model of the town. Lucidity is not required to control dreams. All one needs is an understanding of what dreaming processes are. The instinctual essence already exists, as it is not biologically possible to be unaware of being asleep while dreaming.

      I could easily compare this with “The Suitcase and the Stolen Sweepstakes Entries” (September 20, 2019). In that case, rather than anticipation of the drop bringing about waking, I instinctually used it to vivify and sustain my dream, which eventually shifted into cognitive arousal processes. (The drop rarely occurs more than once in the latter half of the sleep cycle and usually only once at the beginning.) When the driver (a teenage girl) deliberately drove off the edge of a second-level parking lot, I had no concern as I felt the movement of the bus falling to the perpendicular street below.

      I should emphasize how dreams preconsciously distort reality to prevent waking life associations and false impressions. For example, in my first dream above, although the situation came from a recent real event, the taxi was heading south into town rather than taking me north to my home in Cubitis, and in the last scene, transformed into a downscale model. In my second dream above, the parking lot was an altered version of a ground-level parking lot. (There were no elevated parking areas at the front of the shopping mall in real life, revealing how dreams distort settings based on the drop or waking process anticipation.)


      Updated 10-17-2019 at 04:46 PM by 1390

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    3. "The Drop," and its Processing Factors, 1

      by , 09-23-2019 at 01:31 PM
      Sunday, 22 September 2019.

      Reading time: 4 min 24 sec.



      “Something coming down,” when witnessed by my dream self, is the passive form of “the drop” (unless I simultaneously experience vestibular modulation to a discernible degree) when the subliminal, liminal, or supraliminal anticipation is projected instead of inherited. The causal factors and its potential for control revolve around several dynamics that include the level of melatonin, ultradian rhythm (and time spent sleeping up to that point), vestibular system activity, muscle tension, heart rate, reticular activating system nuances, cortical arousal, and sleeping position. I have studied the process extensively since I was six years of age.

      I will go into specific details about dream events of this type already posted, for comparison purposes. I may include details here that will not be present in the original entries. For this series only, I will look at induction factors for some experiences to check for correlation of the cycle as complete or not. (I rarely include this as it is often too similar from dream to dream even over 50 years.)



      February 4, 1972. The moon (subliminal association with awareness in dreams) becomes a giant crow that crashes through our roof (the drop) into the sliding-door closet in the southwest bedroom (preparedness for return to consciousness and getting dressed for school). It then seems too fat to fly (my dream has ended), cartoonish (not real life), and puzzled (“Am I dreaming?”). The bird’s position matches mine (partly on my stomach), and there is very slight vestibular modulation (stomach-based). Induction: Neighbor girl peeks from around tree but hides again. (My focus on a tree represents associations with how my physical body cannot move while asleep.) Is the process complete? Yes.

      September 21, 2019. I get on a bus with my two youngest children. A teenage girl will be driving it (induction as anticipation of vestibular processing with a female personification of it). She deliberately steers the bus off the edge of a second-level parking lot so that it drops to the perpendicular street below. I vividly feel the motions and momentum of the drop with an increase in perception of my physicality. I am unconcerned. Is the process complete? No, because I instinctually use it to vivify and sustain my dream and it continues for at least fifteen minutes with other scenarios (toward cognitive arousal as opening and studying the contents of a suitcase of which represents lesser consciousness while dreaming similarly as a cage represents the lack of controlling the physical body while sleeping).

      June 13, 1978. The drop does not complete in this dream, but I am placing it here for comparison with the previous summary. I get on an airplane (anticipation of vestibular processing) with a teenage female pilot. She has difficulty flying it as I vividly feel the motion and momentum. We go under the Eiffel Tower before rising into the sky. (There is no uneasiness because of my liminal awareness of modulating the process.) Induction: The typical Naiad factor (water induction) that in this case, transitioned into hippopotamuses swallowing swimmers and people in a competitive rowing contest. Is the process complete? Technically no, as it transitions into the rising experience instead of the drop.

      August 23, 1987. In this dream, a helicopter falls from the sky while a friend and I are fishing (seeking consciousness emergence after water induction and the Naiad factor). After crashing, it transforms into a digging machine, with the helicopter rotary blades throwing dirt everywhere as it goes a little lower into the ground. My friend looks on with puzzlement (“Am I dreaming?”). Is the process complete? Technically no, as the event stems from anticipation or expectation of a return to slow-wave sleep.

      September 17, 1978. A navy jet drops from the sky at the south side yard of our house but somehow “freezes” in midair before hitting the ground. The pilot cheerfully talks to my father as if asking for directions. I assume he will continue (though my puzzlement, “Am I dreaming?” results in waking without discernible vestibular modulation). Induction: Generic Naiad factor, neighbor in a pool, though my father is seen as a sea captain for a short time before the next process. Is the process complete? No, but it still resulted in (a soft) waking.

      November 4, 1972. As I am in bed (in my dream), an airplane flies over the area where I live. A cage falls to the ground from high above into my front yard. It contains the cartoon version of the Tasmanian devil, but I do not feel threatened or afraid at any point. (Induction was the Naiad factor that shifted into this stage.) Is the process complete? Yes, but the perception of my real physicality has not correlated at this point. A cage typically represents the inability to move the body while sleeping.

      February 18, 2019. A drone that I assume belongs to either the government or a local business slowly gets close to the ground (though it was first high in the sky) as I am in our backyard. Although it looks like the Galileo shuttlecraft from “Star Trek,” I do not associate with it as such. In a later scene, I am holding it in my arms. There is a movement that feels as if an animal may be inside (unverified). Induction stemmed from water from a broken light bulb in the bathroom. Is the process complete? No, it continues through cognitive arousal (attempting to read the writing on the spacecraft) and a more intrusive preconscious presence. (A red light, the most extreme waking alert factor typically from sleeping too long, moves through my son’s head as a result of a laser from the drone.)

      April 8, 2013. Jets fly overhead, as well as a small UFO that soon looks like the original Romulan Bird-of-Prey I got for Christmas as a boy (though bigger than my model). It comes closer, but crashes to the ground, sliding a short distance. I approach it without fear. There is no pilot. I pull out a computer chip that slides out and is about the size of a stick of gum, though thicker. Is the process complete? No, as by taking out the computer chip (autosymbolically disconnecting the emerging consciousness and emerging physicality), it extends my dream, and as a result, becomes a more dramatic preconscious scenario with the military. I later hit an MP on the head with the handle of a screwdriver as an association with consciousness emergence. (Induction was two Naiads trying to solve a typical square maze.)



      I will continue from here, on additional pages, to reveal many more extraordinary and wonderfully unique examples of the same processes.


    4. DREAM JOURNAL ESSENTIALS: Taxi Drivers

      by , 12-14-2018 at 12:46 PM
      Friday, 14 December 2018.

      Reading time (optimized): 4 min. Readability score: 49.



      In choosing to ride in a taxi in the dream state, whether in subliminal, liminal, or concurrent dream self modes, I am relinquishing reticular activating system mediation to the preconscious and the emerging consciousness dynamics. The resulting preconscious simulacrum is an incidental factor of linear vestibular system correlation. It is a result of my dream self’s implied passivity in initiating the return to consciousness and the resolving of the illusory nature of physicality at the apex of the waking process. The taxi driver is a projected (rather than inherited) form of linear vestibular system correlation. Virtually any vehicle stems from the subliminal, liminal, or concurrent status of illusory physicality while sleeping, and while there is a lack of viable awareness of where my body is and its orientation.

      To reveal this process, I will include a list of some of the taxi dreams I presently have online, though this is a work in progress, as my online dream journal is nowhere near being a complete representation of my dreaming history.



      From dream #: 2,834-02 (age 13, “Overpass Mishap”). The taxi driver in this dream, an elderly black male, was known to me in real life. In rising beyond the median of the dreaming process, the taxi ascends an overpass. My dream begins to lose cohesion as we are at the peak, and the overpass seems to either quickly fall or vanish as I simultaneously phase through the roof of the taxi, effortlessly flying up into the sky. As I look down, it all looks like a miniature model, the taxi about the size of a Matchbox car. There is no “meaning” here. It is simply my infra-self responding to the enigmatic space of the dreaming process.

      From dream #: 1,195-02 (age 9, “My Little Cane”). In one of many segments in this very long dream, I am kidnapped by two men and taken into a taxi that actor Ricardo Montalban is driving. He is in charge of my kidnapping, intent on stealing my cane due to its dream-control-relevant dynamics. In a short time, I deliberately become invisible and phase through the roof of the taxi, flying to another location. Ultimately, this taught me about the crucially domineering nature of the preconscious and its simulacra in reticular activating system mediation, as the waking process is a biological necessity. The outcome was that I became ghostlike and remained annoyed by my lack of conscious self identity in the dream state, based on my inability to discern my physical body and its orientation as I sleep. There is a subliminal factor of my cane being analogous to Aaron’s rod. The core reticular formation aspect is a snake as the waking alert factor (though there is no direct snake association in this dream).

      From dream #: 1-02 (age 6, “Invisible in a Taxi”). In this dream, the taxi driver is actor Ernest Borgnine. My dream sustains enigmatic space to the degree where, not only am I phasing from the taxi, through walls, and back to my bed, and back to the taxi, the taxi phases through walls of commercial buildings now and then. I do not have money for the fare, but I manage to stay unnoticed by the driver. The subliminal awareness of being asleep in bed is inherent, which is why the preconscious is not domineering, though this changes when my dream self tries to sustain my dream for too long.

      From dream #: 1,513-02 (age 10, “Frank N. Stein”). In this dream, I am on the street between my elementary school and the playground, the taxi slowly going east. I soon see that Frankenstein’s monster is the driver. He turns around to look at me, but I do not feel threatened. Beyond, to my left, I see lightning inside my otherwise dark classroom (though I had seen it earlier before getting in the taxi). Lightning is a factor of increasing consciousness activity and implies the activation of the emerging consciousness (by way of the preconscious in liminal space) as Frankenstein’s monster came to life and “awakened” from lightning.

      From dream #: 10,591-01 (age 34, “Winona’s Taxi”). The taxi driver is Winona Ryder. She is annoying as the preconscious tends to be, to initiate the emerging consciousness essence. In this case, the smoke serves as an association with the passivity of the dream self and the lack of conscious self identity within the dream state (in subliminal modes).

      From dream #: 18,437-03 (age 56, “An Impossible Taxi Ride”). In this dream, the taxi as relevant to linear vestibular system correlation transmutes to nonlinear. As a result, the taxi goes up and down several staircases until reaching the driver’s apartment on presumably the second floor. (The driver is an unfamiliar man.) From here, there is a situation where he believes a wasp has flown from inside a big irregular rock, but I affirm there is no danger. The wasp represents the transmutation of the previous process and is autosymbolic of the increase of neuronal energy.

      From dream #: 18,382-05 (age 56, “A Spider in a Taxi”). In this dream, secondary factors of vestibular system correlation come into play. A spider (depending on the nature of the dream) is often a negative subliminal association with the human hand, in this case, stemming from my annoyance at high cab fares (and handing the cab driver “too much” money), particularly as I crush the spider with the edge of my wallet. A wallet typically holds identification cards and can be a factor of expressing conscious self will.



      To summarize:

      Taxi (or any vehicle): Analogous to the body, which is imaginary in the dream state (illusory physicality, orientation, and destination).

      Taxi driver: Typically the simulacrum of preconscious activity (by way of the reticular activating system), analogous to the emerging consciousness remaining passive of resolving the illusory physicality of the dream state. (See the examples above where my dream self deliberately abandons this process by phasing out of the vehicle and flying, the final stage of resolving vestibular system dynamics.)


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    5. White Helicopter and Clock Tower (with comparisons)

      by , 07-30-2018 at 01:37 PM
      Reading time: 3 min 53 sec. Readability score: 57.



      Many specific patterns linked directly to the dreaming and waking process and its autosymbolism have been occurring continuously in my dreams for over fifty years, most occurring one or more times each sleep cycle.

      White Helicopter and Clock Tower.

      Morning of December 31, 2012. Monday.

      A white helicopter flies over a mostly featureless green field. It flies to the left of a clock tower that displays five minutes past ten. There is a vague apprehension of the rotor blades hitting the tower, but this does not occur.

      Vestibular system correlation of this nature is by emerging consciousness definition, represented by the clock tower which also correlates to the ultradian rhythm at the end of the waking process.



      Now I will look at other dreams (posted previously) that are a model of the same dreaming and waking process.

      In “Brother Earl’s Flying Saucer,” from November 29, 1976, this same waking process renders a spacecraft that my older brother Earl supposedly built. The spacecraft looks much like the Flying Sub from the television series “Voyage to the Bottom of the Sea.” It flies to the left of a clock tower. Regardless of a couple near misses with the tops of buildings, it successfully flies away.

      In “Not Quite Paris,” from June 13, 1978, I non-lucidly choose to place my focus closer to the process of vestibular system correlation. In this specific case, it is the Eiffel Tower, not a clock tower, but it is still the reactive representation of the emerging consciousness.

      In “Helicopter Ride into the Beautiful Mountains,” from February 8, 2017, the right side of the helicopter I am flying in taps a commercial building, but surprisingly, does not result in a mishap.

      In “Failed Flight (Wing Knocking On Eaves),” from October 1, 2014, the wings of the Cessna that someone else is flying is tapping the eaves of a building I am in on the fourth floor. I see it through the windows to my right. Instead of crashing into the building’s exterior wall of which is perpendicular to the section of the building that I am in, it stops and falls.

      In “Computer Tunnel?” from September 11, 1983, a low-flying airplane crashed into one of two skyscrapers. I am in a wheat field and run through a tunnel with walls like a printed circuit.

      In “The Future Delegates,” from September 11, 1982, while hugging, my “dream girl” (Zsuzsanna) and I jump from atop an airplane as it approaches a burning city and one of two skyscrapers. (Note that this was the precognitive form of Zsuzsanna before I knew of her in waking life, before our contact in 1991 and before we met in 1994).

      In “Amusing Helicopter ‘Rescue’ (with Pierce Brosnan),” from May 19, 2016, a miniature version of Pierce Brosnan (as James Bond) in a miniature helicopter “rescues” an effigy of me from the top of a high building. I place a tiny human-shaped pillow (meant to be “me”) into a small bed in the miniature helicopter.

      In “School-Bus-Plane Over Ancient Greece,” from November 16, 1969, I am on a flying school bus. Ahead, through the front windows, I see scenes of ancient Greece; the Oracle at Delphi and the Temple of Athena Nike. We seem to be ready to land. There is a sense of looking into the distant past.



      Thousands of other dreams that I have experienced and resolved since early childhood use this same basic template. Astoundingly, most people seem to ignore everything that is in plain sight (no pun intended). They prefer to pretend that the dream has “symbolism” related to waking life when such a process is typically not even viable. (Consider how difficult it is to read in dreams, or for that matter, even think at all other than in lucid states.)

      This type of dream is an extension of the flying, falling, or rising dreams, which has nothing to do with real-life factors other than in rare cases. It is a result of the vestibular system correlation of the waking process, as the reactive representation of emerging from sleep and is not symbolic in the conventional sense. A tower or other high building of the emerging consciousness becomes the focal point in some cases, though not always. It is all about correlating illusory physicality and increasing dynamics of the conscious self as in waking life. Whether or not you maintain either non-lucid or lucid dream control, such control has little to do with real life, but the extent of knowledge of the dream state and specific level of sleep.

      What does the conscious self possess that the dream self does not? There are many factors. One is the inability of the dream self to viably discern where his physical body is as he or she sleeps. That is a no-brainer, but many people do not even seem to have the slightest grasp of what it means or the nature of related reactive representation in the dream state. They go on to pretend there is a correlation, corrupting the “I am” of the dream state with the “I am” of current waking life, thereby on a path of misconception.

      Once anyone of reasonable intelligence dismisses the notion of waking life “interpretation,” or things “indicating” other things (relative to dream self to conscious self) new opportunities and clarity of mind develop. People who only pretend to understand dreams are easily recognized and dismissed. The causes and effects of the dreaming and waking process are more clearly understood, and non-lucidly or lucidly controlled. (Contrary to popular misconception, lucidity and dream control are unrelated, and in fact, many dreamers have less control when they are lucid than non-lucid. That is because of how the reticular formation functions. Many people who talk about “becoming lucid” have no understanding of what the dream state is.) “Bad” dreams become very rare and the potential for prescience increases. However, as can be seen here (with the September 11 dreams), prescience often correlates with the patterns of the dreaming and waking process.


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    6. Simulacrum Maintenance in Dreams Page 4

      by , 07-24-2018 at 10:39 AM
      Night of July 19, 2018. Thursday.



      Now I will move on to more specific patterns relating to the nature of the dream state. Having held such a keen interest since early childhood, and never losing that focus, I find it virtually impossible to make much sense out of most sources implying they are about dreams. Even much content on lucid dreaming does not correlate with anything I have ever experienced.

      People who have never studied dreams (especially for a lifetime, as I have), or experienced them through every sleep cycle at various levels of liminality and lucidity, and continuously validated reactive representation in the dream state (thus being aware what dreams are actually doing), have no credibility in trying to convince people that their beliefs mean anything. They have no business even writing about them any more than if I knew nothing about cars (other than perhaps what I gleaned from “Archie” comic books) but wrote a book about them (and, since many people know a lot about cars, imagine their reaction). Still, the purpose of this series is not to address such fallacy but to review the nature of the waking process and the various forms of the emerging consciousness and to what extent it can be monitored and understood.

      Lucidity, liminality, and subliminal focus vary from dream to dream. Ultimately, it is unlikely for someone to establish full control of ultradian rhythm, as it seems to be affected by diet and amount of exercise. (The WBTB or Wake Bake To Bed method results in disruption of ultradian rhythm but most people who practice it misunderstand this.) I always strive to make the best of what I have. What habits did I have regarding the dreaming process as I grew up?

      A habit I have had since I was very young is the “lighting a candle” metaphor in coming out of an uncertain state of semi-consciousness. That eventually resulted in vivid semi-lucid dreams such as the one where I used lightning to set a tall church belfry afire. Some people like to talk about symbolism in dreams but fail to discern the incidental visual associations. I have always been fascinated by hypnagogia as well, where forms continuously transform based on visual similarity, even when I am at least partly monitoring the state. Hundreds of different unrelated images occur in only a short time.

      What are some other metaphors (in addition to the “lighting a candle” focus) of the waking process that I deliberately established very early in life? The most obvious and consistent was the opening of a door. This intent always had two results, either vivifying my dream, sometimes exponentially in ways that defy belief, other times merely serving to wake me. These two potentials are always understood while in the dream state whether or not I am lucid, probably because they operate this way in real life. For example, if I want to “escape,” I create a door or doorway and use it as such. If I want to vivify my dream or create a different scenario, I create a door (though sometimes slide an entire wall as if it was a sliding door). It does not even have to be a typical door. For example, in my “Old Shack” dreams, I created and used the abandoned ruins of a rose trellis arched gateway as a doorway back into waking life (to escape from a pterodactyl, which simultaneously transformed into a falling sparrow - events such as this helped me understand more about reactive representation in the dream state).

      Another form of reactive representation I created very early in my life was the bridge metaphor. That goes back so far that my mother used to tell me how I relayed this about dreams when I was a toddler. As with doors, I used bridges either to “escape” a dream scenario or to find my way to a different one. Sometimes such associations became mixed. For example, I would open a door inside my house and then see the ocean, as if the hallway was a bridge of sorts (which makes sense, as both represent routes of focus). I would jump from a bridge and land upon a stack of windows. The list goes on.

      While there is not that much that can go wrong with a door, bridges can collapse or sink into the water. Staircases and elevators can serve as viable dream state mediation but can go wrong as well. As with cars, elevators are sometimes too small to get inside. They sometimes drop to the floors below before I can enter them. They are also more of a projection of illusory physicality (vestibular system correlation) than as with a bridge or door.

      Ultimately, it is up to the dreamer to decide which reactive representation of RAS mediation and modulation serves them in the most viable way. Once the foundation is made and understood, it is unlikely to change. Some people choose to give themselves nightmares or erratic dreams. They may ignore beneficial transpersonal factors as if the interconsciousness does not exist to them. (As an analogy, they might not even have any grasp of why forest ecosystems work or why the food chain is at it is. They might invent a magical process to “interpret” such systems.) Others have learned what the dream state is and how to make the best of it.



      Readability score: 57.


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    7. Simulacrum Maintenance in Dreams Page 3

      by , 07-18-2018 at 11:38 AM
      Night of July 18, 2018. Wednesday.



      For this page, I will review, with more clarity, some of the potential attributes of the dream state. The utilization of these pages as a virtual course or study guide in developing a greater clarity of mind is possible for some, but likely not for all. Do not be tricked into believing the following factors of the dream state are directly related to each other.

      One can define “vividness” as to how aware the dream self (subconscious self) is.

      One can define “lucidness” as to how aware the conscious self (waking self identity) is.

      One can define “modulatory factor” as to what extent the subconscious self can shape or control the ongoing dream or the dream state itself whether or not it is aware it is dreaming.

      One can define “realism” as to how realistic the dream is in contrast to being surreal and unlike waking life factors.

      One can define “cohesiveness” by how the dream progresses. Remember though, that the subconscious self lacks a viable sense of time and linearity (temporality).

      Additionally, the types of vestibular system correlation are a factor if one wants to establish and mediate or modulate virtual physicality. As described before, the challenge is to balance the illusion of physicality with the illusion of space (as well as directional orientation). In many dreams in childhood, I lucidly and non-lucidly became incorporeal. In some dreams, invisibility was my choice, while still maintaining virtual physicality.

      Take a look at the list that includes vividness, lucidness, modulatory factor, realism, and cohesiveness. Try to come to terms with the truth by practicing pairs of reasoning in contrast to each other, all of which are inherently true. For example, dreams may be lucid without the factor of control. There are vivid dreams that are not realistic. You can sustain and control dreams without lucidity. There are visually realistic dreams that do not have viable temporality. The list goes on.

      Such variation explains the nature of emerging consciousness simulacrums. You can perceive illusory physicality as problematic or project that anticipation into a simulacrum or avatar. Again, the most common potential for this is flying or falling. Walking is inherently more difficult when the focus is present. In the highest levels of lucidity, the feeling of walking is more thrilling than flying. That is because the illusion of weight and momentum is so well-defined (as well as augmented tangibility). Flying dreams sometimes have this, but it is more defined when closer to the conscious self identity as it exists in waking life.

      Before I close this page, I will address a couple of habitual types of focus and projection regarding simulacrums of the emerging consciousness. Again, the vestibular system correlation is a factor, which can lead to flying, falling, rising, hovering, and many other situations. Another obvious factor is to what extent RAS is active and to what purpose. (For example, environmental noise, ultradian rhythm, biological need, and so on.) To what extent; subliminal, liminal, or lucid, is the subconscious self aware of being asleep in bed?



      Readability score: 48


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    8. Simulacrum Maintenance in Dreams Page 2

      by , 07-17-2018 at 08:38 PM
      Night of July 17, 2018. Tuesday.



      In continuing from page one, in simplifying the context and detail of simulacrum maintenance, I will focus on the attributes of the emerging consciousness in various circumstances. How does one know how to mediate or modulate the dynamics of vestibular system correlation? It is a challenge. Orientation is erroneous and illusory in dreams for a few reasons. A dreamer standing or walking while his physical body is asleep in bed is only one reason.

      Oneironauts dismiss the notion of interpretation. It comes from a mindset that does not understand what the dream state is. Several key factors must be understood and utilized. I will again make a note of a few here.

      Lucidity, vividness, and dream control are all different factors of the dream state. If someone claims that in becoming lucid he or she can then control the dream state, he or she is propagating a common misconception. (This is especially true with lucid dreamers who show no comprehension of the dream state.) All it takes to control dreams is understanding dream state autosymbolism. It does not require the conscious self identity, as the preconscious link to the unconscious mind supplies the subconscious self with the essence of comprehension without the direct awareness it is dreaming. I believe that an intelligent person can learn to be more familiar with their reticular activating system and how it works.

      Dream state symbolism (autosymbolism or simultaneous symbolism, of which is concurrent with the sleeping, dreaming, and waking transitions as well as a result of thoughts rendered in REM sleep) cannot correlate to waking life symbolism. Knowing this is only the beginning in building a viable knowledge of the dream state. Literalisms, from the self or the interconsciousness, create an ambiguous enigma. There is no way to resolve this as waking life thoughts sometimes have the same ambiguity. Threads of prescience resonate with the autosymbolism of the dream state.

      Utilizing facts that you can validate in your own time, you have an exponential advantage over typical mindsets that have a passing interest in dreams. These mindsets can be seen on the Internet, typically exchanging their skewed jargon, often borrowing it from invalid sources and playing games based on a misconception.

      In addition to understanding that lucidity, vividness, and control of the dream state are not dependent on each other, one needs to understand that the subconscious self is not the conscious self. The preconscious is not the conscious self either. The preconscious and its avatars serve to build metaphorical bridges from the illusory subconscious self to the conscious self, sometimes by creating conflict scenarios to force the dreamer to awaken. The interconsciousness establishes links to the transpersonal; that which exists without the dreamer.

      The mystery I have often pondered is why people create devils to chase them. Reticular activating system modulation creates unpleasant scenarios for some people far more than others. It should only come into play either when there is a health issue or a genuine concern for the immediate environment’s status. Prescience may also be a factor (even though many people do not believe in it so thus ignore it). It is otherwise normal to maintain a subliminal, liminal, or lucid sense of vulnerability while sleeping. That is how dreams evolved in the first place. Consider that a person is usually undressed while asleep in bed. It is, of course, a reason for having dreams of being undressed in public. Consider that there are people who believe that being undressed in the dream state has a so-called interpretation. One could argue that it is a bizarre trait to exhibit such an extreme example of empty-headedness. For me, such a situation is moot, as I am always subliminally, liminally, or lucidly aware of being in the dream state. It is biology. Additionally, experience and understanding manifest the virtuous circle effect, especially after years of developing clarity of mind.



      Readability score: 51.


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    9. Simulacrum Maintenance in Dreams Page 1

      by , 07-17-2018 at 10:20 AM
      Night of July 16, 2018. Monday.



      The emerging consciousness factor is one of several factors in the establishment and utilization of lucid and non-lucid dream control. This series will briefly address dreams based on this factor.

      Dreams originally evolved out of a need to establish a degree of awareness while sleeping, to determine concurrent environment threats or concerns. From here, additional processes came in, with the reticular formation being a part of the process, two key factors being hunting and evading. Abstract thought and autosymbolism began to develop. Autosymbolism developed from the biologically diagnostic stages of dreaming and waking. Religious fanaticism transmuted predator forms into the delusional fixation on so-called devils and demons. In modern times, such “demons” still have the attributes of animals but are often transmuted into domesticated animals (such as goats and bulls), which is anomalous.

      Awareness of the subconscious self, through which in non-lucidity has no intelligence, temporality, viable memory, or even inherent tangibility became a dominating factor, which came about from the augmented self-awareness of more developed individuals. In modern times, the majority of people do not clearly remember their dreams, and even when they do, lack any understanding of them. In contrast, people like me are not only able to recall their dreams but retain the memories of them indefinitely as well as typically understand their meanings as they are occurring, with additional hypnopompic revelation also being a common factor.

      In non-lucidity, the subconscious self is isolated. It does not have a viable link to either the unconscious mind or the conscious self identity as in waking life or as in lucid dreaming. However, because of the virtuous circle effect in working with and understanding my dreams from early childhood, non-lucid dream control is a factor of importance. I often have more control over my non-lucid dreams than many others have in lucid dreams. My knowledge of autosymbolism is one of the reasons for this. Remember that autosymbolism is not symbolism in the conventional sense. Many people mistakenly believe and propagate that dreams contain waking life symbolism, which is typically not even possible. In fact, many so-called interpreters fuse literalisms into dream content and pretend they have interpreted something that is often a self-evident factor.

      In non-lucidly attempting to establish my link to the emerging consciousness, virtually infinite possibilities arise. The catalyst is the vestibular system correlation of the waking process. It varies. The focus may center on physicality or the level of discernment of the space around the illusory physicality. The mode of the dream self and its fictitious body varies from dream to dream. Many people like to pretend that the dream self’s illusory body is like their physical body. It is a bizarre fallacy of which most people never attempt to resolve.

      A challenge of both lucid and non-lucid mediation and modulation of the dream state involves vestibular system dynamics. It is easier for me to fly than walk in dreams. Flying is natural and automatic. So is falling. A dreamer should not pretend that vestibular system correlation has an association with waking life other than biologically. For example, the first falling start of each sleep cycle is more defined, vivid, and intense when I had walked more in real life. Pretending that muscular literalisms are “symbolic” is a game of the unintelligent. It is chaff of the mindless and purposeless content of so-called dream dictionaries and the woo of so-called interpreters.

      In these entries, I will focus on the vestibular system correlation of type two. They will reflect upon the mediation and modulation of the physicality of emerging consciousness. Type one nuances occur in some examples.



      This entry has been scanned, reformatted, and corrected by AI. It requires at least a 160 IQ to comprehend. Public readability is only 38. I did not intend this. It is difficult for me to write at a level below a 160 IQ for this type of content. I will try to make other entries in this set clearer.


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    10. Blue Opossum’s Dream Canon Page 3

      by , 07-15-2018 at 04:28 AM
      Blue Opossum’s Dream Canon Page 3



      Afternoon of July 9, 2018. Monday.

      Henceforth, these pages are to be the sole resource for resolving any potential for erroneous or ambiguous conclusions regarding any content posted in any of my previous entries since 2004.



      In this entry, I will start to go into more detail about the nature of both lucid and non-lucid dream control. I will look at the most dominating factors of going in and out of the dream state, including the most common (for me) forms of autosymbolism and literalism while deliberately shifting levels of awareness.

      These details will not yet be in any precise order.

      Some of the most common forms of both non-lucid and lucid dream control relate to the following:

      Jumping from a cliff or other high location in semi-lucidity has always produced extraordinary results for me. This augments and sustains vestibular system correlation. Physicality is amplified as well, including the sense of weight and momentum and blissful sustained effortless flight.

      Mentally creating a difficult door to open, usually an old wooden door, and then opening it, or as of late, rapidly flying and phasing through a large locked steel vault door to outside. This was pure bliss and happiness, and occurred in the state of dream self omnipresence (BEING the dream state itself rather than just being “in” it). In some dreams, I pull aside an entire wall as if it was a sliding door. This is very effective for me as well and greatly sustains and vivifies the dream state, where I am then able to summon more denizens as well.

      Using a staircase to go either up or down produces mixed results. The direction of going up or down is more about the level and extent of thinking skills. Each greatly augments the dream state. However, going down a flight of steps augments the summoning factor, where denizens automatically serve me without question, whereas going up a staircase also augments and vivifies the dream state, though is more about being more focused on material awareness, and with dream characters being more of their own essence.

      Coalescence. Sometimes I seek denizens out and coalesce (typically near a train station or lake in a dense forest). Other times, in blissful states, they leap into me as if I were an anthropomorphic swimming pool. These are human forms only, which appear as pale blue silhouettes. In normal dreams, such avatars often coalesce with me with a mutual hug.

      Preconscious avatar traits often include celebrity status, unfamiliar status (unknown person), a dancer, a detective or secret agent, and a knowledge of flight, sometimes angelic or with a divine essence. (These forms of avatars go all the way back to earliest memory and are always part of the same types of dream components, even usually in the same order.) The dancing factor is obviously related to fluidity of movement as associated with vestibular system correlation as analogous to a form of flight and augmented control of physicality and “balance” in liminal space. When the avatar is not personified, it often has feline characteristics, sometimes as an actual domestic cat. In other cases, the factor, when transitioning by way of the interconsciousness, is rendered as a very realistic bird that seems the most likely and direct autosymbolism of transpersonal communication, typically an exotic bird. The most vivid form is a resplendent quetzal or in some cases, a hummingbird. Birds also represent a specific level of vestibular system correlation, especially as they fly with little effort.

      In other cases, the preconscious avatar rapidly shifts within hundreds of different identities in a few minutes. This always triggers a sustained dream state and enhanced lucidity. In one dream, I was sitting on Zsuzsanna’s left (on our couch) which is how we rarely sit in waking life. Zsuzsanna was becoming different avatars, easily more than one per second. I sat there watching and realized I was in the dream state to my amusement, which automatically vivified the scenario. I created a difficult door to open (in this case, a rendering of our front door), opened it, and saw a long series of small stages on each side of the street. Birds were frozen as silhouettes in midair (which is another method of sustaining and vivifying the dream state). Each stage had a denizen devoted to my existence and focus.

      In this dream canon, I will give more and more past examples with actual dream content, trying to be as clear and direct as possible. I will also go into more detail about how dream state symbolism (autosymbolism) has nothing at all to do with waking life symbolism or the so-called subconscious as most “interpreters” (including “experts” and “professionals”) pretend. This might prove to be valuable, as I see more and more people turning to superstitious rubbish and common misconceptions. I am thinking of even including lists of self-evident questions so that some people might be able to decide or learn it for themselves.



      This entry is subject to change only for purposes of clarification.

      If any content reads as unclear or is perceived as ambiguous, contact me by way of messaging on one of the following sites (order of preference): Twitter (@BlueOpossum), Tumblr (Blue Opossum’s Dream Journal), or my Facebook account via the dream journal website profile.



      Thank you for your time and respect.

      This ends Blue Opossum’s Dream Canon Page 3.


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    11. Blue Opossum’s Dream Canon Page 2

      by , 07-09-2018 at 10:11 AM
      Blue Opossum’s Dream Canon Page 2



      Afternoon of July 8, 2018. Sunday.

      Henceforth, these pages are to be the sole resource for resolving any potential for erroneous or ambiguous conclusions regarding any content posted in any of my previous entries since 2004.



      Some of the main factors of the dream state (though not inherent to all dreaming and waking transitions) other than literalism:

      Unification and coalescence (and in contrast, dream state cessation autosymbolism)

      Thinking skills correlation, more so as precursory consciousness testing or initialization

      Vestibular system correlation

      Liminal space buffering

      Subliminal, liminal, and lucid dream state indicators

      Ultradian rhythm anticipation (both biological and emotional)

      There is more, but I will only address these six in this entry and more in another entry. None of these very common components of the dream state relate to waking life or the concept of symbolism in the non-contemporaneous sense. They are traits of the dreaming and waking process itself. People who have the inability to grasp what dreams are and what they are doing (which ultimately includes the majority of people alive today) will likely not be able to come to terms even with the obvious. One of the reasons I am writing this canon is because I have zero interest in discussing or debating what I already know beyond an iota of doubt. Note that these factors typically combine, depending on the particular dream.

      Unification and coalescence is the final part of the waking process. It is simply based on wholeness of consciousness after waking. I typically experience this in my dreams in a number of different ways, the most pleasant autosymbolism of this being the act of hugging (the emergent consciousness factor). Other examples are seeing another dream character being swallowed. (This is a projected form of the “final fate” of the illusory dream self, similar to seeing another dream character fall from a cliff instead of the dream self experiencing the fall.) In contrast to coalescence is dream state cessation autosymbolism, though sometimes these factors are combined. “End of the world” scenarios, a very common form of dream state cessation autosymbolism, seem to occur continuously for many people (regardless of what sort of events or experiences they have had in waking life). Mine are rarely nightmarish. Additionally, it has always been extremely rare for me to “die” in a dream (a result of understanding dream state autosymbolism). “End of the world” dreams begin to occur when a child begins to develop a more complex way of thinking and reasoning and of course, reason is not typically a factor of the dream state, hence this form of cessation autosymbolism.

      Thinking skills correlation is a factor of the waking process and its autosymbolism relates to schools, libraries, and technology. Failing a test (or basically even going back to school) in a dream simply means that the subconscious self is not the conscious self as in reality. It goes through the process as autosymbolic of the return to consciousness. There really is not much more to it than that.

      Vestibular system correlation is a biological factor of the dream self’s lack of discernment of physicality while not conscious. This is why flying and falling are so common in both lucid and non-lucid dreams. Ultimately, flying is much easier in dreams than walking (or driving a car), as it is the natural discernment of the dream state, as physicality is inherently illusory in the dream state anyway (why dreams of losing teeth are also common). I fly at one point or another in the majority of my dreams. I could be walking along on the sidewalk, become slightly annoyed by environmental factors (such as walking on mud for example, or there being too much traffic around) and easily and automatically take to the air as if it was the most natural thing in the world. My dream self has mostly always held this focus that flying is something that requires no thinking or effort, whereas walking, though typically only in the first dream of virtually every sleep cycle, almost always results in tripping and falling. The transition of rising up and out of a dream is about as common as falling, though each sometimes occurs during the same dream sequences, for example, falling and then suddenly rising up and out of the dream state (which of course renders the assumption of any waking life “meaning” as preposterous). Flying, falling, and rising dreams are far more vivid (as well as more likely to occur) when activity that is more physical (especially walking a considerable distance) has been indulged in during the previous day, though riding in an elevator prior to sleep also augments this factor. The most vivid falling dream I ever had was shortly after riding the log flume ride at Busch Gardens Tampa Bay.

      Liminal space buffering (and the preconscious bulwark) is a major factor of non-lucid dream control as well as apex lucidity. This involves mediation and modulation of waking process autosymbolism. The best example is how I use doors (both lucidly and non-lucidly) to deliberately leave the dream state as well as to enhance vividness when a desire for sustaining my dream is present. I have sometimes even pushed an entire wall aside like a sliding door to vivify and sustain the dream state to an extraordinary level. I also summon dream state denizens (angelic servants) from doorways, from behind curtains, from over walls (less common and more difficult), from within walls, and so on (though also typically from rivers, lakes, trees, or waterfalls). Usage of windows for this has proven to be a tad bizarre (probably because windows are usually not used to go in and out of a house in waking life and thus the literalistic factor dominates) and is never recommended. When I attempted to use a window to sustain and vivify my dream on one occasion, the results were unexpected. It resulted in such an exaggerated (though illusory) sense of weight and physicality in almost painfully crawling up and over the bottom of the window to the other side, with my dream then vivified and sustained to such an extent, it is difficult to believe even now. Nevertheless, experience and knowledge is what counts in the end.

      Subliminal, liminal, and lucid dream state indicators are very common in my dreams, to where they typically occur at least once per sleep cycle, though as with vestibular system correlation, sometimes in most dreams of a sleep cycle. These factors are typically rendered as literalism, but there are many second level (and third level, etc.) autosymbolic factors. Such features are typically beds, being undressed (including in public), not wearing shoes, being in a bedroom (including in a false awakening), and so on. As it is not biologically possible to be fully unaware of being in REM sleep, I often move through various stages of subliminal, liminal, and lucid awareness of dream state indicators. I will sometimes deliberately (lucidly or semi-lucidly) cause my clothes to vanish (even in a public library where many people are around) because of this, when I want to indulge in lovemaking with Zsuzsanna. In direct contrast, if I am walking in a business building while lucid and my shoes begin to dissolve (because of the recall that I do not wear shoes while I sleep), I lucidly will them back. Beds (and bedrooms) in some cases serve as apex lucidity triggers because of their literal link to the dream state.

      Ultradian rhythm anticipation (both biological and emotional) is responsible for dreams of being late or a sustained focus on what time it is. There are many other forms of relevant literalism and autosymbolism, which are too extensive for this entry at this time. The WBTB or “Wake Back to Bed” method of lucid dreaming is a factor based on ultradian rhythm. However, I have never needed any sort of “practice” or any “information” (often of which is based on popular misconceptions about dreams). This is because lucid dreaming, for me, has always been an entirely natural trait since earliest memory (even prenatally, where I still recall making stars and letting them fade and “oscillating” with them as I did so, as well as effortlessly flying and going “back” to my body when I was two and three).



      The factors that I have explained here should all be obvious to anyone of reasonable intelligence. Unfortunately, it is unlikely that the majority of people would favor truth over personal bias or long-held superstition. Most people will still prefer to wear a virtual blindfold through life, especially when it comes to dreams and their legitimate causes, meanings, and effects.

      This information can all be experienced and validated (by anyone with a genuine interest in dreams or with any interest in eradicating the virtually endless misconceptions about dreams in today’s society) by way of mastership meditations. For example, the first factor, unification and coalescence, is augmented in waking life by the mirror meditation, where the self is seen in infinite forms in mirrors arranged on the left and right sides (each mirror continuously reflecting the one on the other side, as well as the body reflected infinitely). Then, looking forward into the one mirror facing the body, the one image reflected is the self in unification.



      This entry is subject to change only for purposes of clarification.

      If any content reads as unclear or is perceived as ambiguous, contact me by way of messaging on one of the following sites (order of preference): Twitter (@BlueOpossum), Tumblr (Blue Opossum’s Dream Journal), or my Facebook account via the dream journal website profile.



      Thank you for your time and respect.

      This ends Blue Opossum’s Dream Canon Page 2.


      Updated 07-09-2018 at 10:43 AM by 1390

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    12. Blue Opossum’s Dream Canon Page 1

      by , 07-07-2018 at 01:57 PM
      Blue Opossum’s Dream Canon Page 1



      Afternoon of July 7, 2018. Saturday.

      Henceforth, these pages are to be the sole resource for resolving any potential for erroneous or ambiguous conclusions regarding any content posted in any of my previous entries since 2004.



      What my dreams mainly render:

      Autosymbolism

      Literalism

      What my dreams do NOT viably render:

      Symbolism (in the conventional or non-concurrent sense)

      Please note that any usage of variations of the word “symbol” in my online journal is in reference to autosymbolism (contemporaneous symbolism of the transient dream self of which typically represents the dreaming and waking process itself or subliminal, liminal, or lucid affirmations). For example, “water symbolizing sleep” and “doorway waking symbolism” signifies dream state autosymbolism, not symbolism as implied correlation with waking life (as water neither symbolizes sleep in waking life nor can one walk through a doorway and end up in another realm or with a different state of awareness in waking life). I have recently considered eradicating (editing out) all forms of “symbol” (other than forms using “auto” or as paired with “contemporaneous”) to avoid public misconception about my knowledge or experience or the assumption that I either believe in or accept “dream interpretation” (in the two most common usages of the term) of which I do NOT (and never have, even in childhood).

      Neither non-contemporaneous symbolism nor reading in the non-lucid dream state is either consistently feasible or sustainable. However, reading, as with either discernible print or as implied perception of words and sentences as such, is certainly possible and even common (for people such as me) in dreams, but is typically transient and unstable. (Handwriting or print usually changes in dreams as I focus on it or look away and back again, though not always, as it depends on the specific extent of liminal consciousness.)

      Additionally, it is obviously possible to be subliminally, liminally, or lucidly influenced by inherently spurious “dream dictionary” content. This certainly does not mean that the implied “meaning” or “interpretation” is valid in any way any more than fictitious content from a movie influences or is rendered into a dream.



      What my dreams typically have:

      Verifiable causes

      Verifiable meanings

      Effects

      Inexplicable (by present era consensus) factors such as literal prescience or transpersonal communication

      What my dreams typically do NOT have:

      Interpretations, by way of either of the two main fallicious usages of the term:

      Superstition, folklore, or “old wives’ tales” (examples being so-called dream dictionaries or the majority of New Age sources and virtually all websites)

      Psychobabble (any form of psychoanalysis, including both “credible” psychology and pseudo-psychology)



      Where my dreams come from or via:

      Preconscious (both personal and transpersonal), by way of RAS (reticular activating system) mediation and modulation.

      Interconsciousness (both personal and transpersonal)

      Emergent Consciousness

      Biological factors (two examples being vestibular system correlation and ultradian rhythm)

      Where my dreams do NOT come from or via:

      Unconscious mind (unless concurrently biological or biologically premonitory)

      Subconscious

      If dreams came from or via the unconscious mind, they would mainly occur in slow-wave sleep, not REM sleep.

      The subconscious (which is not a “mind”) has no viable intelligence, critical discernment, temporality (viable discernment of time), or consistent or correlating spatial orientation.

      Obviously, the preconscious utilizes content from the unconscious mind (as well as the interconsciousness and emergent consciousness) but unlike with the conscious self in waking life, it is unlikely to be accurate, to prevent false memories from resulting (though this applies mostly to only non-lucid dreaming and does not wholly apply to inexplicable factors such as remote viewing or prescience). However, whether or not this biologically evolved or is ultimately a result of incidental synaptic XOR gating is presently unresolved.



      What my dream self is:

      Subconscious, personified

      Witness to the Transpersonal Source (non-local consciousness; biological intelligence; interconsciousness)

      Emergent Consciousness (in ordinary lucidity)

      Virtual Model of the Conscious Self Identity (in the highest levels of lucidity only)

      What my dream self is NOT:

      A viable model of the conscious self as in current waking life (primarily only in non-lucidity)

      This entry is subject to change only for purposes of clarification.

      If any content reads as unclear or is perceived as ambiguous, contact me by way of messaging on one of the following sites (order of preference): Twitter (@BlueOpossum), Tumblr (Blue Opossum’s Dream Journal), or my Facebook account via the dream journal website profile.



      Thank you for your time and respect.

      This ends Blue Opossum’s Dream Canon Page 1.


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    13. Dreams of Type PRECONAV-VSCPCEL, 01-15

      by , 07-05-2018 at 10:20 AM
      Evening of July 4, 2018. Wednesday.



      This entry contains brief details in a list of complete online entries for 15 fascinating dreams that meet the criteria for designated type: PRECONAV-VSCPCEL. This entry’s internal code is PRECONAV-VSCPCEL-01-15, for personal statistical records in over 50 years of studying and resolving tens of thousands of my dreams. The entries are not listed in any order. They include the specific causes of each dream’s autosymbolism, meaning, and outcome. To hold the PRECONAV-VSCPCEL code, a dream must meet the following criteria:

      The preconscious avatar during waking process autosymbolism must be a celebrity, in their real-life identity, a character they play, or their appearance without my dream self’s recognition as either (for example, erroneously perceived as a relative, friend, or member of the public of which would not imply their celebrity status). Both celebrities and unknown or unfamiliar people are common preconscious avatars, as neither is a part of waking life (other than when literally prescient threads exist).

      Vestibular system correlation of RAS (reticular activating system) mediation or modulation and the mediating or modulating personification of vestibular system correlation as such must be the primary basis for, and cause of, my dream’s autosymbolism and outcome in both lucid and non-lucid transitions and in both controlled and passive dream state scenarios. It must be as a waking process factor (in its autosymbolism) rather than an induction factor as in other cases, though some induction autosymbolism is typically present to render the particular dream’s foundation.

      To understand the causes and meaning of this dream type requires the intelligence and experience of knowing that dreams are mainly autosymbolic of the sleeping, dreaming, and waking processes, including concurrent biological dynamics and ultradian rhythm factors as well as environmental circumstances. This dream type, depending on the dream, is a result of subliminal, liminal, or lucid awareness in anticipation of the waking process as well as various levels of non-lucid and lucid dream control based on the knowledge of dream state autosymbolism. Although flying, falling, and rising are a biological factor of dreaming and waking (inherent in vestibular system correlation on how the dream self cannot viably discern physicality while in REM sleep), the preconscious often serves as an additional factor of RAS mediation and modulation as an anticipatory projection of the subconscious self. The main factors behind this type of autosymbolism are in the desire of having both a helper (in the anticipated “fall” from the dream state) and a witness (and companion) of the waking process. I began to understand much about dreams at age four and by age six, had an astounding level of both lucid and non-lucid dream control. This dream type, like most others, may include obvious dream state indicators, such as a bed or being undressed (in subliminal realization that my physical body is usually undressed when I am sleeping in bed).



      01] Fictitious Lloyd Bridges Movie. March 10, 1978. My preconscious avatar is actor Lloyd Bridges, serving as the virtual replacement for my subconscious self that is otherwise only a witness (to the fictitious movie titled “Bridges”). This mainly stemmed from a nostalgic focus on the TV movie, “The Deadly Dream”, first viewed in full on September 25, 1971. This dream even ends with ending movie credits rolling as I wake. While the real movie was based on a dream that turned out to be real, my dream is autosymbolic of the dreaming and waking process and includes the play on “bridges” as representing the concurrent changes through different levels of consciousness in REM sleep. “I just hope he comes down all right” is a reference to the waking process and the biological anticipation of “falling awake” (waking start).

      02] Shopping with Silas Weir Mitchell. June 22, 2018. My preconscious avatar is actor Silas Weir Mitchell, serving as helpful companion to my subconscious self. I reset my dream while semi-lucid after he falls off the curb two stories down to the street (which is impossible) but then I decide to wake. This was a different form of the first dream of virtually every sleep cycle for over fifty years but which involves me directly. I take a step while walking on the sidewalk and trip (with an unusual misstep) or fall off the curb and experience the vestibular system correlation and hypnopompic kick of the waking process. However, this process is far more vivid after I had walked a lot more on that day. This otherwise stemmed from the association with the character he plays on the TV series “Grimm”, which is Monroe. I lived on North Monroe Street as a child. This same association has triggered other dreams of Silas walking down the street near me. The intersection is autosymbolism for RAS mediation and the choice of waking for the day or returning to deeper sleep for a time (ultradian rhythm factor).

      03] Dancing High (with Jordan Gavaris). June 1, 2015. My preconscious avatar is actor Jordan Gavaris, serving as a parallel avatar to my subconscious self. This dream stemmed from nostalgic associations with my “Money Cat Minion Saves Me from Falling from Roof” from 1966 (age 6). Jordan starred on TV series “Orphan Black” as Felix, and I associated that name with cats and supposedly “always landing on their feet”. (Cats have often served as witness to the dream state in liminal space autosymbolism and as a form of the preconscious avatar in both lucid and non-lucid dreams, including in cases where a cat, including such as a lion or a tiger, becomes a person in my dream’s final scene). With this dream, there were resets back into the same elevated scene, both lucidly and non-lucidly.

      04] The Flying Carpet (with Lucie and Desi Arnaz, Jr.). March 23, 1973. My preconscious avatar is actress Lucille Ball, serving as a liminal emergent consciousness precursor. The song “Magic Carpet Ride” is a dream induction influence (especially as its first line is “I like to dream”). It also takes on the dream state indicator analogy of being like a bed. A parking lot is dream state autosymbolism that represents the physical body being inactive in sleep.

      05] The Tiny Man and the Apocalypse (with Gregory Hines). April 12, 2017. My preconscious avatar is actor and dancer Gregory Hines, serving as a catalyst for the waking process of a very long dream. In this dream, a sketchy version of Gregory was rendered as impossibly sliding down the side of a building (though of which was ambiguously in what was perceived as also an indoor setting as in many past dreams).

      06] Ralph the Airplane Fixer (with Mary Canfield). December 13, 1969. My preconscious avatar is actress Mary Canfield, serving as helpful companion to my subconscious self. Mary played the character “Ralph Monroe” in the TV series “Green Acres”, and as explained above, this (North Monroe Street) is an association with where I lived as a boy. The rest is a bilocated essence of autosymbolism of the dream state itself (flight) as my bed also somehow being a flying wooden airplane (even though I remain in my bedroom).

      07] Amusing Helicopter “Rescue” (with Pierce Brosnan). May 19, 2016. My preconscious avatar is actor Pierce Brosnan, serving as summoned helper to my subconscious self. In silliness, I place a miniature model of me as meant to represent me being asleep and dreaming. I associate Pierce Brosnan with James Bond, which relates to spies and a loose association with detectives, which are a preconscious factor of liminal space, in needing to understand the transitions from sleeping to dreaming to waking.

      08] Yet Another “Uhny Uftz” Dream. August 4, 2015. My preconscious avatar is actor and comedian Dick Van Dyke, serving as a virtual replacement for my subconscious self. This was based on a nostalgic association with an episode of “The Dick Van Dyke Show” titled “Uhny Uftz”, first watched in full on September 29, 1965, though in my dream, it is a “real” flying saucer rather than a toy as in the TV episode. This dream brought about an elevated sense of peace and love.

      09] Nichelle in a Small Rocket. March 8, 1997. My preconscious avatar is actress Nichelle Nichols, serving as a virtual replacement for my subconscious self. This association comes from “Star Trek” but also links to the concept of communication in liminal space (as she plays the communications officer), between dream self and conscious self (as well as the dream self with the transpersonal interconsciousness).

      10] Saul Rubinek and the Airplane Crash. May 28, 2015. My preconscious avatar is actor Saul Rubinek, bringing attention to the nature of the vestibular system correlation of the dream state. This dream was partly a result of environmental noise as well as the usual vestibular system correlation autosymbolism that renders in virtually infinite ways. I associate Saul as a good avatar due to his association with the TV series “Warehouse 13”, as warehouses are autosymbolism for memory processing in REM sleep (even though non-lucid dreams themselves rarely have any form of accurate memory or viable intelligence).

      11] Talking About a Dream from a Don Knotts Movie. May 3, 1998. My preconscious avatar is actor and comedian Don Knotts, serving as witness to my liminal awareness of the dream state and my appreciation of the surreal nature of dreams. I am very vaguely lucid and relating to the nature of autosymbolism of vestibular system correlation, which is linked to flight symbols, in this case, the surreal scene from the movie where the stealth bomber transforms into a manta ray (one of my favorite and most nostalgic movie events).

      12] Russell Johnson and The Cane Toad War. October 6, 2013. My preconscious avatar is actor Russell Johnson, serving as helpful companion to my subconscious self. This was the typical hovering and floating around near the ceiling dream, though no lucidity came about in this case. As with Josh Holloway, my association with Russell is as being a castaway on an island (the dream state).

      13] Female Robotic Suit (with Barbara Bain). August 22, 2014. My preconscious avatar is actress Barbara Bain, serving as both vestibular system correlation and as an autosymbolic representation of my annoyance with my real environment. Barbara was an association with my perception of Zsuzsanna being annoyed by the noise next door as well, and the association with needing “protection” as such while sleeping. (Barbara Bain shares my wife Zsuzsanna’s birthday of September 13 in addition to playing Helena on “Space 1999”. Helena is Zsuzsanna’s mother’s name. Barbara’s character was also a doctor on this show, hence the associations with needles and medical features.)

      14] Helicopter to Spaceship to Helicopter to…. June 9, 2016. My preconscious avatar is actor and model Josh Holloway, serving as helpful companion to my subconscious self in the last scene. After a dull and sustained focus on vestibular system correlation in a faux sleeping scenario outside on the ground, my dream begins to progress toward the presence of the preconscious, who shows up as Josh. I mainly associated Josh as being “Tom Sawyer” as a castaway on an island (an analogy to being in the dream state, especially as associated with water induction).

      15] People of Powder. September 18, 1990. My preconscious avatar is actor and comedian Don Knotts, serving as a parallel witness for my subconscious self. “Can’t be…there aren’t any airplanes anymore”, which he says upon hearing an airplane flying in the sky outside while we remain in the ruins of a commercial building in New York, comes from his role in “The Reluctant Astronaut” and how he was afraid of being on an airplane or in space. (However, it also tied in with threads precognitive of the September 11 attacks in 2001 and the grounded airplanes after that event, the 2001 anthrax attacks, as well as my as-yet-unknown-of upcoming marriage.)



      Additional notes as correlation samples:

      Associations with dream state induction: Lloyd Bridges (“Sea Hunt” - water induction, being like a fish), Silas Weir Mitchell (werewolf-like character as analogous to dreaming and waking), Russell Johnson (isolated on island, dreaming), Josh Holloway (isolated on island, dreaming), Don Knotts (“The Incredible Mr. Limpet” - water induction, becoming a fish).

      Associations with outer space (augmented ambiguous vestibular system factor): Lloyd Bridges (“Stowaway to the Moon”), Dick Van Dyke (“Uhny Uftz” episode of “The Dick Van Dyke Show”), Nichelle Nichols (“Star Trek”), Barbara Bain (“Space 1999”), Don Knotts (“The Reluctant Astronaut”).

      Transitional autosymbolism (liminal space): Lloyd Bridges (play on “bridges”), Gregory Hines (cop in “Running Scared”), Pierce Brosnan (James Bond movies), Barbara Bain (“Mission Impossible”), Saul Rubinek (curator in “Warehouse 13” - secret service agents also feature in this show).

      Enhanced vestibular system correlation: Lloyd Bridges (“Sea Hunt”), Jordan Gavaris (dancer), Lucille Ball (dancer), Gregory Hines (dancer), Nichelle Nichols (dancer), Barabara Bain (dancer), Don Knotts (as an animated fish in “The Incredible Mr. Limpet”).


    14. 10 Dreams with Vestibular System Correlation Set 1

      by , 05-25-2018 at 08:33 PM
      Afternoon of May 24, 2018. Thursday.



      Vestibular system correlation is the most common cause of the autosymbolism of the dream state.

      Vestibular system correlation is the result of the illusory dream self lacking the discernment of the physical body during the first stages of consciousness reinitiation by way of RAS (reticular activating system) mediation and modulation. This is a biological correlation, yet also inclusive of liminal anticipation of the waking process.

      In this series, I will be including my original date codes rather than dream titles, as each event described and explained in this series is only part of a particular dream’s autosymbolic process. The date code is year (four digits), month (two digits), day (two digits), and the hour of the sleep cycle in which the dream occurred (two digits). This is the only viable way to order dreams, which I first used at the beginning of fifth grade. The order here will be entirely random as I look back and choose particular dreams. As I have tens of thousands of dreams and their causes and meanings not yet posted anywhere online, I am considering new methods of dream journal entries, such as sets of 25 to 50 dream events in a singular entry with summaries that are more concise, with their causes and meanings.

      1) (1966122301). This was a series of dream sequences based on resets by way of liminal dream control (though of which partial lucidity was present at times, though lucidity and dream control are unrelated despite popular misconceptions). The most vivid event resulted in being saved from a fall from the Rose Street apartment’s roof by a “Shadow Cat” (from “Gay Purr-ee”, a 1962 American animated film musical). Based on the foundation of liminal anticipation of hypnic jerks (which I call “hypnopompic kicks” when they occur at the end of a dream), the scenario developed out of the unexpected disappearance (in my dream only) of the external staircase at the back of the building while seeking to use it to enhance my dream. (Since I was a toddler, I knew that staircases were autosymbolic of the dreaming and waking process, so I typically used them to vivify and sustain a dream.) Why I chose the “shadow” (in the form of a bizarre anthropomorphic cat silhouette, though in my dream seemed more like a helpful human adult, probably modeled after my father in this case) from an animated movie I had seen only hours previously is interesting. Most people see the “shadow” as eerie or even malevolent, yet the form comes from the preconscious, not the unconscious as so many erroneously believe. I have only ever seen the “shadow” as either a loving entity or a thread of my conscious self identity being rendered within the dream state for my illusory dream self to acknowledge and find validity and stability in (as the dream self lacks a real physical body, which vestibular system correlation is all about). (There is also a hidden factor regarding cats, in that they supposedly “always land on their feet”.)

      2) (1964070506). At age three, floating, flying, and falling dreams were at their peak. In this recurring series, I sometimes chose Woody Woodpecker to be the factor of falling out of the dream state, depicted as driving my brother-in-law’s car with Knothead and Splinter as front seat passengers. The event was Woody Woodpecker driving off a steep embankment with a sustained scene of them in the car (as viewed by hovering in front of the scene) rolling down the hill, screaming, and waving their arms with their eyes bulging. This was loosely modeled after real-life experiences, one influenced by a road in Florida that was so wavy in shorter distances it was like going up and down on a rollercoaster, another influence from riding in a car up to Grandad Bluff, and another from the steep ride to Chipmunk Coulee, where we lived. Ultimately, from what others have written about dreams, these were not even technically nightmares. Fear was minimal and it was more like watching a curious impersonal scene. There were versions of this dream where they were people, not cartoon woodpeckers, but the rendering was still not very realistic. Vestibular system correlation autosymbolism occurs in different forms. This was more of a projected form rather than a directly experienced form.

      3) (1965110203). This dream was lucid, though I did not seek to alter it. A gigantic bat flies over Carol (older half-sister on my mother’s side) on Chipmunk Coulee, though it is mostly only seen in shadow against the late night sky. There is no fear on my part, though she appears startled by the event. This dream vividly repeated many years later while I was otherwise awake and walking to another sister’s house just before Carol had a heart attack (but recovered from it) and coincidentally having moved to a location near the original dream setting. This certainly does not indicate that my original dream was premonitory, but that my mind “borrowed” and vividly repeated it while awake to designate prescience of the event. Additionally, I never saw large bats (flying foxes) in real life until many years later when I moved to Australia.

      4) (1972020407). The song “Aquarius/Let the Sunshine In” by the 5th Dimension mainly influenced this dream. I titled it “When the moon is in the Seventh House” (the first lyric of the song), which featured the moon turning into a giant animated crow and falling into the closet of the southwest bedroom of the Cubitis house as the waking alert factor. (This is the closet I went to get my clothes to get ready for school this year.) As is often the case, this was projected vestibular system correlation rather than directly experienced. (There was also influence from a liminal focus on the January 30 1972 lunar eclipse.)

      5) (1968111508). In this dream, I watch a giant eagle-like silhouette flying across the sky, between two clusters of cypress trees as tall as skyscrapers. There is an extraordinary sense of timelessness and nostalgia. This dream was influenced by three main factors; the Pogo Possum comic strip by Walt Kelly, the swampy Fort Ogden area in Florida where I lived when I was very young, a deck of educational cards that, when flicked through, display an animation of wild animal silhouettes with a bird silhouette flying above them. (Another deck featured a rabbit hopping into a hat, the hat rolling around, and a dove flying out.)

      6) (1981112904). I see an oversized shadow of a raven (though I do not actually see a raven) move up and to the right (in a diagonal path) in the house in Cubitis upon the wall between the kitchen and the entrance to the hallway. It seems very late at night. There is a very vivid sense of timelessness and isolation, though not in a negative sense, only as if I am the only person in the region or in this realm. It is as if I am viewing time itself in the form of a bird.

      7) (1988021308). With much of my conscious self identity extant, I find myself in the backyard of an unfamiliar residence. About five men are inside but soon come outside. One man comes out pushing a bicycle, down the steps and into the backyard, and I focus on how the bicycle seems an exact “duplicate” of mine. I say, with a sudden clarity, “How is this possible?” and he says with a very friendly tone, finishing with my first name as if he knows me very well, “Parallel ground Claude”. Thus, some RAS personifications (even though they always maintain the same underlying essence) seem wary of the waking process while others embrace it, though the ultimate purpose is to initiate consciousness. What defines the differences, or is it just incidental? Both a bicycle and an airplane are autosymbolic projections of the liminal awareness of the physical body while in the dream state. In this case, RAS even explained the meaning to me. His explanation of “parallel ground” is a perfect analogy to vestibular system correlation, where the illusory nature of the imaginary dream body correlates with the discernment of the physical body in the final moments of waking.

      8) (2014030706). In this situation, I am back in my room in Cubitis in late morning. A large bird, which resembles a pelican, is standing on a chair near the west windows. There is no other furniture in my room. There is no danger, and it seems very majestic. It seems to have the essence of a very old mystical being and I think of the mythical phoenix. In my dream, as in many other dreams, I seem much younger, probably only about fourteen. However, unlike with many other non-lucid (though very vivid) dreams, I have a very vague awareness of my current conscious self.

      9) (1971011502). This was a very enjoyable dream despite the implications. In late night, I wander out onto the carport (liminal space autosymbolism) and see that the house is apparently floating high up within a tornado. I watch debris fly by to my left (beyond the carport) and I am amazed by the vividness. I do not feel alarmed at all, only puzzled. On the east end of the carport, a large bird flies down to gaze at me, as if to offer help, though remains directly on the end of the carport. It seems very “wise” and has the essence of a very old “teacher”. I sense that it is “king of the birds” and it is even wearing a crown. I see that it is exactly my height. Although I associate it with a hawk, it was influenced somewhat by the Woggle-Birds from “Jack and the Beanstalk” (a 1967 TV movie), though far more “realistic” if still somewhat sketchy.

      10) (1967122702). This extraordinarily vivid dream was directly influenced by photographs from a book; the Time-Life Nature Library “The Birds”, which I had gotten for Christmas at age seven. (The photograph was taken the day before my dream occurred on December 26, 1967.) My dream was a curious shift of RAS modulation (the primary form being a snake as the biological waking alert factor) turning quickly into vestibular system correlation. I was walking on a dirt road near an isolated cornfield very late at night, with stalks about twice my height. I had a curious “realization” of being followed by a snake though it is not crawling very fast. Soon, a large owl flies down and attacks the snake and I no longer feel wary. As with many of my childhood dreams, I had no clear awareness of my parents or my age


      Updated 05-25-2018 at 08:52 PM by 1390

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    15. 40 Helicopter Dreams (Part 1)

      by , 05-20-2018 at 12:46 PM
      Afternoon of May 20, 2018. Sunday.



      To save time and space, I include my age (for the first version of each dream) rather than a specific date. As I have only a tiny portion of my dreams online (about 5,000 presently), this list is very incomplete. Vestibular system correlation, inner ear dynamics, and the autosymbolic rendering of liminal physical body awareness in sleep are the cause of helicopter dreams (though spiritually represent the Merkaba), even for literal carryovers into the dream state (such as actually having been in a helicopter, elevator, escalator, and so on). This is a key factor of the dream state caused by the lack of viable discernment of the physical body in sleep (and the ambiguity of vestibular system function during REM sleep), and being as such, is unrelated to the myth of “interpretation” for waking life. (Dreams are autosymbolic, not symbolic in the conventional sense. They are rendered by way of the preconscious during RAS mediation, not the unconscious mind or so-called subconscious. The dream self is the subconscious personified, which in non-lucidity does not even have viable access to the unconscious mind or the conscious self identity, but does have more access to the transpersonal interconsciousness than the conscious self in waking life typically does, which is a key factor of prescience and other inexplicable experiences.) For some dreams, there is detail in this entry that was not included in the original post.

      This entry lists the factors of helicopter autosymbolism and is not meant to fully explain a particular dream or combined causes of a dream.

      1) The In-Store Ride (4). Combines checkout (dream exit) autosymbolism with vestibular system correlation. I am vividly aware of being upside-down in semi-darkness in a fetal position in a coin-operated (kidney-shaped) helicopter ride. (Prenatal memory influence.)

      2) Hummingbird Satellite (7). In childhood fantasy and naïvety, asteroids are perceived as giant prehistoric bones. One is approached by a “helicopter” in space, which is actually a kind of spaceship (possibly unmanned) and is caught in its orbit, whereby an “umbilical cord” (cable) connects the “helicopter” and “asteroid” (influenced by a photograph from a Time Life “Birds” book that I got for Christmas at age 7). I await news of its status.

      3) Hallicopters… (8). This series of dreams was heavily influenced by my father’s Hallicrafters radio and the “helicopter” sound it made on certain channels.

      4) The Sacred Rock of Thought (14). A helicopter only appears in the last segment to lift the rock (shaped like a brain). I have liminal dream control and “wish it away”.

      5) Rocket Science? (15). A school bus slowly flying above the horizon in the distance has helicopter rotor blades and ambiguously has an “ancient” essence. Smoke billows out from the back. This is the last scene in this dream. (My dreams often end with vestibular system correlation as the waking process.)

      6) Pterodactyl (versus my Helicopter) (16). This dream is based around liminal (non-lucid) dream control and the attempt to mediate the vestibular system ambiguity of the dream state. The pterodactyl is the RAS modulation factor.

      7) Helicopter Digger (26). In this dream the vestibular system correlation fails and my dream is sustained when the helicopter, flying overhead where Leonard and I are fishing, crashes onto the ground as it oddly transforms into a digging machine (as the rotor blades continue to dig into the ground, which is autosymbolism for a desire to sleep longer).

      8) Not by Helicopter this Time (34). I decide to get bicycles (which I am not sure are ours) to travel with Zsuzsanna rather than taking a helicopter, which is having problems, clotheslines (at least perceived as such) caught in the rotor blades and partly melted rotor blades. This has links to other dreams, such as ones where bicycles had melted and another where only a rotor blade was tied onto parts of a clothesline. Both bicycles and helicopters are a similar form of vestibular system correlation in the dreaming and waking process.

      9) Vapid Comic Strip (34). This vestibular system correlation is based more on the precursory anticipation of the waking process and remains static in the ultradian rhythm event. I am looking at unusual daily (black-and-white) comic strips but I only recall one more clearly. A woman approaches a man near an alley and asks him if he has a helicopter and he says “no”. After the woman walks away, he says, “There goes my social life”. This is a play on the dream self not interacting with people in the real physical world until the waking process (such as vestibular system correlation) is initiated.

      10) They’re After Baby Huey (35). I am watching Baby Huey (the cartoon ducking) in an unusual (fictitious) movie. Airplanes (as well as helicopters) are bombing the area. He does not even seem affected by an atomic bomb in the distance. There is a likely play on the UH-1 Huey Helicopter.

      11) Twilight UFOs and Souls (36). A small unmanned helicopter gathers data about the souls that fly thought the sky just before sunrise.

      12) Haunted Fun and Budgie the Little Helicopter (36). Even though the main theme features “haunted places” and “ghosts” (though at an amusement park), Budgie the Helicopter flies around at one point, seeming life-sized and “real” (though which is a mechanical park attraction, I assume, rather than “alive”).

      13) White Camels (38). I fly around using a portable helicopter propeller.

      14) Angel Doctor (48). Helicopters are only mentioned in this dream, as a dream character erroneously states that I am probably flying around because of a helicopter holding me up with wires. (This dream still ties in with liminal recognition of the autosymbolism of dreams.)

      15) In Defense of the “Siren” (53). Burl Ives talks about how my wife Zsuzsanna called up the giant turtle and crashed his helicopter in a direct reference to the movie “The Bermuda Depths” (a television movie from 1978).

      16) Futile Shooting at a White Gorilla in the Enchanted Forest (53). “Twelve multicolored butterflies eventually encircled the area (horizontally) so swiftly that they created a clear impression of a helicopter rotor - in fact, a subtle sound of a rotor was vaguely discernible later on during a transitional (shift in unconsciousness) period.”

      17) Sensual Bliss, Enhanced Sense of Touch, Infinite Peace (53). Another family visits me and my family, arriving and leaving in a helicopter. I also telekinetically cause a stolen barbecue to fly back to its owner.

      18) The Helicopter Bag (53). I try to cause a medicine bag (with marbles in it, though the contents become pillow stuffing later) to fly by use of a toy helicopter’s rotor blade and rubber bands.

      19) Volcanic Events (53). In a very surreal situation, the potential of rescue by remote-controlled miniature helicopter in lifting us from a rug that is somehow floating on lava (but of which is ultimately not perceived as dangerous) is part of the scenario.

      20) Helicopter and Seagulls (54). Seagulls telekinetically guide a helicopter I am flying in (in which the pilot had disappeared) back to shore. A young mischievous version of Zsuzsanna (implied to be a seagull in her “true” form) flies up (from the surface of the ocean) into the doorway to greet me.

      21) Snake Afire (54). RAS modulation using the snake alert factor is sustained into a much longer dream scenario with Zsuzsanna. A man in a helicopter shows up and flies over the area checking for the presence and activity of snakes. He later walks up with a temporary map saying how they are mostly in the mountain belt at this time.

      22) Pterodactyl Driver (54). The white spy from Mad Magazine’s “Spy vs. Spy” is driving a real car. His head turns into a pterodactyl’s, which then spins and becomes a helicopter rotor blade, and which then flies up and away.

      23) Blocked-off Buildings (54). A helicopter crashes near a building at the end of my dream, causing glass to fly, though I (and another unfamiliar dream character) am not injured.

      24) Straight-up Mining (54). In this dream, vestibular system dynamics are very skewed. Cars and trucks go straight up and down a tall mountainous structure for mining purposes. I ride in a helicopter with my wife Zsuzsanna in the first scene.

      25) Dreams Define the Path of Waking From Them (55). A helicopter rotor blade is connected to the top of monkey bars (apparently with a clothesline, as the unlikely and illogical structure was supposedly being privately used to hang clothes on). Vestibular system autosymbolism and transitional associations with waking autosymbolism is combined, as the helicopter rotor blade also implies part a bridge of sorts in this case.

      26) Helicopter Landing (55). A miniature remote-controlled helicopter somehow flies me back to our bed in our present home. Both it and my dream body phased through the ceiling in this curious waking transition autosymbolism.

      27) Amusing Helicopter “Rescue” (55). Pierce Brosnan, as James Bond, but only about five inches high, flies a miniature helicopter to come to “rescue” me from the top of a commercial building. I oblige my dream’s intent by placing a pillow-like version of myself in bed into the helicopter to wake myself.

      28) Helicopter to Spaceship to Helicopter to… (55). This dream was somewhat “dull” in its level of dream self awareness until the last segment. A helicopter flies overhead but transforms into a spaceship (unknown if alien or not) and back again each time it flies over.

      29) Lucid Priest Indeed (55). The last scene in my dream (though part of a false awakening) features an upside-down silhouette of a helicopter in a magazine I am looking at.

      30) Being Wrong in a “Nights in White Satin” Argument (55). An additional dream state indicator (as well as the unfamiliar bedroom I am in) relates to playing and hearing the “Nights in White Satin” Moody Blues song. I get into an nonthreatening argument where I mistakenly remember the song included sounds of helicopters, actually thinking of the beach scene from “Apocalypse Now”.

      31) Helicopter Not Landing Yet (56). I am in a very large room in a commercial building where at least two unknown males are looking at monitors. I am “sleeping” on blankets on the floor. This setting is ambiguously supposed to be occurring inside a helicopter that is flying over a foggy area with jagged rocks (and I feel vague movement as such), but I am never concerned about any possible danger.

      32) Return Flight Oddity (56). There are different types of vestibular system autosymbolism, though both are caused by liminal anticipation of the waking process. In this case, the association is static and an image is featured that displays, in four panels, an airplane (top panel), two helicopters (each in middle panels), and a flying man in a cape (Superman, bottom panel). All are facing to the left, indicating a liminal desire (or intent) for reinduction.

      33) Bizarre Tourist Trip into the Past (with Apollo 11) (56). From a helicopter falls the Apollo 11 spacecraft, its parachutes immediately opening, the craft seeming a bit larger than it should be. I expect that it will probably explode (liminal dream control) and it does. It explodes into a massive fireworks display, debris flying everywhere over a dense forest, though my dream continues from here into other typical forms of waking process autosymbolism.

      34) A Beautiful Beach, Cool Water, and…Almost Kicking Someone (56). I expect to get a “ride back” by helicopter, but instead, I become more self-aware and my dream is sustained by water reinduction on a beautiful beach at night.

      35) Helicopter Ride into the Beautiful Mountains (56). I ride with others to high beautiful mountains to a fictitious workplace where lamps are made from precious stones, as well as at least one transparent statue of a dolphin with human limbs.

      36) The Wrong Dodo (56). I am viewing the scene as if incorporeal. A dark-haired girl (probably a young version of Zsuzsanna) is piloting a helicopter. A large dodo (bird) with a blue ribbon around its neck jumps into the helicopter from some sort of door or opening on top. (This is not logical, as the helicopter’s rotor would otherwise prevent an event such as this.)

      37) Fixing a Bridge (featuring Dean Norris) (56). A helicopter drops off a young version of Zsuzsanna in a bridge-fixing scenario with Dean Norris.

      38) Usual Induction; Atypical “Snowmocopter” Waking Transition (56). A composite vehicle of snowmobile and helicopter occurs in this dream.

      39) No Toy Soldier Rescue (57). A helicopter is apparently on a “rescue” mission to recover toy soldiers from the backyard of our present address.

      40) Helicopter Vestibular Autosymbolism in Education Report (57). With the Department of Education report I am working on, I also have papers related to my own ongoing education. I see an A4 paper with my sketch of a helicopter on it and consider if the parts should be labeled.


      Updated 05-25-2018 at 05:38 AM by 1390

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